SKU: KN.9238
UPC: 822795092387.
This adventurous original brings to mind the repetitive patterns produced by machines on a manufacturing assembly line. Inspired in part by the television program How It's Made (Discovery Channel), students are encouraged to use their imaginations to picture the machines at work. Coupled with the dark E minor sound, this driving and powerful piece will be a welcome addition to any program. Duration 2:50.
SKU: BA.BA04558-01
ISBN 9790006450619. 33 x 26 cm inches.
The New Mozart Edition offers researchers a musicologically unimpeachable text based on all the available sources (first and foremost Mozart's autograph manuscripts). At the same time, it also serves as an aid to authentic performances.The principal Series I to IX, containing Mozart's actual oeuvre, appeared between 1956 and 1991. They are regarded as a supreme achievement of Mozart scholarship in our time; modern performances of Mozart's music are unthinkable without them. The important supplementary volumes shed fresh and illuminating light on neglected aspects of Mozart's creative work, such as his activities as a teacher or as an arranger of other composer's works.
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?
MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: HL.132243
UPC: 884088970772.
Piano concertos combine two elements: pure playing and full poetic expression. Virtuosity and romance. Pianistic brilliance, educated in the works in the stile brillant, brought to perfection, but at the same time - a farewell. Both are forms of direct expression of the personality of the composer, which showed itself in them for the first time with so much strength and is manifested in a group of characteristics of forming Chopin's individual style. Piano Concerto in F minor In terms of size, substantially smaller than the E minor concerto and also a different kind of expression: more lyrical, drawn in delicate pastel colours. Especially famous is the second movement, the Larghetto, which Chopin wrote under the inspiration of his first love. Critical source-edition edited by Jan Ekier and Pawel Kaminski based on manuscripts, copies approved by Chopin himself, and first editions. Its purpose is to present the works of Chopin in authentic form.
SKU: HL.49002109
ISBN 9790001021050. UPC: 073999473391. 8.5x11.75x0.2 inches.
Among his orchestral works, the symphonies (Wq 182) are certainly those with which C.Ph.E. Bach advances farthest into new ground in music. Contrast and surprise as well as the permanent change of affections are the essential principles of this music.
SKU: CA.1232519
ISBN 9790007140007.
Score and parts available separately - see item CA.1232500.
SKU: HL.49002054
ISBN 9790001020992. UPC: 884088058791. 9.0x12.0x0.181 inches.
In this symphony, C.Ph.E. Bach appears as pioneer of the Viennese Classicism. Just in the first movement, we encounter a theme of individual form, a seven-bar (!) combination of syncopated tone repetition with smallsegmented triad splitting. The fact that the material of the whole movement is won from that, is a principle which was often used in the classical period.
SKU: HL.49002055
ISBN 9790001021005. 8.5x11.75x0.332 inches.
SKU: BR.EOS-1527
ISBN 9790004786475. 8.5 x 11.5 inches.
No. 1 in B major 82.2.0.0. 0.0.0.0. str bc(hps) No. 2 in A major 50.2.0.0. 0.0.0.0. str bc(hps) No. 3 in C major 50.2.0.2. 0.0.0.0. str bc(hps) No. 4 in F major 70.2.0.2. 2.0.0.0. str bc(hps) No. 5 in D major 80.2.0.0. 0.2.0.0. timp str bc(hps) No. 6 in F major 70.2.0.0. 0.0.0.0. str bc(hps) No. 7 in B major 92.2.0.0. 0.0.0.0. str bc(hps) No. 8 in D minor 112.2.0.0. 0.0.0.0. str bc(hps)
SKU: LM.JJ05070
ISBN 9790230805070.
Les Copines du Ciel - Le Camp de Blois - Le Roi de Coeur - Le Sacre de Charles VII - La Mort.
SKU: UT.MC-59A
ISBN 9790215309067. 9 x 12 inches.
Performance Material on Hire[2.2.2.2 - 2.2.3.0 - Timp - Str].
SKU: BO.B.3184
SKU: UT.MC-56A
ISBN 9790215308602. 9 x 12 inches.
Performance Material on Hire[0.2.0.2 - 2.2.0.0 - Timp - Str].
SKU: LM.JJ05902
ISBN 9790230805902.
SKU: LM.JJ05964
ISBN 9790230805964.
SKU: BA.BA10983
ISBN 9790006565573. 31 x 24.3 cm inches. Key: G major. Preface: Armin Raab.
Haydn’s Symphony in G major Hob. I:81 comes from a series of three symphonies completed in late 1784 (nos. 81, 80 and 79, presumably in that order). No autograph score survives for Hob. I:81, thus our Urtext edition is based on copyists’ manuscripts and first editions. As with so many of his symphonies, Haydn wrote this one to provide new music for his employer, Prince Nikolaus Esterházy.Continuing the collaboration between Bärenreiter and the G. Henle publishing company regarding Haydn’s large-scale choral works, operas and symphonies, this edition is based on the G. Henle Complete Edition of the Works of Joseph Haydn. Bärenreiter has now published the complete performance material for several Sturm und Drang symphonies and all the London and Paris symphonies (Nos. 81 to 104).
