| A Brief Story of Peter Abelard Soprano Saxophone and Piano Chester
(Soprano Saxophone and Piano). By James Whitbourn. For Piano, Soprano Saxophone....(+)
(Soprano Saxophone and Piano). By James Whitbourn. For Piano, Soprano Saxophone. Music Sales America. Softcover. Chester Music #CH78969. Published by Chester Music
$15.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| San Pedro de Alcântara Concert band - Intermediate Molenaar Edition
Concert Band - Grade 5 SKU: ML.013780090 Composed by Valdemar Gomes. Full...(+)
Concert Band - Grade 5 SKU: ML.013780090 Composed by Valdemar Gomes. Full set. Molenaar Edition #013780090. Published by Molenaar Edition (ML.013780090). The Spanish war galleon with 64 cannons, built in Cuba between 1770 and 1771 for an English shipowner in the service of the King of Spain left Peru for Cadiz in 1784 with a huge cargo of copper, gold, silver and other valuables on board. There were also more than 400 people on board, including passengers, crew and Inca prisoners after a revolt. The Atlantic crossing went smoothly, passing Portugal to take advantage of favourable winds. The shipwreck off Peniche was the result of human error, apparently due to French maps with dramatic errors in the position of the islands of Berlengas and neighbouring islets. On 2 February 1786, the sea was calm and the night clear, but they hit the rock formation Papoa and the hull immediately broke in two. The bottom sank quickly, while the deck remained afloat for some time. 128 people lost their lives, including many Indians who were trapped in the basement. This shipwreck is considered one of the most important in maritime history.
What the composer wants to convey, and what can be felt as one listens, is first of all the sound of power, of hope, of the glory of conquest, of the splendour of wealth. This is followed by the perception of the maritime environment, the harmony with the softness of the ocean, the gliding of the hull in the foam of the sea on sunny, blue days. But along with this tranquillity, you soon hear a rhythmic chain that makes you feel a representation of the hustle and bustle, of the busy crew, of the hard work of a sailor, of the desperation of an exotic people imprisoned in a dark, damp cellar. A distinct rhythm that reminds us of the salero of Andalusia, with its Arab influences and its people, the soothing of the resignation of others who are forced to submit. Then we clearly hear a crescendo that makes us imagine the agony of the collision that precedes the shipwreck. The breaking of the hull, the water flooding everything, the despair, the clash of bodies on the rocks, the tragedy to come. Before the grand finale, in which the return of musical softness reminds us that the story is over. The supremacy of nature over human greed. The waves, though gentle, sweep the wreckage, the lives and the treasures of the New World to the bottom of the sea.
Het Spaans oorlogsgaljoen met 64 kanonnen, gebouwd in Cuba tussen 1770 en 1771 voor een Engelse reder in dienst van de koning van Spanje vertrok in 1784 vanuit Peru naar Cádiz met een enorme lading koper, goud, zilver en andere kostbaarheden aan boord. Er waren ook meer dan 400 mensen aan boord, waaronder passagiers, bemanning en Inca gevangenen na een opstand. De oversteek van de Atlantische Oceaan verliep vlot, waarbij Portugal werd gepasseerd om te profiteren van gunstige winden. De schipbreuk bij Peniche was het resultaat van een menselijke fout, blijkbaar te wijten aan Franse kaarten met dramatische fouten in de positie van de eilanden Berlengas en naburige eilandjes. Op 2 februari 1786 was de zee kalm en de nacht helder, maar ze raakten de rotsformatie Papoa en de romp brak onmiddellijk in tweeën. De bodem zonk snel, terwijl het dek nog enige tijd bleef drijven. 128 mensen verloren het leven, waaronder veel indianen die vastzaten in de kelder. Dit scheepswrak wordt beschouwd als een van de belangrijkste in de maritieme geschiedenis.
Wat de componist wil overbrengen, en wat men kan voelen als men luistert, is allereerst het geluid van macht, van hoop, van de glorie van verovering, van de pracht van rijkdom. Dit wordt gevolgd door de perceptie van de maritieme omgeving, de harmonie met de zachtheid van de oceaan, het glijden van de romp in het schuim van de zee op zonnige, blauwe dagen. Maar samen met deze rust hoor je al snel een ritmische ketting die je een voorstelling geeft van de drukte, van de drukke bemanning, van het harde werk van een zeeman, van de wanhoop van een exotisch volk dat gevangen zit in een donkere, vochtige kelder. Een duidelijk ritme dat ons doet denken aan de salero van Andalusië, met zijn Arabische invloeden en zijn mensen, het sussen van de berusting van anderen die gedwongen worden zich te onderwerpen. Dan horen we duidelijk een crescendo dat ons de lijdensweg doet voorstellen van de aanvaring die voorafgaat aan de schipbreuk. Het breken van de romp, het water dat alles overspoelt, de wanhoop, het botsen van lichamen op de rotsen, de tragedie die komen gaat. Vóór de grote finale, waarin de terugkeer van de muzikale zachtheid ons eraan herinnert dat het verhaal voorbij is. De overmacht van de natuur over de hebzucht van de mens. De golven, hoewel zacht, vegen het wrak, de levens en de schatten van de Nieuwe Wereld naar de bodem van de zee.
