SKU: LP.765762229204
UPC: 765762229204.
Your Easter services will soar with triumphant praise and inspire poignant reflection with this new musical arranged and orchestrated by the gifted Camp Kirkland. With faith-building content majestic musicianship and dramatic narration I Will Embrace the Cross is sure to become a favorite of churches large and small. Part of the Lillenas Excel Series the 8 songs in this 34-minute musical were arranged with you in mind-excellent quality and easy to sing and play. You just might want to include them in your services all year long! Accompaniment DVD available.
SKU: HL.1455435
UPC: 196288209614.
First recorded by James Ray in 1962, this soulful rock tune became a huge hit when former Beatle George Harrison covered the song for his 1987 album â??Cloud Nineâ?. With a lyrical hook that grabs you in all the right ways, this song will appeal to all generations!
SKU: HL.1455436
UPC: 196288209621.
SKU: HL.35031345
ISBN 9781495079665. UPC: 888680653361. 6.75x10.25 inches.
Written by Gerry Rafferty and Joe Egan for their band Stealers Wheel, this was a surprise hit for them in 1973. Since then, it has been covered by numerous singers and most recently as the theme song for Grace and Frankie a Netflix original comedy. This arrangement keeps that light folk feel with a more contemporary accompaniment and will be a sure-fire hit with mixed voices as well as women's and men's groups.
SKU: CR.984328
ISBN 9780758666147. 7 X 10.25 inches.
Michael Larkin's gentle anthem of comfort is based on Isaiah 43:1 - 4. The luscious choral textures are supported by a decorative piano accompaniment, making this an accessible piece for choirs of all abilities. The text appears in Lutheran Service Book's Three-Year Lectionary, Series C, as the Old Testament Reading for the Baptism of Our Lord. The piece also makes a wonderful anthem for baptisms and confirmations.
Do not be afraid, for I have redeemed you.I have called you by your name, and you are Mine.Do not be afraid, for you are Mine.
When you pass through deep waters the waves will not cover you.When you pass through the fire the flames will not touch you.The flames will not touch you.Do not be afraid, for I have redeemed you.I have called you by your name, and you are Mine.For I am the Lord your God; you are precious in My sight.
I love you with a perfect love.I love you with a perfect love, a perfect love.
SKU: WD.080689705021
UPC: 080689705021.
Introducing Southern Sundays, the new Southern Gospel Choir Series, from WORD Music! There's nothing better than the rhythms and sounds of a great southern gospel song. Add the power of an energetic and spirited gospel choir to the inspiring lyrics and infectious makes-you-want-to-sing-along music, and you've got a proven, winning combination guaranteed to make your Southern Sunday choir sound their very best!
SKU: WD.080689505676
UPC: 080689505676.
SKU: WD.080689801723
UPC: 080689801723.
SKU: C4.9790902260473
ISBN 9790902260473. 8.27 x 11.7 inches.
Forming part of the A Distant Music anthology, Praise: Psalms and Prayers 1 showcases 20 sacred choral works by Australian composers, most published here for the first time.Containing a variety of accompanied and unaccompanied works, Praise: Psalms and Prayers 1 offers choirs access to quality Australian sacred music. Settings include texts from the Book of Psalms, well-known prayers as well as a spiritual poem by Australian Erica Jolly.The 90-page volume covers a range of abilities and variety of compositional styles.
SKU: WD.080689656231
UPC: 080689656231.
From Road to Calvary, a powerful Easter musical arranged and orchestrated by Daniel Semsen, Calvary, is an overwhelming testimony of just how far Christ’s sacrifice goes for all of us. With rising dynamics and an upbeat tempo, this anthem will remind your congregation that His death covered our debts, cast out all sin and shame, and ransomed our souls… Calvary covered it all!
SKU: CF.CM9700
ISBN 9781491160008. UPC: 680160918607. Key: A minor. Hungarian. Hungarian Folk.
