| A Yuletide Reel String Orchestra [Score] - Easy FJH
Orchestra String Orchestra - Grade 3.5 SKU: FJ.ST6490S Score Only....(+)
Orchestra String Orchestra - Grade 3.5 SKU: FJ.ST6490S Score Only. Arranged by David Giardiniere. Series; String Orchestra. FJH String Orchestra. Holiday Pops. Score. The FJH Music Company Inc #98-ST6490S. Published by The FJH Music Company Inc (FJ.ST6490S). English. The joy of the Christmas season flows through every measure of this delightful holiday reel that turns your violin section into Celtic fiddlers. Good King Wenceslas and Deck the Hall are intertwined with the classic reel Christmas Eve that will challenge and delight your players. Use optional bodhran (hand drum), guitar and pennywhistle to bring the true spirit of Scotland to your holiday concert. About FJH String Orchestra More emphasis on bow technique and independence of lines. For the accomplished middle, high school, college, or professional group. Grade 3 and up $6.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Musicians' March Concert band - Beginner De Haske Publications
Concert Band/Harmonie - Grade 1.5 SKU: BT.DHP-1105030-143 Musikantenma...(+)
Concert Band/Harmonie - Grade 1.5 SKU: BT.DHP-1105030-143 Musikantenmarsch. Composed by Eric J. Hovi. Arranged by Jan de Haan. Essential Elements European Band Series. Score with CD. Composed 2010. 12 pages. De Haske Publications #DHP 1105030-143. Published by De Haske Publications (BT.DHP-1105030-143). 9x12 inches. English. Eric J. Hovi cleverly incorporates a well-known German children’s song, Ich bin ein Musikante, into this march, with plenty of syncopated rhythms thrown in for good measure. The simple melody and Jan de Haan’s accessible arrangement make Musicians' March an ideal piece for young musicians everywhere.
In diesem Marsch mit einem auffällig synkopischen Rhythmus verarbeitete Eric J. Hovi das bekannte Kinderlied Ich bin ein Musikante. Die vertraute Melodie und die leichte Bearbeitung von Jan de Haan ermöglichen jungen Musikern einen einfachen, fröhlichen Einstieg in das Genre der Marschmusik.Spielbar ab Essential Elements Band 1, Seite 31
Cette pièce facile et agréable est idéale pour familiariser vos jeunes musiciens avec le style de la marche. Un rythme syncopé jalonne la trame. La mélodie provient d’une chanson enfantine allemande.
La celebre Ich bin ein Musikante, nota canzone tedesca per bambini, è stata arrangiata con uno spiccato ritmo sincopato da Eric J. Hovi. Jan de Haan ne ha creato una versione più semplice per giovani musicisti, ideale per un approccio semplice e gioioso all’esecuzione delle marce. $17.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Loose Change Jazz Ensemble [Score and Parts] Kendor Music Inc.
Composed by Sammy Nestico. For jazz ensemble. Sammy Nestico Young Jazz Series. J...(+)
Composed by Sammy Nestico. For jazz ensemble. Sammy Nestico Young Jazz Series. Jazz Feel. Easy. Score and set of parts. Published by Kendor Music Inc
$48.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Ja-Da (Full Score) Jazz Ensemble - Easy Kendor Music Inc.
