SKU: YM.GTW01082742
ISBN 9784636827422.
New Sounds in Concert Band Series (NSB) Duration: approx.6'33 Arranged by Masamichi Amano Featuring Drum written by Naoki Ishikawa.
SKU: CY.CC2518
The Petite Suite, published in 1885, is Borodin's major work for the Piano and originally comprised of seven movements. Mr. Sauer's arrangement incorporates three of them: Intermezzo, Reverie and Serenade. The Petite Suite was dedicated to the Belgian Countess Louise de Mercy-Argenteau, who was a supporter of Borodin and his music. After Borodin's death in 1887, Glazunov orchestrated the Suite.
The music has that Eastern flavor so indicative of Borodin's melodies, mysterious, lyrical and subtle. Advanced performers will enjoy this work which has been so beautifully arranged by Mr. Sauer.
SKU: BT.DHP-1094652-010
9x12 inches. English-German-French-Dutch.
This arrangement of the popular Polovtsian Dances by Russian composer Borodin contains seven dances from the original manuscript, some of which have been used in the musical Kismet, as well as being performed by such famous names as Tony Bennett and Bing Crosby. Includes a solo for snare drum! Masamicz Amono bewerkte de ´Polovetser Dansen´ van de rus Alexander Borodin voor harmonieorkest. Borodin begon in 1869 aan de opera, Prins Igor, volgens sommigen zijn voornaamste werk. De opera bevat deze Polovetser Dansen,die meestal als een zelfstandig stuk wordt uitgevoerd en in deze vorm waarschijnlijk zijn meest bekende compositie is. Bij zijn dood was de opera niet volledig, daar hij onvoldoende tijd had voor componeren, gezien zijn werkals scheikundige. De opera werd postuum afgemaakt door Nikolaj Rimski-Korsakov en Aleksandr Glazoenov.Masamicz Amano nahm sich die beliebten Polovetzer Tänze des russischen Komponisten Alexander Borodin vor, die auch schon im Musical Kismet verwendet und als Lied von Tony Bennet, Bing Crosby und den Four Aces interpretiert wurden. Amano schuf daraus ein überzeugendes Arrangement für Blasorchester, in dem die Snare Drum solistisch glänzen darf. Les Danses polovtsiennes offrent l’exemple le plus spectaculaire de l’exotisme musical russe, d’une sensualité pre, sauvage, et d’une rare virtuosité orchestrale. Ce divertissement dansé et chanté en plusieurs épisodes, quintessence de l'opéra Le Prince Igor (1879), contient tout ce qui suscita la faveur de l'Europe fin XIXe : désir d'ailleurs, attraction pour un Orient plus rêvé que réel. Masamicz Amano en a réalisé une version étonnante pour Orchestre d’Harmonie avec un délicieux solo de caisse claire.Le Polovtsian Dances offrono l’esempio più spettacolare dell’esotismo musicale russo, fatto di una sensualit selvaggia e di una rara virtuosit orchestrale. Questo divertimento ballato e cantato in vari episodi, quintessenza dell’opera Il Principe Igor (1879), contiene tutto ciò che l’Europa del XIX secolo adora: desiderio di posti lontani, attrazione per un oriente più sognato che reale. L’arrangiamento di Masamicz Amano propone un delizioso assolo per rullante.
SKU: BT.DHP-1094652-140
SKU: BU.EBR-A106
ISBN 9790560153896. 8.58 x 12.48 inches.
La collection ANACROUSE offre aux pianistes novices et confirmés un large choix d’œuvres classiques, allant de la Renaissance à l’époque moderne.Proposer tout à la fois des « incontournables » du répertoire classique et des pièces de compositeurs parfois oubliés, toutes d’une valeur pédagogique indéniable, tels sont les objectifs que nous nous sommes fixés. Chaque pièce, vendue à l’unité, a fait l’objet d’un travail éditorial attentif, tant sur le plan de l’établissement du texte musical que de sa gravure, afin de garantir aux musiciens les conditions indispensables aux plaisirs tirés du commerce fréquent de ces œuvres.Les partitions sont proposées sous la forme d’ouvrages traditionnels (feuillets papier), et disponibles également par téléchargement.Créées à Saint-Pétersbourg, en version de concert sous la direction de Rimski-Korsakov, les Danses polovtsiennes d’Alexandre Borodine font partie des pièces les plus célèbres du compositeur russe.Dans l’opéra Prince Igor, cette scène achève le deuxième acte : le khan polovtsien emprisonne le prince Igor et afin de distraire ce dernier, organise des danses auxquelles participent de jeunes esclaves.La danse n°17 est également connue sous le nom de danse des jeunes filles aux mouvements ondulants.