In 2014, Chanticleer commissioned me to make a new arrangement of the Hungarian-Romani folk song Jarba, Mare Jarba for their 2014 touring program. Passed down orally through the Romani communities, this beautiful folk song, with text in a language called Beas (beh-osh), speaks of a deep longing to visit one's homeland, a place where the singer can never return. Chanticleer consists of twelve men whose vocal ranges span from low bass to high soprano, equivalent to the range of a mixed choir of women and men. I composed slow sections of original material to represent the singers' longing to return home; these are interspersed with the folk song's traditional fast sections. The incorporated shouts and calls in the score are typically found in the performance of Central European folk songs. I hope you enjoy singing this new version of Jarba, Mare Jarba that contains all of the vigor and excitement of the Chanticleer version. PERFORMANCE NOTES All spoken sounds (indicated by x noteheads) should be performed by individuals. Feel free to elaborate with more sounds of your own in the tradition of Eastern European folk music. If the piece is memorized, feel free to experiment with clapping on the off-beats of m. 93 to the end. TEXT Transliteration Jarba, mare jarba mas duce a casa, da nu pot ca am jurat, Jarba, mare jarba mas duce a casa, da nu pot ca am jurat. Mare jarba, verde jarba nu me pot duce a casa. Jarba, mare jarba mas duce a casa, da nu pot ca am jurat. O mers mama de pe sat, O lasat coliba goala, Infrunzitu, ingurzitu da plina de saracie, da plina de saracie. Mare jarba, verde jarba nu me pot duce a casa. Jarba, mare jarba mas duce a casa, da nu pot ca am jurat. Translation Green grass, tall grass, I would like to go home, but I cannot, because I have sworn not to. Tall grass, green grass - oh, that I cannot go home! My mother has left the village; she left the hut empty, Adorned with leaves but full of poverty. Tall grass, green grass - oh, that I cannot go home! Tall grass, green grass - I would like to go home. but I cannot, because I have sworn not to. Stacy Garrop's music is centered on dramatic and lyrical storytelling. The sharing of stories is a defining element of our humanity; we strive to share with others the experiences and concepts that we find compelling. She shares stories by taking audiences on sonic journeys - some simple and beautiful, while others are complicated and dark - depending on the needs and dramatic shape of the story. Garrop served as the first Emerging Opera Composer of Chicago Opera Theater's Vanguard Program. She also held a 3-year composer-in-residence position with the Champaign-Urbana Symphony Orchestra, funded by New Music USA and the League of American Orchestras. She has received numerous awards and grants including an Arts and Letters Award in Music from the American Academy of Arts and Letters, Fromm Music Foundation Grant, Barlow Prize, and three Barlow Endowment commissions, along with prizes from competitions sponsored by the Detroit Symphony Orchestra, Civic Orchestra of Chicago, Omaha Symphony, New England Philharmonic, Boston Choral Ensemble, Utah Arts Festival, and Pittsburgh New Music Ensemble. She is a Cedille Records artist; her works are commercially available on more than ten additional labels. Her catalog covers a wide range, with works for orchestra, opera, oratorio, wind ensemble, choir, art song, various sized chamber ensembles, and works for solo instruments. Notable commissions include My Dearest Ruth for soprano and piano with text by Martin Ginsburg, the husband of the late Supreme Court Justice Ruth Bader Ginsburg, The Transformation of Jane Doe for Chicago Opera Theater, The Battle for the Ballot for the Cabrillo Festival Orchestra, Goddess Triptych for the St. Louis Symphony Orchestra, Glorious Mahalia for the Kronos Quartet, Give Me Hunger for Chanticleer, Rites for the Afterlife for the Akropolis and Calefax Reed Quintets, and Terra Nostra: an oratorio about our planet, commissioned by the San Francisco Choral Society and Piedmont East Bay Children's Chorus. Garrop previously served as composer-in-residence with the Albany Symphony and Skaneateles Festival, and as well as on faculty of the Fresh Inc Festival (2012-2017). She taught composition and orchestration full-time at Roosevelt University 2000-2016) before leaving to launch her freelance career. She earned degrees in music composition at the University of Michigan-Ann Arbor (B.M.), University of Chicago (M.A.), and Indiana University-Bloomington (D.M.).In 2014, Chanticleer commissioned me to make a new arrangement of the Hungarian-Romani folk song Jarba, Mare Jarba for their 2014 touring program. Passed down orally through the Romani communities, this beautiful folk song, with text in a language called Beas (beh-osh), speaks of a deep longing to visit one’s homeland, a place where the singer can never return. Chanticleer consists of twelve men whose vocal ranges span from low bass to high soprano, equivalent to the range of a mixed choir of women and men. I composed slow sections of original material to represent the singers’ longing to return home; these are interspersed with the folk song’s traditional fast sections. The incorporated shouts and calls in the score are typically found in the performance of Central European folk songs. I hope you enjoy singing this new version of Jarba, Mare Jarba that contains all of the vigor and excitement of the Chanticleer version.PERFORMANCE NOTESAll spoken sounds (indicated by x noteheads) should be performed by individuals. Feel free to elaborate with more sounds of your own in the tradition of Eastern European folk music.If the piece is memorized, feel free to experiment with clapping on the off-beats of m. 93 to the end.TEXTTransliterationJarba, mare jarba mas duce a casa, da nu pot ca am jurat, Jarba, mare jarba mas duce a casa, da nu pot ca am jurat. Mare jarba, verde jarba nu me pot duce a casa.Jarba, mare jarba mas duce a casa, da nu pot ca am jurat.O mers mama de pe sat, O lasat coliba goala,Infrunzitu, ingurzitu da plina de saracie, da plina de saracie. Mare jarba, verde jarba nu me pot duce a casa.Jarba, mare jarba mas duce a casa, da nu pot ca am jurat.TranslationGreen grass, tall grass, I would like to go home, but I cannot, because I have sworn not to.Tall grass, green grass – oh, that I cannot go home!My mother has left the village; she left the hut empty, Adorned with leaves but full of poverty.Tall grass, green grass – oh, that I cannot go home! Tall grass, green grass – I would like to go home.but I cannot, because I have sworn not to.Stacy Garrop’s music is centered on dramatic and lyrical storytelling. The sharing of stories is a defining element of our humanity; we strive to share with others the experiences and concepts that we find compelling. She shares stories by taking audiences on sonic journeys – some simple and beautiful, while others are complicated and dark – depending on the needs and dramatic shape of the story.Garrop served as the first Emerging Opera Composer of Chicago Opera Theater’s Vanguard Program. She also held a 3-year composer-in-residence position with the Champaign-Urbana Symphony Orchestra, funded by New Music USA and the League of American Orchestras. She has received numerous awards and grants including an Arts and Letters Award in Music from the American Academy of Arts and Letters, Fromm Music Foundation Grant, Barlow Prize, and three Barlow Endowment commissions, along with prizes from competitions sponsored by the Detroit Symphony Orchestra, Civic Orchestra of Chicago, Omaha Symphony, New England Philharmonic, Boston Choral Ensemble, Utah Arts Festival, and Pittsburgh New Music Ensemble. She is a Cedille Records artist; her works are commercially available on more than ten additional labels.Her catalog covers a wide range, with works for orchestra, opera, oratorio, wind ensemble, choir, art song, various sized chamber ensembles, and works for solo instruments. Notable commissions include My Dearest Ruth for soprano and piano with text by Martin Ginsburg, the husband of the late Supreme Court Justice Ruth Bader Ginsburg, The Transformation of Jane Doe for Chicago Opera Theater, The Battle for the Ballot for the Cabrillo Festival Orchestra, Goddess Triptych for the St. Louis Symphony Orchestra, Glorious Mahalia for the Kronos Quartet, Give Me Hunger for Chanticleer, Rites for the Afterlife for the Akropolis and Calefax Reed Quintets, and Terra Nostra: an oratorio about our planet, commissioned by the San Francisco Choral Society and Piedmont East Bay Children’s Chorus.Garrop previously served as composer-in-residence with the Albany Symphony and Skaneateles Festival, and as well as on faculty of the Fresh Inc Festival (2012-2017). She taught composition and orchestration full-time at Roosevelt University 2000-2016) before leaving to launch her freelance career. She earned degrees in music composition at the University of Michigan-Ann Arbor (B.M.), University of Chicago (M.A.), and Indiana University-Bloomington (D.M.).ÂÂ.