Jazz Ensemble - Grade 3 SKU: KN.SN70152S Composed by Bob Carleton. Arrang...(+)
Jazz Ensemble - Grade 3 SKU: KN.SN70152S Composed by Bob Carleton. Arranged by Sammy Nestico. Sammy Nestico Premium Jazz Series. Kendor Music Inc #SN70152S. Published by Kendor Music Inc (KN.SN70152S). UPC: 822795701524. Originally recorded by Count Basie and played by him at a Grammy Awards concert, this arrangement was also recorded by the SWR Big Band in 2005 on their CD Basie-cally Sammy. It has optional solos for all, features trombone and alto sax solos, and includes some quieter ensemble choruses for good measure. Four of five trumpet parts call for flugelhorn doubles and alto saxes have optional flute doubles. $7.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Red Rock Rag String Orchestra [Score and Parts] - Easy Carl Fischer
Orchestra String Orchestra - Grade 3 SKU: CF.CAS7 Composed by Doris Gazda...(+)
Orchestra String Orchestra - Grade 3 SKU: CF.CAS7 Composed by Doris Gazda. Edited by Amy Rosen. FS-SWs. Carl Fischer Concert String Orchestra Series. Score and Parts. With Standard notation. 20+24+24+6+15+15+15 pages. Carl Fischer Music #CAS7. Published by Carl Fischer Music (CF.CAS7). ISBN 9780825847578. UPC: 798408047573. 8.5 X 11 inches. Key: D major. When you have the good fortune to visit Red Rock country in the southwestern United States, you will all at once feel that majesty and beauty in the towering red landscape. You can trek, bike, paddle, ride horseback or drive through the canyons, past the strangely shaped rocks and over the enormous boulders. Each time you turn a corner you will be dazzled by yet another magnificent vista. The Red Rock areas in Utah, Nevada, Arizona and New Mexico formed millions of years ago when that part of North America was primarily under water. The water left behind the shells and skeletons of sea creatures that gradually turned into limestone and similar rocks. Beginning 225 million years ago, the earth's crust began to move and the seabed slowly rose. Streams entering the shallow water deposited mud and sand that turned into shale and marine sandstone. As the land continued to rise and dry out, some of the rocks oxidized (combined with oxygen) and turned red in color. Subsequently the area was covered with sands that eventually compressed into what is called Aztec sandstone. Sometimes, when iron was concentrated in the rock, the sandstone turned a bright red color. Following the introduction, the music in Red Rock Rag takes on a typical ragtime melody and rhythm. It then transitions by changing key, time signature and the structure into a swing waltz. At m. 60, it moves into a combined time signature of one measure of 3/4 time and two measures of 2/4 time with an occasional lick in the bass line. Finally, it moves back into the swing-waltz style and finishes with the original ragtime melody. Red Rock Rag is challenging stylistically and rhythmically. It would be appropriate to study both the ragtime and swing styles while working on it. When you have the good fortune to visit Red Rock country in the southwestern United States, you will all at once feel that majesty and beauty in the towering red landscape. You can trek, bike, paddle, ride horseback or drive through the canyons, past the strangely shaped rocks and over the enormous boulders. Each time you turn a corner you will be dazzled by yet another magnificent vista. The Red Rock areas in Utah, Nevada, Arizona and New Mexico formed millions of years ago when that part of North America was primarily under water. The water left behind the shells and skeletons of sea creatures that gradually turned into limestone and similar rocks. Beginning 225 million years ago, the earth's crust began to move and the seabed slowly rose. Streams entering the shallow water deposited mud and sand that turned into shale and marine sandstone. As the land continued to rise and dry out, some of the rocks oxidized (combined with oxygen) and turned red in color. Subsequently the area was covered with sands that eventually compressed into what is called Aztec sandstone. Sometimes, when iron was concentrated in the rock, the sandstone turned a bright red color. Following the introduction, the music in Red Rock Rag takes on a typical ragtime melody and rhythm. It then transitions by changing key, time signature and the structure into a swing waltz. At m. 60, it moves into a combined time signature of one measure of 3/4 time and two measures of 2/4 time with an occasional lick in the bass line. Finally, it moves back into the swing-waltz style and finishes with the original ragtime melody.A Red Rock RagA is challenging stylistically and rhythmically. It would be appropriate to study both the ragtime and swing styles while working on it. When you have the good fortune to visit Red Rock country in the southwestern United States, you will all at once feel that majesty and beauty in the towering red landscape. You can trek, bike, paddle, ride horseback or drive through the canyons, past the strangely