Composed by Ryan Murphy. Christian, Contemporary Christian, Gospel, Inspirational. Octavo. Jackman Music Corporation #02063. Published by Jackman Music Corporation

Concert Band/Harmonie - Grade 3

SKU: BT.DHP-1064074-010

Composed by Jan Van der Roost. Inspiration Series. Concert Piece. Set (Score & Parts). Composed 2006. De Haske Publications #DHP 1064074-010. Published by De Haske Publications (BT.DHP-1064074-010).

9x12 inches. English-German-French-Dutch.

This unusual concert work, commissioned by the concert band ?Harmonie Concorde? from Sanem in Luxembourg, is built on two basic ideas: the evolution of the economic and social context of this Luxembourg city with its strong mining industry and the European concept, which is clearly present in this very small but prosperous country with its many European institutes. This is musically expressed in a few quotes from the European hymn Ode to Joy, the closing of Beethoven?s Ninth Symphony and from the Te Deum by Charpentier ? widely known as the signature tune for Eurovision broadcasts. A work of true unity.

Aan dit concertwerk - geschreven voor de Harmonie Concorde uit Sanem in Luxemburg - liggen twee basisideeën ten grondslag. Als eerste de sociaal-economische context van het stadje: de mijnbouw heeft decennialang mensen uit diverselanden aangetrokken, met name Portugal. Dit wordt ge llustreerd door de verwerking van een authentiek arbeidslied uit dat land. De tweede pijler is de Europese gedachte die in Luxemburg duidelijk aanwezig is. Dit komt muzikaal totuiting in een dynamische thematiek en citaatjes uit Ode an die Freude van Beethoven en het Te Deum van Charpentier - de herkenningstune voor Eurovisie-uitzendingen. Concordia, een werk dat verschillende elementenin zich verenigt, staat symbool voor eenheid.

Zwei Bilder des Landes Luxemburg bilden die Grundlage dieses ungewöhnlichen Werkes: Zunächst beschreiben schöne, teilweise düstere Klänge die Bergbauregion Luxemburg und ihre vielen Gastarbeiter.Mit Zitaten aus Beethovens Ode an die Freude und Charpentiers Te Deum wird Luxemburg als Sitz einiger wichtiger europäischer Institutionen vorgestellt. Der gemeinsame Nenner und Inspiration zum Titel Concordia - lateinisch für Einheit - ist das funktionierende Miteinander vielfältiger Kulturen und Interessen in so einem kleinen Land.

Concordia est une oeuvre de commande pour l’Orchestre d’Harmonie Concorde de Sanem au Luxembourg. Cette pièce de concert inhabituelle s’appuie sur deux éléments principaux : l’évolution du contexte économique et social de cette ville luxembourgeoise située dans une région minière et l’idéal européen souligné par une riche palette de nuances et l’utilisation de quelques fragments de l’Hymne la Joie et du Te Deum.

Concordia è un brano commissionato a Jan Van der Roost dall’Orchestra di Fiati Concorde di Sanem in Lussemburgo. Questo inusuale brano da concerto si appoggia su due elementi principali: l’evoluzione del contesto economico e sociale di questa citt lussemburghese situata in una regione mineraria, e l’ideale europeo evidenziato da una ricca gamma di suoni e dall’utilizzo di qualche frammento dell’Inno alla Gioia e del Te Deum.

Concert Band - Grade 3

SKU: BT.DHP-1064074-040

Composed by Jan Van der Roost. Inspiration Series. Concert Piece. Set (Score & Parts). Composed 2006. De Haske Publications #DHP 1064074-040. Published by De Haske Publications (BT.DHP-1064074-040).

9x12 inches. English-German-French-Dutch.

This unusual concert work, commissioned by the concert band ?Harmonie Concorde? from Sanem in Luxembourg, is built on two basic ideas: the evolution of the economic and social context of this Luxembourg city with its strong mining industry and the European concept, which is clearly present in this very small but prosperous country with its many European institutes. This is musically expressed in a few quotes from the European hymn Ode to Joy, the closing of Beethoven?s Ninth Symphony and from the Te Deum by Charpentier ? widely known as the signature tune for Eurovision broadcasts. A work of true unity.

Zwei Bilder des Landes Luxemburg bilden die Grundlage dieses ungewöhnlichen Werkes: Zunächst beschreiben schöne, teilweise düstere Klänge die Bergbauregion Luxemburg und ihre vielen Gastarbeiter.Mit Zitaten aus Beethovens Ode an die Freude und Charpentiers Te Deum wird Luxemburg als Sitz einiger wichtiger europäischer Institutionen vorgestellt. Der gemeinsame Nenner und Inspiration zum Titel Concordia - lateinisch für Einheit - ist das funktionierende Miteinander vielfältiger Kulturen und Interessen in so einem kleinen Land.