Le galion de guerre espagnol de 64 canons, construit à Cuba entre 1770 et 1771 pour un armateur anglais au service du roi d'Espagne, a quitté le Pérou pour Cadix en 1784 avec à son bord une énorme cargaison de cuivre, d'or, d'argent et d'autres objets de valeur. Il y avait également plus de 400 personnes à bord, dont des passagers, des membres d'équipage et des prisonniers incas à la suite d'une révolte. La traversée de l'Atlantique s'est déroulée sans encombre, en passant par le Portugal pour profiter des vents favorables. Le naufrage au large de Peniche est le résultat d'une erreur humaine, apparemment due à des cartes françaises comportant des erreurs dramatiques dans la position des îles de Berlengas et des îlots voisins. Le 2 février 1786, alors que la mer est calme et la nuit claire, le navire heurte la formation rocheuse de Papoa et la coque se brise immédiatement en deux. Le fond coule rapidement, tandis que le pont reste à flot pendant un certain temps. 128 personnes ont perdu la vie, dont de nombreux Indiens qui étaient coincés dans les sous-sols. Ce naufrage est considéré comme l'un des plus importants de l'histoire maritime.
Ce que le compositeur veut transmettre, et ce que l'on ressent à l'écoute, c'est d'abord le son de la puissance, de l'espoir, de la gloire de la conquête, de la splendeur de la richesse. C'est ensuite la perception de l'environnement maritime, l'harmonie avec la douceur de l'océan, le glissement de la coque dans l'écume de la mer par des journées bleues et ensoleillées. Mais à côté de cette tranquillité, on entend bientôt une chaîne rythmique qui nous fait ressentir une représentation de l'agitation, de l'équipage affairé, du dur labeur d'un marin, du désespoir d'un peuple exotique emprisonné dans une cave sombre et humide. Un rythme distinct qui nous rappelle le salero d'Andalousie, avec ses influences arabes et son peuple, l'apaisement de la résignation des autres qui sont obligés de se soumettre. Puis on entend clairement un crescendo qui nous fait imaginer l'agonie de la collision qui précède le naufrage. La rupture de la coque, l'eau qui envahit tout, le désespoir, le choc des corps sur les rochers, la tragédie à venir. Avant le grand final, où le retour de la douceur musicale nous rappelle que l'histoire est terminée. La suprématie de la nature sur la cupidité humaine. Les vagues, bien que douces, emportent les épaves, les vies et les trésors du Nouveau Monde au fond de la mer.
Die spanische Kriegsgaleone mit 64 Kanonen, die zwischen 1770 und 1771 auf Kuba für einen englischen Reeder im Dienste des spanischen Königs gebaut wurde, verließ Peru 1784 in Richtung Cádiz mit einer riesigen Ladung Kupfer, Gold, Silber und anderen Wertgegenständen an Bord. An Bord befanden sich auch mehr als 400 Menschen, darunter Passagiere, Besatzungsmitglieder und Inka-Gefangene nach einem Aufstand. Die Atlantiküberquerung verlief reibungslos, wobei Portugal passiert wurde, um die günstigen Winde zu nutzen. Der Schiffbruch vor Peniche war das Ergebnis menschlichen Versagens, das offenbar auf französische Karten zurückzuführen war, die in Bezug auf die Position der Inseln Berlengas und der benachbarten Eilande dramatische Fehler enthielten. Am 2. Februar 1786 stießen sie bei ruhiger See und klarer Nacht auf die Felsformation Papoa und der Rumpf brach sofort entzwei. Der Boden sank schnell, während das Deck noch einige Zeit über Wasser blieb. 128 Menschen kamen ums Leben, darunter viele Indianer, die im Keller eingeschlossen waren. Dieses Schiffswrack gilt als eines der bedeutendsten
Was der Komponist vermitteln will und was man beim Zuhören spürt, ist zunächst der Klang der Macht, der Hoffnung, des Ruhms der Eroberung, des Glanzes des Reichtums. Es folgt die Wahrnehmung der maritimen Umgebung, die Harmonie mit der Sanftheit des Meeres, das Gleiten des Schiffsrumpfes im Schaum des Meeres an sonnigen, blauen Tagen. Doch neben dieser Ruhe hört man bald eine rhythmische Kette, die die Hektik, die geschäftige Mannschaft, die harte Arbeit eines Seemanns, die Verzweiflung eines exotischen Volkes, das in einem dunklen, feuchten Keller gefangen ist, wiedergibt. Ein ausgeprägter Rhythmus, der an den Salero Andalusiens erinnert, mit seinen arabischen Einflüssen und seinen Menschen, der die Resignation der anderen besänftigt, die gezwungen sind, sich zu fügen. Dann hören wir deutlich ein Crescendo, das uns die Qualen des Zusammenstoßes, der dem Schiffbruch vorausgeht, erahnen lässt. Das Zerbrechen des Rumpfes, das Wasser, das alles überflutet, die Verzweiflung, das Aufeinanderprallen der Körper auf den Felsen, die bevorstehende Tragödie. Vor dem großen Finale, in dem die Rückkehr der musikalischen Sanftheit uns daran erinnert, dass die Geschichte zu Ende ist. Die Vorherrschaft der Natur über die menschliche Gier. Die Wellen, so sanft sie auch sein mögen, spülen die Trümmer, das Leben und die Schätze der Neuen Welt auf den Grund des Meeres. $209.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| 77 Rounds And Canons Voice solo Novello & Co Ltd. | | |
| Bastian Hg Kinder Optimal Foerdern Schott
(TB BR) SKU: HL.49041727 Intelligenz, Sozialverhalten und gute Schulle...(+)
(TB BR) SKU: HL.49041727 Intelligenz, Sozialverhalten und gute Schulleistungen durch Musikerziehung. Composed by Bastian. This edition: Paperback/Soft Cover. Paperback. Serie Musik. Convincing arguments in favour of the demand for music education to take up a central position at schools. 108 pages. Schott Music #SEM 8381. Published by Schott Music (HL.49041727). ISBN 9783254083814. German. What do they all have in common - the universal scholar Hildegard von Bingen, the pianist Clara Schumann, the Nobel Prize winner Albert Einstein, the violinist of the century Yehudi Menuhin, the German ex-chancellor Helmut Schmidt, and the actress Katja Riemann? They all have experienced how active music-making can enhance the quality of life - Isolated examples? No! A six-year long-term study with children aged between six and twelve years scientifically substantiates: Music-making children and young people- improve their social behaviour- enhance their IQ- get good grades at school- compensate for their lack of concentration, etc. In the present paperback, Professor Hans Gunther Bastian, head of the research project, summarizes major results of the 700-page scientific study Musik(erziehung) und ihre Wirkung and provides convincing arguments in favour of the demand for music education to take up a central position at general-education schools.This book helps parents, teachers, music teachers, the young people themselves and politicians on a federal and lander level to see the potential that exists in music and music education. Let us see to it that there will be singing and music-making in our homes and at our schools, in order that those growing up learn to enjoy it. The time has come for this language which goes straight to our soul. (German ex-chancellor Helmut Schmidt). $12.99 - See more - Buy online | | |