shaped rocks and over the enormous boulders. Each time you turn a corner you will be dazzled by yet another magnificent vista. The Red Rock areas in Utah, Nevada, Arizona and New Mexico formed millions of years ago when that part of North America was primarily under water. The water left behind the shells and skeletons of sea creatures that gradually turned into limestone and similar rocks. Beginning 225 million years ago, the earth's crust began to move and the seabed slowly rose. Streams entering the shallow water deposited mud and sand that turned into shale and marine sandstone. As the land continued to rise and dry out, some of the rocks oxidized (combined with oxygen) and turned red in color. Subsequently the area was covered with sands that eventually compressed into what is called Aztec sandstone. Sometimes, when iron was concentrated in the rock, the sandstone turned a bright red color. Following the introduction, the music in Red Rock Rag takes on a typical ragtime melody and rhythm. It then transitions by changing key, time signature and the structure into a swing waltz. At m. 60, it moves into a combined time signature of one measure of 3/4 time and two measures of 2/4 time with an occasional lick in the bass line. Finally, it moves back into the swing-waltz style and finishes with the original ragtime melody.A Red Rock RagA is challenging stylistically and rhythmically. It would be appropriate to study both the ragtime and swing styles while working on it. When you have the good fortune to visit Red Rock country in the southwestern United States, you will all at once feel that majesty and beauty in the towering red landscape. You can trek, bike, paddle, ride horseback or drive through the canyons, past the strangely shaped rocks and over the enormous boulders. Each time you turn a corner you will be dazzled by yet another magnificent vista. The Red Rock areas in Utah, Nevada, Arizona and New Mexico formed millions of years ago when that part of North America was primarily under water. The water left behind the shells and skeletons of sea creatures that gradually turned into limestone and similar rocks. Beginning 225 million years ago, the earth's crust began to move and the seabed slowly rose. Streams entering the shallow water deposited mud and sand that turned into shale and marine sandstone. As the land continued to rise and dry out, some of the rocks oxidized (combined with oxygen) and turned red in color. Subsequently the area was covered with sands that eventually compressed into what is called Aztec sandstone. Sometimes, when iron was concentrated in the rock, the sandstone turned a bright red color. Following the introduction, the music in Red Rock Rag takes on a typical ragtime melody and rhythm. It then transitions by changing key, time signature and the structure into a swing waltz. At m. 60, it moves into a combined time signature of one measure of 3/4 time and two measures of 2/4 time with an occasional lick in the bass line. Finally, it moves back into the swing-waltz style and finishes with the original ragtime melody. Red Rock Rag is challenging stylistically and rhythmically. It would be appropriate to study both the ragtime and swing styles while working on it. When you have the good fortune to visit Red Rock country in the southwestern United States, you will all at once feel that majesty and beauty in the towering red landscape. You can trek, bike, paddle, ride horseback or drive through the canyons, past the strangely shaped rocks and over the enormous boulders. Each time you turn a corner you will be dazzled by yet another magnificent vista. The Red Rock areas in Utah, Nevada, Arizona and New Mexico formed millions of years ago when that part of North America was primarily under water. The water left behind the shells and skeletons of sea creatures that gradually turned into limestone and similar rocks. Beginning 225 million years ago, the earth's crust began to move and the seabed slowly rose. Streams entering the shallow water deposited mud and sand that turned into shale and marine sandstone. As the land continued to rise and dry out, some of the rocks oxidized (combined with oxygen) and turned red in color. Subsequently the area was covered with sands that eventually compressed into what is called Aztec sandstone. Sometimes, when iron was concentrated in the rock, the sandstone turned a bright red color. Following the introduction, the music in Red Rock Rag takes on a typical ragtime melody and rhythm. It then transitions by changing key, time signature and the structure into a swing waltz. At m. 60, it moves into a combined time signature of one measure of 3/4 time and two measures of 2/4 time with an occasional lick in the bass line. Finally, it moves back into the swing-waltz style and finishes with the original ragtime melody. Red Rock Rag is challenging stylistically and rhythmically. It would be appropriate to study both the ragtime and swing styles while working on it. When you have the good fortune to visit Red