Concordia est une oeuvre de commande pour l’Orchestre d’Harmonie Concorde de Sanem au Luxembourg. Cette pièce de concert inhabituelle s’appuie sur deux éléments principaux : l’évolution du contexte économique et social de cette ville luxembourgeoise située dans une région minière et l’idéal européen souligné par une riche palette de nuances et l’utilisation de quelques fragments de l’Hymne la Joie et du Te Deum.

Concordia è un brano commissionato a Jan Van der Roost dall’Orchestra di Fiati Concorde di Sanem in Lussemburgo. Questo inusuale brano da concerto si appoggia su due elementi principali: l’evoluzione del contesto economico e sociale di questa citt lussemburghese situata in una regione mineraria, e l’ideale europeo evidenziato da una ricca gamma di suoni e dall’utilizzo di qualche frammento dell’Inno alla Gioia e del Te Deum.

Concert Band Wind Band

SKU: AP.12-0571564429

Composed by David Matthews. 5 or More; Performance Music Ensemble; Solo Small Ensembles; Wind Band. Faber Edition: Faber Wind Band Series. 20th Century; Masterwork. Score and Part(s). Faber Music #12-0571564429. Published by Faber Music (AP.12-0571564429).

ISBN 9780571564422. English.

This tango was originally composed in 1990 as the fourth movement of the composer's Fourth Symphony. It was intended there as a modern equivalent of the classical minuet. The tango is the most alluring of contemporary dances, and a number of arrangements of it exist, including ones for solo piano and for various chamber ensembles. This latest version for thirty (or more) players was arranged in 1999 by the composer especially for the Faber Wind Band Series.

Orchestra Bass Trombone, Bassoon, Cello, Clarinet, Clarinet 1, Clarinet 2, Contrabass, Contrabassoon, English Horn, Flute, Harp, Horn 1, Horn 2, Horn 3, Horn 4, Narrator, Oboe, Percussion, Piccolo, Timpani, Trombone 1, Trombone 2, Trumpet, Tuba, Viola and more.

SKU: PR.416412370

For Narrator and Orchestra - Small Study Score. Composed by Daniel Dorff. Premiered March 31, 2000. Daniel Hege conducting the Haddonfield Symphony, narrated by Astronaut Kenneth Reightler, Jr. Study Score. With Standard notation. Composed 1999. 40 pages. Duration 9:30. Theodore Presser Company #416-41237. Published by Theodore Presser Company (PR.416412370).

UPC: 680160092178. 9 x 12 inches.

Ideal for family concerts about space travel and adventure, Dorff’s BLAST OFF! was commissioned by Lockheed Martin for narration by astronaut Kenneth Reightler; the score itself was a traveler on NASA’s mission STS 1000. The travelogue about a trip to space is also designed to teach about the sounds of each family of instruments; CD available on Bridge Records.

Wind orchestra

SKU: FG.55011-556-9

Composed by Jean Sibelius. Large score. Fennica Gehrman #55011-556-9. Published by Fennica Gehrman (FG.55011-556-9).

ISBN 9790550115569.

Jean Sibelius (1865-1957) made his first sketches for material that would later find its way into Cassazione at the end of the 1890s; there are already hints of it among the sketches for the First Symphony, completed in 1899. He conducted the first performance of Cassazione as the opening number in a concert of his music held at the Helsinki University Hall on February 8, 1904. Described as ballad for orchestra, the work is structured in five episodes. Robert J. Ambrose's transcription for wind band is based on the original full symphony orchestra version (the full score published by Fennica Gehrman, ISMN 9790550112353). This transcription gives an opportunity to perform the work with smaller ensembles (down to 28 musicians) as well as full wind band. See the sample pages for instrumentation and performance notes.

Celeste (str. (1. group: vl/II.vaI.vcI.dbI - 2. group: vIIl/IV.vaII.vcII.dbII) - small drum.cym.tam-tam.big drum.xyl.timp - cel.hp.pno)

SKU: BR.OB-5555-79

Urtext. Composed by Bela Bartok. Edited by Hartmut Fladt. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library).

One of the greatest masterworks of the 20th century! It has lost nothing of its fascination to this day.

Symphony; Early modern. Part. 16 pages. Duration 26'. Breitkopf and Haertel #OB 5555-79. Published by Breitkopf and Haertel (BR.OB-5555-79).

ISBN 9790004342510. 10 x 12.5 inches.

