Bassoon and piano

SKU: BR.EB-5567

Original and Arrangements. Composed by Othmar Schoeck. Edited by G. Steidl. Arranged by Gustav Steidl. Solo instruments; stapled. Edition Breitkopf. Arrangements for violoncello (EB 5566) and bassoon (EB 5567) are also available. Sonata; Romantic; Late-romantic. Score. 36 pages. Duration 15'. Breitkopf and Haertel #EB 5567. Published by Breitkopf and Haertel (BR.EB-5567).

ISBN 9790004164440. 9 x 12 inches.

It is considered a milestone in the repertoire for bass clarinet: Othmar Schoeck's Sonata op. 41, composed in 1927/28 for the Swiss music patron and amateur clarinetist Werner Reinhart. In the tension area between late Romanticism and currents of New Music of the 1920s, Schoeck created a work of fascinating colorfulness, which even has jazz elements flashing up in the finale. This classic work is one of the most exciting, boldest instrumental works by the important song and opera composer. CD: Renate Rusche (bass clarinet), Werner Hagen (piano) Sc 63072.

Composed by Jef Maes (1905-). Woodwinds - Bassoon. Metropolis Music Publishers #BP4378EM. Published by Metropolis Music Publishers

By Edward Elgar. For Bassoon, Piano Accompaniment. Romantic. Sheet Music. 14 pages. Published by Novello and Co Ltd.

Bassoon and piano

SKU: BR.MR-2157

Composed by Ignaz Moscheles. Edited by Himie Voxman. Solo instruments; stapled. Musica Rara. Solo concerto; Romantic. Score. 68 pages. Breitkopf and Haertel #MR 2157. Published by Breitkopf and Haertel (BR.MR-2157).

ISBN 9790004487075. 9 x 12 inches.

Violin, cello, piano

SKU: BR.SON-421

Complete Works. Composed by Felix Bartholdy Mendelssohn. Edited by Salome Reiser. Linen. Complete Works. Romantic period. Complete Works. 292 pages. Breitkopf and Haertel #SON 421. Published by Breitkopf and Haertel (BR.SON-421).

ISBN 9790004802663. 9 x 12 inches.

Nearly an entire decade lies between the first mention (1831) and the printing (1840) of the Trio op. 49. Mendelssohn kept trying to set it to paper, but he was probably again making too many demands on this work, his first in the piano trio genre. Yet his efforts were immediately rewarded: It is the master trio of the present, and Mendelssohn the Mozart of the 19th century, proclaimed Robert Schumann, who was also to compose a landmark D minor Trio seven years later. Mendelssohn's second Trio op. 66 was composed with a relatively light hand in 1845. Over and beyond the familiar Trios opp. 49 and 66, the corresponding volume of the Leipziger Mendelssohn-Ausgabe contains sketches and drafts in the same scoring, which were not further developed.