SKU: BR.SON-627
ISBN 9790004803295. 10 x 12.5 inches.
In 1998, at the end of the 20th century, Breitkopf & Hartel started the publication of the Complete Edition, which is made possible thanks to the cooperation of the various Sibelius publishers. The Editors (Helsinki University Library and The Sibelius Society of Finland) and the Editorial Committee (Chairman: Timo Virtanen, Helsinki) believe that the volumes of JSW will provide the basis for a now conception of the creative work of Jean Sibelius.Reviews: One immediately recognizes the towering production quality of these volumes - a point that can be extended to all volumes thus far published in the set. The music is a joy to read; and the lucidity and thoroughness of the texts … are models of scholarly editions, and should be required reading for all bibliography and music-editing courses. … In sum, the JSW is a remarkable project: the scholarship is impeccable, the music scores and texts are simply a joy to study. Edward Jurkowski, Notes December 2011: 442-443At the back of this magnificent book are pages of critical commentary on a bar-by-bar analysis of an endless supply of musical notation requiring interpretation by the editor. … For the general, non-musically trained, purchaser of the edition there is the magisterial introduction to read, and fascinating reading it is. Edward W. Clark, Sibelius Society Newsletter 2009 The Sibelius pieces, however, are a revelation. I opened this magnificently produced volume - complete with multilingual critical report and generous facsimiles of original manuscripts - expecting Grieg-style quasi-nationalistic character pieces, and was instead presented with an incredible array of styles, textures, harmonic languages and levels of difficulty. Chris White, Piano Professional Summer 2009: 2This is not only a scholarly edition of one of the composer's major works, it is also a model for the philological editing of music in general. … JSW has chosen to have the emendations reflected in two places, in certain cases even in three: as graphic indications in the music text, in prose form in the critical commentary, and sometimes also in the form of a warning footnote on the music page. There can be no doubt that such a procedure is very user-friendly, but it disturbs the appearance of the music and may mislead the user into thinking that there are two or more equally valid readings. Niels Krabbe, Fontes Artis Musicae 54/2, 2007: 248 Editorial standards are high throughout, and maintain a careful balance between the competing demands of practical exigency and the need to provide as much scholarly evidence of variants as possible. The critical commentaries provide concise and effective descriptions of the sources and, where appropriate, information on compositional genesis and historical context. The introduction to each volume provide useful background information on historical reception, including much new material not previously brought to light in Tawaststjerna's biography. Daniel M. Grimley, Nineteenth-Century Music Review 2/2, 2005: 244.
SKU: BR.SON-625
ISBN 9790004803271. 10 x 12.5 inches.
In 1998, at the end of the 20th century, Breitkopf & Hartel started the publication of the Complete Edition, which is made possible thanks to the cooperation of the various Sibelius publishers. The Editors (Helsinki University Library and The Sibelius Society of Finland) and the Editorial Committee (Chairman: Timo Virtanen, Helsinki) believe that the volumes of JSW will provide the basis for a now conception of the creative work of Jean Sibelius.Reviews: One immediately recognizes the towering production quality of these volumes - a point that can be extended to all volumes thus far published in the set. The music is a joy to read; and the lucidity and thoroughness of the texts ... are models of scholarly editions, and should be required reading for all bibliography and music-editing courses. ... In sum, the JSW is a remarkable project: the scholarship is impeccable, the music scores and texts are simply a joy to study. Edward Jurkowski, Notes December 2011: 442-443At the back of this magnificent book are pages of critical commentary on a bar-by-bar analysis of an endless supply of musical notation requiring interpretation by the editor. ... For the general, non-musically trained, purchaser of the edition there is the magisterial introduction to read, and fascinating reading it is. Edward W. Clark, Sibelius Society Newsletter 2009 The Sibelius pieces, however, are a revelation. I opened this magnificently produced volume - complete with multilingual critical report and generous facsimiles of original manuscripts - expecting Grieg-style quasi-nationalistic character pieces, and was instead presented with an incredible array of styles, textures, harmonic languages and levels of difficulty. Chris White, Piano Professional Summer 2009: 2This is not only a scholarly edition of one of the composer's major works, it is also a model for the philological editing of music in general. ... JSW has chosen to have the emendations reflected in two places, in certain cases even in three: as graphic indications in the music text, in prose form in the critical commentary, and sometimes also in the form of a warning footnote on the music page. There can be no doubt that such a procedure is very user-friendly, but it disturbs the appearance of the music and may mislead the user into thinking that there are two or more equally valid readings. Niels Krabbe, Fontes Artis Musicae 54/2, 2007: 248 Editorial standards are high throughout, and maintain a careful balance between the competing demands of practical exigency and the need to provide as much scholarly evidence of variants as possible. The critical commentaries provide concise and effective descriptions of the sources and, where appropriate, information on compositional genesis and historical context. The introduction to each volume provide useful background information on historical reception, including much new material not previously brought to light in Tawaststjerna's biography. Daniel M. Grimley, Nineteenth-Century Music Review 2/2, 2005: 244.
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