| The Symphony of Souls Concert band - Intermediate Opus III Wind Orchestra Publications
Grade 3 SKU: CL.012-3627-75 Composed by Robert W. Smith. Concert Band. Sp...(+)
Grade 3 SKU: CL.012-3627-75 Composed by Robert W. Smith. Concert Band. Spotlight Series. Audio recording available separately (item CL.WFR349). Oversized, spiral-bound score. Composed 2007. Duration 7 minutes, 5 seconds. Opus III Wind Orchestra Publications #012-3627-75. Published by Opus III Wind Orchestra Publications (CL.012-3627-75). This stunning composition by Robert W. Smith is actually a full symphony in smaller proportions. The piece was composed to commemorate the Battle of Bad Axe, the historic last Indian-American battle fought east of the Mississippi River. Written in four descriptive movements entitled Foreshadows, Warriors, Carnage, and Elegy, the piece evokes powerful sounds and imagery through contemporary scoring techniques while being technically accessible to most concert bands. Unique percussion effects combined with creative scoring provide an experience that your band and audience will not soon forget. About C.L. Barnhouse Spotlight Series The Barnhouse Spotlight series includes publications for solo instruments with concert band accompaniment. These publications are designed to feature outstanding members of your band as soloist, and to provide unique and entertaining programming options. Solo parts are graded more difficult than the band accompaniments $25.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| The Symphony of Souls Concert band [Score and Parts] - Intermediate C.L. Barnhouse
By Robert W. Smith. Concert band. Spotlight Series. Audio recording available se...(+)
By Robert W. Smith. Concert band. Spotlight Series. Audio recording available separately (item CL.WFR349). Grade 3.5. Score and set of parts. Composed 2007. Duration 7 minutes, 5 seconds. Published by C.L. Barnhouse
$82.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Symphony No. 40 Concert band [Score and Parts] - Intermediate C.L. Barnhouse
(1st Movement). By Wolfgang Amadeus Mozart (1756-1791). Arranged by Scott Stanto...(+)
(1st Movement). By Wolfgang Amadeus Mozart (1756-1791). Arranged by Scott Stanton. Concert band. Build-A-Band Series. Grade 3. Score and set of parts. Composed 2011. Duration 3 minutes, 4 seconds. Published by C.L. Barnhouse
$60.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Symphony No. 2 Concert band [Score] - Intermediate/advanced Manhattan Beach Music
By Frank Ticheli. Concert band. Suitable for the most advanced high school bands...(+)
By Frank Ticheli. Concert band. Suitable for the most advanced high school bands, community, college, university, and professional bands. Level: Grade 6. Conductor Full Score. Duration 21:00. Published by Manhattan Beach Music.
$95.00 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| George Frideric Handel : Rejoice Greatly Concert band [Score and Parts] - Advanced Lovebird Music
By George Frideric Handel. Arranged by David Lovrien. For concert band. A famous...(+)
By George Frideric Handel. Arranged by David Lovrien. For concert band. A famous aria from Handel's "The Messiah", set for voice with small wind ensemble accompaniment. Concert. Full score and set of parts. Duration 4:40. Published by Lovebird Music. (124)
Level: Grade 5 (Advanced).