In 1936 Bela Bartok was commissioned by his Swiss patron Paul Sacher to write the Music for Stringed Instruments, Percussion and Celesta. What Bartok created was nothing less than one of the greatest masterworks of the 20th century that beguiles the listener through its extraordinarily refined construction and lushly expressive rhythms and melodies.Also remarkable is that Bartok jotted down the four-movement orchestral work very rapidly and without a short score. Breitkopf's new edition is based on the autograph, on the first editions of the conducting and pocket score, and in particular on the composer's personal copy of the pocket score, in which Bartok later entered the corrections that he had discovered - alterations that were taken into consideration for the first time in this new edition.

One of the greatest masterworks of the 20th century! It has lost nothing of its fascination to this day.

Viola 1 (str. (1. group: vl/II.vaI.vcI.dbI - 2. group: vIIl/IV.vaII.vcII.dbII) - small drum.cym.tam-tam.big drum.xyl.timp - cel.hp.pno)

SKU: BR.OB-5555-19

Urtext. Composed by Bela Bartok. Edited by Hartmut Fladt. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library).

One of the greatest masterworks of the 20th century! It has lost nothing of its fascination to this day.

Symphony; Early modern. Part. 16 pages. Duration 26'. Breitkopf and Haertel #OB 5555-19. Published by Breitkopf and Haertel (BR.OB-5555-19).

ISBN 9790004342435. 10 x 12.5 inches.

In 1936 Bela Bartok was commissioned by his Swiss patron Paul Sacher to write the Music for Stringed Instruments, Percussion and Celesta. What Bartok created was nothing less than one of the greatest masterworks of the 20th century that beguiles the listener through its extraordinarily refined construction and lushly expressive rhythms and melodies.Also remarkable is that Bartok jotted down the four-movement orchestral work very rapidly and without a short score. Breitkopf's new edition is based on the autograph, on the first editions of the conducting and pocket score, and in particular on the composer's personal copy of the pocket score, in which Bartok later entered the corrections that he had discovered - alterations that were taken into consideration for the first time in this new edition.

One of the greatest masterworks of the 20th century! It has lost nothing of its fascination to this day.

Violin 1 (str. (1. group: vl/II.vaI.vcI.dbI - 2. group: vIIl/IV.vaII.vcII.dbII) - small drum.cym.tam-tam.big drum.xyl.timp - cel.hp.pno)

SKU: BR.OB-5555-15

Urtext. Composed by Bela Bartok. Edited by Hartmut Fladt. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library).

One of the greatest masterworks of the 20th century! It has lost nothing of its fascination to this day.

Symphony; Early modern. Part. 16 pages. Duration 26'. Breitkopf and Haertel #OB 5555-15. Published by Breitkopf and Haertel (BR.OB-5555-15).

ISBN 9790004342398. 10 x 12.5 inches.

In 1936 Bela Bartok was commissioned by his Swiss patron Paul Sacher to write the Music for Stringed Instruments, Percussion and Celesta. What Bartok created was nothing less than one of the greatest masterworks of the 20th century that beguiles the listener through its extraordinarily refined construction and lushly expressive rhythms and melodies.Also remarkable is that Bartok jotted down the four-movement orchestral work very rapidly and without a short score. Breitkopf's new edition is based on the autograph, on the first editions of the conducting and pocket score, and in particular on the composer's personal copy of the pocket score, in which Bartok later entered the corrections that he had discovered - alterations that were taken into consideration for the first time in this new edition.

One of the greatest masterworks of the 20th century! It has lost nothing of its fascination to this day.

Violoncello 2 (str. (1. group: vl/II.vaI.vcI.dbI - 2. group: vIIl/IV.vaII.vcII.dbII) - small drum.cym.tam-tam.big drum.xyl.timp - cel.hp.pno)

SKU: BR.OB-5555-24

Urtext. Composed by Bela Bartok. Edited by Hartmut Fladt. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library).

One of the greatest masterworks of the 20th century! It has lost nothing of its fascination to this day.

Symphony; Early modern. Part. 16 pages. Duration 26'. Breitkopf and Haertel #OB 5555-24. Published by Breitkopf and Haertel (BR.OB-5555-24).

ISBN 9790004342466. 10 x 12.5 inches.

In 1936 Bela Bartok was commissioned by his Swiss patron Paul Sacher to write the Music for Stringed Instruments, Percussion and Celesta. What Bartok created was nothing less than one of the greatest masterworks of the 20th century that beguiles the listener through its extraordinarily refined construction and lushly expressive rhythms and melodies.Also remarkable is that Bartok jotted down the four-movement orchestral work very rapidly and without a short score. Breitkopf's new edition is based on the autograph, on the first editions of the conducting and pocket score, and in particular on the composer's personal copy of the pocket score, in which Bartok later entered the corrections that he had discovered - alterations that were taken into consideration for the first time in this new edition.