Rock country in the southwestern United States, you will all at once feel that majesty and beauty in the towering red landscape. You can trek, bike, paddle, ride horseback or drive through the canyons, past the strangely shaped rocks and over the enormous boulders. Each time you turn a corner you will be dazzled by yet another magnificent vista.The Red Rock areas in Utah, Nevada, Arizona and New Mexico formed millions of years ago when that part of North America was primarily under water. The water left behind the shells and skeletons of sea creatures that gradually turned into limestone and similar rocks. Beginning 225 million years ago, the earth's crust began to move and the seabed slowly rose. Streams entering the shallow water deposited mud and sand that turned into shale and marine sandstone. As the land continued to rise and dry out, some of the rocks oxidized (combined with oxygen) and turned red in color. Subsequently the area was covered with sands that eventually compressed into what is called Aztec sandstone. Sometimes, when iron was concentrated in the rock, the sandstone turned a bright red color.Following the introduction, the music in Red Rock Rag takes on a typical ragtime melody and rhythm. It then transitions by changing key, time signature and the structure into a swing waltz. At m. 60, it moves into a combined time signature of one measure of 3/4 time and two measures of 2/4 time with an occasional lick in the bass line. Finally, it moves back into the swing-waltz style and finishes with the original ragtime melody. Red Rock Rag is challenging stylistically and rhythmically. It would be appropriate to study both the ragtime and swing styles while working on it. $60.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Everyone Sang Choral SATB SATB, Piano Carl Fischer
Choral SATB Choir and Piano SKU: CF.CM9740 Composed by Mark Burrows. 16 p...(+)
Choral SATB Choir and Piano SKU: CF.CM9740 Composed by Mark Burrows. 16 pages. Duration 4 minutes, 22 seconds. Carl Fischer Music #CM9740. Published by Carl Fischer Music (CF.CM9740). ISBN 9781491161203. UPC: 680160919789. Key: Bb major. English. Siegfried Sasson. Everyone suddenly burst out singing; And I was filled with such delight As prisoned birds must find in freedom... These opening lines to Everyone Sang by the British war poet Siegfried Sassoon feel as relevant today as they did when the poem was first published in 1919. It was after the end of World War I and these words capture so much of the collective exhilaration, relief, and pure joy about the Great War finally coming to an end. And yet Sassoon himself felt none of that when he wrote this poem. In his own words, he was feeling dull-minded and depressed. Perhaps his time in the trenches was still too recent. One of the reasons the creative arts are so powerful is that a poet like Sassoon (or a painter like Van Gogh or a composer like Mahler) can take their own feelings of deep sadness or pain and transform them into something beautiful, even uplifting. Everyone Sang is a celebration of the promise that things can get better, that there are things worth looking forward to. The poem itself has so much rhythm and musicality. The appearance of suddenly in the first line of each verse gives those verses a rush of energy. Attention to the crescendo in measure 7, and again in measure 37, from mf to f will help the listener experience that rush. There are expressive opportunities with so many of the poet's bold choices of action words - burst, winging, and shaken. Then there's alliteration - a poetic device that can be overdone, but Sassoon strikes a wonderful balance. Suddenly/singing (measures 6-7 and 10-11) Find/freedom (measure 21-22) Winging/wildly (measure 23) Setting/sun (measures 47-49) Was/wordless (measures 65-75) Give these alliterations just a hint of emphasis (without overdoing) to bring out the natural rhythm of the text. And just as O is set apart in the poem by punctuation, I wanted the musical setting - in measure 57 - to honor that feeling of wonder - ...O, but Everyone Was a bird; and the song was wordless; the singing will Never be done. Friends, there is so much good ahead, so much to be excited about. May the singing never be done. Everyone suddenly burst out singingAnd I was filled with such delightAs prisoned birds must find in freedom…These opening lines to Everyone Sang by the British war poet Siegfried Sassoon feel as relevant today as they did when the poem was first published in 1919. It was after the end of World War I and these words capture so much of the collective exhilaration, relief, and pure joy about the “Great War†finally coming to an end. And yet Sassoon himself felt none of that when he wrote this poem. In his own words, he “was feeling dull-minded and depressed.