$50.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Symphony No. 5 in C Minor Concert band - Intermediate C.L. Barnhouse
Concert band - Grade 3 SKU: CL.026-4305-01 1st Movement (excerpt)....(+)
Concert band - Grade 3 SKU: CL.026-4305-01 1st Movement (excerpt). Composed by Ludwig van Beethoven. Arranged by Stanton. Concert Band. Build-A-Band. Extra full score. Composed 2014. Duration 1 minute, 58 seconds. C.L. Barnhouse #026-4305-01. Published by C.L. Barnhouse (CL.026-4305-01). One of Beethoven’s best known themes arranged by Scott Stanton for very small bands, and those with severe instrumentation problems. Will sound great as long has you have the four parts covered and optional guitar, percussion and keyboard parts can add to the overall effect. All students should be exposed to the great masters and this publication helps makes that possible! A real winner! About Build-A-Band Series The Build-A-Band Series provides educational and enjoyable music for bands with incomplete or unbalanced instrumentation. Written using just four or five parts (plus percussion), these effective arrangements will work with any combination of brass, woodwind, string and percussion instruments as long as you distribute the parts so that each of the five parts is covered. All of the publications in the Build-A-Band Series have been arranged to be playable with any instrumentation as long as each part is used: 1st Part, 2nd Part, 3rd Part, 4th Part, and Bass Part. (Please note: In some of these arrangements the 4th Part, and the Bass Part are the same, making it possible to play those arrangements with only 4 parts.) $6.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Symphony No. 2 (Simfonija Nr. 2) Concert band Peters
Orchestra piccolo, English horn, B-clarinet, contrabassoon-4, 1-4 percussion-har...(+)
Orchestra piccolo, English horn, B-clarinet, contrabassoon-4, 1-4 percussion-harp-strings SKU: PE.EP73404 Composed by Rihards Dubra. Full Orchestra. Edition Peters. Book. Duration 00:37:00. Edition Peters #98-EP73404. Published by Edition Peters (PE.EP73404). ISBN 9790577018348. 297 x 420 mm inches. English. Rihards Dubra (born Latvia, 1964) wrote his Symphony No. 2 in 2014. It is a large-scale work, over 30 minutes long, in three movements (titled 'Visio', 'Cantus', 'Et vidi...'), for large orchestra comprising triple wind and brass, percussion and harp. Speaking of symphonic writing, the composer says: 'I don't think a symphony should speak about small, everyday things and issues; it should speak of global, fundamental and substantial things. Only then does it justify the name 'symphony'. It must be something serious.' This full score (EP 73404) is now available as part of the Peters Baltic Library. - Peters Baltic Library is a new series of full scores of orchestral music by contemporary composers from the Baltic States.
- Published in partnership with the leading music publisher from the region: Musica Baltica.
- Peters Baltic Library presents a rich selection of compositions that demonstrates both the distinctiveness and the variety of stylistic approaches adopted by the region's most prominent composers.
This product is Printed on Demand and may take several weeks to fulfill. Please order from your favorite retailer. $145.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Masked Concert band - Advanced Activist Music
Concert Band (SCORE) - Grade 5 SKU: HL.4007249 Movement 3 from Suspend...(+)
Concert Band (SCORE) - Grade 5 SKU: HL.4007249 Movement 3 from Suspended for Symphonic Band and Pre-recorded Soundscape. Composed by Alex Shapiro. Activist Music. Concert. Softcover. Duration 300 seconds. Published by Activist Music (HL.4007249). UPC: 840126969481. 9.0x12.0x0.087 inches. “Masked†by Alex Shapiro is composed in the exact shape of a Classical Minuet and Trio waltz, though the music––a whimsical if somewhat demented masked ball (or, balls, in this case)––bears little connection to that of Mozart or Haydn. Historically, third movement Minuets gave way to the joke-like Scherzo, and the Trio section tips its hat to some welcome levity. This is one of four movements in Suspended, a piece is composed in the tradition of an 18th century Classical symphony: four contrasting movements which serve specific functions and reveal a story. The work begins in absolute rage and chaos, then alternates between moments of grief and bleakness. Grim reality shifts to a macabre, circus-like insanity, and by the end, flickers of genuine hope contrast a pervasive sense of dread, and finally arrive at more optimistic possibilities. To perform the piece, you'll need an audio system capable of playing the prerecorded audio tracks from a laptop computer via a small digital audio interface connected to an audio mixer. Download information is provided in the printed piece. $30.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Masked Concert band - Advanced Activist Music