| Get Set! Piano Christmas Crackers Piano solo - Easy Verlag Dohr
Piano SKU: BT.9780008306144 Composed by David Blackwell and Karen Marshal...(+)
Piano SKU: BT.9780008306144 Composed by David Blackwell and Karen Marshall. Get Set! Piano. Book Only. Composed 2018. 40 pages. Collins Music Publishing #9780008306144. Published by Collins Music Publishing (BT.9780008306144). ISBN 9780008306144. Get Set! Piano Christmas Crackers contains over 30 carols for the beginner pianist, featuring a range of techniques and quizzes to support musical development from the very first lessons to Grade 2. Full of festivefavourites such as Jingle bells, Silent night and Deck the halls, with a few lesser known carols included for good measure, many of the pieces have simple but effective teacher duet parts to encourage ensemble playing from thestart. The book is illustrated throughout in the charming Get Set! style, and students are encouraged to decorate and colour in the drawings to reflect their progress. Packed with fantastic, tried-and-tested arrangementsanda variety of fun activities to reinforce learning, this is the ultimate beginner piano Christmas book! $12.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Duarte: Variations On A Catalan Folksong Guitar Music Sales
Guitar (GUITAR) SKU: HL.14034682 Composed by John W. Duarte. Music Sales ...(+)
Guitar (GUITAR) SKU: HL.14034682 Composed by John W. Duarte. Music Sales America. Classical. Book [Softcover]. 12 pages. Music Sales #NOV120311. Published by Music Sales (HL.14034682). ISBN 9780853608080. UPC: 884088486440. 8.25x11.75x0.069 inches. Variations On A Catalan Folksong (Op. 25) were written by John W. Duarte for solo Guitar. They were based on the Spanish folk melody Canco Del Llabre, one of the most popular Catalan folk tunes to have survived to this day. John W. Duarte (1919-2004) was a British guitarist, composer, and music journalist. Having received a degree in Chemistry, his fascination with the endless possibilities of the Guitar caused him to abandon science in favour of music. Despite having never formally studied music, he is regarded as one of the foremost composers for Guitar of the 20th century. $15.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Sonata da Chiesa Concert band [Score and Parts] - Intermediate De Haske Publications
Concert Band/Harmonie and Organ - Grade 4 SKU: BT.DHP-1033416-010 Compose...(+)
Concert Band/Harmonie and Organ - Grade 4 SKU: BT.DHP-1033416-010 Composed by Kees Schoonenbeek. Solo Spectrum. Concert Piece. Set (Score & Parts). Composed 2003. De Haske Publications #DHP 1033416-010. Published by De Haske Publications (BT.DHP-1033416-010). Sonata da Chiesa for organ and wind orchestra is a work in three movements. The first movement presents three melodic lines which are developed in turn. The second movement introduces a theme by Johann Pachelbel followed by several variations on the theme - a technique favoured by Kees Schoonenbeek. The third movement is a neo-Baroque rondo which introduces thematic elements from the first movement. This is a work rich in colour and sound.
Sonata da Chiesa ist eine vielseitige Komposition für Orgel und Blasorchester. Das in einer Art Neobarock geschriebene Werk beginnt mit einem kontrastreichen ersten Teil, gefolgt von einer Reihe Variationen über ein Thema von Pachelbel im zweiten Satz, und wird schließlich durch ein Rondo abgeschlossen. Mit Sonata da Chiesa schrieb Kees Schonenbeek ein eindrucksvolles, eigenständiges Werk, das mit seiner Namensgeberin, der ursprünglichen Kirchensonate wenig mehr als die Orgel als Soloinstrument gemeinsam hat. $314.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Moses and Ramses Concert band [Score] - Intermediate De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1104914-140 Symphonic Poem...(+)
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1104914-140 Symphonic Poem for Wind Orchestra. Composed by Satoshi Yagisawa. Concert and Contest Collection CBHA. Score Only. Composed 2010. 177 pages. De Haske Publications #DHP 1104914-140. Published by De Haske Publications (BT.DHP-1104914-140). 9x12 inches. English-German-French-Dutch. This piece was commissioned by Matsudo Citizen Wind Orchestra for their 30th anniversary concert and premiêred by the band conducted by Kenichiro Hasunuma in July 2009. This piece is typical of Satoshi Yagisawa in that it depicts a magnificent spectacle. This one is set in ancient Egypt and is based on the story depicted in the famous film “The Ten Commandments†(1956, directed by Cecil B. DeMille). One day Moses, who was raised by the rich royal family, found out that he was originally Hebrew. The Hebrews had been forced to live as slaves. Ramses, the prince directly descended from the Pharaoh, envied Moses’ strength and popularity. After internal argument Moses decides todeliver the Hebrew from the Pharaoh’s tyranny and escape from Egypt with them.The music starts with brilliant royal fanfare and depicts magnificent architecture, the Hebrew people forced into hard labour, and the slaves escaping from the Pharaoh’s tyranny. At the climax they are at crisis point, trapped by the sea. Moses waves his staff and the miracle happens; the sea parts and Hebrew people successfully escape. Following on from Perseus - A Hero’s Quest in the Heavens, this work Moses and Ramses is another piece written in the dramatic style favoured by Satoshi Yagisawa.
