Both the Partita in A Minor by J. S. Bach and the Sonata in A Minor by his son C. P. E. Bach are recognized as being among the most significant eighteenth-century solo works for unaccompanied flute, yet they could hardly be more distinct from each other in both form and style. The Partita, rediscovered in 1917, clearly follows J. S. Bach's style in its form, depth, style, and structure. The Sonata was published in 1763, and is to be played in a much more sensitive and expressive way than the Partita. It is a highly dramatic work using extremities of dynamic range, wide intervals, and carefully thought-out phrasing. This edition includes a complete performance on CD

Arranged by Amanda Oosthuizen. For flute. Flute. Classic. Beginning-Intermediate. Book. Published by Kevin Mayhew Publishers

Flute - Intermediate

SKU: KV.3611773

For Two Flutes. Composed by Georg Philipp Telemann. Arranged by Paul Edmund-Davies (editor). Flute. Classic. Book/CD Set. Published by Kevin Mayhew Publishers (KV.3611773).

Paul Edmund-Davies, the editor of this performing edition of Telemann!s Six Canonic Sonatas for two flutes (or violins), Op. 5, is one of the world!s leading flautists. He has appeared as a soloist with many of the greatest orchestras under such conductors as Bernstein, Rostropovich, Boulez, Michael Tilson Thomas, Daniele Gatti, Kent Nagano and Ion Marin and has partnered Andre Previn in chamber music. The Six Canonic Sonatas for two flutes (or violins), Opus 5, were composed in 1738. All contain three movements, the slow and often highly moving middle movements being sandwiched by two brisk and lively outer movements. Contains Sonata in G major, Sonata in G minor, Sonata in D Major, Sonata in D minor, Sonata in A major and Sonata in A minor. Intermediate in difficulty.

For Flute. Classical (chamber). Includes a high-quality printed music score and a compact disc containing a complete performance with soloist, in split-channel stereo (soloist on the right channel); then a second version in full stereo of the accompaniment, minus the soloist. Published by Music Minus One

Flute and Basso Continuo - Intermediate

SKU: J1.5036

Composed by Jean-Baptiste Loeillet. Baroque; Chamber. Full score, set of parts and 2 Play-Along CDs. Recorder JP #5036. Published by Recorder JP (J1.5036).

8.26 x 11.28 inches.

Flute Solo. By Carl Philip Emmanuel Bach. Arranged by Louis Moyse. (Flute). Woodwind Solo. Size 9x12 inches. 8 pages. Published by G. Schirmer, Inc.

For Flute. Classical (chamber). Includes a high-quality printed music book and a compact disc with stereo accompaniments, minus the soloist. Published by Music Minus One.

For Flute. Classical (chamber). Includes a high-quality printed music score and two compact discs containing a complete performance with soloist; then a second version with the accompaniment, minus the soloist. Published by Music Minus One.

For Flute. Includes a high-quality printed music score and a compact disc containing a complete performance with soloist; then a second version with the accompaniment, minus the soloist. Published by Music Minus One.

Composed by Carl Philipp Emanuel Bach (1714-1788), edited by Manfred Harras. Wq 132. For flute (unaccompanied). Format: flute solo book. Baroque. A Minor. 7 pages. 9x12 inches. Published by Baerenreiter-Ausgaben.

Solo Flute

SKU: AP.36-60410002

Composed by Claude Debussy. Flute; Solo. Master Woodwind Series. Score. LudwigMasters Publications #36-60410002. Published by LudwigMasters Publications (AP.36-60410002).

ISBN 9798888521809. UPC: 676737616823. English.

SYRINX, L. 129/CD 137 by Claude Debussy (1862-1918) is among the most famous works for solo flute and is considered to be an indispensable part of the flutist's repertoire. The first solo flute work of any significance since C.P.E. Bach's SONATA in A minor, written over 150 years prior, SYRINX is also credited with reinvigorating the flute as a solo instrument, a trend that continues still. Written as part of the incidental music to Gabriel Mourey's play PSYCHÉ, the short work was originally entitled FLÛTE DE PAN, and it is thought that it was intended to be played off-stage by the dedicatee, famous French flutist Louis Fleury. Reprint edition.

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.

Promises Wedding Classics for Flute with CD composed by Various. Arranged by Jonathon Robbins. For flute. This edition: Paperback. Collection. Wedding. Book and CD. Text Language: English. 32 pages. Published by Santorella Publications

Chamber Music flute, piano

SKU: PR.114422710

Composed by Charles Gibb. Set of Score and Parts. 44+8 pages. Duration 24 minutes. Theodore Presser Company #114-42271. Published by Theodore Presser Company (PR.114422710).

ISBN 9781491136072. UPC: 680160688227.

DUO’s succinct movement titles (I. Here, II. Open, III. Stark, IV. Ardent) tease at revealing the grand and heartfelt inspiration for exuberant romanticism in this sonata-like work of symphonic proportions and depth. Charles Gibb is both an accomplished pianist and an award-winning flutist, who has written of this compelling major addition to the literature: “This work is a journey. What journey and whose journey does not matter. It is my journey, it is your journey. It is the journey of those who came before us, and of those who will come after us. I wrote this hoping that we can find each other along the road, so we can realize that we don’t need to go on the journey alone.” Gibb’s DUO is sure to become a favorite major work for flute recitalists.
This work is a journey. What journey and whose journey does not matter. It is my journey, it is your journey. It is the journey of those who came before us, and of those who will come after us. I wrote this hoping that we can find each other along the road, so we can realize that we don’t need to go on the journey alone.“Here” begins with three notes that shape the rhythmic and harmonic content of the entire work. Melodies and harmonies including the tonic, dominant, and leading tone can be found in each of the four movements. The first moments of this movement introduce the melody, offering itself unencumbered and uninhibited. It shows itself as it is. The melodies soar, the harmonies become voiced more intricately, and the opening theme repeats in full grandeur. The momentum slows down, and the movement ends with a sense of completion, yet remains unbalanced.A striking piano gesture launches “Open,” the idea of instability reflected with the flowing flute trills and unclear meter patterns in the piano. The sensation of an unsteady grace in 5/8 time arrives with a piano ostinato. The melody is expressive, yet insecure and unbalanced due to changing meters. After a grand pause, the movement transitions to 4/4 time with the flute switching between duplet and triplet flourishes. After a rapid descent in the flute, the opening gesture returns, changed and abruptly interrupted.The third movement, “Stark,” is very static, beginning plainly but markedly. The falling fifth calls out continually throughout the movement, searching, lost. Melodies appear in pieces, some smooth and flowing, others rather disjunct. The piece climaxes with a line of mournfulness, yet revealing a deeper strength through intense projection of tone in the high register. However, the static harmonies return, this time unsteady all the way to its foundation. This destabilization repeats, and then quietly recedes.“Ardent” is the longest of the movements and spans a wide range of musical emotion. Part of the movement is fast paced, energetic, and balances order and disarray. However, once the chaos dies down, a gentle, expressive theme comes in. The theme itself is very resolute; it is order appearing from the pandemonium. Conflict returns, and order and chaos become less distinguishable from one another, and soon fuse together. However, order returns with new meaning, synthesized with previous musical content, creating a truer, deeper sense of awareness or understanding. A moment of ambiguity arises, but the flute persists, supported by the sensitive but firm figuration in the piano, and resoundingly comes to a close, unburdened and at ease.