Score and Parts Concert Band (SCORE+PARTS) - Grade 5 SKU: HL.4007248 M...(+)
Score and Parts Concert Band (SCORE+PARTS) - Grade 5 SKU: HL.4007248 Movement 3 from Suspended for Symphonic Band and Pre-recorded Soundscape. Composed by Alex Shapiro. Activist Music. Concert. Duration 300 seconds. Published by Activist Music (HL.4007248). UPC: 840126969474. 9.0x12.0x0.831 inches. “Masked†by Alex Shapiro is composed in the exact shape of a Classical Minuet and Trio waltz, though the music––a whimsical if somewhat demented masked ball (or, balls, in this case)––bears little connection to that of Mozart or Haydn. Historically, third movement Minuets gave way to the joke-like Scherzo, and the Trio section tips its hat to some welcome levity. This is one of four movements in Suspended, a piece is composed in the tradition of an 18th century Classical symphony: four contrasting movements which serve specific functions and reveal a story. The work begins in absolute rage and chaos, then alternates between moments of grief and bleakness. Grim reality shifts to a macabre, circus-like insanity, and by the end, flickers of genuine hope contrast a pervasive sense of dread, and finally arrive at more optimistic possibilities. To perform the piece, you'll need an audio system capable of playing the prerecorded audio tracks from a laptop computer via a small digital audio interface connected to an audio mixer. Download information is provided in the printed piece. $200.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Immersion Concert band [Score and Parts] - Intermediate Hal Leonard
Composed by Alex Shapiro (1962-). Activist Music. Concert. Softcover. Publishe...(+)
Composed by Alex Shapiro
(1962-). Activist Music.
Concert. Softcover. Published
by Hal Leonard
$350.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Viral Concert band - Advanced Activist Music
Score and Parts Concert Band (SCORE+PARTS) - Grade 5 SKU: HL.4007250 M...(+)
Score and Parts Concert Band (SCORE+PARTS) - Grade 5 SKU: HL.4007250 Movement 4 from Suspended for Symphonic Band and Pre-recorded Soundscape. Composed by Alex Shapiro. Activist Music. Concert. Softcover. Duration 360 seconds. Published by Activist Music (HL.4007250). UPC: 840126969498. 9.0x12.0x0.772 inches. “Viral†by Alex Shapiro is an energetic, percussively driven seven-part Rondo. Light is trying to break through the weight of the times in a frenzied and unresolved push to the final exuberant, insistent notes. This is one of four movements in Suspended, a piece is composed in the tradition of an 18th century Classical symphony: four contrasting movements which serve specific functions and reveal a story. The work begins in absolute rage and chaos, then alternates between moments of grief and bleakness. Grim reality shifts to a macabre, circus-like insanity, and by the end, flickers of genuine hope contrast a pervasive sense of dread, and finally arrive at more optimistic possibilities. To perform the piece, you'll need an audio system capable of playing the prerecorded audio tracks from a laptop computer via a small digital audio interface connected to an audio mixer. Download information is provided in the printed piece. $200.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Viral Concert band - Advanced Activist Music
Concert Band (SCORE) - Grade 5 SKU: HL.4007251 Movement 4 from Suspend...(+)