Het oude testament verhaalt van Mozes die met zijn volk Egypte verlaat, na zijn strijd met de jonge farao Ramses. De film The Ten Commandments uit 1956 is gebaseerd op dit verhaal. Satoshi Yagisawa zette de beelden van dezemonumentale film om in de karakteristiek dramatische stijl die zo eigen is voor de verfilming. De muzikale beelden geven het koninklijke paleis weer, maar ook de architectonische pracht en praal van het oude Egypte. Ook komen deverlossing van de slavernij en de uittocht aan bod. Natuurlijk met als hoogtepunt dat Mozes de zee opent en het volk door de zee uit Egypte leidt. Een fantastisch spektakel!
Von Moses, der nach einem Streit mit dem jungen Ramses mit seinem ganzen Volk, Israel, das Land verließ, erzählt das alte Testament und der darauf basierende Film Die zehn Gebote von 1965. Satoshi Yagisawa setzte die Bilder dieses monumentalen Films in seinem charakteristischen dramatischen Stil um: Die musikalischen Bilder zeigen den Königshof, die architektonische Pracht des alten Ägypten, das versklavte Volk Israel und natürlich die Flucht mit dem Höhepunkt, als Moses das Meer teilt. Ein prachtvolles Spektakel!
Moses and Ramses (Mo se et Ramsès) est une commande de l’Orchestre d’Harmonie de la ville de Matsudo au Japon, l’occasion des festivités marquant le trentième anniversaire de la création de la formation. La première mondiale a eu lieu en juillet 2009. Elle fut assurée par la formation dédicataire, placée sous la direction de Kenichiro Hasunuma. Après Perseus - A Hero’s Quest in the Heavens, Satoshi Yagisawa nous livre une nouvelle œuvre dramatique, flamboyante et épique. L’action se déroule en Égypte ancienne, et suit la chronologie du célèbre film biblique Les Dix Commandements (1956), du réalisateur américain Cecil B. DeMille. Le jeune Mo segrandit au sein de la riche famille royale égyptienne. Devenu adulte, il découvre ses origines hébra ques. Or, Pharaon a réduit les Hébreux en esclavage. Le prince Ramsès, descendant direct de Pharaon, envie la force et la gloire de Mo se. Après une querelle grave, Mo se doit fuir dans le désert. Dans son exil, il décide de délivrer son peuple de la tyrannie de Pharaon et de le mener hors d’Égypte. L’œuvre débute avec une fanfare royale flamboyante qui sonne la grandeur architecturale de l’Égypte. Le peuple d’Israël est condamné subir les travaux forcés ; des esclaves échappent la tyrannie du Pharaon. Lorsque la musique atteint sa densité maximale, les Hébreux en fuite sont acculés devant la mer Rouge. Mo se invoque Dieu. Celui-ci lui ordonne de lever son b ton au-dessus des eaux de la mer Rouge. Mo se obéit et le miracle se produit ; les eaux se divisent en deux pour laisser passer les enfants d’Israël. $38.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Lelio (Le retour a la vie) Hol. 55 Barenreiter
2 solo tenor voice, solo baritone voice, speaker, Mixed choir: SSTTBB, orchestra...(+)
2 solo tenor voice, solo baritone voice, speaker, Mixed choir: SSTTBB, orchestra (Tenor solo (2), Baritone solo, Speaker, Mixed choir: SSTTBB, Orchestra) SKU: BA.BA05447 Lyric monodrama in six parts. Composed by Hector Berlioz. Edited by Peter Bloom. This edition: complete edition, urtext edition. Linen. New Berlioz Edition (Neue Berlioz-Ausgabe - NBE) Volume 7. Complete edition, anthology. Hol. 55. Baerenreiter Verlag #BA05447_00. Published by Baerenreiter Verlag (BA.BA05447). ISBN 9790006471461. 33.1 x 26 cm inches. Text Language: French. Translation: Gerard de Nerval. Hector Berlioz. Llio was composed during Berlioz's stay in Italy in 1831. In April of that year he set out from Rome, where he held a scholarship as winner of the Prix de Rome, and travelled as far as Nice on hearing that his fiancee Camille Moke had rejected him in favour of another suitor. He had intended to return to Paris to exact revenge, but then he abandoned his plan and instead spent three weeks in Nice, returning in stages to Rome. On this return journey he conceived the idea of a semi-theatrical work that combined music and monologues to express the idea of returning to life after a profound traumatic experience.
