Kantate zum 19. Sonntag nach Trinitatis. By Johann Sebastian Bach. Edited by Horn, Paul / Leisinger, Ulrich. For Bass Solo, SATB Choir (Schlusschor) / 2 Oboes, Taille (English Horn), Cello solo, 2 Violins, Viola, Cello/Contrabass, Organ. BWV 56. Full score available separately - see item CA.3105600. Cantatas; Stuttgart Urtext editions; Use during church year: End of the church year. Piano/Vocal score. Language: German/English. Composed 1726. 24 pages. Duration 21 min. Published by Carus Verlag (German import).

(Dialogus. Kantate zum Sonntag nach Neujahr). By Johann Sebastian Bach (1685-1750). Edited by Reinhold Kubik. Arranged by Paul Horn. For Soli SB, 2 Oboes, Taille (English Horn), Violin solo, Strings, Organ. This edition: paperbound. BWV 58. Full score available separately - see item CA.3105800. Cantatas; Use during church year: New Year. Level 3. Piano/Vocal score. Language: German/English. Composed 1727. 24 pages. Duration 17 min

By Johann Sebastian Bach. Edited by Arthur Mendel. For Flute (2), Oboe (2)/Oboe D'amore (A)/Oboe-Dacc/English Horn, Lute, Viola D'amore (2), Viola Da Gamba. Wind Parts. BWV 245. Published by Baerenreiter-Ausgaben (German import). (BA5037 65)

English Horn & Piano

SKU: SU.50024750

For English Horn & Piano. Composed by Alexandra Pierce. Woodwinds, Oboe/English Horn. Accompanied by piano. Score & Parts. Seesaw Music Corp #50024750. Published by Seesaw Music Corp (SU.50024750).

Copyright 1996. Published by: Seesaw Music.

Chamber Music oboe

SKU: PR.114422520

Sonata for Oboe and Piano. Composed by Katherine Needleman. Set of Score and Parts. 24+8 pages. Duration 15:45. Theodore Presser Company #114-42252. Published by Theodore Presser Company (PR.114422520).

ISBN 9781491134788. UPC: 680160683833.

After decades as a renowned oboe virtuoso, Katherine Needleman was improvising at the piano during the quarantine summer of 2020 when her ideas congealed in a powerful way. Within a week she completed a 16-minute oboe sonata inspired by the world’s overlapping crises. This riveting three-movement sonata bears the title qua resurget ex favilla, drawn from the Dies Irae text referring to rising back from ashes. Needleman won the International Double Reed Society’s Inaugural Commissioning Competition by entering her own recording of this work, performing as both oboist and pianist from her living room. As a result, IDRS commissioned her to compose a new work for English horn and piano which was premiered at their 2021 Virtual Symposium and programmed for the live 2022 convention.
I’m not exactly sure how, in a life consumed by music, I never put anything on paper between the time I stopped at age 10 and the age of 42. I mean, I have some ideas why, but that could easily dissolve into a feminist manifesto or a condemnation of my musical education and the overwhelming culture of American oboe playing, the vehicle through which I’ve made a living my entire adult life. Rather than go there, I will just say this is the first piece I put on paper in my adult life.Six months into COVID-19 lockdown in the US, the world was feeling pretty weird. I had familiarized myself with the music notation program, Sibelius, for recent arranging projects. I had written some mockeries of A.M.R. Barret oboe etudes in response to an assignment I was given (and did appropriately first). When I descended into a dark chorale in the middle of the fourth mockery, I realized I needed a new vehicle. I wrote a short, ridiculous piece for my husband’s birthday, and then, the next night, when improvising at the piano, like I’ve done since I was seven years old, this piece came to me. However, this time, I sketched it out into Sibelius. Over the course of the next week, I found notating and picking permanent, official notes to enter into the computer challenging. But it was all done on paper in seven days, and I took another few for dynamics and articulations thinking they might be useful for someone else, if I would ever be lucky enough for someone else to play it.I don’t have much to say about the music of qua resurget ex favilla itself. It’s a personal statement couched in the feelings of that time. The US presidential election was looming large and ugly in my mind, well, that and the end of life as we knew it, but I also had some bizarre feeling that everything would be okay.

By Wolfgang Amadeus Mozart. Arranged by David Walter. For Flute, Oboe, English Horn, Clarinet, Bassoon. KV 253 & 270. Duration 24:50:00. Published by Billaudot.

By Gabriel Faure (1845-1924). Arranged by Anna Cooper. For oboe trio: 2 oboe, english horn. Mallard Music series. Grade 7. Score and parts. Duration 4'33. Published by Wonderful Winds

Chamber Music & Piano Accompaniment 1 English Horn 1 Piano - Grade 4

SKU: FL.FX073730

Composed by Jerome Naulais. Original Composition. Classical, Educational. Score and Set of Parts. 8 (score); 3 (parts) pages. Duration 4 minutes, 10 seconds. FLEX Editions #FX073730. Published by FLEX Editions (FL.FX073730).

This concertante piece is a trip to Spain, and especially to Andalusia with a stop in Seville ... - Jerome NAULAIS ;

A piece that can be played from 6 years of instrument practice ; Instruments: 1 English Horn 1 Piano; Difficuly Level: Grade 4.

By Vincent Persichetti. For English Horn, Piano. Solo Part with Piano Reduction. Opus 137a. Duration 20:. Published by Theodore Presser Company.

(For English Horn). By James Matheson. Solo instrument. For English Horn. Contemporary. Advanced/Professional. Solo part. Standard notation. Composed JANUARY 20 2007. 3 pages. Duration 4 minutes. Published by Theodore Presser Company

By Wolfgang Amadeus Mozart. Arranged by David Walter. For Flute, Oboe, English Horn, Clarinet, Bassoon. KV 213, 240 ,252. Duration 31:20:00. Published by Billaudot.

(Oboe)

SKU: HL.48018355

Composed by Peter Jona Korn. Boosey & Hawkes Chamber Music. Simrock #M221108982. Published by Simrock (HL.48018355).

UPC: 073999802450.

English Horn.