SKU: HL.48180301
UPC: 888680795627. 9x12 inches.
The second of the Two Pieces for flute and harp or piano accompaniment,'“2. The squirrels” is a lovely short piece composed by Henri Busser. Really different from the “1. The swans,” this piece is much more cheerful and slightly faster. It is perfect to work on the flexibility of the tone and good training to be able execute more challenging pieces. Starting in D major, the piece has a ternary form (ABA), with a beginning in staccato, a slower B part and the repeat of the initial theme for the end. The most difficult part of this piece will be found in the last two measures, with really fast notes to play. It will be necessary to start to play them at a slower tempo to get the perfect technique and then increase the speed. This work is preceded by “The Swans,” with a difficulty rated at 5. Henri Busser (1872-1913) is a French classical composer and organist. He was a professor at the Paris Conservatoire and a member of the Académie française. He wrote a ballet, numerous operas and chamber music.
SKU: HL.253939
9.0x12.0 inches.
Allegretto for flute and piano by Jozef Swider is a work of a great artistic value that comprises a perfect didactic material, filling a gap in the Polish flute literature. Allegretto for flute and piano is a one-part composition of an ABA1 structure with a cadenza. A four-bar piano introduction developsinto the flute part intoning a dance and folk-style melody, which becomes fragmented in terms of rhythm and densified in its facture. The dialogue between the flute and the piano involves mutual motif complementation. The melody gathers momentum (numerous ascending and descending progressions, undulations, typical ties, trills), a dynamic gradation develops into the middle, more peaceful and cantilena-style, part. The culmination, initially outlined by the flute and continued by the piano, leads to the cadenza characterised by considerable performative freedom across motifs in parts A and B, exhibiting the colour and sound values ofthe instrument. The link A1 comprises a quasi-variation development of the first passage of the work; it is the most dynamic,energetic and diversified in terms of the applied sound registers (characteristic alloctava marking), articulation and agogics. Themarking piu vivo in bar 136, combined with irregular metric divisions and shifts in accents, intensified dynamics and expression adds spontaneity, ultimately leading to the work's finale. The application of the minor mode, the economy of expressive means and a changeable course of narration reflect introvert characteristics of the composer a man of outstanding humbleness and modesty, at the same time full of unrest, self-criticism and little faith towards himself, which is confirmed by recently found notes of his.
SKU: PR.114416460
ISBN 9781598067811. UPC: 680160620616. 9x12 inches.
POEM for Flute and PianoKozuch’s POEM is a plaintive elegy, perfect for memorial concerts, in religious services, or as a lyric interlude in recital. Although composed with piano accompaniment, the music is also very effective in performance with organ. Thaddeus Kozuch (1913-1991) was a Chicago-based pianist, composer, and professor at DePaul University and Northwestern University. His beautiful POEM was composed originally for violin and piano in 1937 for his wife-to-be, Jacqueline Frye. He revised POEM for flute and piano in 1988 but the work was discovered only recently in a piano bench by the composer’s daughter, flutist Ann Fairbanks.Although the final pencil manuscript is musically complete, it lacks dynamics, and this publication presents the music as the composer left it.The following performance suggestions are provided by Ann Fairbanks:Many nuances of the work may be left to the discretion of the performer. There are quite a few notes that may be slurred, such as sets of eighth notes or triplet-eighths; if notes are articulated as written, the tonguing should be legato.Dynamics for both flute and piano could be as follows: begin the work p, then crescendo to f in bars 6-7. Decrescendo in 10-11 to a p in bar 12. The most intense section (bars 16-32) should be played with energy and full sonority, including a crescendo in 26 to fin 27. The conclusion, beginning at bar 42, should be played p, with the last measures performed quietly.
SKU: HL.48183277
UPC: 888680872526. 9x12 inches.
“Four easy pieces is a set of four works by Eugène Bozza written for Flute and Piano accompaniment. Charming and easy to play, these pieces are perfect for a recital. They are divided as per below: 1. Rêves d'enfant: Andantino, 2/4 2. Le campanile: Allegretto giocoso, 2/4 3. Menuet des pages: Moderato, 3/4 4. Eili-Eili (Jewish tune): Andante espressivo, 3/4 Eugène Bozza won different prizes at the Conservatoire de Paris such as the First Prizes for the Violin, conducting and composition, as well as the Grand Prix de Rome. He composed several operas, chamber works and ballets, among others.&rdquo.
SKU: HL.48185996
Sonatinette is a wonderful work composed by Jacques Delacroix, arranged for Flute and Piano. The piece lasts approximately 4 minutes 45 seconds and would be perfect as part of a performance, or even simply to improve your Flute repertoire.For flautists looking for a brilliant addition to their repertoire, Sonatinette is a melodically complex work that is as lovely to hear as it is exciting to play..