Concert Band (SCORE) - Grade 5 SKU: HL.4007251 Movement 4 from Suspended for Symphonic Band and Pre-recorded Soundscape. Composed by Alex Shapiro. Activist Music. Concert. Softcover. Duration 360 seconds. Published by Activist Music (HL.4007251). UPC: 840126969504. 9.0x12.0x0.126 inches. “Viral†by Alex Shapiro is an energetic, percussively driven seven-part Rondo. Light is trying to break through the weight of the times in a frenzied and unresolved push to the final exuberant, insistent notes. This is one of four movements in Suspended, a piece is composed in the tradition of an 18th century Classical symphony: four contrasting movements which serve specific functions and reveal a story. The work begins in absolute rage and chaos, then alternates between moments of grief and bleakness. Grim reality shifts to a macabre, circus-like insanity, and by the end, flickers of genuine hope contrast a pervasive sense of dread, and finally arrive at more optimistic possibilities. To perform the piece, you'll need an audio system capable of playing the prerecorded audio tracks from a laptop computer via a small digital audio interface connected to an audio mixer. Download information is provided in the printed piece. $30.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Symphony No. 40 Concert band - Intermediate C.L. Barnhouse
Grade 3 SKU: CL.026-4067-01 1st Movement. Composed by Wolfgang Ama...(+)
Grade 3 SKU: CL.026-4067-01 1st Movement. Composed by Wolfgang Amadeus Mozart. Arranged by Stanton. Concert Band. Build-A-Band. Extra full score. Composed 2011. Duration 3 minutes, 4 seconds. C.L. Barnhouse #026-4067-01. Published by C.L. Barnhouse (CL.026-4067-01). One of Mozart best known themes arranged by Scott Stanton for very small bands, and those with severe instrumentation problems. Will sound great as long has you have the four parts covered and optional guitar, percussion and keyboard parts can add to the overall effect. All students should be exposed to the great masters and this publication helps makes that possible! A real winner! About Build-A-Band Series The Build-A-Band Series provides educational and enjoyable music for bands with incomplete or unbalanced instrumentation. Written using just four or five parts (plus percussion), these effective arrangements will work with any combination of brass, woodwind, string and percussion instruments as long as you distribute the parts so that each of the five parts is covered. All of the publications in the Build-A-Band Series have been arranged to be playable with any instrumentation as long as each part is used: 1st Part, 2nd Part, 3rd Part, 4th Part, and Bass Part. (Please note: In some of these arrangements the 4th Part, and the Bass Part are the same, making it possible to play those arrangements with only 4 parts.) $8.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Jazz Suite No. 2 - Dance I Concert band [Score and Parts] Amstel Music
Score and Parts. By Dmitri Shostakovich. Arranged by Johan De Meij. Amstel Conce...(+)
Score and Parts. By Dmitri Shostakovich. Arranged by Johan De Meij. Amstel Concert Bands. Size 9x12 inches. Published by Amstel Music.
$119.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Jazz Suite No. 2 - Dance II Concert band [Score and Parts] - Intermediate Amstel Music
Parts Only. By Dmitri Shostakovich. Arranged by Johan De Meij. Amstel Concert Ba...(+)
Parts Only. By Dmitri Shostakovich. Arranged by Johan De Meij. Amstel Concert Bands. Published by Amstel Music.
$83.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Ragtimes and Habaneras Concert band Schott
Winds (Score) - difficult SKU: HL.49012041 For Wind Band - Score. ...(+)
Winds (Score) - difficult SKU: HL.49012041 For Wind Band - Score. Composed by Hans Werner Henze. Arranged by Marcel Wengler. This edition: Paperback/Soft Cover. Sheet music. Schott Harmonie Serie (Concert Band). Classical. Score. Composed 1982. 99 pages. Duration 14'. Schott Music #SHS1004. Published by Schott Music (HL.49012041). ISBN 9790001100731. UPC: 073999895995. 9.0x12.0x0.315 inches. This work was originally written for brass band (see there). At the composer's request, his former pupil Marcel Wengler wrote an arrangement for Symphonie wind band, which is equal to the original in ever-yway. Here Henze and Wengler have given wind players a work which successfully combines a popular style and to some extent extremely witty elements with the resources of new music. It is excellent concert music for advanced and Professional orchestras.Hans Werner Henze belongs to a small circle of internationally known cornposers of serious contemporary music. In his operas, symphonies, and music for ensembles and chamber music groups, as well as in his contributions to music for amateurs, there are works with a distinctive sense of form, delicate tonality and rhythmic variety which nonetheless never lose sight of that dimension of humanity.Marcel Wengler (born 1946) is now a freelance composer. He lives in Luxemburg.
