SKU: AP.1-ADV20072

UPC: 805095200720. German.

Die Evolution des Solo Jazz Pianos ist eine Studie über 24 der einflussreichsten Solo Jazz Piano Stile, von 1900 bis heute. Um die spezifischen Beiträge der einzelnen Pianisten deutlich zu veranschaulichen, komponierte Bill Dobbins ein Thema, das auf der Akkordfolge des bekannten Standards All of Me basiert. Durch die Übertragung der stilistischen Eigenheiten auf ein und dasselbe Thema ist es möglich, die subtilen aber trotzdem einprägsamen Elemente jedes Stiles klar zu erkennen. Gemeinsamkeiten zwischen Waller, Ellington, Tatum, Monk und Rowles, Tatum, Hines und Wilson, Smith und Ellington, Corea und Beirach etc. veranschaulichen, dass musikalische Individualität größtenteils das Ergebnis unbewusster Bevorzugung bestimmter musikalischer Elemente ist, und nicht die Kultivierung der Originalität um ihrer selbst willen. Wir hoffen aufrichtig, daß diese DVD das Interesse am Solo Jazz Piano aber auch an kreativer Musik im allgemeinen anregt. LEHR-Programm gemäß § 14 JuSchG

Titles: Teil 1: Traditionelle Stile Scott Joplin * Jelly Roll Morton * James P. Johnson * Willie The Lion Smith * Earl Fatha Hines * Thomas Fats Waller * Teddy Wilson * Duke Ellington * Art Tatum * Meade Lux Lewis * Pete Johnson * Jimmy Yancey * Teil 2: Moderne Stile Thelonious Monk * Bud Powell * Oscar Peterson * Erroll Garner * Lennie Tristano * Bill Evans * Clare Fischer * Jimmy Rowles * Cecil Taylor * Chick Corea * Keith Jarrett * Richie Beirach.

SKU: MB.30091

ISBN 9781513466378. 8.75 x 11.75 inches.

Appalachian fiddle music, based on the musical traditions of the people who settled in the mountainous regions of the southeastern United States, is widely-known and played throughout North America and parts of Europe because of its complex rhythms, its catchy melodies, and its often-ancient-sounding stylistic qualities. The authors explore the lives and music of 43 of the classic Appalachian fiddlers who were active during the first half of the 20th century. Some of them were recorded commercially in the 1920s, such as Gid Tanner, Fiddlin? John Carson, and Charlie Bowman. Some were recorded by folklorists from the Library of Congress, such as William Stepp, Emmett Lundy, and Marion Reece. Others were recorded informally by family members and visitors, such as John Salyer, Emma Lee Dickerson, and Manco Sneed. All of them played throughout most of their lives and influenced the growth and stylistic elements of fiddle music in their regions. Each fiddler has been given a chapter with a biography, several tune transcriptions, and tune histories. To show the richness of the music, the authors make a special effort to show the musical elements in detail, but also acknowledge that nothing can take the place of listening. Many of the classic recordings used in this book can be found on the web, allowing you to hear and read the music together.