The composition was finished in Rome in Iune 1831. In the spring of 1832, while staying with his parents in Dauphin, Berlioz copied the orchestral and vocal parts, and the work was first performed in conjunction with the Symphonie fantastique at the Paris Conservatoire on 9 December 1832. It was heard again three weeks later and again on 3 May 1835.
While designated as the second part of the Episode in the Life of an Artist, Lelio can never- theless be performed on its own, without the Symphonie fantastique to precede it. About Barenreiter Urtext What can I expect from a Barenreiter Urtext edition? MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
$363.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Moses and Ramses Concert band [Score and Parts] - Intermediate De Haske Publications
Concert Band (Score & Parts) - Grade 4 SKU: HL.44011065 Symphonic Poem...(+)
Concert Band (Score & Parts) - Grade 4 SKU: HL.44011065 Symphonic Poem for Wind Orchestra. Composed by Satoshi Yagisawa. De Haske Concert Band. Set (Score & Parts). Composed 2010. De Haske Publications #1104914010. Published by De Haske Publications (HL.44011065). UPC: 884088640101. 9.0x12.0x0.97 inches. English-German-French-Dutch. This piece was commissioned by Matsudo Citizen Wind Orchestra for their 30th anniversary concert and premiered by the band conducted by Kenichiro Hasunuma in July 2009. This piece is typical of Satoshi Yagisawa in that it depicts a magnificent spectacle. This one is set in ancient Egypt and is based on the story depicted in the famous film The Ten Commandments (1956, directed by Cecil B. DeMille). One day Moses, who was raised by the rich royal family, found out that he was originally Hebrew. The Hebrews had been forced to live as slaves. Ramses, the prince directly descended from the Pharaoh, envied Moses' strength and popularity. After internal argument Moses decides todeliver the Hebrew from the Pharaoh's tyranny and escape from Egypt with them.The music starts with brilliant royal fanfare and depicts magnificent architecture, the Hebrew people forced into hard labour, and the slaves escaping from the Pharaoh's tyranny. At the climax they are at crisis point, trapped by the sea. Moses waves his staff and the miracle happens; the sea parts and Hebrew people successfully escape. Following on from Perseus - A Hero's Quest in the Heavens, this work Moses and Ramses is another piece written in the dramatic style favoured by Satoshi Yagisawa.
Het oude testament verhaalt van Mozes die met zijn volk Egypte verlaat, na zijn strijd met de jonge farao Ramses. De film The Ten Commandments uit 1956 is gebaseerd op dit verhaal. Satoshi Yagisawa zette de beelden van dezemonumentale film om in de karakteristiek dramatische stijl die zo eigen is voor de verfilming. De muzikale beelden geven het koninklijke paleis weer, maar ook de architectonische pracht en praal van het oude Egypte. Ook komen deverlossing van de slavernij en de uittocht aan bod. Natuurlijk met als hoogtepunt dat Mozes de zee opent en het volk door de zee uit Egypte leidt. Een fantastisch spektakel!
Von Moses, der nach einem Streit mit dem jungen Ramses mit seinem ganzen Volk, Israel, das Land verliess, erzahlt das alte Testament und der darauf basierende Film Die zehn Gebote von 1965. Satoshi Yagisawa setzte die Bilder dieses monumentalen Films in seinem charakteristischen dramatischen Stil um: Die musikalischen Bilder zeigen den Konigshof, die architektonische Pracht des alten Agypten, das versklavte Volk Israel und natürlich die Flucht mit dem Hohepunkt, als Moses das Meer teilt. Ein prachtvolles Spektakel!
Moses and Ramses (Moise et Ramses) est une commande de l'Orchestre d'Harmonie de la ville de Matsudo au Japon, a l'occasion des festivites marquant le trentieme anniversaire de la creation de la formation. La premiere mondiale a eu lieu en juillet 2009. Elle fut assuree par la formation dedicataire, placee sous la direction de Kenichiro Hasunuma. Apres Perseus - A Hero's Quest in the Heavens, Satoshi Yagisawa nous livre une nouvelle œuvre dramatique, flamboyante et epique. L'action se deroule en Egypte ancienne, et suit la chronologie du celebre film biblique Les Dix Commandements (1956), du realisateur americain Cecil B. DeMille. Le jeune Moisegrandit au sein de la riche famille royale egyptienne. Devenu adulte, il decouvre ses origines hebraiques. Or, Pharaon a reduit les Hebreux en esclavage. Le prince Ramses, descendant direct de Pharaon, envie la force et la gloire de Moise. Apres une querelle grave, Moise doit fuir dans le desert. Dans son exil, il decide de delivrer son peuple de la tyrannie de Pharaon et de le mener hors d'Egypte. L'œuvre debute avec une fanfare royale flamboyante qui sonne la grandeur architecturale de l'Egypte. Le peuple d'Israel est condamne a subir les travaux forces ; des esclaves echappent a la tyrannie du Pharaon. Lorsque la musique atteint sa densite maximale, les Hebreux en fuite sont accules devant la mer Rouge. Moise invoque Dieu. Celui-ci lui ordonne de lever son baton au-dessus des eaux de la mer Rouge. Moise obeit et le miracle se produit ; les eaux se divisent en deux pour laisser passer les enfants d'Israel. $172.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Stage and Screen Favourites Piano solo - Easy De Haske Publications
Piano - easy SKU: BT.DHP-1145521-401 Favourite pieces arranged for fiv...(+)
Piano - easy SKU: BT.DHP-1145521-401 Favourite pieces arranged for five finger piano with optional accompaniment parts. Five Finger Piano. Book Only. Composed 2014. 48 pages. De Haske Publications #DHP 1145521-401. Published by De Haske Publications (BT.DHP-1145521-401). ISBN 9789043136112. 9x12 inches. International. STAGE and SCREEN FAVORITES is an exciting selection of best-loved themes from popular musicals, from sing-along classics such as THE SOUND OF MUSIC and MY FAVOURITE THINGS to toe-tapping hits like CIRCLE OF LIFE and YOU´VE GOT A FRIEND IN ME. Asure-fire showcase to get those fingers moving!
