SKU: HL.49009443
ISBN 9790200209563. UPC: 073999491272. 5.25x7.5x0.098 inches.
With more than 1,200 titles from the orchestral and choral repertoire, from chamber music and musical theatre, Edition Eulenburg is the world's largest series of scores, covering large part of music history from the Baroque to the Classical era and looking back on a long tradition.
SKU: FL.FX074315
A pleasant habanera to work for for a contest, an exam and a concert. From 4 years of instrument practice. - Jerome NAULAIS ; Instruments: 1 C Tuba 1 Piano; Difficuly Level: Grade 3; Duration: 2 mn 15; Musical Style: Classical, Educational; Category: Original Composition; Composer: Jerome NAULAIS.
SKU: FL.FX074307
A pleasant habanera to work for for a contest, an exam and a concert. From 3-4 years of instrument practice. - Jerome NAULAIS ; Instruments: 1 Flute 1 Piano; Difficuly Level: Grade 2; Duration: 2 mn 15; Musical Style: Classical, Educational; Category: Original Composition; Composer: Jerome NAULAIS.
SKU: FL.FX071434-4
A must-have for Clarinet. This Sonata in 4 movements comes from a group of 3 Sonatas for wind instruments (oboe, clarinet and bassoon) composed in May and june 1921. They are the last in the catalogue of Saint-Saens' works. There is a mysterious anguish which floats throughout this brillant fourth movement. The agitation and feverishness of your playing should reflect this latent anguish. At the conclusion, which refers to the first movement, avoid accenting the quaver in the Barcarolle rhythm which risks making the phrasing too heavy.This series proposes the very best of classical pieces for clarinet, revised by great teachers and concertists, at reduced price.
SKU: FL.FX074408
Instruments:Cello Quartet: 4 Cellos; Difficuly Level: Grade 2; Duration: 0 mn 35 s; Musical Style: Classical; Category: Arrangement; Composer: Franz LISZT; Arranger: Eric VIRETON.
SKU: FL.FX073976
A small study for concert or exam in a classical form - Pascal PROUST ; A piece to be played from 5 years of practice. ; Instruments: 1 Solo Alto Saxophone; Difficuly Level: Grade 3.
SKU: PR.14440265S
UPC: 680160027910.
The Second and Third Quartets were conceived at the same time; indeed, their composition intermingled, over half of No. 3 being sketched before No. 2 was completed. Accordingly, they share similar material but, like the intertwining blood of cousins, their natures differ: No. 2 being somewhat acerbic and declamatory, No. 3 more lyric and gentler. An annunicatory 'leaping motive' (derived from a motto generated by my name) opens Quartet No. 2 and inhabits the course of the piece as a cyclical binding-force. A five-note motive, usually very deliberate, also keeps recurring like an insistent caller. All three movements are based on tonal centers (I on B and E, II on D, III on C) and the harmonic 'grammar' spoken tends to recall the jazz world of my youth. To hopefully achieve a certain classical ambience was one of the goals of this piece, and all three movements have traditional forms. The first movement is a modified Sonata-Allegro design, with a severely-truncated recapitulation balanced by a lengthy, and decaying Coda. The second movement is a set of strophic variants and an epilogue interspersed with both solo ritornelli and first-movement material (the motto and the five-note motive) in the nature of a fantasia-like 'call-and-response.' It is dedicated to the memory of the American mezzo-soprano Jan DeGaetani. The third movement is a modified Rondo (ABACBA) which evolves out of the opening motto. All three movements make much use of canonic stretti, similar gestures, and repetition. For example, the climax of movement III's Rondo throws the first movement back at us again, as if the players were reluctant to let it go, so that the entire piece could perhaps be viewed as a single large, extended, Sonata movement, with introduction and Coda.The Second and Third Quartets were conceived at the same time; indeed, their composition intermingled, over half of No. 3 being sketched before No. 2 was completed. Accordingly, they share similar material but, like the intertwining blood of cousins, their natures differ: No. 2 being somewhat acerbic and declamatory, No. 3 more lyric and gentler.An annunicatory ‘leaping motive’ (derived from a motto generated by my name) opens Quartet No. 2 and inhabits the course of the piece as a cyclical binding-force. A five-note motive, usually very deliberate, also keeps recurring like an insistent caller. All three movements are based on tonal centers (I on B and E, II on D, III on C) and the harmonic ‘grammar’ spoken tends to recall the jazz world of my youth.To hopefully achieve a certain classical ambience was one of the goals of this piece, and all three movements have traditional forms. The first movement is a modified Sonata-Allegro design, with a severely-truncated recapitulation balanced by a lengthy, and decaying Coda. The second movement is a set of strophic variants and an epilogue interspersed with both solo ritornelli and first-movement material (the motto and the five-note motive) in the nature of a fantasia-like ‘call-and-response.’ It is dedicated to the memory of the American mezzo-soprano Jan DeGaetani. The third movement is a modified Rondo (ABACBA) which evolves out of the opening motto.All three movements make much use of canonic stretti, similar gestures, and repetition. For example, the climax of movement III’s Rondo throws the first movement back at us again, as if the players were reluctant to let it go, so that the entire piece could perhaps be viewed as a single large, extended, Sonata movement, with introduction and Coda.
