SKU: PR.114422690

UPC: 680160684809. 9 x 12 inches.

In 2014, I enjoyed a wonderful residence at the Ucross Foundation in Clearmont,
Wyoming. Ucross is an artist colony that gives writers, composers, and visual artists the
gift of time, space, and support to follow their artistic pursuits; we are provided with
studio space, housing, and meals so that we can work continuously on our projects. I have
been in residence at numerous artist colonies; however, nothing in my previous
experiences prepared me for living in such isolated, wild country. Ucross is situated on a
20,000-acre cattle ranch at nearly 4,000 feet in elevation with fewer than 150 people
living within the town. But what Clearmont lacks in population, it makes up for
abundantly and spectacularly in wilderness and wildlife. I composed the sextet Postcards
from Wyoming to offer three glimpses of what I found to be the most striking aspects of
my residence. The Solitude of Stars, the third and final movement of the original sextet,
was inspired by the stunning nightly display of the heavens above. Without city lights
dimming the night sky, countless stars shone brightly over the vast expanse of the prairie.
This edition is part of The Solitude of Stars Project that I undertook during the 2020
COVID-19 pandemic, which consists of a series of arrangements that I made for
colleagues and friends.
In 2014, I enjoyed a wonderful residence at the Ucross Foundation in Clearmont, Wyoming. Ucross is an artist colony that gives writers, composers, and visual artists the gift of time, space, and support to follow their artistic pursuits; we are provided with studio space, housing, and meals so that we can work continuously on our projects. I have been in residence at numerous artist colonies; however, nothing in my previous experiences prepared me for living in such isolated, wild country. Ucross is situated on a 20,000-acre cattle ranch at nearly 4,000 feet in elevation with fewer than 150 people living within the town. But what Clearmont lacks in population, it makes up for abundantly and spectacularly in wilderness and wildlife. I composed the sextet Postcards from Wyoming to offer three glimpses of what I found to be the most striking aspects of my residence. The Solitude of Stars, the third and final movement of the original sextet, was inspired by the stunning nightly display of the heavens above. Without city lights dimming the night sky, countless stars shone brightly over the vast expanse of the prairie. This edition is part of The Solitude of Stars Project that I undertook during the 2020 COVID-19 pandemic, which consists of a series of arrangements that I made for colleagues and friends.
In 2014, I enjoyed a wonderful residence at the Ucross Foundation in Clearmont,Wyoming. Ucross is an artist colony that gives writers, composers, and visual artists thegift of time, space, and support to follow their artistic pursuits; we are provided withstudio space, housing, and meals so that we can work continuously on our projects. I havebeen in residence at numerous artist colonies; however, nothing in my previousexperiences prepared me for living in such isolated, wild country. Ucross is situated on a20,000-acre cattle ranch at nearly 4,000 feet in elevation with fewer than 150 peopleliving within the town. But what Clearmont lacks in population, it makes up forabundantly and spectacularly in wilderness and wildlife. I composed the sextet Postcardsfrom Wyoming to offer three glimpses of what I found to be the most striking aspects ofmy residence. The Solitude of Stars, the third and final movement of the original sextet,was inspired by the stunning nightly display of the heavens above. Without city lightsdimming the night sky, countless stars shone brightly over the vast expanse of the prairie.This edition is part of The Solitude of Stars Project that I undertook during the 2020COVID-19 pandemic, which consists of a series of arrangements that I made forcolleagues and friends.

SKU: BR.SON-454

ISBN 9790004803646. 9 x 12 inches.

The Violin Concerto in E minor, op. 64, and the Sonata in F minor, op. 4, are the only works for solo violin that Mendelssohn had had printed during his lifetime. However, his complete oeuvre includes other completed or fragmentary compositions, including two further concertos and several unfinished sonatas and other individual pieces. He himself had an extraordinary command of the violin and entrusted the instrument in several other works, such as the Octet op. 20 or the concert aria Infelice! - Ah, ritorno, eta dell'oro, with special tasks. Nevertheless, with regard to details of playing technique, he usually sought advice from solo violinist friends, first from Eduard Ritz, then, after Ritz's early death, from Ferdinand David. The present volume contains all of the completed and fragmentary compositions for violin and piano that have survived - from the early Prelude and Fugue in D and G minor from Zelter's practice book (1820), which can be assigned without doubt, through to the Sonata in F major (1838) in their various versions.