SKU: HL.646032
UPC: 008148040018. 5.5x8.5x0.151 inches.
These handy sheets save time and help to organize your student records. May be used as a permanent record of enrollment. Keeps record of: each lesson given, music sold, and payments made. One sheet needed for each student. Each sheet has space for two years of lessons. Size is 5-1/2 x 8-1/2 and each page is 3-hole punched to fit inside of planner binders.
SKU: BT.SLB-00595000
English-German-French-Italian.
This volume in the series “Les éditions originales Durand • Salabert • Eschig†contains Frederic Mompou’s works for piano taken from the editions in Salabert catalogue. The original engravings are reproduced, giving musicians a valuable record of howthese major works were first published, whether in the composer’s lifetime or posthumously.Der vorliegende Band aus der Reihe Les éditions originales Durand • Salabert • Eschig enthält die Werke für Klavier von Frederic Mompou aus dem Salabert-Katalog. Abgedruckt ist der ursprüngliche Notensatz, der den Interpreten ein lebendiges Bildvon den Erstausgaben vermittelt, wie sie zu Lebzeiten des Komponisten und nach seinem Tod veröffentlicht wurden.Ce volume dans la série «Les éditions originales Durand • Salabert • Eschig» présente le répertoire pour piano de Frederic Mompou repris des éditions qui figurent au catalogue Salabert. Ces gravures originales, publiées du vivant du compositeur ou titre posthume, fournissent aux interprètes un cliché de l’apparence initiale de ces œuvres devenues incontournables.In questo volume della collana “Les éditions originales Durand • Salabert • Eschig†è presentata l’opera per pianoforte di Frederic Mompou tratta dalle edizioni del catalogo Salabert. Le incisioni originali qui riprodotte forniscono agli interpretil’immagine di come tali opere siano state pubblicate per la prima volta, vivente il compositore o postume.
SKU: AD.ADG247
ISBN 9781958017395. UPC: 663389124721. 9 x 12 inches.
Step into the dynamic world of contemporary jazz-funk with Andrew D. Gordon's latest masterpiece, 100 Ultimate Jazz-Funk Grooves for Piano/Keyboards. Renowned for his expertise in jazz and funk music, Gordon brings forth a comprehensive collection, offering a wealth of inspiration and exploration for pianists and keyboard enthusiasts.As a distinguished composer, educator, and performer, Andrew D. Gordon is celebrated for his ability to seamlessly weave intricate jazz harmonies with the infectious energy of funk rhythms pushing the boundaries of musical expression and inspiring a new wave of creativity.With a career steeped in jazz and funk, he seamlessly blends the sophistication of jazz harmonies with the infectious grooves of funk, providing a captivating experience for musicians of all levels.100 Ultimate Jazz-Funk Grooves is a journey through the heart of jazz-funk, featuring mainly eight measure grooves that capture the essence of this vibrant genre. Gordon's grooves allows pianists and keyboardists to explore the rich tapestry of jazz-funk while adding their own creative flair.Each of the 100 grooves have been recorded twice, the first version has the piano/keyboard part playing along with a rhythm section of guitar, bass, drums and percussion as well as other instruments. The second version consists of a 2-3 minute play-a-long track to practice the piano/keyboard part with.Whether you are a seasoned performer looking to expand your repertoire or a hobbyist/student who is interested in the world of jazz-funk, this book offers a diverse array of, chord progressions, and melodic lines that will challenge and inspire.100 Ultimate Jazz-Funk Grooves for Piano/Keyboards is an invitation to explore the syncopated rhythms, sophisticated harmonies, and infectious energy that define the genre. Step into the world of limitless musical possibilities, and let the pages of this extraordinary collection be your guide to unlocking the vibrant and soulful world of jazz-funk.
SKU: HL.233151
ISBN 9788759886427. 10.0x14.5 inches. English.
Piano solo part for Paganini Variations - Piano Concerto No.3 by Poul Ruders (2014). Score available: WH32201 Programme note: In 1999 my friend, American guitar virtuoso David Starobin, wanted me to write a concerto for guitar and orchestra. It quickly dawned on me, that this commission presented a golden opportunity to contribute to the time-honoured tradition of composing a series of variations on Nicolo Paganini's famous 24th Caprice for violin solo, a work which itself is a set of variations. The 16 bar (with the first 4 bars repeated) theme is not particularly sophisticated or intricate, but its inherent simplicity and logic just grow on you, almost to the point ofdistraction - and the secret behind it being hauled through the wringer by composers as disparate as Liszt, Brahms, Rachmaninoff and Lutoslawski is perhaps found in its - what I'll call, with a quick nervous look over my shoulder: brilliant banality. You can do anything with that tune, it'll always be recognizable and just there, however much you maul it. The piece (subtitled Guitar Concerto no 2) was written pretty quickly, premiered and subsequently recorded for Bridge Records with David and the Odense Symphony Orchestra conducted by Jan Wagner, and everybody was happy. But the story didn't end there, and it must be the ultimate proof of the durability of the theme, not to mention the flexibility and far-sightedness of David Starobin , when he 14 years later suggested why not transcribe the solo part for piano?. The idea appealed to me immediately. One thing was clear from the beginning: the new version could in no way sound like a transcription. My aim was to end up with a solo-part sounding like were it the one-and-only, the real thing, if you like. The orchestral score remains exactly the same in both cases. Both versions, the two Paganini Variations, are comparable to a set of twins, not quite identical, but almost. And both each others's equal. Poul Ruders.
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