One of the greatest masterworks of the 20th century! It has lost nothing of its fascination to this day.

Harp (str. (1. group: vl/II.vaI.vcI.dbI - 2. group: vIIl/IV.vaII.vcII.dbII) - small drum.cym.tam-tam.big drum.xyl.timp - cel.hp.pno)

SKU: BR.OB-5555-75

Urtext. Composed by Bela Bartok. Edited by Hartmut Fladt. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library).

One of the greatest masterworks of the 20th century! It has lost nothing of its fascination to this day.

Symphony; Early modern. Part. 12 pages. Duration 26'. Breitkopf and Haertel #OB 5555-75. Published by Breitkopf and Haertel (BR.OB-5555-75).

ISBN 9790004342503. 10 x 12.5 inches.

In 1936 Bela Bartok was commissioned by his Swiss patron Paul Sacher to write the Music for Stringed Instruments, Percussion and Celesta. What Bartok created was nothing less than one of the greatest masterworks of the 20th century that beguiles the listener through its extraordinarily refined construction and lushly expressive rhythms and melodies.Also remarkable is that Bartok jotted down the four-movement orchestral work very rapidly and without a short score. Breitkopf's new edition is based on the autograph, on the first editions of the conducting and pocket score, and in particular on the composer's personal copy of the pocket score, in which Bartok later entered the corrections that he had discovered - alterations that were taken into consideration for the first time in this new edition.

One of the greatest masterworks of the 20th century! It has lost nothing of its fascination to this day.

Violin 4 (str. (1. group: vl/II.vaI.vcI.dbI - 2. group: vIIl/IV.vaII.vcII.dbII) - small drum.cym.tam-tam.big drum.xyl.timp - cel.hp.pno)

SKU: BR.OB-5555-18

Urtext. Composed by Bela Bartok. Edited by Hartmut Fladt. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library).

One of the greatest masterworks of the 20th century! It has lost nothing of its fascination to this day.

Symphony; Early modern. Part. 16 pages. Duration 26'. Breitkopf and Haertel #OB 5555-18. Published by Breitkopf and Haertel (BR.OB-5555-18).

ISBN 9790004342428. 10 x 12.5 inches.

In 1936 Bela Bartok was commissioned by his Swiss patron Paul Sacher to write the Music for Stringed Instruments, Percussion and Celesta. What Bartok created was nothing less than one of the greatest masterworks of the 20th century that beguiles the listener through its extraordinarily refined construction and lushly expressive rhythms and melodies.Also remarkable is that Bartok jotted down the four-movement orchestral work very rapidly and without a short score. Breitkopf's new edition is based on the autograph, on the first editions of the conducting and pocket score, and in particular on the composer's personal copy of the pocket score, in which Bartok later entered the corrections that he had discovered - alterations that were taken into consideration for the first time in this new edition.

One of the greatest masterworks of the 20th century! It has lost nothing of its fascination to this day.

Double bass (str. (1. group: vl/II.vaI.vcI.dbI - 2. group: vIIl/IV.vaII.vcII.dbII) - small drum.cym.tam-tam.big drum.xyl.timp - cel.hp.pno)

SKU: BR.OB-5555-27

Urtext. Composed by Bela Bartok. Edited by Hartmut Fladt. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library).

One of the greatest masterworks of the 20th century! It has lost nothing of its fascination to this day.

Symphony; Early modern. Part. 12 pages. Duration 26'. Breitkopf and Haertel #OB 5555-27. Published by Breitkopf and Haertel (BR.OB-5555-27).

ISBN 9790004342473. 10 x 12.5 inches.

In 1936 Bela Bartok was commissioned by his Swiss patron Paul Sacher to write the Music for Stringed Instruments, Percussion and Celesta. What Bartok created was nothing less than one of the greatest masterworks of the 20th century that beguiles the listener through its extraordinarily refined construction and lushly expressive rhythms and melodies.Also remarkable is that Bartok jotted down the four-movement orchestral work very rapidly and without a short score. Breitkopf's new edition is based on the autograph, on the first editions of the conducting and pocket score, and in particular on the composer's personal copy of the pocket score, in which Bartok later entered the corrections that he had discovered - alterations that were taken into consideration for the first time in this new edition.

One of the greatest masterworks of the 20th century! It has lost nothing of its fascination to this day.