SKU: SU.50000840
Published by: Seesaw Music.
SKU: SU.91770850
Instrumentation: Clarinet, Violin, Violoncello & Piano Duration: 4' Composed: 2014 Published by: Subito Music Publishing.
SKU: HL.48022748
UPC: 888680019853. 9.0x12.0x0.094 inches.
Confluences is a three-movement work for clarinet, violin, violoncello and piano which was composed for the New York Continuum Ensemble in 2001. In the short first movement, a two-note motif wanders through the strings while the piano plays delicate figures in the descant. The second movement, Grazioso, is the most elaborate among the three, beginning with a fast arch-shaped theme played by the clarinet. The final movement, entitled 'peaceful, floating', contains a transparent dialogue between all members of the ensemble. Confluences was premiered at the Knitting Factory in New York City in 2001.
SKU: HL.50561848
UPC: 073999363555. 9.75x12.5x0.028 inches.
SKU: HL.48180724
UPC: 888680847418. 10.5x13.75 inches.
For violin and piano.
SKU: HL.14017039
ISBN 9788759850305. 8.25x11.75x0.155 inches.
Jeppesen's Lille Sommer-Trio in full score and parts for Piano Trio. The Violin parts is equally suited to the Flute.
SKU: HL.48180969
UPC: 888680878382. 9x12 inches.
SKU: HL.50566001
ISBN 9781705150559. UPC: 196288017592.
SKU: AP.36-60783002
ISBN 9798888528655. UPC: 659359997112. English.
The piano trio version of LA MUSE ET LE POÈTE, Op. 132 was written by Camille Saint-Saëns (1835-1921) in 1910 during a vacation to North Africa, and that version premiered at Queen's Hall on June 7, 1910, with Eugene Ysaÿe on violin, Jospeh Hollmann on cello, and the composer at the piano. Saint-Saëns transcribed the version for violin, cello and orchestra that same year, and the same two string players premiered that version on October 20 at the Sarah Bernhardt Theater in Paris under Fernand Le Borne. Despite the title (which was later added by the publisher to make it more marketable), no program is intended for the work and neither instrument represents either the muse or the poet. Saint-Saëns himself referred to the piece as a conversation between the two instruments instead of a debate between two virtuosos.
These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.
SKU: HL.48180706
UPC: 888680829360. 9x12 inches.
SKU: SU.91740010
Duration: 17' Composed: 1981 Published by: Subito Music Publishing.
SKU: HL.48180493
No. 5 from Histoires.
SKU: SU.91740210
Clarinet, Violin, Cello Duration: 4' Composed: 1982 Published by: Subito Music Publishing.
SKU: SU.92050290
Instrumentation: Violin, Viola, Violoncello & Piano Duration: 16' ' Composed: 2011 Published by: Subito Music Publishing.
SKU: SU.46200070
Clarinet, Violin & Piano Duration: 5 ' Composed: 1990 Published by: Verdehr Trio Commissioned to have an nineteenth-century flavor, Hoag chose for this work to reach back to the uniquely American perspective of the rag. Michigan State University Press.
SKU: HL.49013019
ISBN 9790001128247.
Jarnach wrote three sonatas for solo violin. The second Sonata, Op. 11, was composed in 1913 and is dedicated to Max Reger. With the increase in interest in the music of the early decades of the 20th century, the works of the Busoni pupil Jarnach are experiencing a renaissance in the concert hall.
SKU: SU.21010100
Violin, Violoncello & Piano Duration: 28’ Composed: 1951, revised 1976 Published by: Edward T Cone Estate.
SKU: HL.50606859
ISBN 9798350118896. UPC: 196288194606.
Special Import titles are specialty titles that are not generally offered for sale by US based retailers. These items must be obtained from our overseas suppliers. When you order a special import title, it will be shipped from our overseas warehouse. The shipment time will be slower than items shipped directly from our US warehouse and may be subject to delays.
SKU: BR.PB-5354
Bach's manuscript leaves several questions unanswered.
ISBN 9790004211533. 9 x 12 inches.
When an editorial formula proves to be as compelling as in the case of the E-major Concerto BWV 1042, then its obvious that it is going to be applied again: this time to Klaus Hofmanns new Urtext edition of the A-minor Concerto. Bachs manuscript leaves several questions unanswered. The slurring, particularly in the solo part, is once again equivocal and inconsistent. Bach himself expected his performers to be creative, which is why the interpretative suggestions of Baroque expert Sigiswald Kuijken are particularly welcome. The edition for violin and keyboard instrument (with continuo ad lib.) once again contains three violin parts (the first unmarked, the second with markings and comments by Sigiswald Kuijken, the third as a facsimile). This provides well-grounded stimuli for ones own personal interpretation based on historically informed performance practice. The keyboard arrangement by Siegfried Petrenz is transparent and easy to play. A violoncello part has been added for chamber-music.Bach's manuscript leaves several questions unanswered.
SKU: HL.48180996
UPC: 888680885274. 11x14 inches.
SKU: SU.50014110
Copyright 1977. Published by: Seesaw Music.
SKU: BA.BA07566-75
ISBN 9790006558438. 32.5 x 25.5 cm inches.
About Barenreiter Urtext Orchestral Parts
Why musicians love to play from Bärenreiter Urtext Orchestral Parts
- Urtext editions as close as possible to the composer’s intentions - With alternate versions in full score and parts - Orchestral parts in an enlarged format of 25.5cm x 32.5cm - With cues, rehearsal letters, and page turns where players need them - Clearly presented divisi passages so that players know exactly what they have to play - High-quality paper with a slight yellow tinge which does not glare under lights and is thick enough that reverse pages do not shine through
SKU: HL.275476
ISBN 9781540026200. UPC: 888680744250. 9x12 inches.
SKU: HL.48022887
ISBN 9780851627809. UPC: 884088945572. 9.0x12.0x0.27 inches.
Contents: Dance * Song * Song and Dance. Piano reduction by Stephen Gibson.
SKU: SU.46100330
Clarinet, Violin, Violoncello & Piano Composed: 2012 Published by: Distributed Composer.
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