SKU: AP.36-A597301
UPC: 660355054716. English.
Alexander Borodin's (1834-1887) STRING QUARTET No. 2 was composed during the summer of 1881, possibly at the country home of his composer friend, Nikolay Lodizhensky, and was dedicated to Borodin's wife, Katharina. The third movement is the popular "Nocturne". The integrity of the phrasing and articulation of the urtext edition has been respected in this string orchestra version, arranged by Lucas Drew.
These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.
SKU: AP.36-A597302
UPC: 660355003684. English.
SKU: BT.EMBZ14837
Hungarian-English-German-French.
This is a sequel to the highly successful Child Prodigy Composers volume. In this second volume, the majority of the pieces are works recommended for pupils in the upper music school classes, and indeed some can be used successfully in secondary level teaching as well. Here too, most of the compositions were written before the age of 14 - it is amazing what highly developed piano technique some of these young composers already possessed at the age of 13 or 14!In addition to Muzio Clementi's A flat Major Sonata, the Allemandes by Carl Maria von Weber, Schubert's surprisingly mature C minor fantasia, the prodigiously talented Clara Schumann's two polonaises, Mussorgsky'sbrilliant polka, a sensitive waltz by Scriabin and Borodin's showy (but not difficult) four-hand polka, this volume also contains works by a Hungarian composer: the hitherto unpublished mazurkas by Ern Dohnányi, written around ages 11-12. This is a sequel to the highly successful publication entitled Child Prodigy Composers (EMBZ14773). In this second volume the majority of the pieces are works recommended for pupils in the upper music school classes, and indeed some can be used successfully in secondary level teaching as well. Here too, most of the compositions were written before the age of 14 - it is amazing what a highly developed piano technique some of these young composers already possessed at the age of 13 or 14! In addition to Muzio Clementi's A flat major sonata, the Allemandes by Carl Maria von Weber, Schubert's surprisingly mature C minor fantasia, the prodigiously talentedClara Schumann's two polonaises, Mussorgsky's brilliant polka, a sensitive waltz by Scriabin and Borodin's showy (but not difficult) four-hand polka, this volume also contains works by a Hungarian composer: the hitherto unpublished mazurkas by Ern Dohnányi, written at the age of 11 and 12. Dies ist die Fortsetzung der Erfolgsausgabe Wunderkinder als Komponisten (EMBZ14773). In diesem zweiten Band sind mehrheitlich Werke für die höheren Klassen der Musikschulen vertreten, manche Stücke können auch in der Mittelstufe eingesetzt werden. Bemerkenswert ist, dass ein Großteil der Werke mit unter 14 komponiert wurden. Verblüffend, über welche Klaviertechnik ein Teil der dreizehn-vierzehnjährigen Komponisten schon verfügten!Neben der Sonate in As-Dur von Muzio Clementi, den Allemanden von Carl Maria von Weber, der überraschend reifen Phantasie in c-Moll von Schubert, den beiden entzückenden Polonaisen von Clara Schumann, der brillanten Polka von Mussorgsky,dem sensiblen Walzer von Skrjabin und der effektvollen, aber nicht allzu schwierigen Polka für vier Hände von Borodin, erscheinen auch in diesem Band Werke eines ungarischen Komponisten - die Erstveröffentlichungen der im Alter von elf und zwölf Jahren entstandenen Masurken und Scherzandi von Ern Dohnányi.