Deze spannende selectie van de meest geliefde themas uit populaire musicals, als The Sound of Music en My Favourite Things tot swingende hits als Circle of Life en Youve got a Friend in Me, zet je vingers in beweging.
STAGE and SCREEN FAVORITES enthält eine mitrei�ende Auswahl an Lieblingsmelodien in besonders leicht spielbaren Arrangements, die auch schon für Anfänger geeignet sind. Wagen Sie sich an Musicalklassiker zum Mitsingen wie THE SOUND OF MUSIC und MYFAVOURITE THINGS bis zu Hits, bei denen jeder mitwippen muss wie CIRCLE OF LIFE und YOU´VE GOT A FRIEND IN ME. Dank der enthaltenen Begleitung für Lehrer oder Fortgeschrittene wird es noch voller klingen und noch mehr Spa� machen. So bringen Siegarantiert nicht nur Ihre Finger in Bewegung!
STAGE and SCREEN FAVOURITES offre une sélection passionnante de thèmes extraits de comédies musicales connues et appréciées de tous, de chansons célèbres telles queTHE SOUND OF MUSIC (La Mélodie du bonheur) et MY FAVOURITE THINGS (Mes joiesquotidiennes) ou encore de rythmes endiablés taper du pied gr ce CIRCLE OF LIFE (L´Histoire de la vie) et YOU´VE GOT A FRIEND IN ME (Je suis ton ami). Une méthode infaillible pour faire bouger ses doigts !
Unemozionante selezione di temi tratti da noti musical e canzoni famose. Un metodo infallibile per esercitarsi e muovere le dita sulla tastiera divertendosi! $18.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Theme and Variations (arr. for guitar) Guitar Fennica Gehrman
Guitar SKU: FG.55011-449-4 Composed by Jean Sibelius. Arranged by Nino At...(+)
Guitar SKU: FG.55011-449-4 Composed by Jean Sibelius. Arranged by Nino Atanaskovic. Fennica Gehrman #55011-449-4. Published by Fennica Gehrman (FG.55011-449-4). ISBN 9790550114494. An idiomatic guitar transcription of this Sibelius's solo cello work dating from 1887 when he was 22 years. The work owes much to Bach in terms of its style, although the theme on which the variations are based has a certain Finnish-Nordic flavour. Nino Atanaskovic has done a great favour for all guitarists by arranging this work for his instrument. Now even the guitarists can get a taste of Sibelius. $26.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Duarte: Ten Tunes From Gilbert & Sullivan (Recorder Part) Recorder Music Sales
Recorder SKU: HL.14033070 Composed by John W. Duarte. Music Sales America...(+)
Recorder SKU: HL.14033070 Composed by John W. Duarte. Music Sales America. Opera or Operetta. Book [Softcover]. Music Sales #NOV120427. Published by Music Sales (HL.14033070). Ten Tunes From Gilbert And Sullivan have been arranged for Recorder with Guitar accompaniment by John W. Duarte. The recorder part is presented here. Included are classic tunes from The Mikado, HMS Pinafore, The Pirates of Penzance and more! John W. Duarte (1919-2004) was a British guitarist, composer, and music journalist. Having received a degree in Chemistry, his fascination with the endless possibilities of the Guitar caused him to abandon science in favour of music. Despite having never formally studied music, he is regarded as one of the foremost composers for Guitar of the 20th century. $6.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Symphony No. 63 'La Roxelane' Piano solo Edition HH
Piano solo SKU: HH.HH512-SOL Composed by Franz Joseph Haydn. Edited by Sa...(+)
Piano solo SKU: HH.HH512-SOL Composed by Franz Joseph Haydn. Edited by Sarah Jenner. Arranged by C.D. Stegmann. Playing score. Edition HH Music Publishers #HH512-SOL. Published by Edition HH Music Publishers (HH.HH512-SOL). ISBN 9790708185222. Symphony No.63 La Roxelane the first movement of which re-employs (with reduced instrumentation and some structural adjustment to conform to its new symphonic setting) the overture to Haydn’s opera Il mondo della luna which was originally composed for the 1777 season at Esterháza. The second movement, headed Roxelane Allegretto, is a set of variations on the French melody La Roxelane which reveals itself as an early example of the composer’s favoured double-variation form of contrasting major and minor key sections. Roxelane herself is the leading female character in Les trois sultanes, a stage play by Charles Simon Favart performed by Karl Wahr and his theatrical troupe in a German translation at Esterháza in that same year with (we assume) incidental music by Haydn. The Menuetto and concluding Finale Presto of the symphony were newly-composed and do not (as far as we know) make use of re-cycled theatrical music. $19.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Pierrot, or Harlequin? Guitar Classical guitar [Score] - Advanced Doberman
Guitar - Advanced SKU: DY.DO-1555 Composed by Stephen Goss. Score. Les Ed...(+)
Guitar - Advanced SKU: DY.DO-1555 Composed by Stephen Goss. Score. Les Editions Doberman-Yppan #DO 1555. Published by Les Editions Doberman-Yppan (DY.DO-1555). ISBN 9782897963354. Pierrot, or Harlequin? (2023) is based on stock characters from the Italian commedia dellâarte tradition. Columbina has a choice of partner â Pierrot, or Harlequin? Or maybe she will select neither of them. In this set of triple variations, Pierrot and Harlequin compete for Columbina's attention and favour. Pierrot is deep, quiet, thoughtful, and loving, but sometimes melancholic. Harlequin is light-hearted, extrovert, and fun to be with, but somewhat shallow and brash. Columbina herself is coquettish, impulsive, and unpredictable. How will the story end between these imperfect characters? The performer gets to select one of three possible endings as the piece nears its conclusion. Pierrot, or Harlequin? was commissioned by the International Guitar Festival Homenaje 2023. The premiere was given by Giacomo Susani at Barco Teatro, Padova, Italy, on 10th November 2023.