Picc. * 1 * 2 (ad lib.) * Engl. Hr. (ad lib.) * Es-Klar. * 3 * Altklar. (ad lib.) * Bassklar. (ad lib.) * 2 Altsax. * 2 Tenorsax. * Baritonsax. (ad lib.) * 1 (ad lib.) - 4 * 2 Flhr. * Tenorflhr. * 3 * 3 * 2 Bombardini * 2 * 2 Kb.-Tb. - P. S. (Glsp. * Xyl. [oder 3 Tempelbl.] * Trgl. * Beckenpaar * 3 Bong. * kl. Tr. * 3 Tomt. * gr. Tr. * Woodbl.) (3 Spieler). $83.00 - See more - Buy online | | |
| Ragtimes and Habaneras Concert band Schott
Set of Parts Winds (Parts) - difficult SKU: HL.49012042 For Wind Band ...(+)
Set of Parts Winds (Parts) - difficult SKU: HL.49012042 For Wind Band - Set of Parts. Composed by Hans Werner Henze. Arranged by Marcel Wengler. This edition: Folding. Sheet music. Schott Harmonie Serie (Concert Band). Classical. Set of Parts. Composed 1982. 708 pages. Duration 14'. Schott Music #SHS 1004-50. Published by Schott Music (HL.49012042). ISBN 9790001100748. UPC: 073999330540. 8.5x12.0x2.22 inches. This work was originally written for brass band (see there). At the composer's request, his former pupil Marcel Wengler wrote an arrangement for Symphonie wind band, which is equal to the original in ever-yway. Here Henze and Wengler have given wind players a work which successfully combines a popular style and to some extent extremely witty elements with the resources of new music. It is excellent concert music for advanced and Professional orchestras.Hans Werner Henze belongs to a small circle of internationally known cornposers of serious contemporary music. In his operas, symphonies, and music for ensembles and chamber music groups, as well as in his contributions to music for amateurs, there are works with a distinctive sense of form, delicate tonality and rhythmic variety which nonetheless never lose sight of that dimension of humanity.Marcel Wengler (born 1946) is now a freelance composer. He lives in Luxemburg.
Picc. * 1 * 2 (ad lib.) * Engl. Hr. (ad lib.) * Es-Klar. * 3 * Altklar. (ad lib.) * Bassklar. (ad lib.) * 2 Altsax. * 2 Tenorsax. * Baritonsax. (ad lib.) * 1 (ad lib.) - 4 * 2 Flhr. * Tenorflhr. * 3 * 3 * 2 Bombardini * 2 * 2 Kb.-Tb. - P. S. (Glsp. * Xyl. [oder 3 Tempelbl.] * Trgl. * Beckenpaar * 3 Bong. * kl. Tr. * 3 Tomt. * gr. Tr. * Woodbl.) (3 Spieler). $360.00 - See more - Buy online | | |
| Surface from Immersion Concert band [Score] - Intermediate Hal Leonard
Composed by Alex Shapiro (1962-). Activist Music. Concert, Contest. Softcove...(+)
Composed by Alex Shapiro
(1962-). Activist Music.
Concert, Contest. Softcover.
40 pages. Published by Hal
Leonard
$25.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Surface from Immersion Concert band [Score and Parts] - Intermediate Hal Leonard
Composed by Alex Shapiro (1962-). Activist Music. Concert, Contest. Softcover....(+)
Composed by Alex Shapiro
(1962-). Activist Music.
Concert, Contest. Softcover.
Published by Hal Leonard
$150.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Reagan of Illinois, Part II Concert band [Score and Parts] - Intermediate/advanced TRN Music Publisher
(Hero Fanfare and Anthem). Composed by David Holsinger (1945-). For concert band...(+)
(Hero Fanfare and Anthem). Composed by David Holsinger (1945-). For concert band and SATB choir. Grade 4. Score and parts. Duration 9 minutes, 13 seconds. Published by TRN Music Publisher
$80.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Beneath from Immersion Concert band [Score] Hal Leonard
Composed by Alex Shapiro (1962-). Activist Music. Concert, Contest. Softcove...(+)
Composed by Alex Shapiro
(1962-). Activist Music.
Concert, Contest. Softcover.