†Perhaps his time in the trenches was still too recent.One of the reasons the creative arts are so powerful is that a poet like Sassoon (or a painter like Van Gogh or a composer like Mahler) can take their own feelings of deep sadness or pain and transform them into something beautiful, even uplifting. Everyone Sang is a celebration of the promise that things can get better, that there are things worth looking forward to. The poem itself has so much rhythm and musicality.The appearance of “suddenly†in the first line of each verse gives those verses a rush of energy. Attention to the crescendo in measure 7, and again in measure 37, from mf to f will help the listener experience that rush.There are expressive opportunities with so many of the poet’s bold choices of action words – burst, winging, and shaken.Then there’s alliteration - a poetic device that can be overdone, but Sassoon strikes a wonderful balance.Suddenly/singing (measures 6-7 and 10-11)Find/freedom (measure 21-22)Winging/wildly (measure 23)Setting/sun (measures 47-49)Was/wordless (measures 65-75)Give these alliterations just a hint of emphasis (without overdoing) to bring out the natural rhythm of the text. And just as “O†is set apart in the poem by punctuation, I wanted the musical setting – in measure 57 - to honor that feeling of wonder –…O, but EveryoneWas a bird; and the song was wordless; the singing willNever be done. Friends, there is so much good ahead, so much to be excited about.May the singing never be done. $2.75 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Silent Night String Orchestra [Score and Parts] - Beginner Carl Fischer
Orchestra String Orchestra - Grade 1.5-2 SKU: CF.FAS9 Composed by Franz X...(+)
Orchestra String Orchestra - Grade 1.5-2 SKU: CF.FAS9 Composed by Franz Xaver Gruber. Arranged by Andrew Balent. Carl Fischer First Plus String Orchestra Series. Sacred, Christmas. Score and Parts. With Standard notation. 8 pages. Duration 1 minute, 55 seconds. Carl Fischer Music #FAS9. Published by Carl Fischer Music (CF.FAS9). ISBN 9780825844768. UPC: 798408044763. 8.5 X 11 inches. Key: D major. This gentle arrangement of the Christmas classic Silent Night will help young string players in the development of legato playing. All countermelodies must be balanced with the main theme. The eighth notes should be played evenly in a legato style. If the students have good bow control it is recommended that slurs be used for each measure of eighth and quarter notes as in the Violin II/Viola part at the beginning. If students are not advanced enough to play the slurs, have them play as legato as possible without slurring. Performance Time: 1:55. This gentle arrangement of the Christmas classicA Silent Night will help young string players in the development of legato playing. All countermelodies must be balanced with the main theme. The eighth notes should be played evenly in a legato style. If the students have good bow control it is recommended that slurs be used for each measure of eighth and quarter notes as in the Violin II/Viola part at the beginning. If students are not advanced enough to play the slurs, have them play as legato as possible without slurring. Performance Time: 1:55. This gentle arrangement of the Christmas classic Silent Night will help young string players in the development of legato playing. All countermelodies must be balanced with the main theme. The eighth notes should be played evenly in a legato style. If the students have good bow control it is recommended that slurs be used for each measure of eighth and quarter notes as in the Violin II/Viola part at the beginning. If students are not advanced enough to play the slurs, have them play as legato as possible without slurring. Performance Time: 1:55. This gentle arrangement of the Christmas classic Silent Night will help young string players in the development of legato playing. All countermelodies must be balanced with the main theme. The eighth notes should be played evenly in a legato style. If the students have good bow control it is recommended that slurs be used for each measure of eighth and quarter notes as in the Violin II/Viola part at the beginning. If students are not advanced enough to play the slurs, have them play as legato as possible without slurring.Performance Time: 1:55. $53.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Gesu Bambino String Orchestra [Score and Parts] - Easy Carl Fischer
Orchestra String Orchestra - Grade 3 SKU: CF.CAS27 Composed by Pietro A. ...(+)
Orchestra String Orchestra - Grade 3 SKU: CF.CAS27 Composed by Pietro A. Yon. Arranged by Roy Phillippe. Carl Fischer Concert String Orchestra Series. Score and Parts. With Standard notation. 16+16+10+4+10+10+3+12 pages. Carl Fischer Music #CAS27. Published by Carl Fischer Music (CF.CAS27). ISBN 9780825858307. UPC: 798408058302. 