SKU: GH.CG-7151
ISBN 9790070041164.
SKU: GI.G-9864
UPC: 785147986409. English, Spanish. Text Source: Psalm 116/Salmo 115:12-13, 15 and 16bc, 17-18 (cf. 1 Corinthians/1 Corintios 10:16), adapt. TA. Scripture: Psalm 116:12–13, 15 and 16bc, 17–18, 1 Corinthians 10:16.
SKU: GI.G-008248
English, Spanish.
John‚ versatility shines in a salsa-influenced work with lyrics by friend Noelle Garcia. The choral refrain is bilingual. This high-energy piece also features a rap‚ section immediately following the percussion ad lib. Contemporary groups will love this one! From the recording and music collection Testify (008242, 008243) and also recorded on Angotti Live: The Memphis Concert (008288).
SKU: GI.G-6608
UPC: 785147660804. English. Text Source: Based on Psalms 42:3, 5, 43:3, 4. Text by Beth Ann Martinez. Scripture: Psalms 42:3, 5, 43:3, 4.
A diatonic melody in even notes offset by a slightly irregular accompaniment characterizes this setting of Psalm 42. Unison and two-part verses alternate with the SAB refrain. An independent violin or C instrument part, soprano descant, and choral backup to the cantor’s final verse round out this most useful setting. For cantor or soloist C instrument
SKU: GI.G-009605
Latin, english.
For the Pueri Cantores choral series, Keith Kalemba has crafted this fine choral arrangement of the timeless and beautiful chant Veni, Creator Spiritus. It was originally commissioned as a three-part piece for men's choir, but is presented here in Latin and English for any three-part choir, whether youth, women or men's voices. The ancient poetic images are skillfully evoked as the chant melody weaves effortlessly through the vocal parts.
SKU: GI.G-008293
UPC: 641151082936. English. Text by Geoffrey Bernard.
SKU: GI.G-8601
UPC: 785147860105. English. Text by Adam M. L. Tice. Scripture: Romans 8:38–39, Philippians 4:7–9, 2. John 3:16–21, John 8:12, John 9:5, John 14:6.
Few pieces are as simple and straightforward as this, while still providing an array of choices for how it can be performed. Written with 3 sung lines (mixed or equal voices) that are repeated, the effect can be quiet and intimate or strong and determined—or a combination! Performance suggestions are in the printed music, but listening to the recording (Walk in Peace, CD-908) will spark your imagination with even more possibilities. C Instrument part is only for Upon This Path Guitar chords only appear for Upon This Path.
SKU: GI.G-008360
English.
** GIA no longer publishes nor sponsors the work of Paul A. Tate. Pieces for which Tate served as an arranger remain on our website as the original work of the composer.
SKU: LO.15-3883H
ISBN 9780787775001.
Originally featured in the musical, Babes in Toyland, this dreamy setting of the nostalgic tune is a holiday programming option that audiences of all ages will appreciate. Let C. E. Walz' wistful setting transport your audience back to a simpler time of holidays past with this charming setting.
SKU: GI.G-008438
UPC: 641151084381. English.
SKU: GI.G-10535
UPC: 785147053514. English, Spanish. Text Source: English ref.: John 6:68c, Lectionary for Mass, English vss.: Psalm 19, The Abbey Psalms and Canticles, Spanish ref.: Juan 6:68c, Spanish vss.: Salmo 19(18), Leccionario Edición Hispanoamericana Scripture: Psalm 19, John 6:68.
SKU: AP.48914
UPC: 038081562384. English. Traditional Spiritual.
Also known as Keep Your Hand on the Plow, here's a traditional spiritual that is appropriate for concert or contest, stage or sanctuary. Singers will easily grasp the bluesy harmonies that often flip between major and minor, and lock into the steady swing tempo. Consistent rhythmic anticipations create singable syncopation and add energy. A supportive piano accompaniment lays beautifully in the hands as well as providing a reliable groove. You simply cannot go wrong with a setting like this as prepared by top-tier choral conductor and arranger, Victor C. Johnson.
SKU: JK.01354
1 Nephi 3:7; D&C 64:34.
Ennobling arrangement for mixed chorus (SAB) and piano, with scriptural text from 1 Nephi 3:7 and D&C 64:34, from Robert Millett's new Gospel Principles Series:I will go and do the things which the Lord hath commanded...for the Lord requireth a willing heart... [and] a willing mind... [and] shall eat of the good of the land.Soprano high note: G.Composer: Robert Millett Arranger: Robert Millett Lyricist: Scriptural text from 1 Nephi 3:7; D&C 64:34 Difficulty: Medium Performance time: 2:30Reference: 1 Nephi 3:7; D&C 64:34.