32 pages. Published by Hal
Leonard
$25.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Beneath from Immersion Concert band [Score and Parts] - Intermediate Hal Leonard
Composed by Alex Shapiro (1962-). Activist Music. Concert, Contest. Softcover....(+)
Composed by Alex Shapiro
(1962-). Activist Music.
Concert, Contest. Softcover.
Published by Hal Leonard
$150.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Depth from Immersion Concert band [Score and Parts] - Intermediate Hal Leonard
Composed by Alex Shapiro (1962-). Activist Music. Concert, Contest. Softcover....(+)
Composed by Alex Shapiro
(1962-). Activist Music.
Concert, Contest. Softcover.
Published by Hal Leonard
$150.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Pacific Fanfare Concert band [Score and Parts] - Intermediate Manhattan Beach Music
By Frank Ticheli. Concert band - antiphonal. Suitable for the most advanced high...(+)
By Frank Ticheli. Concert band - antiphonal. Suitable for the most advanced high school bands, community, college, university, and professional bands. Grade 5. Conductor score and set of parts. Duration 5:30
$165.00 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Royal Coronation Dances Concert band - Intermediate Manhattan Beach Music
Concert band - Grade 3 SKU: MH.1-59913-054-8 Composed by Bob Margolis. Su...(+)
Concert band - Grade 3 SKU: MH.1-59913-054-8 Composed by Bob Margolis. Suitable for advanced middle school, high school, community and college bands. Conductor score and set of parts. Duration 4:45. Published by Manhattan Beach Music (MH.1-59913-054-8). ISBN 9781599130545. Royal Coronation Dances is the first sequel to the Fanfare Ode & Festival, both being settings of dance music originally arranged by Gervaise in the mid 16th-century (the next sequel is The Renaissance Fair, which uses music of Susato and Praetorius). Fanfare Ode & Festival has been performed by many tens of thousands of students, both in high school and junior high school. I have heard that some of them are amazed that the music they are playing was first played and danced to over 400 years ago. Some students tend to think that music started with Handel and his Messiah to be followed by Beethoven and his Fifth Symphony, with naught in between or before of consequence. Although Royal Coronation Dances is derived from the same source as Fanfare Ode & Festival, they are treated in different ways. I envisioned this new suite programmatically -- hence the descriptive movement titles, which I imagined to be various dances actually used at some long-ago coronation. The first movement depicts the guests, both noble and common, flanked by flag and banner bearers, arriving at the palace to view the majestic event. They are festive, their flags swirling the air, their cloaks brightly colored. In the second movement, the queen in stately measure moves to take her place on the throne as leader and protector of the realm. In the third movement, the jesters of the court entertain the guests with wild games of sport. Musically, there are interesting sonorities to recreate. Very special attention should be given to the tambourine/tenor drum part in the first movement. Their lively rhythms give the movement its power. Therefore they should be played as distinctly and brilliantly as possible. The xylophone and glockenspiel add clarity, but must not be allowed to dominate. Observe especially the differing dynamics; the intent is to allow much buzzing bass to penetrate. The small drum (starting at meas. 29) should be played expressively, with attention to the notated articulations, with the brass light and detached, especially in a lively auditorium. It is of some further interest that the first dance is extremely modal. The original is clearly in G mixolydian mode (scale: G-A-B-C-D-E-F-G). However, other editors might put in F-sharps in many places (changing the piece almost to G major), in the belief that such ficta would have been automatically put in by the 16th-century performers as they played. I doubt it. I have not only eschewed these within the work, but even at the cadences. So this arrangement is most distinctly modal (listen to the F-naturals in meas. 22 and 23, for instance), with all the part-writing as Gervaise wrote it. In the second movement, be careful that things do not become too glued together. In the 16th century this music might have been played