SKU: HL.14031646
Fest Marsch Op.452 was composed by Johann Strauss II, for full Orchestra.
Johann Strauss II also known as the 'Waltz King', was an Austrian composer of light music, particularly dance music and operettas. Johann Strauss II composed over 400 waltzes, polkas, quadrilles, and other types of dance music, as well as several operettas and a ballet, with in his relatively long career.
SKU: HL.49009618
ISBN 9790200211283. UPC: 073999354379. 5.25x7.5x0.213 inches.
With more than 1,200 titles from the orchestral and choral repertoire, from chamber music and musical theatre, Edition Eulenburg is the world's largest series of scores, covering large part of music history from the Baroque to the Classical era and looking back on a long tradition.
SKU: TM.06781SET
Sandra Dackow Little Known Gem - Grade III+. Score in set. Also composed by: Josef Strauss.
SKU: TM.06781XSC
SKU: RM.STRA03136-BA
ISBN 9790231031362.
Mli I - Mli II - Mla - G - Mlo + Mne + CB - CR.
SKU: RM.STRA03441-BA
ISBN 9790231034417.
Mli I - Mli II - Mla - G - CB + Mlo - Perc - CR.
SKU: RM.STRA03161-BA
ISBN 9790231031614.
Mlli I - Mli II - Mla - G - Mlo + Mne + BT + TR - CR.
SKU: TM.03385SET
Vocal Score I = key of eb; Vocal Score II = key of A. Score and parts in key of eb only.
SKU: TM.06780SET
Ed. by Siefert. Concertino and Ripieno Strings, both on same part; Cem I and Cem II together on same part. Transposed: hn1&2, tpt1&2.
SKU: TM.06780SC
SKU: TM.03385SC
SKU: HL.14031688
SKU: BA.BA08811
ISBN 9790006539840. 33.1 x 26.5 cm inches. Text Language: Italian. Preface: Betzwieser, Thomas. Text: Giambattista Casti.
A memorable musical competition commissioned by the emperor Joseph II took place on 7 February 1786 as part of a festival in the orangery of the Schönbrunn palace. A German Singspiel ensemble performed Mozart’s “Schauspieldirektor†whilst Antonio Salieri’s “Prima la musica e poi le parole†was performed by the Italian court singers and musicians. This charming opera satire belongs to the genre of “metamelodramma†in which the opera itself becomes the subject of the action. The people who are part of an opera production, for example the librettist, composer and prima donna, appear as characters on the stage and are presented in a humorous self-reflection. In this ‘theatre about theatre’ Salieri parodies the music from Giuseppe Sarti’s “Giulio Sabino†in his insert arias, thus playing on the music which was totally familiar with the audience of the time. By reflecting on the musical-dramatic style of that period and discussing whether ‘the word’ or ‘the music’ should take priority, this masterpiece is considered to be an early forerunner to Richard Strauss’s “Capriccioâ€.The new edition of the score is published as part of “opera – Spectrum of European Music Theatre in Separate Editionsâ€. There are several alterations regarding the libretto text, stage directions, articulation, ornamentation, etc. which have been incorporated into this newly engraved vocal score. Furthermore, all appendix numbers from the score which concern the quotations from Giuseppe Sarti’s “Giulio Sabino†have also been incorporated.• Urtext vocal score based on the historical-critical hybrid score published as part of “opera – Spectrum of European Music Theatre in Separate Editions†edited by Thomas Betzwieser (music edition) and Adrian La Salvia (text edition).• Original Italian libretto with singable German translation• Comprehensive bilingual foreword (Ger/Eng) on the genesis and reception of the work, on metamelodramma and intertextuality etc.• Includes an extensive appendix to the quotations taken from Giuseppe Sarti’s “Giulio Sabinoâ€â€¢ Idiomatic piano reduction
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