8.5 X 11 inches. Key: E major. A popular holiday favorite performed and recorded by today's top artists including Luciano Pavarotti, this new arrangement is flowing and makes good use of the shifting tonalities of the beautiful piece. The warm harmonies and exquisite lyricism will make. Gesu Bambino is the most recognized composition by Italian composer Pietro A. Yon (1886-1943). A respected concert organist, Yon was organist at the Vatican as well as St. Patrick's Cathedral in New York City from 1926 through 1943.We begin with a gently flowing rhythmic pattern in the celli which establishes the 12/8 meter. Throughout the piece Yon uses the traditional Christmas carol O, Come All Ye Faithful as a countermelody. This first occurs with a short quote when the second violins enter in measure 3. The first violins entire in the pick-up to measure 5 with Yon's main melody. Careful attention to dynamics should be paid throughout, but especially in cases such as measure 9-10 where they change dramatically from piano to forte. The pick-up to measure 14 has the viole and celli playing the O, Come All Ye Faithful countermelody through measure 21. This occurs again in the first violins with the pick-up to measure 32. Make full use of the crescendo in measure 53. Played with warmth and reverence, this will be an effective showcase for the orchestra.- Roy Phillippe. About Carl Fischer Concert String Orchestra Series This series of pieces (Grade 3 and higher) is designed for advancing ensembles. The pieces in this series are characterized by: - Expanded use of rhythms, ranges and keys but technical demands are still carefully considered
- More comprehensive bowing techniques
- Viola T.C. included
- Careful selection of keys and degree of difficulty for advancing musicians
$60.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| More Cowbell Concert band [Score and Parts] - Beginner Alfred Publishing
By Mark Williams. Concert Band. Concert Band. Accent on Achievement. Contemporar...(+)
By Mark Williams. Concert Band. Concert Band. Accent on Achievement. Contemporary; TV. Grade 1. Conductor Score and Parts. 128 pages. Duration 2:00:00
(3)$48.00 $45.6 (5% off) See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Santa's Majesty [Score] - Beginner Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Crash Cym...(+)
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Crash Cymbals, Euphonium, Euphonium T.C., Flute, Horn, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Percussion 3, Sleigh Bells, Snare Drum, Suspended Cymbal, Timpani and more. - Grade 1.5 SKU: CF.FPS161F Composed by Joseph Benjamin Earp. Fps. Full score. 16 pages. Duration 2 minutes, 4 seconds. Carl Fischer Music #FPS161F. Published by Carl Fischer Music (CF.FPS161F). ISBN 9781491161784. UPC: 680160920471. PROGRAM NOTES Santa's Majesty is inspired by the promise and grandeur presented by Santa Claus. Many of us place our faith in legendary figures hoping for good to be shared with those around us in our lives. The intention of this work is to capture the majesty surrounding our beloved Saint Nicholas. NOTES TO CONDUCTOR The duration of the composition is two minutes at the marked tempo. Careful attention should be given to articulations, dynamic changes and phrasing throughout the work. The entire work should be felt in two even though it is marked in common time. Be sure not to breathe after any crescendo throughout the work. Measure 73 through measure 75 should give focus to the tenor voices. The last three quarter notes of the piece should be emphasized a little heavier with some space. PROGRAM NOTESSanta’s Majesty is inspired by the promise and grandeur presented by Santa Claus. Many of us place our faith in legendary figures hoping for good to be shared with those around us in our lives. The intention of this work is to capture the majesty surrounding our beloved Saint Nicholas.NOTES TO CONDUCTORThe duration of the composition is two minutes at the marked tempo. Careful attention should be given to articulations, dynamic changes and phrasing throughout the work.The entire work should be felt in two even though it is marked in common time.Be sure not to breathe after any crescendo throughout the work.Measure 73 through measure 75 should give focus to the tenor voices.The last three quarter notes of the piece should be emphasized a little heavier with some space. $7.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Jazz Mosaic Musical Awakening [Book + CD] Alfred Publishing
(Jazz Activities for the Early Childhood Classroom). By Louise Rogers and Susan ...(+)
(Jazz Activities for the Early Childhood Classroom). By Louise Rogers and Susan Milligan. Book; CD; Classroom/Pre-School; General Music and Classroom Publications; Other Classroom. Jazz. 52 pages. Published by Alfred Music Publishing
$22.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Hail Mary Choral SATB SATB, Piano [Octavo] GIA Publications
By Thomas George. For Voices: SATB. English text only. Choral Sacred. Published ...(+)
By Thomas George. For Voices: SATB. English text only. Choral Sacred. Published by GIA Publications.
$1.30 $1.235 (5% off) See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| The Lyric Library: Contemporary Christian Lyrics only Hal Leonard
Complete Lyrics for 200 Songs. Lyric Library. Size 6x9 inches. 228 pages. Publis...(+)
Complete Lyrics for 200 Songs. Lyric Library. Size 6x9 inches. 228 pages. Published by Hal Leonard.