SKU: GI.G-6044
This piece can be used as a mantralike refrain over which the verses can be layered. It is a gentle song—a comforting reminder of God’s undying love in times of hardship, sorrow, anger, or guilt. Refrain may be used as ostinato. For cantor or soloist.
SKU: GI.G-9392
UPC: 785147939207. English. Text Source: Based on Psalm 23. Text by John Quincy Adams. Scripture: Psalm 23.
Although best known as the sixth President of the United States, John Quincy Adams’ great desire was to write poetry, upon hearing his words set to music by one of his contemporaries, he exclaimed his delight “as the organ pealed and the choir of voices sung the praise of Almighty God from the soul of David, adapted to my native tongue by me.†This setting was written for SAB choir, however, it could be sung by an SSA ensemble as well. The tune is original, but Meyer has written in the style of the music that Adams might have heard in his day.
SKU: CF.CM9731
ISBN 9781491161111. UPC: 680160919703. Key: C major. English.
Johannes Brahms, born May 7, 1833 in Hamburg, Germany and died April 3, 1897 in Vienna where he lived most of his life. Brahms is one of the most famous composers of the Romantic period (1830-1920) although his music has many elements of the Classical period (1750 to 1830) as he followed many of the practices of Classical composers Haydn, Mozart and Beethoven. In addition to being a composer, he was also well-known as a pianist and conductor. Brahms began writing the Requiem (also known as the German Requiem, Opus 45) soon after his mother died in February 1865 which caused him great grief. In April of that year, he completed the first, second and fourth movements and completed the rest of the seven movements in May of 1868. How Lovely is Thy Dwelling Place (Wie Lieblich sind Deine Wohnungen) was the fourth movement of his seven movement work. Originally written for SATB voices in E-flat major, this seamlessly similar arrangement for SAB voices, now in C major, affords all voices comfortable ranges. Although, it is approximately 5 minutes and 30 seconds in length, it is perceived to be much shorter because of the contrasting stylistic sections within the work. How Lovely is Thy Dwelling Place is one of the most beautiful choral pieces by Brahms, perhaps in the entire Romantic period. Although Brahms wrote the original piano reduction, in this edition, it has been made more accessible for pianists with a wide range of skills. Pay close attention to the dynamic markings throughout the piece, making them apparent to the voices, conductor, and audience. I hope you enjoy singing this beautiful and timeless piece by Johannes Brahms! Russell Robinson, Arranger  .Johannes Brahms, born May 7, 1833 in Hamburg, Germany and died April 3, 1897 in Vienna where he lived most of his life. Brahms is one of the most famous composers of the Romantic period (1830-1920) although his music has many elements of the Classical period (1750 to 1830) as he followed many of the practices of Classical composers Haydn, Mozart and Beethoven. In addition to being a composer, he was also well-known as a pianist and conductor. Brahms began writing the Requiem (also known as the German Requiem, Opus 45) soon after his mother died in February 1865 which caused him great grief. In April of that year, he completed the first, second and fourth movements and completed the rest of the seven movements in May of 1868. How Lovely is Thy Dwelling Place (Wie Lieblich sind Deine Wohnungen) was the fourth movement of his seven movement work. Originally written for SATB voices in E-flat major, this seamlessly similar arrangement for SAB voices, now in C major, affords all voices comfortable ranges. Although, it is approximately 5 minutes and 30 seconds in length, it is perceived to be much shorter because of the contrasting stylistic sections within the work. How Lovely is Thy Dwelling Place is one of the most beautiful choral pieces by Brahms, perhaps in the entire Romantic period. Although Brahms wrote the original piano reduction, in this edition, it has been made more accessible for pianists with a wide range of skills. Pay close attention to the dynamic markings throughout the piece, making them apparent to the voices, conductor, and audience.I hope you enjoy singing this beautiful and timeless piece by Johannes Brahms!Russell Robinson, Arranger    .
SKU: HL.264818
UPC: 888680731151. 6.75x10.5x0.029 inches.
Based on Duke Ellington's composition “C Jam Blues†this is a classic, swinging, improvisatory chart. The classic “riff†style is important to know about and great fun to sing.
SKU: GI.G-7392
UPC: 785147739203. English. Text Source: Psalm 91:1-2, NIV Scripture: Psalm 91:1–2.
The chant-like treatment of the Psalm verses, in addition to creating a simply lovely setting, can also be a great exercise in sensitively conveying the meaning of the words through proper textual stress—a skill that can be applied to less lyrical pieces in the choral repertoire. The voice parts are minimal in scope (each roughly an octave), but the fluctuating accidentals will require some attention for tuning.
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