SKU: HL.49001967
ISBN 9790001021388. UPC: 073999972672. 9.0x12.0x0.254 inches.
Franz Benda belongs to the so-called Berlin or North German School which became extremely significant in the second half of the 18th century particularly in the field of instrumental music and which made the transition from the baroque to the classical period together with the Mannheim School. In the works of the Berlin School, the strict counterpoint of the predecessors is loosened by a freer and melodically pleasant, almost „galant“ style and often even completely displaced.
SKU: FG.55011-676-4
Juhani Nuorvala (b. 1961) wrote The Five Chords That Shook My World (2020) for pianist Nicolas Horvath's Hommage a Glass project and it is dedicated to him. It's a fantasy meditation on the Train/Spaceship chords in Einstein, that repeating five-chord progression (Fm - Db - A - B7 - E) about which the composer has said that there's something strange, because it never fails to lift the audience to its feet. The duration of the piece is c. 6'30'', and it was premiered by Emil Holmstrom at RUSK festival (Pietarsaari, Finland) 20th November 2020. A notable variety of influences - microtonality, American minimalism, New Romanticism, popular music, techno - has been regarded as a special feature of Nuorvala's idiom. Despite this he is not a collage artist; instead he has blended various ingredients to create a mode of expression entirely his own. Nuorvala's works are often marked with frenzied rhythmic drive. He makes music using elements and materials that both the mind and the body respond to. He finds these elements not only in old or new classical music but in various forms of urban popular music, such as the electronic music of modern dance clubs.
SKU: FL.FX073801
Small suite in a classical style for a young instrumentalist solo - Pascal PROUST ; A piece to be played from 4 years of instrument practice ; Instruments: 1 Solo Alto Saxophone; Difficuly Level: Grade 3.
SKU: HL.49047502
UPC: 842819121909.
Portraits consists of eight musical descriptions of important personalities who have shaped culture, art and literature in Turkey and have had a decisive influence on the composer's life and work. The main texture of these very different portraits is accompanied by Anatolian or classical Turkish music.
SKU: HL.14002489
Yung-Yang is a song for medium Voice with Piano accompaniment. It is based on a ninth century Chinese text, which was translated into English in 1916 by Launcelot Cranmer-Byng, and set to music in 1919.
Sir Granville Bantock (1868-1946) was a British composer, conductor and educator. He channelled his energetic and creative personality into many musical projects, championing the works of Jean Sibelius, founding the City of Birmingham Symphony Orchestra, and composing many splendid classical pieces. Viewed by his contemporaries as out-of-date, his music is now being appreciated as one of the last great contributions from theEnglish Romantic movement.
SKU: FL.FX071395
Instruments:String Quartet: 2 Violins 1 Alto 1 Cello; Difficuly Level: Grade 4; Duration: 1 mn 50 s; Musical Style: Classical; Category: Arrangement; Composer: Felix MENDELSSOHN; Arranger: Eric VIRETON.
SKU: HL.49046422
ISBN 9781540090669. UPC: 840126916454.
Beethovens Birthday Boogie is a tribute to one of the greatest composers in musical history: in 2020 the music world will mark the 250th anniversary of his birth. This piano piece works in several Beethoven themes from the Fifth and Ninth Symphonies, presented inthe guise of a Boogie. It begins with what may be the most famous four-note motif in classical music, the musical symbol representing Beethoven. This is immediately followed by the theme from the Ode to Joy, this time in ternary rhythm, accompanied by aplayful Boogie-Woogie figure; another musical quotation is then followed by a brilliant cadenza. An imperfect cadence ending on the dominant leads into a solemn version of the familiar Happy Birthday tune in the style of Beethoven, then the piece ends with two characteristic jazz chords.
SKU: AP.43763S
UPC: 038081496429. English.
Students will learn cut time, rhythmic accuracy, how to achieve clean staccato technique, musical form, and an idea of classical style in this engaging piece. Just plain fun to play! (1:55).
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