Pierrot, or Harlequin? (2023) est basé sur des personnages de la tradition italienne de la commedia dellâarte. Columbina a le choix entre deux partenaires â Pierrot ou Harlequin? Ou peut-être ne choisira-t-elle aucun des deux. Dans cette série de variations en trio, Pierrot et Harlequin rivalisent pour l'attention et les faveurs de Columbina. Pierrot est profond, calme, réfléchi et aimant, mais parfois mélancolique. Harlequin est enjoué, extraverti, amusant à être avec, mais quelque peu superficiel et effronté. Columbina elle-même est coquette, impulsive et imprévisible. Comment se terminera l'histoire entre ces personnages imparfaits? Le performer a le choix entre trois fins possibles alors que la pièce approche de sa conclusion. Pierrot, or Harlequin? a été commandé par le Festival International de Guitare Homenaje 2023. La première a été donnée par Giacomo Susani au Barco Teatro, Padoue, Italie, le 10 novembre 2023. $10.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Danseries. Progressive Anthology of Dances from the French Renaissance for Descant Recorder, optional Treble or Tenor Recorder and Keyboard Instrument Ut Orpheus
Recorder; Methods and Music for Children; Early Music SKU: UT.HS-303 V...(+)
Recorder; Methods and Music for Children; Early Music SKU: UT.HS-303 Vol. 2: Intermediate Level. Edited by Nicola Sansone. Saddle stitching. Classical. Ut Orpheus #HS 303. Published by Ut Orpheus (UT.HS-303). ISBN 9790215327016. 9 x 12 inches. This two-volume anthology has been designed on the living experience of teaching as material intended for descant recorder players at the beginner and intermediate level. The progressive order allows an approach to ensemble music, starting from the use of just the notes of the left hand, and proceeds with the acquisition of the new positions reaching the chromatic range of an octave and a sixth. The repertoire used consists exclusively of dance music from the French and Flemish area contained in various collections published between 1530 and 1583 by various composers and editors. This choice was dictated by a number of different factors: the extremely clear and symmetrical metric and formal schemes typical of the Renaissance dance form, with due and useful exceptions, help to understand the concept of musical phrase; the use of coded and recurring rhythmic formulas makes it possible to perfect the rhythmic division; harmony based mostly on the basic steps helps to form an experience of listening, intonation and understanding of the main harmonic functions. No less significant are other elements, such as variety in the length of the pieces, from a few bars up to several dozen, which favours the development of concentration and attention, with the same technical difficulties. Above all, however, the vastness of the repertoire, more than 500 compositions, makes it possible to choose and order the pieces with an idea of ​​technical and musical progressiveness comparable to that of a method. The edition is produced in such a way that all the pieces can be performed in four parts except for some in five parts, in different ensembles. The most basic is in reduced three-part form of descant, tenor and bass, the latter two are given respectively to the right and left hand of the keyboard player. Since recorders play at the octave above, the tenor part is also transposed in the same way to make the sound of the three upper voices homogeneous, while the bass retains its original range. It is also possible to enlarge the group to play the full four voices with the addition of an alto or tenor recorder playing the alto part, available in the separate part, and two more instruments, tenor and bass recorders or others, performing the respective lines alone or doubling with the keyboard. $30.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Contemporary International Piano Music Piano solo [Score] Breitkopf & Härtel
Piano SKU: BR.BG-925 Composed by Rudolf (Hrsg.) Luck. Edited by Rudolf Lu...(+)
Piano SKU: BR.BG-925 Composed by Rudolf (Hrsg.) Luck. Edited by Rudolf Luck. Solo instruments; Softcover. Edition Gerig. Music post-1945. Score. 60 pages. Breitkopf and Haertel #BG 925. Published by Breitkopf and Haertel (BR.BG-925). ISBN 9790004131824. 9 x 12 inches. When the mathematically oriented compositional method started losing favour, composers began turning again more strongly to the piano, from the midsixties on, and discovered, as it were, the new poetry of the instrument through effects obtained with harmonics and preparation. For this reason, only a few pieces dating from before 1965 have been selected. Most of the following pieces were composed especially for this anthology. They are arranged in order of increasing difficulty. While the first volume is intended more for the amateur, the second volume presupposes a greater degree of skill. Due to the great number of composers, it was impossible even to pretend to offer a representative cross-section of contemporary German piano music. Several composers had to be excluded because they wrote no notable works for piano. Another criterion influencing the selection of pieces was the effort to present the most varies styles of piano writing possible. Moreover, special notice has been given to the works which display originality, even though their authors are not among the most widely known and marketable musicians of the day. $52.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Contemporary International Piano Music Piano solo [Score] Breitkopf & Härtel
Piano SKU: BR.BG-922 Composed by Rudolf (Hrsg.) Luck. Edited by Rudolf Lu...(+)
