SKU: HL.428247
UPC: 196288063384. 6.75x10.5x0.045 inches.
A Fab Four Medley with 18 classic songs in just four minutes!? As Brian Wilson once said, “There's no outdoing the Beatles.†Includes: All You Need Is Love, Blackbird, Come Together, Eight Days a Week, Eleanor Rigby, A Hard Day's Night, Here Comes the Sun, Hey Jude, I Want to Hold Your Hand, In My Life, Let It Me, Love Me Do, Penny Lane, Strawberry Fields Forever, We Can Work it Out, With a Little Help from My Friends and Hello, Goodbye.
SKU: HP.C5064O
UPC: 763628144609. Tom S. Long. 2 Samuel 1:1,17-27.
Original composition One of the centerpieces of their musical for young voices, The Rock Slinger and His Greatest Hit, Tom Long and Allen Pote have re-voiced the captivating, Friends in the Lord for SATB voices. With its vivid statement of mutual encouragement and standing together with one another at all times, the message of this anthem is especially relevant to our children and families.
SKU: HL.508338
UPC: 196288073604. 6.75x10.5x0.036 inches.
Written and recorded while we were all in quarantine, this is a song of hope and overcoming challenges “together.†This is a natural pop/gospel tune for choral singing and the message is a perfect vehicle to begin conversations around hope, friendships and the importance of community during challenging times.
SKU: XC.SATB2101
UPC: 812598038224. 6.75 x 10.5 inches.
Along the Way presents a message that we all need to hear in our world right now. The piece reminds us of the importance of friendships and encouragement throughout life’s journey. Robust lyrical writing is contrasted with contemplative a cappella section. Varied use of compound meter and occasional divisi provides an approachable challenge for any mixed choir. Along the Way is a wonderful addition to any concert or graduation program.
SKU: SU.80400940
SSATBB Chorus & Organ Duration: 6:00 Commissioned by: the Westminster Sanctuary Choir and friendsDedication: in honor of the 150th anniversary of Westminster Presbyterian Church, Grand Rapids, MIPremiered by: The Westminster Sanctuary Choir; Helen Hofmeister Hawley, conductorCopyright 2011Text author: Christina Rossetti Published by: Paulus Publications (SP565) Minimum order quantity: 8 copies. To order quantities fewer than 8.
SKU: ZB.ZE-8733
Making the Bible sound; this is what gospel pastor and songwriter Joachim Dierks implements in numerous choral songs. CD with Joachim Dierks & Friends feat. Tobias Seiler, Jan Meyer, Sister T., Romy Blume and many more!The focus was always on singing with a community focus. The fact that simple but not always flat can be felt here very nicely ... This songbook will find many friends. (Musik + Message).
SKU: CF.CM9740
ISBN 9781491161203. UPC: 680160919789. Key: Bb major. English. Siegfried Sasson.
Everyone suddenly burst out singing; And I was filled with such delight As prisoned birds must find in freedom... These opening lines to Everyone Sang by the British war poet Siegfried Sassoon feel as relevant today as they did when the poem was first published in 1919. It was after the end of World War I and these words capture so much of the collective exhilaration, relief, and pure joy about the Great War finally coming to an end. And yet Sassoon himself felt none of that when he wrote this poem. In his own words, he was feeling dull-minded and depressed. Perhaps his time in the trenches was still too recent. One of the reasons the creative arts are so powerful is that a poet like Sassoon (or a painter like Van Gogh or a composer like Mahler) can take their own feelings of deep sadness or pain and transform them into something beautiful, even uplifting. Everyone Sang is a celebration of the promise that things can get better, that there are things worth looking forward to. The poem itself has so much rhythm and musicality. The appearance of suddenly in the first line of each verse gives those verses a rush of energy. Attention to the crescendo in measure 7, and again in measure 37, from mf to f will help the listener experience that rush. There are expressive opportunities with so many of the poet's bold choices of action words - burst, winging, and shaken. Then there's alliteration - a poetic device that can be overdone, but Sassoon strikes a wonderful balance. Suddenly/singing (measures 6-7 and 10-11) Find/freedom (measure 21-22) Winging/wildly (measure 23) Setting/sun (measures 47-49) Was/wordless (measures 65-75) Give these alliterations just a hint of emphasis (without overdoing) to bring out the natural rhythm of the text. And just as O is set apart in the poem by punctuation, I wanted the musical setting - in measure 57 - to honor that feeling of wonder - ...O, but Everyone Was a bird; and the song was wordless; the singing will Never be done. Friends, there is so much good ahead, so much to be excited about. May the singing never be done.Everyone suddenly burst out singingAnd I was filled with such delightAs prisoned birds must find in freedom…These opening lines to Everyone Sang by the British war poet Siegfried Sassoon feel as relevant today as they did when the poem was first published in 1919. It was after the end of World War I and these words capture so much of the collective exhilaration, relief, and pure joy about the “Great War†finally coming to an end. And yet Sassoon himself felt none of that when he wrote this poem. In his own words, he “was feeling dull-minded and depressed.†Perhaps his time in the trenches was still too recent.One of the reasons the creative arts are so powerful is that a poet like Sassoon (or a painter like Van Gogh or a composer like Mahler) can take their own feelings of deep sadness or pain and transform them into something beautiful, even uplifting. Everyone Sang is a celebration of the promise that things can get better, that there are things worth looking forward to. The poem itself has so much rhythm and musicality.The appearance of “suddenly†in the first line of each verse gives those verses a rush of energy. Attention to the crescendo in measure 7, and again in measure 37, from mf to f will help the listener experience that rush.There are expressive opportunities with so many of the poet’s bold choices of action words – burst, winging, and shaken.Then there’s alliteration - a poetic device that can be overdone, but Sassoon strikes a wonderful balance.Suddenly/singing (measures 6-7 and 10-11)Find/freedom (measure 21-22)Winging/wildly (measure 23)Setting/sun (measures 47-49)Was/wordless (measures 65-75)Give these alliterations just a hint of emphasis (without overdoing) to bring out the natural rhythm of the text. And just as “O†is set apart in the poem by punctuation, I wanted the musical setting – in measure 57 - to honor that feeling of wonder –…O, but EveryoneWas a bird; and the song was wordless; the singing willNever be done. Friends, there is so much good ahead, so much to be excited about.May the singing never be done.
SKU: LO.55-1195L
ISBN 9780787764326.
In “Calvary’s Love,†Lloyd Larson and Jay Rouse offer an inspiring reminder of the gifts of love and life that are ours because of the price Jesus paid at Calvary. Flexibly conceived for Lent, Holy Week, or Eastertide programming, it may be performed as a whole, or each individual anthem may be presented during the weeks leading up to Easter, depending on your programming needs. Small and large choirs alike will find the choral writing appealing and versatile, and accompaniment options range from piano only to Ed Hogan’s powerful orchestration. Choirs and congregations will be encouraged by this musical telling of the timeless message of God’s sacrifice and love through Jesus. “Greater love has no one than this: that one lay down His life for His friends.â€.
© 2000 - 2024 Home - New realises - Composers Legal notice - Full version
