SKU: HP.2988
UPC: 763628129880.
Gentle ballad with words by Marva J. Dawn This gentle ballad, with a text by Marva Dawn, centers on the theme of entering into worship where we may find stillness in God's peace. The meditative hymn text draws from the 23rd Psalm, with references to the table of the Lord, where all are fed and thirsts are quenched, making it ideal for communion as well as a call and preparation for worship. Part of our Quick Study Chorals series this is an accessible setting that can be realized easily with a minimum of rehearsal.
SKU: BC.408389
SKU: LO.20-1554L
ISBN 9781429121170.
Level 2 â?¢ In this arrangement, the theme from the fourth movement of Five Mystical Songs by Ralph Vaughan Williams receives a long overdue setting by a writer who truly understands the idiom. Rising and falling eighth-note patterns surround the classic melody with much use of LV.
SKU: BP.HB655
Written for 3-4 octave handbell choir and 3 octaves of handchimes. Level 3. This stunning original from Matthew Compton is replete with emotion and descriptive storytelling. From a delicate, ethereal opening, the piece moves into a section with flowing accompaniment relying heavily on straight eighths set against triplet eighths. A faster section ensues featuring a soaring melody and unexpected harmonic twists before returning to the feeling of the opening. An altered statement of the theme makes a brief appearance before the piece ends as it began. A truly beautiful and very approachable piece from one of today's up-and-coming composers!Please note, the recording is of the 5 -7 octave version.
SKU: HP.2781
UPC: 763628127817. Stuart K. Hine.
Immensely popular hymn One of the most influential hymns of the twentieth century is given a powerful treatment in this awe-inspiring setting for 3-5 octave handbells and handchimes. Depicting the majesty and greatness of God, this hymn reflection builds from beginning to end using artful compositional technics - useful for any worship service on the theme of God and creation.
SKU: HP.2666
UPC: 763628126667. By William Bradbury.
Hymn tune by William Bradbury This 19th-century hymn centers on the theme of prayer and is beautifully arranged here for 3-5 octave handbells by Joel Raney. Interest comes from a few altered harmonies and gentle rhythms, transporting the listener into a reflective, worshipful meditation.
SKU: BP.HB576
Arranged for 3 to 7 octave handbell choir, optional 3 octaves of handchimes and optional 3 octaves of Auxillary Bells. Level 3+. Matthew Compton's setting of the tune EBENEZER provides many variations on the theme in contrasting styles and moods. At times upbeat and forceful and others solemn and subdued, the piece will elicit the maximum musicality from your ensemble. Be sure to watch for the surprise ending!
SKU: BP.HB529
UPC: 748769305294.
Arraged for 3-6 octave handbell choir withoptional 2 octaves of handchimes, level 3-. From its haunting opening iteration of the theme, this arrangement of the stirring Navy Hymn is sure to touch the hearts of your listeners. A more flowing second verse gives way to a reflective third verse and a final triumphant closing verse. Unexpected harmonies abound, adding a hint of freshness to this well-loved tune.
SKU: HP.2411
UPC: 763628124113.
Original Composition This festive, original composition from Hart Morris is a celebrative piece that makes extensive use of mart-lift and mallets throughout. Though the middle section calms somewhat, the tempo does not change as the more mellow sounds of handchimes enter, surrounded by brief mallet and thumb damp passages. This segment ends with a return of the opening theme (in a different key), played in one clef, answered in the other, building to a big finish.
SKU: HP.2122
UPC: 763628021221. Psalms 45:2, Psalms 27:4, John 5:23, John 8:12, Revelation 22:16, Revelation 5:11-13, Mark 10:35-45, Philippians 2:1-13.
Gospel hymn tune Imitative texture from a single melody line to 9 parts develops during the first 16 measures of this 57 measure arrangement of the beloved hymn tune. A second section finds the melody in the bass. After moving through a chromatic section the theme is stated in the new key of C major and ends big.
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