$14.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The God of Love My Shepherd Is (Choral Score) Choral SATB SATB, Organ MorningStar Music Publishers
SATB choir, organ, 2 violins - Beginning to Intermediate SKU: MN.50-8812 ...(+)
SATB choir, organ, 2 violins - Beginning to Intermediate SKU: MN.50-8812 Composed by Carl Schalk. Year A Easter4; Catholic Year A Lent4; Catholic Year A Easter4; Year A Lent4; Catholic Year C All Souls Day; Year C Easter4; Year C Lent3; Year A All Saints Day; Year A Proper 23 (28); Year A Proper 27 (32); Catholic Year A Ordinary28; Catholic Year A All. Good Shepherd Sunday, Easter Season, 21st Century, Trust/Guidance. Choral score. MorningStar Music Publishers #50-8812. Published by MorningStar Music Publishers (MN.50-8812). UPC: 688670588129. Scripture: Psalms 23. George Herbert adaptation of Psalm 23. Extended setting of six-stanza text interspersed with 16-measure ritornello between several stanzas. Lots of Unison. Warm, lyrical. $2.65 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Keyboard Kids Flashcards - Vol. 1. Musical Awakening Santorella Publications
Keyboard Kids Flashcards * Deck 1 composed by Tony Santorella. This edition: Pap...(+)
Keyboard Kids Flashcards * Deck 1 composed by Tony Santorella. This edition: Paperback. Teaching Aid. Keyboard Kids series. Educational. Flashcards. Text Language: English. 80 pages. Published by Santorella Publications
$10.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| The Studio Builder's Handbook Alfred Publishing
By Bobby Owsinski. Book; DVD; Method/Instruction; Pro Audio; Pro Audio Textbook;...(+)
By Bobby Owsinski. Book; DVD; Method/Instruction; Pro Audio; Pro Audio Textbook; Reference Textbooks. 248 pages. Published by Alfred Music Publishing
$39.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Keyboard Kids Flashcards - Vol. 2. Santorella Publications
Keyboard Kids Flashcards * Deck 2 composed by Tony Santorella. This edition: Pap...(+)
Keyboard Kids Flashcards * Deck 2 composed by Tony Santorella. This edition: Paperback. Teaching Aid. Keyboard Kids series. Educational. Flashcards. Text Language: English. 80 pages. Published by Santorella Publications
$10.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Exemplary Concert band [Score] - Beginner Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Clarinet, Cymbals, Euphonium, Euphonium ...(+)
Band Bass Clarinet, Bass Drum, Bassoon, Clarinet, Cymbals, Euphonium, Euphonium T.C., Flute, Flute 2, Horn, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Snare Drum, Timpani, Trombone, Trumpet, Tuba, Vibraphone, alto Saxophone and more. - Grade 0.5 SKU: CF.PPS49F Composed by Richard Summers. Primer Band (PPS). Full score. With Standard notation. 12 pages. Carl Fischer Music #PPS49F. Published by Carl Fischer Music (CF.PPS49F). ISBN 9781491152614. UPC: 680160910113. Exemplary is a mature musical piece for beginning bands. Even though only the first six notes of the Bb-major scale are used with simple rhythms, students and teachers will find many, fun musical challenges that provide opportunities for for growth. As the title suggests, performances of Exemplary should serve as a desirable model, be worthy of imitation, and should represent the absolute best in musicianship. Exemplary is a mature musical piece for beginning bands. Even though only the first six notes of the Bb-major scale are used, and simple rhythms are used to compose this piece, it has many musical challenges that will enhance students’ musical growth. There are some very musical ideas and sections in this piece that should be explored. Just as this title suggests, Exemplary should serve as a desirable model, be worthy of imitation, and should represent the best possible example of its kind. If you describe something as exemplary, it should be extremely good. With all of these challenges, the piece also has some nice melodies and is fun to play.  Notes to the ConductorThere are marcato and legato styles, many dynamic markings (sometimes different between woodwinds, brass, and percussion) major and minor third intervals, and challenging beginning percussion writing (that should not be overplayed). Four-measure phrasing should be observed. When a crescendo occurs, it should connect to the next note without taking a breath. These are teachable concepts that will benefit the musicianship of the students and take them to a higher level of performance.  . $7.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Exemplary Concert band - Beginner Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Clarinet, Cymbals, Euphonium, Euphonium ...(+)
