Composed by Adam Taylor. Fantasia using two chant melodies. Marian, General. Published by CanticaNOVA Publications (C5.6140).

27 Solos from Hymns, Poems, and Scriptures. For voice with keyboard. Includes saddle-stitched book for the singer, and a foldout page book for the accompanist. 2 books. Published by Darcey Press.

Composed by Calvert Shenk. For organ and brass. Two movements for Organ and Brass. General. Score. Published by CanticaNOVA Publications

Composed by John Ignatowski. For organ. Great preludes on two very popular British hymn tunes. General. Published by CanticaNOVA Publications

Organ

SKU: CA.1804800

Composed by Friedrich Reimerdes. This edition: Paperbound. Hymns by Martin Luther: Ausgaben mit mehreren Luther-Liedern. German title: Festliche Orgelchorale 9. Organ music based on hymns, Easter and Eastertide. Collection. 88 pages. Carus Verlag #CV 18.048/00. Published by Carus Verlag (CA.1804800).

ISBN 9790007032036.

Keyboard and Organ Works from Copied Sources Partitas and Partita Movements, Part 2. By Froberger, Johann Jacob. Edited by Rampe, Siegbert. For Organ, Piano, Harpsichord. Johann Jacob Froberger: Neue Ausgabe samtlicher Werke,Bd.4.1. Playing Score; Urtext Edition (paperbound). Published by Baerenreiter-Ausgaben (German import). ISBN M006488360.

Little Chorale Arrangements for Organ op. 8, no. 3 and individually transmitted Chorale Arrangements. By Hugo Distler. Edited by Armin Schoof. For Organ. This edition: Urtext Edition; Paperbound. Neue Ausgabe samtlicher Orgelwerke, Band II. Score. 45 pages. Published by Baerenreiter Verlag (German import).

Organ solo

SKU: CA.1804300

Composed by Friedrich Reimerdes. This edition: Paperbound. Hymns by Martin Luther: War Gott nicht mit uns diese Zeit. German title: Festliche Orgelchorale 7. Organ music based on hymns, Easter and Eastertide. Collection. Composed 1960. 56 pages. Carus Verlag #CV 18.043/00. Published by Carus Verlag (CA.1804300).

ISBN 9790007032005.

Organ - advanced

SKU: HL.49045437

For Organ. Composed by Enjott Schneider. This edition: Saddle stitching. Sheet music. Organ Large Works. Classical. Softcover. Composed 2016. 48 pages. Duration 24'. Schott Music #ED 22668. Published by Schott Music (HL.49045437).

ISBN 9790001162715. UPC: 841886029088. 9.0x12.0x0.168 inches.

On the occasion of the quincentenary of Reformation Day in 2017, the composer Enjott Schneider thoroughly studied Martin Luther the individual and all his contradictions. The result is a brilliant, demanding organ symphony which is perfect for concerts on the subject of Reformation and Martin Luther.The composer describes the five movements of the symphony as follows:'1st movement:Wir glauben all an einen Gott with its quintuplet-like beginning is very Gregorian in style, outlining the range of Lutheran emotionalism between the Middle Ages and the modern era. The irrationality of faith ultimately has priority over any thought and evidence. At the beginning of the movement, sounds of knocking on wood remind of the nailing of the Ninety-Five Theses to the doors of churches in Wittenberg. The chorale melody sometimes hides with an almost rough medieval saltarello, referring to Luther's robustness and vitality with which he knew to carry away even common people.2nd movement:In 1530, the electoral prince of Saxony presented to Luther at Coburg Castle the golden signet ring with the Luther rose which became the symbol of his theology of grace. A white heart with black cross is fixed on a five-petalled rose. To him, white is the colour of angels and ghosts, black stands for the pain of crucification: The just shall live by faith, but by faith in the Crucified. But the fact that the rose and the heart are the dominating symbols shows how Catholic Marian piety remained an ingredient of Luther's spirituality throughout his life. In line with the dominant five-petal structure of the rose, this movement was composed, to a large extent, in accordance with the floating, lyrical rhythm in 5/8 time.3rd movement:The omnipresence of death and dying - from the plague and war to the never-ending dangers of daily life - was an essential part of the world view of that time. Fears ensued that might heighten into the grotesque, e.g. in the pictures of Hieronymus Bosch. The Danse macabre was a popular motif in those years. Luther's chorale Mitten wir im Leben sind / mit dem Tod umfangen from 1524 (Enchiridion from Erfurt) is based on the Gregorian chant Media vita in morte sumus created in France around 750 and, with its idea of transience, inspired a simplistic air.4th movement:The famous confession delivered at the Diet of Worms in 1521, I stand here and can say no more. God help me. Amen, are not Luther's words but the version later used as text for a pamphlet. However, it represents quite plainly the straightforwardness and inevitability of his mission. Musically, it was made into a perpetuum mobile, i.e. a dogged, ostinato and never-ending musical air.5th movement:The Mighty Fortress, on the other hand, is one of the great symbols of Martin Luther which, with its shining C major key, embodies the Protestant ideology and willful nature of the Reformation unlike any other song. Heinrich Heine called it the Marseille anthem of the Reformation, Friedrich Engels the Marseillaise of the Peasants' Wars. This disputability is not thought through to the end but rather interrupted: With a jubilant birdcall version of the melody, the finale shows a rather chamber-music-like side of the ideals of freedom of Christians.'.

Organ - Grade 4

SKU: HL.14023343

Composed by Per Norgard. Music Sales America. Classical. Book [Softcover]. Composed 2002. 22 pages. Edition Wilhelm Hansen #WH28924. Published by Edition Wilhelm Hansen (HL.14023343).

ISBN 9788759862469. 12.0x8.25x0.081 inches. English.

Work for Organ dating from 1958.

Arranged by Robert Farrell. For organ. Easy Marian chant prelude. Marian. Published by CanticaNOVA Publications

By Jehan Titelouze. Arranged by Felix Alexandre Guilamnt. Schott. Size 9x12 inches. 168 pages. Published by Schott.