SKU: SU.29050020
Six Songs Without WordsFlute & Harp Duration: 14’ Composed: 2016 Published by: Whitco Press.
SKU: SU.21010220
Facsimile Manuscript EditionFlute & Harp Duration: 12’ Composed: 1996 Published by: Estate of Edward T. Cone.
SKU: ST.C450
ISBN 9790570814503.
Mozart wrote the beautiful Concerto for Flute and Harp K.299 for the Duc de Guines and his talented daughter, despite being not particularly fond of either the flute or the harp!This Andante has been adapted [and a cadenza added] for performance without orchestra, and all editorial markings are specifically for harpists.However, the part may be easily performed on the piano by ignoring the editorial markings and adding some discreet pedalling wherever appropriate.
SKU: HL.48181026
UPC: 888680878597.
This book, the first volume of Famous Studies for the Harp - Fifty Studies, Op. 34 by Nicolas-Charles Bochsa, was dedicated to J.B. Cramer. Edited and arranged according to Hasselmans's methods by R. Martenot, it features the studies 1 to 25 for intermediate harp players and above. This volume is followed by a second book including the studies 26 to 50. Nicolas-Charles Bochsa (1789-1856) was a musician and composer able to play the flute, the piano and the harp. He became the harpist of the Imperial Orchestra but had to move to London where he was one of the founders of the Royal Academy of Music.
SKU: HL.48186330
UPC: 888680839567. 9x12 inches.
Les franges du rêve I (8e) (10') pour flûte en sol et Harpee. Par Chen aux éditions Leduc. Partition / Livre de chansons pour Harpe.
SKU: PR.164001780
UPC: 680160037056.
The American imagist poet Amy Lowell (1874-1925) provided both the title and the substance for this brief descriptive work in her poem Night Clouds. I had been commissioned by the flute/harp duo Chaski to write a piece that had a different sound than most flute and harp pieces. The image of these elusive beasts cavorting through the night, before the appearance of the tiger sun, seemed to me perfectly suited for the flute and harp and would give me the chance to write a work for that combination that did NOT have overtones of nymphs and shepherds. I wanted to make much use of the harp's more violent sounds (beating the strings and the soundboard, for instance) as well as its unusual and idiomatic effects, such as pedal glissandi. For the flute, there are jet-whistle effects, extremes of register, pitch-bending and other decidedly non-pastoral gestures. The work was composed in 1986. --Dan Welcher.
SKU: FG.55011-885-0
Whizzing, growling and rattling – you can produce all kinds of sounds with the harp, not just the fairy-tale shimmer and glissandos that you first think of. Lotta Wennäkoski composed Sigla for harp and orchestra (2021-2022) in close collaboration with the harpist Sivan Magen, to whom the concerto is dedicated. The title of the concerto, Sigla, has different meanings in different languages. In Italian, it means a jingle; in Icelandic, it means sailing; and in Tagalog, spoken in the Philippines, it means vivaciousness or enthusiasm. Wennäkoski has not specifically referenced these in the movements of the concerto as such, but she does allow that the various meanings of the word may be identified with the music according to the listener’s perception.The recording of the work (Ondine ODE1420-2) was premiered with the Gramophone award as the the best release in the contemporary category in October 2023.This product is the solo part.The orchestral material is available for hire from the publisher.Duration: 19'Instrumentation:Harp solo – equipped with paint brush, tuning key and a plastic hair clip2 Flutes (2nd doubling piccolo)2 Oboes2 Clarinets in Bb2 Bassoons2 Horns in F2 Trumpets in C – trumpets and trombone doubling an egg slicerBass trombone attached to a piece of wood or a flat cardboard boxPercussion (2 players)Percussion I: crotales, vibraphone, 5 gongs (a#, bn, c’, e’, f’), bass drum, cymbal, guiro, bell tree, shell chimes, whip, lion’s roar and different beaters including a bow, superball stck and wire brushesPercussion II: tam-tam, cymbal, snare drum, 2 cowbells, 2 temple blocks (med/lg), triangle (small/med), vibraslap and different beaters including a bow, wire brushes and superball stickPiano – equipped with a plectrum, wire brushes and 2 soft percussion beatersStrings.
SKU: SU.93020010
Instrumentation: Flute & Harp Duration: 5' Composed: 2012 Published by: Subito Music Publishing.
SKU: SU.28060080
Two contrasting movements: (i. Drifting) a gentle Berceuse, and (ii. Weaving) a lop-sided Tarantella. flute & harp Duration: 11' Composed: 2016 Published by: Distributed Composer.
SKU: SU.80601920
Flute & Harp Composed: 1996 Published by: E.B. Marks.
SKU: HL.48180300
UPC: 888680795436. 9.0x12.0x0.036 inches.
The first of the Two Pieces for flute and harp or piano accompaniment, ââ¬Å1. The swansââ¬Â? is a lovely short piece composed by Henri Busser. Really melodious, this piece is perfect to work on the flexibility of the tone and a good training to be able execute pieces more difficult. Written mainly in A key, not often used by flutists, and starting Andantino moderato, the piece symbolizes the swans, riding on a lake. It features an intro, a main theme in [A] which comes back A tempo in [C] and a final Piú moderato, finishing with a really high trill. Some difficulties, such as the A key and the range used on this piece will require an intermediate technique: difficulty is rated at 5. This first piece is followed by the second one: ââ¬Å?The squirrels.ââ¬Â Henri Busser (1872-1913) is a French classical composer and organist. He was a professor at the Paris Conservatoire and a member of the Académie française. He wrote a ballet, numerous operas and chamber music.
SKU: SU.50025150
Copyright 1974. Published by: Seesaw Music.
SKU: SU.50026700
Copyright 1987. Published by: Seesaw Music.