SKU: CA.4000413
ISBN 9790007057404. Key: E minor. Language: Latin/English.
The Credo belongs to that large group of church works which Vivaldi composed in Venice between 1713 and 1717 for the Ospedale della Pieta, then his primary place of employment. The composition, conceived solely for choir and strings, is characterized by a two-layered formal design: a continuous, basic motivic idea, i.e., a constant rhythmic impulse with rapid tone repetition builds an instrumental layer, while on the other hand the writing for choir renders the text in a blocklike structure in chordal declamation. This structure will only be abandoned briefly in the concluding section of work, where the text Et vitam venturi saeculi is embedded in a concise fugue. Score and part available separately - see item CA.4000400.
SKU: HL.50018410
8.0x10.75x0.215 inches.
SKU: CA.4002000
ISBN M-007-24070-7. Latin.
Antonio Vivaldi composed not only instrumental music, but also vocal music with equal sensitivity and enjoyment for the girls at the Ospedale della Pieta in Venice. The Laudate Dominum RV 606 dates from this period. This choral piece is simple and homophonic, but through multiple modulations into distant keys it acquires its own very special charm. Accents are placed in typically Vivaldian style, individual words emphasized, and the venerable psalm text is accordingly given a new kind of meaning by the composer.
SKU: CA.4002049
ISBN M-007-24072-1. Latin.
SKU: CA.4002019
ISBN M-007-25166-6. Latin.
SKU: LO.30-2899L
UPC: 000308133578.
This product is the full orchestral score only for The Power of the Cross..
SKU: HH.HH522-IPT
ISBN 9790708185390.
The so-called 'Anna Maria Partbook' consists of an elegantly bound volume in red leather containing the violin part of 31 highly virtuoso violin concertos, 26 of which are by Vivaldi. The collection represents the personal repertoire of the Venetian composer's most gifted pupil, the famous 'Anna Maria della Pieta', who also played the viola d'amore, mandolin, theorbo and harpsichord. Twenty of the Vivaldi concertos are known from other manuscript sources and are therefore familiar to us in their complete versions. The remaining six -- three for violin and three for violin and organ -- are unique to the Anna-Maria Partbook, and, because they are incomplete, have not hitherto been part of the Vivaldi performing canon. Now, as a result of Federico Maria Sardelli's rigorous musicological research and painstaking work of reconstruction based on many concordant sources, we are at last able to enjoy these six concertos in startlingly persuasive realizations.
© 2000 - 2024 Home - New realises - Composers Legal notice - Full version