by a consort of recorders, instruments very light of touch and sensitive to articulation. Concert band can easily sound heavy, and although this movement has been scored for tutti band, it must not sound it. It is essential, therefore, that you hear all the instruments, with none predominating. Only when each timbre can be heard separately and simultaneously will the best blend occur, and consequently the greatest transparency. So aim for a transparent, spacious tutti sound in this movement. Especially have the flutes, who do this so well, articulate rather sharply, so as to produce a chiffing sound, and do not allow the quarter-notes to become too tied together in the entire band. The entrance of the drums (first tenor, then bass) are events and as such should be audible. Incidentally, this movement begins in F Major and ends in D Minor: They really didn't care so much about those things then. The third movement (one friend has remarked that it is the most Margolisian of the bunch, but actually I am just getting subtler, I hope) again relies upon the percussion (and the scoring) to make its points. Xylophone in this movement is meant to be distinctly audible. Therefore, be especially sure that the xylophone player is secure in the part, and also that the tambourine and toms sound good. This movement must fly or it will sink, so rev up the band and conduct it in 1 for this mixolydian jesting. I suppose the wildly unrelated keys (clarinets and then brass at the end) would be a good 16th-century joke, but to us, our put-up-the-chorus-a-half-step ears readily accept such shenanigans. Ensemble instrumentation: 1 Full Score, 1 Piccolo, 4 Flute 1, 4 Flute 2 & 3, 2 Oboe 1 & 2, 2 Bassoon 1 & 2, 1 Eb Clarinet, 4 Bb Clarinet 1, 4 Bb Clarinet 2, 4 Bb Clarinet 3, 2 Eb Alto Clarinet, 1 Eb Contra Alto Clarinet, 3 Bb Bass & Bb Contrabass Clarinet, 2 Eb Alto Saxophone 1, 2 Eb Alto Saxophone 2, 2 Bb Tenor Saxophone, 2 Eb Baritone Saxophone, 3 Bb Trumpet 1, 3 Bb Trumpet 2, 3 Bb Trumpet 3, 4 Horn in F 1 & 2, 2 Trombone 1, 4 Trombone 2 & 3, 3 Euphonium (B.C.), 2 Euphonium (T.C.), 4 Tuba, 1 String Bass, 1 Timpani (optional), 2 Xylophone & Glockenspiel, 5 Percussion. $95.00 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Reflections on the Mississippi Concert band [Score] - Intermediate/advanced Hal Leonard
(for Tuba and Symphonic Band). Composed by Michael Daugherty (1954-). For Concer...(+)
(for Tuba and Symphonic Band). Composed by Michael Daugherty (1954-). For Concert Band (Full Score). Michael Daugherty Music. Grade 5-6. Softcover. Published by Hal Leonard
$65.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Concordia Concert band - Intermediate De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1064074-010 Composed by Jan V...(+)
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1064074-010 Composed by Jan Van der Roost. Inspiration Series. Concert Piece. Set (Score & Parts). Composed 2006. De Haske Publications #DHP 1064074-010. Published by De Haske Publications (BT.DHP-1064074-010). 9x12 inches. English-German-French-Dutch. This unusual concert work, commissioned by the concert band ?Harmonie Concorde? from Sanem in Luxembourg, is built on two basic ideas: the evolution of the economic and social context of this Luxembourg city with its strong mining industry and the European concept, which is clearly present in this very small but prosperous country with its many European institutes. This is musically expressed in a few quotes from the European hymn Ode to Joy, the closing of Beethoven?s Ninth Symphony and from the Te Deum by Charpentier ? widely known as the signature tune for Eurovision broadcasts. A work of true unity.
Aan dit concertwerk - geschreven voor de Harmonie Concorde uit Sanem in Luxemburg - liggen twee basisideeën ten grondslag. Als eerste de sociaal-economische context van het stadje: de mijnbouw heeft decennialang mensen uit diverselanden aangetrokken, met name Portugal. Dit wordt ge llustreerd door de verwerking van een authentiek arbeidslied uit dat land. De tweede pijler is de Europese gedachte die in Luxemburg duidelijk aanwezig is. Dit komt muzikaal totuiting in een dynamische thematiek en citaatjes uit Ode an die Freude van Beethoven en het Te Deum van Charpentier - de herkenningstune voor Eurovisie-uitzendingen. Concordia, een werk dat verschillende elementenin zich verenigt, staat symbool voor eenheid.