Band Bass Clarinet, Bass Drum, Bassoon, Clarinet, Cymbals, Euphonium, Euphonium T.C., Flute, Flute 2, Horn, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Snare Drum, Timpani, Trombone, Trumpet, Tuba, Vibraphone, alto Saxophone and more. - Grade 0.5 SKU: CF.PPS49 Composed by Richard Summers. Primer Band (PPS). Set of Score and Parts. With Standard notation. 8+2+8+2+5+2+2+8+2+3+2+6+3+1+1+2+1+12+2 pages. Duration 2 minutes. Carl Fischer Music #PPS49. Published by Carl Fischer Music (CF.PPS49). ISBN 9781491151938. UPC: 680160909438. Exemplary is a mature musical piece for beginning bands. Even though only the first six notes of the Bb-major scale are used with simple rhythms, students and teachers will find many, fun musical challenges that provide opportunities for for growth. As the title suggests, performances of Exemplary should serve as a desirable model, be worthy of imitation, and should represent the absolute best in musicianship. Exemplary is a mature musical piece for beginning bands. Even though only the first six notes of the Bb-major scale are used, and simple rhythms are used to compose this piece, it has many musical challenges that will enhance students’ musical growth. There are some very musical ideas and sections in this piece that should be explored. Just as this title suggests, Exemplary should serve as a desirable model, be worthy of imitation, and should represent the best possible example of its kind. If you describe something as exemplary, it should be extremely good. With all of these challenges, the piece also has some nice melodies and is fun to play.  Notes to the ConductorThere are marcato and legato styles, many dynamic markings (sometimes different between woodwinds, brass, and percussion) major and minor third intervals, and challenging beginning percussion writing (that should not be overplayed). Four-measure phrasing should be observed. When a crescendo occurs, it should connect to the next note without taking a breath. These are teachable concepts that will benefit the musicianship of the students and take them to a higher level of performance.  . $50.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Murmures de classe 4 Guitars (Quartet) [Score and Parts] - Beginner Productions OZ
Guitar quartet - beginning SKU: DZ.DZ-4268 Composed by Luc Levesque. Scor...(+)
Guitar quartet - beginning SKU: DZ.DZ-4268 Composed by Luc Levesque. Score and parts. Les Productions d'OZ #DZ 4268. Published by Les Productions d'OZ (DZ.DZ-4268). ISBN 9782898521850. Murmures de classe (Classroom wispers), est un paysage sonore de nos classes de musique. Dans un premier temps, les jeunes guitaristes sâ??installent au son dâ??un ostinato à la guitare 4. Le son de la cloche, sur le thème du Big Ben, annonce le début des cours. Ce projet est issu dâ??une demande de Mme Amélie Grenier. Lâ??aspect théâtral de cette pièce a pour objectif de stimuler le travail collectif dans leur milieu scolaire.
Suggestion lors dâ??une prestation publique:
Les guitares sâ??installent et commencent à jouer. Tous les autres guitaristes entrent en parlant, sâ??accordant, en jouant et au signal du chef à la mesure 5 la pièce débute.
Bon spectacle
Classroom wispers, is a soundscape of our music classes. First, the young guitarists settle in to the sound of an ostinato on guitar 4. The sound of the bell, on the theme of Big Ben, announces the start of lessons. This project came from a request from Ms. Amélie Grenier. The theatrical aspect of this play aims to stimulate collective work in their school environment.
Suggestion during a public performance:
The guitars settle in and start playing. All the other guitarists enter talking, tuning, playing and at the signal of the conductor in measure 5 the piece begins.
Good show. $10.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Piano Technique Book 1 - Book with Online Audio Piano solo [Sheet music + Audio access] - Beginner Hal Leonard
Hal Leonard Student Piano Library. Educational Piano Library. Instruction, Metho...(+)
Hal Leonard Student Piano Library. Educational Piano Library. Instruction, Method. Softcover Audio Online. 32 pages. Published by Hal Leonard
$9.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Piano Technique Book 1 Piano solo [Sheet music] - Beginner Hal Leonard
Hal Leonard Student Piano Library. By Barbara Kreader, Fred Kern, Phillip Kevere...(+)
Hal Leonard Student Piano Library. By Barbara Kreader, Fred Kern, Phillip Keveren, and Mona Rejino. The Hal Leonard Student Piano Library. Book only. Size 11.8x9 inches. 32 pages. Published by Hal Leonard.
$8.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Bashful Albert (Full Score) Jazz Ensemble - Easy Kendor Music Inc.
Jazz Ensemble - Grade 2 SKU: KN.SN70002S Composed by Sammy Nestico. Sammy...(+)
Jazz Ensemble - Grade 2 SKU: KN.SN70002S Composed by Sammy Nestico. Sammy Nestico Young Jazz Series. Kendor Music Inc #SN70002S. Published by Kendor Music Inc (KN.SN70002S). UPC: 822795700022. The lines of this arrangement are divided contrapuntally into two sections -- trumpets/altos and trombones/tenors. These lines should be played in a relaxed fashion at a mezzo forte volume, with short quarter notes throughout. At the ensemble chorus at measure 69, strive for good balance and a very full, well-supported sound. $7.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Rejoice! The King Is Coming Choral 3-part SAB Daybreak Music
Composed by Jon Paige. Daybreak Easter Choral. Palm Sunday, Sacred, Easter. O...(+)
Composed by Jon Paige.
Daybreak Easter Choral. Palm
Sunday, Sacred, Easter.
Octavo. 20 pages. Published
by Daybreak Music
$2.35 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
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