SKU: BT.DHP-1012708-040
Rimsky-Korsakov composed his three greatest orchestral works over a short period: he completed Capriccio Espagnol in 1887, and he composed Russian Easter Overture in 1888, simultaneously with the symphonic suite Scheherazade. Russian Easter Overture is a magnificent overture in a single movement that was dedicated to the composers Borodin and Moussorgsky. Several hymns of the Russian Orthodox Church create a characteristic atmosphere. Arranger Tohru Takahashi has made the sound even more colourful by using several mallet percussion instruments.In zijn transcriptie van de Russian Easter Overture van Nikolai Rimsky-Korsakov is Takahahsi erin geslaagd de klank extra kleurrijk te maken door de toepassing van diverse mallet-instrumenten.Rimski-Korsakow komponierte seine drei größten Orchesterwerke alle während der Jahre 1887 und 1888. Eines davon, die Russian Easter Overture ist eine strahlende Ouvertüre in einem Satz, die den Komponisten Borodin und Mussorgsky gewidmet wurde. Mehrere Hymnen aus der russisch-orthodoxen Kirche schaffen eine charakteristische Atmosphäre. Dem Arrangeur Tohru Takahashi gelang es, den Klang durch die Verwendung einiger Mallet-Instrumente noch farbenreicher zu gestalten.Russian Easter Overture (Ouverture de La Grande P que russe) de Nikola Rimski-Korsakov est une œuvre solennelle qui développe des chants religieux de l’Église orthodoxe russe. Tohru Takahashi en a réalisé une transcription aux sonorités très colorées, soulignées par l’adjonction de plusieurs instruments de percussion clavier.
SKU: PR.416415420
UPC: 680160632312.
Echoes of Silence was commissioned by the Albany Symphony Orchestra for the American Music Festival of 2012 as part of the Capitol Region Heritage Commissions project. The work takes as its inspirations the Troy Savings Bank Music Hall in Albany, NY, and the Albany Symphony Orchestra. The Troy Savings Bank was founded in 1823 and was one of the more important music halls in early-twentieth-century America. It was honored with performances by many world-renowned artists, such as Vladimir Horowitz, Yehudi Menuhin, and Arthur Rubinstein. The title, Echoes of Silence, refers to the echoes of these and other artists' great performances, which one might imagine still resonate in the hall. If the hall had a voice, it would also sing of the all the wonderful masterpieces that were performed there in the past. The main idea of this piece is to reflect the sounds that were absorbed by the walls of this concert hall during the past century of live performance. Some of the main pitch materials are derived from Alexander Borodin's Symphony No. 2, a masterpiece that was composed in 1823, the same year as the founding of the Troy Savings Bank. The main thematic materials of Echoes of Silence are developed from many small musical motifs found in Borodin's symphony. Another source of material is Igor Stravinsky's Symphony of Psalms, composed in 1930, the year in which the Albany Symphony Orchestra was founded. These borrowed materials are used as the main elements in maintaining the structural unity of Echoes of Silence. Because this concert hall has absorbed so much wonderful music from so many great performances, we can imagine even the smallest corner of the hall filling its silence with echoes.
SKU: BT.DHP-1012708-010
SKU: FH.WCE1
ISBN 978-1-55440-588-6.
This new series offers a sequenced approach to the study of clarinet from the beginner to advanced levels. With a progressive collection of Repertoire, Etudes, Recordings, Orchestral Excerpts, and Technique, the Clarinet Series, 2014 Edition provides complete support for teachers and students at every level of study. Nine progressive volumes of Repertoire expose students to a wealth of music from the earliest works for clarinet to accompanied and unaccompanied contemporary compositions. Students will explore some of the most definitive solo pieces written for clarinet, along with popular folk tunes, Klezmer melodies, Classical solos, and contemporary compositions that incorporate traditional and extended techniques.Level 7:De Hebriden, op. 26: Overture - Felix MendelssohnSymphony No. 39, K 543: II, III, IV - Wolfgang Amadeus MozartSymphony No. 5, op. 64: I, II - Pyotr Il'yich TchaikovskySymphony No. 2, op. 36: II - Ludwig van BeethovenPiano Concerto No. 2, op. 18: II - Sergei RachmaninoffSymphony No. 6 (Pastoral), op. 68: I - Ludwig van BeethovenLevel 8:Prince Igor: Polovtsian Dance No. 8, Polovtsian Dance No. 17 - Aleksandr BorodinIl barbiere di Siviglia: Overture - Gioachino RossiniSymphony No. 4 (Italian), op. 90: IV - Felix MendelssohnSymphony No. 4, op. 98: II - Johannes BrahmsOuverture zu Offenbach's Orpheus in der Unterwelt - Carl BinderSymphony No. 8 (Unfinished), D 759: II - Franz SchubertSymphonie fantastique: III - Hector BerliozLevel 9:Symphony No. 6 (Pastoral), op. 68 : I, II, III - Ludwig van BeethovenSymphony No. 3, op. 90: I, II - Johannes BrahmsSymphony No. 4, op. 60: II - Ludwig van BeethovenSemiramide: Overture - Gioachino RossiniSymphony No. 3 (Scottish), op. 56: II - Felix MendelssohnPrelude a l'apres midi d'un faune - Claude DebussySymphony no. 9, op. 125: II - Ludwig van BeethovenLevel 10:Symphony No. 2, op. 27: III - Sergei RachmaninoffViolin Concerto, op. 61: II - Ludwig van BeethovenIncidental Music to A Midsummer Night's Dream, op. 61: Scherzo - Felix MendelssohnSymphony No. 1, op. 39: I, III - Jean SibeliusVariations on a Theme by Haydn, op. 56a: Variation II, Variation IV, Variation V - Johannes BrahmsSymphony No. 8, op. 93: III - Ludwig van BeethovenSheherazade, op. 35: II, III, IV - Nicolai Rimsky-KorsakovAssociate: B_, A, C Clarinet:Capriccio espagnole, op. 34: I, III, IV - Nicolai Rimsky-KorsakovDances of Galanta - Zoltan KodalyPini di Roma: III - Ottorino RespighiSuite de l'oiseau de feu: Variation de l'oiseau de feu - Igor StravinskySymphony No. 6 (Pathetique), op. 74: I - Pyotr Il'yich TchaikovskySymphony No. 9, op. 70: II, III - Dmitri ShostakovichDon Juan, op. 20 - Richard StraussSymphonie fantastique: V - Hector BerliozPeter and the Wolf, op. 67: Nervoso - Sergei ProkofievPrince Igor: Polovtsian Dance No. 17 - Aleksandr BorodinAssociate: E_ Clarinet:Symphony no. 5, op 100: IV - Sergei ProkofievTill Eulenspiegels lustige Streiche, op. 28 - Richard StraussSymphony no. 5, op. 47: II - Dmitri ShostakovichSymphonie fantastique: V - Hector BerliozBolero - Maurice RavelAssociate: Bass Clarinet:Les Huguenots: Trio from act 5 - Giacomo MeyerbeerViolin Concerto no. 1, op. 77: II - Dmitri ShostakovichGrand Canyon Suite: III - Ferde GrofeDon Quixote, op. 35: Sancho Panza, Variation X - Richard Strauss.
SKU: HF.FH-7071
ISBN 9790203470717. 8.3 x 11.7 inches.
Jacques Offenbach: 1. Hoffmanns Erzahlungen; Cesar Franck: 1. Psyche, Poeme symphonique; Bedrich Smetana: 1. Die verkaufte Braut; Alexander Borodin: 1. Polowezer Tanze; 2. Sinfonie Nr. 1; 3. Sinfonie Nr. 2; Johannes Brahms: 1. 1. Klavierkonzert; 2. 2. Klavierkonzert; 3. Konzert fur Violine und Violoncello; 4. Variationen uber ein Thema von Joseph Haydn; 5. Sinfonie Nr. 1; 6. Sinfonie Nr. 2; 7. Sinfonie Nr. 3; 8. Sinfonie Nr. 4; Amilcare Ponchielli: 1. La Gioconda; Charles-Camille Saint-Saens: 1. 3. Symphonie; Mili Alexejewitsch Balakirew: 1. Tamara (Symphonie Poem); 2. Ouverture uber russische Themen; Georges Bizet: 1. Carmen; 2. Das schone Madchen von Perth; Modest Petrowitsch Mussorgski: 1. Bilder einer Ausstellung; 2. Boris Godunow; 3. Chowanschtschina; Johann Strauss (Sohn): 1. Perpetuum Mobile, op. 257.
SKU: CF.CAS119F
ISBN 9781491154687. UPC: 680160913237. 9 x 12 inches. Key: G major.
These timeless melodies from Alexander Borodin have been lifted from the original score, arranged for strings and transposed into the friendlier key of G Major. This piece poses a challenge suitable for advanced middle school orchestras, or a good exercise in melodic shaping and tone production for an intermediate high school group. Major teaching features include triplets, syncopation, ornaments, 16th note rhythms and slurs. Polovtsian Dances provides a beautiful concert selection for any time of the year.
About Carl Fischer Concert String Orchestra Series
This series of pieces (Grade 3 and higher) is designed for advancing ensembles. The pieces in this series are characterized by:
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