Piano SKU: BR.BG-922 Composed by Rudolf (Hrsg.) Luck. Edited by Rudolf Luck. Solo instruments; Softbound. Edition Gerig. Music post-1945. Score. 68 pages. Breitkopf and Haertel #BG 922. Published by Breitkopf and Haertel (BR.BG-922). ISBN 9790004140192. 9 x 12 inches. When the mathematically oriented compositional method started losing favour, composers began turning again more strongly to the piano, from the midsixties on, and discovered, as it were, the new poetry of the instrument through effects obtained with harmonics and preparation. For this reason, only a few pieces dating from before 1965 have been selected. Most of the following pieces were composed especially for this anthology. They are arranged in order of increasing difficulty. While the first volume is intended more for the amateur, the second volume presupposes a greater degree of skill. Due to the great number of composers, it was impossible even to pretend to offer a representative cross-section of contemporary German piano music. Several composers had to be excluded because they wrote no notable works for piano. Another criterion influencing the selection of pieces was the effort to present the most varies styles of piano writing possible. Moreover, special notice has been given to the works which display originality, even though their authors are not among the most widely known and marketable musicians of the day. $52.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Symphony in C major Hob. I:69 Orchestra [Score] Barenreiter
Orchestra SKU: BA.BA10989 Laudon. Composed by Franz Joseph Haydn. ...(+)
Orchestra SKU: BA.BA10989 Laudon. Composed by Franz Joseph Haydn. Edited by Sonja Gerlach and Wolfgang Stockmeier. This edition: urtext edition. Stapled. Score. Baerenreiter Verlag #BA10989_00. Published by Baerenreiter Verlag (BA.BA10989). ISBN 9790006575534. 31 x 24.3 cm inches. Key: C major. Letters of the composer have come down to us only on a few of Haydn’s symphonies, amongst them the “Laudon†Symphony Hob. I:69. In one of these letters, Haydn agrees to the publisher’s suggestion to name the symphony after the widely known and favoured general Gideon Ernst von Laudon (1717-1790). By using this name, both composer and publisher hoped to increase the commercial success of the work which possibly deserved a military eponym considering its instrumentation with timpani and trumpets. Also, the symphony requires two bassoons, but no flutes, corresponding with the available musicians at the court of Esterházy between 1775 and 1776.
In continuation of the collaboration between Bärenreiter and G. Henle Verlag, this edition is based on the Urtext of the Complete Edition “Joseph Haydn Works†published by G. Henle Verlag.
About Barenreiter Urtext What can I expect from a Barenreiter Urtext edition? MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
$59.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Jacob: Sonatina for Viola and Piano Viola, Piano Music Sales
Viola and Piano SKU: HL.14030790 Composed by Gordon Jacob. Music Sales Am...(+)
Viola and Piano SKU: HL.14030790 Composed by Gordon Jacob. Music Sales America. Post-1900. Book [Softcover]. Music Sales #NOV120069. Published by Music Sales (HL.14030790). ISBN 9780853604488. 8.0x12.0x0.198 inches. While Gordon Jacobs composed a vast amount of music - more than four hundred pieces -- he was particularly celebrated for his work for Viola and for woodwinds, as well as for his books on music pedagogy. Jacob had an early success with his Viola Concerto of 1926 which was premiered at a Promenade concert and which was the beginning of a series of strong contributions to Viola repertoire. This Sonatina for Viola and Piano demonstrates his sensitive writing for the instrument. It works very well when performed on clarinet as well.While many composers of the 20th century rejected serialism, atonality and other avant garde effects in favour of Romanticism, Jacob was much morean adherent to the musical models of the classic and baroque eras, while still encompassing modern harmonies. His work Music for a Festival, for symphonic wind band and brass ensemble, was used for the post-war Festival of Britain and he arranged the British national anthem for the coronation of Queen Elizabeth II. $19.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Classical Music for Children Violin and Piano [Sheet music + Audio access] Schott
Book/Suio Online Violin (Violin/Piano) SKU: HL.49047090 25 Easy Pieces...(+)
Book/Suio Online Violin (Violin/Piano) SKU: HL.49047090 25 Easy Pieces for Violin and Piano Book with Audio Online. Composed by Various. Edited by Peter Mohrs. Edition Schott. Baroque, Classical, Romantic. Softcover Audio Online. 40 pages. Schott Music #ED20684D. Published by Schott Music (HL.49047090). ISBN 9783795726966. UPC: 196288120612. 9.0x12.0x0.195 inches. 25 easy pieces from the Baroque, Classical and Romantic eras, playable in the first three finger patterns in the first position, forviolin pupils from the second year of learning. Apart from lesser known works, this edition also contains many popular pieces, such as themes from Vivaldi's Four Seasons, Handel's Fireworks Music and Water Music, Mozart's Magic Flute or Beethoven's Symphony No. 9.This volume's intention is to grant access to classical masterpieces of concert literature with the help of such easy arrangements and spread the joy of classical music. The approach to the pieces is made easier by the accompanying audio tracks which, on the one hand, offers the opportunity to listen to and get to know the pieces beforehand, and, on the other hand, thanks to the separate piano accompaniments, provides first experience in ensemble playing and conveys the vivid joy of music-making. When the tracks were recorded by Prof. Benjamin Bergmann, violin, and Leonid Dorfman, piano, they deliberately decided in favour of moderate tempos to make it easier for the young violinists to play along with the piano part. A treasure trove for auditions at schools and music schools. $18.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
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