SKU: YM.GTW01097944
ISBN 9784636979442.
Flute scores for famous songs from J-Pop to classical music. This selection is perfect for concert programs, recitals, encores, and more. The impressive and beautiful sound of these arrangements will captivate the audience.
SKU: FL.FX072673
A perfect Piece for exams or auditions - from 1 year of Flute practice ; Instruments: 1 Flute 1 Piano; Difficuly Level: Grade 1; Duration: 1 mn 25 s; Musical Style: Classical, Educational; Category: Original Composition; Composer: Julie AUDOUIN;.
SKU: FL.FX072620
A perfect Piece for exams or auditions - from 7 years of Flute practice ; Instruments: 1 Flute 1 Piano; Difficuly Level: Grade 4; Duration: 2 mn 40 s; Musical Style: Classical, Educational; Category: Original Composition; Composer: Patrice BERNARD;.
SKU: BT.DHP-1074425-400
ISBN 9789043133470. 9x12 inches. English-German-French-Dutch.
Team up together! The pieces in this book are perfect for playing with a friend, a classmate, or even your brother or sister, since the piano part is not very difficult. The enclosed CD will be a great study aid. Nearly all the tunes have been written in the pop and swing rhythms of our time: you will definitely be successful performing them. Have lots of â??fun on stageâ??! Samen sta je sterk. De stukken in dit boek zijn heel geschikt om uit te voeren met een vriend of vriendin, een klasgenoot, je zus of je broer achter de piano. De pianopartijen zijn namelijk niet zo moeilijk. Bovendien helpt de bijgevoegdecd met het instuderen ervan. Bijna alle nummers zijn geschreven in de pop- en swingritmes van onze tijd: je zult er vast en zeker succes mee hebben bij optredens. Veel â??fun on stageâ?? gewenst!Die Stücke in Fun on Stage eignen sich prima für das Zusammenspiel mit Freunden, Klassenkameraden oder Familienmitgliedern, da die Klavierstimmen nicht sehr schwer sind. Die meisten Melodien wurden in modernen Pop- oder Swingstilen geschrieben. Die Demoversionen auf der CD werden auf verschiedenen Instrumenten vorgespielt. AuÃ?erdem sind auf der CD Begleitungen zum Mitspielen enthalten. Have fun on stageâ?? - viel SpaÃ? auf der Bühne! Faites équipe avec un élève, un membre de la famille ou un ami pianiste pour interpréter les compositions originales réunies dans cet ouvrage. Les parties de piano sont relativement simples. Le compact disc inclus est une aide précieuse pour le travail de préparation. La plupart des mélodies sâ??appuient sur des rythmes swing-pop actuels qui séduiront votre public. Avec Fun on Stage, le plaisir de monter sur scène est intact ! Una pubblicazione ideale per suonare assieme agli amici, compagni di classe, ecc. Si tratta di brani scritti negli stili pop e swing, eseguiti sul CD da strumenti diversi. E' proposta anche una traccia play-along.
SKU: PR.114424240
ISBN 9781491137581. UPC: 680160691036.
THE BONES OF MR. FORTUNE (FREE AT LAST!) is an 11-minute concerto-like work for solo flute accompanied by symphonic winds and percussion – perfect to play with band or with orchestra, as well as with the composer’s own piano reduction. The work features lengthy cadenzas, and exhilarating dance-like sections with the ensemble. Hailstork describes the historical inspiration: Abused in life and death, an enslaved man (Mr. Fortune) was owned by a surgeon who preserved his skeleton to study anatomy. The bones remained with the doctor’s family for generations, and were given a proper burial making national news in 2013, 215 years after Mr. Fortune’s death.Abused in life and death, an enslaved man known as Mr. Fortune was honored with an elaborate funeral more than 200 years after he died in Connecticut.Mr. Fortune was owned by Dr. Preserved Porter on a farm in Waterbury, Connecticut. When Fortune died in 1798, Porter, a bone surgeon, preserved his skeleton by having the bones boiled to study anatomy at a time when cadavers for medical study were disproportionately taken from slaves, servants and prisoners.One of Porter’s descendants gave the skeleton in 1933 to Mattatuck Museum in Waterbury, where it was displayed from the 1940s until 1970. The descendant referred to the slave as “Larry†and his name was forgotten at the time.A study by forensic anthropologists at the Quinnipiac University School of Medicine concluded that Fortune was about 5 feet 5 inches tall and died at around 55 years old. He suffered a number of painful ailments, including a fracture in his left hand, a severe ankle sprain and lower back pain. “He was an individual who was in considerable distress,†a forensic professor, Richard Gonzalez said.I was taken by the bizarre story of Mr. Fortune and decided to use it as the stimulus for this work.
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