SKU: HL.49044647
ISBN 9783795749361. UPC: 196288133667. 9.0x12.0x0.169 inches. German - English.
Learning to play the piano with BachEasy to intermediate pieces by the master Bach as a teacher Easy piano pieces For beginners with basic knowledgeLearn from the master. Johann Sebastian Bach composed countless pieces specifically for his many students. My First Bach contains many of these educational pieces which are, for the most part, arranged in increasing difficulty. Easy two-part chorales and dances are followed by more demanding little preludes, two-part inventions and the first Prelude from the Well-Tempered Clavier.
SKU: BT.EMBZ14699
The four composer-sons of Johann Sebastian Bach were figures of decisive importance in the transitional period between the Baroque and Viennese classicism. Around the middle of the 18th century they were influential not only as composers but also as virtuoso players of keyboard instruments in promoting the enormous change in style that took place during those decades. This volume offers a selection of the genres typical of the keyboard works by Bach's sons, thereby also giving students an excellent introduction to Viennese classicism and to the works of Haydn, Mozart and Beethoven. Contains ABRSM Piano Syllabus pieces, Grades 3-6.Vier Söhne Johann Sebastian Bachs, die in die Fußstapfen des Vaters traten, sind bedeutende Figuren der 'Übergangszeit' zwischen dem Barock und der Wiener Klassik. Nicht nur als Komponisten sondern auch als Meister der Tasteninstrumente wirkten sie gegen Mitte des 18. Jahrhunderts massiv an dem enormen Stilwechsel mit, welcher sich in diesen Jahrzehnten vollzog. Das vorliegende Heft bietet dem Schüler eine Auswahl an charakteristischen Gattungen von Werken der Bach-Söhne für Tasteninstrumente und führt sie dadurch ausgezeichnet in die Wiener Klassik, in die Stücke von Haydn, Mozart und Beethoven ein.
SKU: BT.EMBZ30
English-German-Hungarian.
In 1916, as part of the series Az elemi zongorajáték gyakorlati tananyaga [Practical Repertory for Elementary Piano Playing], Rózsavölgyi & Co. published Bartók's selection of twelve pieces from the collection usually given the title Notenbüchlein für Anna Magdalena Bach. A revised 1923 edition added one more piece. The contents of our edition are an identical reprint of the 1923 version, including Bartók's in-depth preface in both Hungarian and German and the footnotes he added to the individual pieces (also provided here in an English translation).Johann Sebastian Bach gave his second wife Anna Magdalena two manuscript music-books which contain, besides his own works,compositions by other contemporaries. The present selection includes 13 pieces from the second book (dated to 1725). In der beim Budapester Musikverlag Rózsavölgyi & Co. erschienenen Reihe Az elemi zongorajáték gyakorlati tananyaga [Praktischer Lehrstoff des elementaren Klavierspiels] wurde 1916 eine aus 12 Stu cken bestehende Auswahl Béla Bartóks aus der unter dem Titel Notenbu chlein fu r Anna Magdalena Bach bekannten Sammlung veröffentlicht. Deren im Jahre 1923 veröffentliche revidierte Ausgabe wurde durch ein weiteres Stu ck ergänzt. Der Inhalt der vorliegenden Ausgabe deckt sich mit dem der Edition das Jahres 1923 (die Noten bringen wir als Reprint) einschließlich des Vorworts Bartóks in ungarischer und in deutscher Sprache sowie seiner Randnotizen zu den einzelnen Stu cken, die wir auch in englischer Übersetzung wiedergeben.
Johann Sebastian Bach schenkte seiner zweiten Frau, Anna Magdalena, zwei handgeschriebene Notenhefte, in die er neben eigenen Werken auch Stu cke anderer zeitgenössischer Komponisten aufnahm. Die vorliegende Auswahl beinhaltet die 13 Stu cke des im Jahr 1725 erstellten zweiten Heftes.
SKU: SU.12800086
BachScholar Editions Vol. 86: BACH MEETS RAGTIME: 10 Four-Part Chorales Arranged (Volume 2) (41 pages) was born out of classic ragtime and related style improvisations on selected four-part chorales by J.S. Bach. These arrangements transform Bach’s short chorales into exciting and idiomatic concert pieces for piano while fully retaining the chorales’ original melodies and harmonies. Styles encountered in this collection include two-step rags, cake walk, waltz, etude, cool swing, march macabre, and hoedown. The ten pieces have been assembled in a strategic order so that they may be played in succession as an effective concert cycle. In addition, they may be played singly or in pairs and groups as the performer sees fit. A complete performance lasts approximately 36 minutes. This collection is ideal for piano students, teachers, and concert artists who seek fresh, new, and creative material for study and performance. Keyboard/Theory Published by: BachScholar.
SKU: SU.12800018
BachScholar Edition Vol. 18 – Toccata & Fugue in D Minor, BWV 565 (10 pages) presents Bach’s famous organ work in a highly idiomatic piano transcription. More of a literal transcription than an arrangement, this version remains true to Bach’s original organ score, which makes it accessible to the average pianist. (In contrast, the Busoni and Tausig arrangements are too difficult for most pianists.) Ideal for pianists from the late-intermediate levels and higher as well as concert artists and teachers who seek an exciting and authentic transcription of Bach for the concert hall or teaching studio. Includes tempo indications and fingering. Published by: BachScholar Publishing, LLC.
SKU: SU.12800062
Goldberg Variations, BWV 988 (3-page Preface, 63 pages, edited for piano, no fingerings). This attractive Urtext of Bach’s popular variation cycle is not only extremely user-friendly and extra-legible, but in addition, presents groundbreaking performance practice research that explains Bach’s never-before-revealed plan of tempo relationships between variations. This discovery is highly significant with regards to the tempi chosen for the 30 variations in a complete performance. The first edition from 1741, engraved by Bach himself, shows fermatas after some, but not all, variations. Most editors assume this was an oversight by Bach, and thus, add fermatas where they do not belong. Virtually all editions of our time add fermatas where Bach did not indicate them. Perhaps the only edition that correctly reproduces Bach’s fermata indications is Peters (ed. Kurt Soldan, 1937). Mapping out Bach’s fermata plan for the complete cycle reveals an ingenious and fascinating symmetrical arrangement of pairs and groups of variations unified by direct tempo relationships. Bach’s tempo plan has never yet been honored by commercial artists because they have been steeped in false, 19th-century tempo traditions, they have been too influenced by Glenn Gould, and they have never been made aware of Bach’s use of fermatas due to faulty editions. Bach’s master plan is beautifully laid out and all the tempo relationships are explained in the three-page Preface, which also contains a tempo hierarchy matrix relevant to Bach performance as well as Bach’s well-known Table of Ornaments. This edition is ideal for pianists from the late-intermediate levels and higher as well as concert artists, scholars, and teachers who seek an informative edition of the Goldberg Variations for the concert hall or teaching studio. Piano/Keyboard Published by: BachScholar.
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