SKU: AP.46959
UPC: 038081536088. English.
Originally popularized by Chuck Berry in 1958, some say this was the very first rock 'n' roll Christmas song. Since then, it's been covered by everybody from Bryan Adams and Billy Idol to Kelly Clarkson, Conan O'Brien, and The Muppets! Kirby Shaw kicks off his arrangement with that characteristic guitar lick and builds from there. The optional SoundPax allows you to assemble your own rock band, or use the live-instrument SoundTrax CD.
SKU: CA.5456005
ISBN 9790007111298. Language: German. Text: von Kohlbrenner, Franz Seraph. Text: Franz Seraph Kohlbrenner.
Although the music of the younger Haydn brother was highly regarded by his contemporaries, his music was forgotten in the 19th century and still waits to be rediscovered. One of his more well-known works is the central piece on the present CD, the German Mass Hier liegt vor deiner Majestat MH 560 (Here before thy majesty), a work which is musically the epitome of south-German/Austrian Catholicism and which to this day is still a part of church music practice in this region. Score available separately - see item CA.5456000.
SKU: CA.5456019
ISBN 9790007226251. Language: German. Text: von Kohlbrenner, Franz Seraph. Text: Franz Seraph von Kohlbrenner.
Although the music of the younger Haydn brother was highly regarded by his contemporaries, his music was forgotten in the 19th century and still waits to be rediscovered. One of his more well-known works is the central piece on the present CD, the German Mass Hier liegt vor deiner Majestat MH 560 (Here before thy majesty), a work which is musically the epitome of south-German/Austrian Catholicism and which to this day is still a part of church music practice in this region. Score and parts available separately - see item CA.5456000.
SKU: CA.5456009
ISBN 9790007226237. Language: German. Text: von Kohlbrenner, Franz Seraph. Text: Franz Seraph Kohlbrenner.
SKU: LP.OR-9177
UPC: 765762090804.
Incredible treasury of powerful choral arrangements by Tom Fettke 27 stirring classics and exciting standards Covers a wide range of styles including contemporary gospel praise and worship and southern gospel Large folio-sized solo/accompaniment edition provides an outstanding collection of medium-high voice solo arrangements as well as the full piano accompaniments for the choral book Split-channel accompaniment trax are available specifically for solo use. Choral music enthusiasts will enjoy the stereo listening recording available in cassette or CD. This excellent recording is produced by Tom Fettke and features the Master's Chorale. Sample titles include: High and Lifted Up; Praises; I Stand Here Forgiven; Think About His Love; God So Loved the World; Home Where I Belong; I Am; The Gates of Hell Shall Not Prevail; Joy of My Desire; My Life Is in You Lord.
SKU: MN.80-695
UPC: 688670806957. Latin.
Philip Stopford's new Mass setting for assembly, cantor, SATB voices and organ was commissioned for St. Luke the Evangelist Church in Richmond Heights, Missouri, to commemorate the parish's Centennial. It is a complete setting: Penitential Act (four options), Gloria (through composed), Sprinkling Rite, Gospel Acclamations (Alleluia and Lenten acclamations), Universal Prayer, Eucharistic Acclamations and Lamb of God. Latin settings of the Gloria, Sanctus, and Agnus Dei are also included. While Mr. Stopford's compositional style has the broad sweep of English church music, his flair for melody keeps it accessible for assembly. Movements such as the Holy, Holy are set creatively and will remain fresh after years of singing. Parts for brass quintet and timpani on the major movements add to a festive rendition.
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