SKU: TM.12428SET

Sc pg #339-351. Act II No. 9 Scena e Romanza. Includes recitative S'allontanano al fine!. Allegro Mosso. Sung by Mathilde. Sombre foret desert trist et sauvage.

SKU: TM.14231SC

Act IV Preludio, Scena ed aria (reh. Nos. 1-25). Includes: Asile hereditaire and O muto asil. Includes Amis, amis secondez ma vengeance (Corriam! voliam! s'affretti lo scempio del vile).

SKU: BA.BA04025-01

ISBN 9790006443222. 33 x 26 cm inches. Text Language: English.

Handelâ??s â??Semeleâ?, which premiered in February 1744, is based on an adapted version of William Congreveâ??s opera libretto titled â??The Story of Semeleâ?, originally published in 1706. However, neither Handel nor his librettist referred to â??Semeleâ? as an opera or an oratorio, which, according to the understanding at the time, would have required a biblical and/or Christian subject matter. Contemporary audiences also disagreed on the genre. The problematic classification as an oratorio has persisted into the present day, likely due to the edition labeled as such by Chrysander. The â??Halle Handel Editionâ? (HHA) distances itself from this classification and, considering the available sources, refrains from assigning a genre label.

Congreve deviates from the mythological source multiple times in order to create tensions among the characters. The desired marriage between Semele and Athamas, whom she does not love, is an addition by Congreve to provoke the envy of her sister Ino, who desires Athamas herself. Therefore, Ino sees her own advantage in Semeleâ??s abduction by Jupiter. While Jupiterâ??s wife Juno decides to destroy Semele out of jealousy for his relationship with her, Jupiter brings Ino to his palace to console Semele. The vengeful Juno takes advantage of Inoâ??s presence and transforms into her likeness, persuading Semele to carry out a plan that later proves fatal. In the end, Ino emerges as the winner, as she is able to convince their father, Cadmus, to marry her to Athamas. The appearance of Apollo in the final scene to announce that Semeleâ??s immortal son Bacchus was saved from her ashes provides little consolation. However, this twist allows the drama to conclude with exuberant joy and a magnificent final chorus after the tragic scenes in the third act, culminating in the death of the protagonist.

Handelâ??s autograph score shows significant deviations from and numerous revisions of the original version premiered. All surviving early versions, the musical movements deleted before the premiere, and the version of the December 1744, are given in the appendix to the HHA.

SKU: TM.14096SET

Fantasia (Orlando Gibbons), Lachrymae Pavan (John Dowland), The King's Hunt (John Bull), Quodling's Delite (Giles Farnaby), Sellinger's Round (William Byrd).

SKU: TM.09999SC

Fantasia (Orlando Gibbons), Lachrymae Pavan (John Dowland), The King's Hunt (John Bull), Quodling's Delite (Giles Farnaby), Sellinger's Round (William Byrd).

SKU: TM.07478SC

Les Fiances, Madrigal, Chanson Espangole, Silver Ring, Ritournelle, Roundel.

SKU: TM.07317SC

Soprano/Tenor solo in set. Study score (not large score) in rental set.