SKU: BT.DHP-1033404-400
ISBN 9789043105477. English-German-French-Dutch.
19 original concert studies by such well-known composers as James Curnow, Jacob de Haan, Jan Van der Roost and Allen Vizzutti. This book will be of great use to all euphonium players who are looking for short unaccompanied solos. (With Demo CD). Studeren hoeft niet saai te zijn. De 19 concertetudes in deze uitgaven vormen stuk voor stuk een inspirerende uitdaging voor iedere euphoniumspeler. Alle belangrijke aspecten van het euphoniumspel komen aan bod. De bijgeleverde demo-cdis natuurlijk ingespeeld door Steven Mead!Der zweite Band Konzertetüden von bekannten Komponisten u.a. James Curnow, Jacob de Haan, Jan Van der Roost, Allen Vizzutti, Otto M. Schwarz, André Waignein. Jedes Stück behandelt andere, wesentliche Spielweisen und Techniken des Euphoniumspiels. Steven Mead spielte wiederum alle Etüden auf die jeweils beiliegende CD ein. 19 studi da concerto firmati James Curnow, Piet Swerts, Jan Van der Roost, Peter Graham, e altri.
SKU: SU.29110060
1. Sidestep Reel - In 19th Century America, the Afro-Celtic fiddle style was the centerpiece of many a dance. Reels and hornpipes were very popular forms. Their repetitive, even-metered rhythms were easy and fun to dance to, and their infectious singable melodies stayed in the mind and on the tongue. More adventurous fiddlers were given to syncopating on these forms by accenting off beats and by embellishing melodies with oddmetered note groupings. Syncopation is a fundamental rhythmic attitude of jazz and this movement is a celebration of that art. The melodic language is a home-grown concoction of commonality between traditional reels and hornpipes and the Baroque, Ragtime and the quartal concepts of Modern Jazz. 2. As the Wind Goes - the wistful late night song of a lullabye, a campfire song, a ballad...a spiritual. It is sung as if on the wind, yearning to experience once again that which will only ever again live as memory. 3. Jones’ Jig - the Irish Jig, the African 6/8 bell pattern, the shuffle rhythm of jazz and the drum style of Elvin Jones all play around with the relationship of 3 in the time-space of 2. The juxtaposition, negotiation and reconciliation of these opposing rhythmic perspectives create interesting musical relationships all over the globe. 4. Nicola’s Strathspey - In the traditional Strathspey, improvised embellishments, syncopated dotted rhythms and the use of space between notes create expectation, momentum and surprise. These same elements and their effect on the listener are the same in the blues. It seems like a natural marriage. 5. Bye Bye Breakdown - This is good ol’, Saturday night barn dance, hoedown fiddling. It revels in the whining cry of open double stops, in all types of musical onomatopoeia from train sounds to animal calls to country whistling, and in the steady 2/4 rhythm that is as basic as walking. The harmonic framework of several popular fiddle and folk tunes provide a practical grid for the cutting of challenging melodic and rhythmic figures. It is designed to tire fiddler and dancers out. Then we stomp our way home in varying states of delight and disrepair.Solo Violin Duration: 24' Composed: 2018 Published by: Wynton Marsalis (administered by Skayne's Music).
SKU: BT.RICL00033600
English.
SKU: HL.14040601
French.
SKU: FH.WC4
ISBN 978-1-55440-580-0.
This new series offers a sequenced approach to the study of clarinet from the beginner to advanced levels. With a progressive collection of Repertoire, Etudes, Recordings, Orchestral Excerpts, and Technique, the Clarinet Series, 2014 Edition provides complete support for teachers and students at every level of study. Nine progressive volumes of Repertoire expose students to a wealth of music from the earliest works for clarinet to accompanied and unaccompanied contemporary compositions. Students will explore some of the most definitive solo pieces written for clarinet, along with popular folk tunes, Klezmer melodies, Classical solos, and contemporary compositions that incorporate traditional and extended techniques.Technical Repertoire:Dance - Randall CunninghamPrelude - Paul HarveyVisions: Third Movement - Paul HarrisVisions: Fourth Movement - Paul HarrisGigue - Daniel AuberPrelude - Gerhard WuenschPromenade - Marc DelmasAllegro - Johann Friedrich Fasch, arr. Richard PlattWaltz - Gordon JacobLyrical Repertoire:Andante - Felix MendelssohnPetite piece, L 120 - Claude DebussyNocturne - Theodore Verhey, arr. Himie VoxmanAndante - John Mahon, arr. Elaine ThomasFantasy - Carl NielsenAllegretto grazioso - Johannes BrahmsScena, from I Capuleti e i Montecchi - Vincenzo Bellini.
SKU: HL.250608
UPC: 888680908195. 9.0x12.0x0.4 inches. English.
The theme of this work is man & machine, as commissioned by Michael Nicolas. The theme is represented in that the Cellist becomes both in the piece man & machine where man indicates performing expressively with emotion, and a musical approach to the music, and machine indicates more precise rhythmic and technical accuracy, a somewhat stricter approach to the music. These two approaches gradually transition from one to another throughout the work. Anna Thorvaldsdottir frequently works with large sonic structures that tend to reveal the presence of a vast variety of sustained sound materials, reflecting her sense of imaginative listening to landscapes and nature. Her music tends to portray a flowing world of sounds with an enigmatic lyrical atmosphere.
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