SKU: CL.011-3722-01
Here’s a fun-filled and entertaining selection! A heroic fanfare announces the opening curtain of a musical melodrama right out of the golden age of silent film. The hero, the damsel in distress and their perilous journey all set to well-known musical tunes, with your band replacing the theater organ. It’s perfect for featuring your principal or other celebrity as narrator! Use a little creativity and allow your students to play the silent actors and even make their own silent movie. Encourage your audience to hiss, boo and cheer during the unfolding story. Easily rehearsed and fun for all! Your audience and students wont stop talking (and laughing) about this entertaining feature.
About C.L. Barnhouse Command Series
The Barnhouse Command Series includes works at grade levels 2, 2.5, and 3. This series is designed for middle school and junior high school bands, as well as high school bands of smaller instrumentation or limited experience. Command Series publications have a slightly larger instrumentation than the Rising Band Series, and are typically of larger scope, duration, and musical content.
SKU: HL.49015347
ISBN 9790001079570. German.
SKU: BA.BA05512
ISBN 9790006472079. 33.1 x 26.1 cm inches. Text: Georg von Hofmann.
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?
MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: CU.EC-11801
ISBN 9788863951387.
SKU: HL.50498836
Italian.
SKU: HL.49019883
ISBN 9790001131308.
This volume contains for the first time the piano score of the monodrama Erwartung drawn up in the autumn of 1909 by Arnold Schoenberg himself.The composer began this stage work at the end of the summer of 1909, stopping work on the first draft on 12 September 1909 and completing the fair copy of the score on 4 October 1909. Two autograph manuscripts have survived of the piano score: a first draft and a fair copy. Only the first draft is dated, bearing the date of completion 22 October 1909.
SKU: FG.55011-468-5
ISBN 9790550114685.
To mark the 150th anniversary of Armas Jarnefelt, Fennica Gehrman publishes his hitherto unpublished works. Jarnefelt's first composition for stage was music for Z. Topelius's play Miranda in 1900-1901. It is a kind of melodrama with recitation and choral singing, not so much incidental music. Jarnefelt composed a rather broad array of numbers for Miranda, seven movements in total. Miranda is characterized by a downwards moving chromatic chord progression. Listeners especially liked the Nymf- och trolldans movement, its slowly and elegantly swinging waltz, and the Oriental colours of one of the dance movements. Orchestral parts available for hire.
SKU: HL.50498834
SKU: CU.EC11663
ISBN 9788863950267.
SKU: HL.49005901
ISBN 9790001063876. German - French.
SKU: HL.50499135
SKU: HL.50499144
SKU: HL.50499142
SKU: CU.EC11686
ISBN 9788863950366.
SKU: HL.48186025
UPC: 888680842314. 9x12 inches.
Ducol Bruno Nu Couche Ciel De Feu Op.32 Monodrame 3 Flutes Book/Cd.
SKU: LM.JJ73840
ISBN 9790230873840.
Psychodrame (3'15) - En silencieux tumulte (2'57) - Clarte de songe (6'35) - Intermezzo (1'37) - Nuit jaune (2'50).
SKU: CU.EC11736
ISBN 9788863950977.
SKU: HL.50499133
SKU: BA.BA05447
ISBN 9790006471461. 33.1 x 26 cm inches. Text Language: French. Translation: Gerard de Nerval. Hector Berlioz.
Llio was composed during Berlioz's stay in Italy in 1831. In April of that year he set out from Rome, where he held a scholarship as winner of the Prix de Rome, and travelled as far as Nice on hearing that his fiancee Camille Moke had rejected him in favour of another suitor. He had intended to return to Paris to exact revenge, but then he abandoned his plan and instead spent three weeks in Nice, returning in stages to Rome. On this return journey he conceived the idea of a semi-theatrical work that combined music and monologues to express the idea of returning to life after a profound traumatic experience. The composition was finished in Rome in Iune 1831. In the spring of 1832, while staying with his parents in Dauphin, Berlioz copied the orchestral and vocal parts, and the work was first performed in conjunction with the Symphonie fantastique at the Paris Conservatoire on 9 December 1832. It was heard again three weeks later and again on 3 May 1835. While designated as the second part of the Episode in the Life of an Artist, Lelio can never- theless be performed on its own, without the Symphonie fantastique to precede it.
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