by William Bay. For Recorder (Soprano). method. You Can Teach Yourself. All Styles. Level: Beginning. Book/CD Set. Size 8.75x11.75. 80 pages. Published by Mel Bay Publications, Inc.

by Dr. William Weiss. For Recorder (Soprano). method. Basic Series. All Styles. Level: Beginning. Book. Size 8.75x11.75. 56 pages. Published by Mel Bay Publications, Inc.

Recorder Ensemble

SKU: HL.49002852

Score and Parts. Composed by William Byrd. Edited by Walter Bergmann. This edition: Folding. Sheet music. Edition Schott. Classical. Score and Parts. 24 pages. Schott Music #ED 11522. Published by Schott Music (HL.49002852).

ISBN 9790220110924. UPC: 073999254174. 8.5x11.5x0.065 inches.

4 recorders (SATB).

By John Williams. For Recorder. Book; Recorder Collection. Movie. 24 pages. Published by Alfred Music Publishing

By John Williams. For Recorder. Recorder Collection. Movie. Book. 24 pages. Published by Alfred Publishing.

By Douglas Steele. For Voice, treble recorder and piano. Moderate. Published by Forsyth Publications

Composition

SKU: FP.FTJ06

Composed by John Turner. Sheet Music and Books. Recorder virtuosi and composer John Turner's indispensible new guide for composers writing for the solo recorder. This hugely useful book features chapters on the history of recorder composition, as well as the instrument's range, player technique, dynami. Classical, Instructional. Reference Book. Forsyths Publications #FTJ06. Published by Forsyths Publications (FP.FTJ06).

ISBN 9780951479537.

Composing for the recorder can be intimidating for those with limited or no experience playing the instrument. John Turner's new book is the ideal primer, taking the would be recorder composer on a journey through the history of recorder composition, and onwards to explore player techniques and the musicality offered by this versatile instrument. Each section is extensively referenced to exisiting compositions, providing a fantastic platform for further research by the reader.

About the Author:

JOHN TURNER is one of the leading recorder players of today. Born in Stockport, he was Senior Scholar in Law at Fitzwilliam College Cambridge before pursuing a legal career, acting for many distinguished musicians and musical organisations alongside his many musical activities. These included numerous appearances and recordings with David Munrow's Early Music Consort of London, the Academy of Ancient Music, the English Chamber Orchestra, the Academy of St. Martin-in-the-Fields and the English Baroque Soloists. He now devotes his time to playing, writing, reviewing, publishing, composing and generally energising.

He has played as recorder soloist with the Halle Orchestra, the Royal Liverpool Philharmonic Orchestra, the Manchester Camerata, the English Baroque Soloists, the English Chamber Orchestra, and many other leading orchestras and ensembles. Concertos and works with orchestra have been written for him by Gordon Crosse, Anthony Gilbert, Peter Hope, Kenneth Leighton, Elis Pehkonen, Alan Bullard, John Casken, and many other distinguished composers. His recordings include no less than five sets of the Brandenburg Concertos, as well as the F Major version of Brandenburg Concerto No. 4 with Menuhin and George Malcolm, but lately he has madenumerous acclaimed recordings of the recorder’s contemporary concerto and chamber music repertoire, including several concerto discs, all of which have received critical acclaim. In all, he has given the first performances of over 600 works for the recorder, with works by many non-British composers, including Leonard Bernstein, Ned Rorem, Peter Sculthorpe, Douglas Lilburn and Petr Eben.

Many of the works he has premiered have now entered the instrument’s standard repertoire, and these and his own recorder compositions are regularly set for festivals and examinations. He edits series of recorder publications for both Forsyths and Peacock Press, and founded the periodical Manchester Sounds, in response to the perceived threat to music libraries in Great Britain. In addition he was responsible for the rediscovery of several works for his instrument, including the Rawsthorne Recorder Suite, Antony Hopkins' Pastiche Suite, Herbert Murrill’s Sarabande, the Handel F Major Trio Sonata and John Parry's Nightingale Rondo (the only substantial known British nineteenth century work for a fipple flute). He was awarded an Honorary Fellowship by the Royal Northern College of Music in 2002 for his services to British music, and is a Visiting Distinguished Scholar of Manchester University.

Soprano Recorder & Piano or CD Play Back / Play Along - Grade 1

SKU: MA.EMR-45006

Melodies pour Debutants / Melodien fur Anfanger. Composed by Bertrand Moren. Soprano Recorder & CD Playback (Play Along). Score and parts. Duration 16'15. Editions Marc Reift #EMR 45006. Published by Editions Marc Reift (MA.EMR-45006).

Grandfather Clock / Snail, come out to play! / Rain is Falling / Joy To The World / William Tell / Tenderness / Let's Climb the Ladder / Little Ladybird / It's Christmas / Santa Claus's Toy / Pirouette, Cacahuete / Doctor Staccato...

Recorder 1, recorder 2, recorder 3, recorder iv, violin 1, violin 2, viola, cello

SKU: GI.G-2244INST

Joseph, Dearest, Joseph, Mine. Composed by Hieronymus Praetorius. Edited by William Tortolano. This edition: Instrument edition. Sacred. Instrumental part(s). 6 pages. GIA Publications #2244INST. Published by GIA Publications (GI.G-2244INST).

Recorders and strings are substitutes for the second SATB choir.

For Descant (Soprano) Recorder. By Steve Rosenberg. (Recorder). Boosey and Hawkes Chamber Music. Size 9x12 inches. 56 pages. Published by Boosey and Hawkes.