Zwei Bilder des Landes Luxemburg bilden die Grundlage dieses ungewöhnlichen Werkes: Zunächst beschreiben schöne, teilweise düstere Klänge die Bergbauregion Luxemburg und ihre vielen Gastarbeiter.Mit Zitaten aus Beethovens Ode an die Freude und Charpentiers Te Deum wird Luxemburg als Sitz einiger wichtiger europäischer Institutionen vorgestellt. Der gemeinsame Nenner und Inspiration zum Titel Concordia - lateinisch für Einheit - ist das funktionierende Miteinander vielfältiger Kulturen und Interessen in so einem kleinen Land.
Concordia est une oeuvre de commande pour l’Orchestre d’Harmonie Concorde de Sanem au Luxembourg. Cette pièce de concert inhabituelle s’appuie sur deux éléments principaux : l’évolution du contexte économique et social de cette ville luxembourgeoise située dans une région minière et l’idéal européen souligné par une riche palette de nuances et l’utilisation de quelques fragments de l’Hymne la Joie et du Te Deum.
Concordia è un brano commissionato a Jan Van der Roost dall’Orchestra di Fiati Concorde di Sanem in Lussemburgo. Questo inusuale brano da concerto si appoggia su due elementi principali: l’evoluzione del contesto economico e sociale di questa citt lussemburghese situata in una regione mineraria, e l’ideale europeo evidenziato da una ricca gamma di suoni e dall’utilizzo di qualche frammento dell’Inno alla Gioia e del Te Deum. $196.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Concordia Concert band - Intermediate De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1064074-140 Composed by Jan V...(+)
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1064074-140 Composed by Jan Van der Roost. Inspiration Series. Concert Piece. Score Only. Composed 2006. De Haske Publications #DHP 1064074-140. Published by De Haske Publications (BT.DHP-1064074-140). 9x12 inches. English-German-French-Dutch. This unusual concert work, commissioned by the concert band ?Harmonie Concorde? from Sanem in Luxembourg, is built on two basic ideas: the evolution of the economic and social context of this Luxembourg city with its strong mining industry and the European concept, which is clearly present in this very small but prosperous country with its many European institutes. This is musically expressed in a few quotes from the European hymn Ode to Joy, the closing of Beethoven?s Ninth Symphony and from the Te Deum by Charpentier ? widely known as the signature tune for Eurovision broadcasts. A work of true unity.
Zwei Bilder des Landes Luxemburg bilden die Grundlage dieses ungewöhnlichen Werkes: Zunächst beschreiben schöne, teilweise düstere Klänge die Bergbauregion Luxemburg und ihre vielen Gastarbeiter.Mit Zitaten aus Beethovens Ode an die Freude und Charpentiers Te Deum wird Luxemburg als Sitz einiger wichtiger europäischer Institutionen vorgestellt. Der gemeinsame Nenner und Inspiration zum Titel Concordia - lateinisch für Einheit - ist das funktionierende Miteinander vielfältiger Kulturen und Interessen in so einem kleinen Land.
Concordia est une oeuvre de commande pour l’Orchestre d’Harmonie Concorde de Sanem au Luxembourg. Cette pièce de concert inhabituelle s’appuie sur deux éléments principaux : l’évolution du contexte économique et social de cette ville luxembourgeoise située dans une région minière et l’idéal européen souligné par une riche palette de nuances et l’utilisation de quelques fragments de l’Hymne la Joie et du Te Deum.
Concordia è un brano commissionato a Jan Van der Roost dall’Orchestra di Fiati Concorde di Sanem in Lussemburgo. Questo inusuale brano da concerto si appoggia su due elementi principali: l’evoluzione del contesto economico e sociale di questa citt lussemburghese situata in una regione mineraria, e l’ideale europeo evidenziato da una ricca gamma di suoni e dall’utilizzo di qualche frammento dell’Inno alla Gioia e del Te Deum. $29.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
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