SKU: AP.20303US
ISBN 9783947998517. UPC: 038081558288. German.
It is not only the great success of Nathan Evans' re-release of The Wellerman on social media that is responsible for the great popularity of sea shanties and naval songs. Such songs create a unique mood, a touch of adventure and wanderlust for the big, wide world. Hardly anyone can elude it and with Vahid Matejko's Sea Shanty Play-Alongs there are now the most beautiful sea shanties and naval songs skillfully arranged as an instrumental play-along series for recorder, flute, clarinet, saxophone, trumpet (opt. baritone T.C.), trombone (opt. baritone B.C.), violin, and accordion (piano).The varied arrangements have a wide stylistic range and offer echoes from rock, Latin, funk, big band to orchestral and Caribbean influences. Thus, each song has its own musical and instrumental appeal, to which the parts and/or solos specially composed by arranger Vahid Matejko also contribute. The original polyphonic choral vocals are replaced by polyphonic instrumental backings.Each of the ten titles was recorded live by excellent professional musicians and is available in two different versions: ? a demo-track which features a live saxophone performance by one of the most sought-after studio and live soloists in the German music scene, two-time Grammy-award winner and former lead saxophone, flute and clarinet player for the WDR-broadcast big band Heiner Wiberny and? a minus-one mix for you to play-along.
SKU: M7.GHE-811
ISBN 9783890448114. English.
This new critical edition by leading guitar researcher Erik Stenstadvold contains thematic indexes, comprehensive critical commentaries based on sound and transparent editorial practice, copious historical notes, publishing history, and some previously unpublished repertoire. It has been thoroughly researched and is produced to the highest standards.
SKU: M7.BP-948
SKU: AP.1-ADV7010
ISBN 9783892214274. UPC: 805095070101. English.
Saxophone Duets features six mild to moderate duets for two like-minded saxophones and a duet for alto and tenor, with practical tips for the rehearsal and creative classroom use. The play-along CD contains recordings of duets with saxophonist Jim Snidero. Use your stereo balance control to eliminate a part and sit in on the duet! An excellent collection from salsa to blues to bebop. Titles: Introduction * Rehearsal Suggestions * Rockin' in Reggae (Reggae-Shuffle) (AS/AS) * Calypso Jam (Carribean-Calypso) (AS/AS) * La Comisura (Salsa-Latin) (AS/TS) * Velvet Like (Medium Blues) (AS/AS) * Modal Dialogue (Medium Swing) (TS/TS) * Sundown (Medium Bebop) (TS/TS) * Samba Carnavalesco (Samba) (AS/AS). Conductor's score is item #01-ADV7000.
SKU: AP.1-ADV7000
ISBN 9783892210108. UPC: 805095070002. English.
An exellent collection from salsa to blues to bebop. Titles include: Introduction * Rehearsal Suggestions * Rockin' In Reggae (Reggae-Shuffle) (AS/AS) * Calypso Jam (Carribean-Calypso) (AS/AS) * La Comisura (Salsa-Latin) (AS/TS) * Velvet Like (Medium Blues) (AS/AS) * Modal Dialogue (Medium Swing) (TS/TS) * Sundown (Medium Bebop) (TS/TS) * Samba Carnavalesco (Samba) (AS/AS). This is the conductor score for item #01-ADV7010.
SKU: M7.BP-1822
ISBN 9790015182204.
SKU: HL.49007510
ISBN 9783795750664. 9.0x12.0x0.171 inches. German. Christa Estenfeld-Kropp.
This successful tutorial book for descant [soprano] recorder is now available in a revised new edition. The German text has been revised in the light of recent spelling reforms and the layout in four colours is now even clearer. For many of the songs harmonic symbols have been added to facilitate accompaniment on the guitar or piano. The first volume places emphasis on correct and musical breathing and tonguing technique. Plenty of space is given to ideas for little improvisations and a selection of well-known songs and pieces encourage motivation and enjoyment as children learn. This child-friendly, practically tested introduction to the recorder is suitable for children from the age of about 5.
SKU: BT.SCHBB2242
SKU: CA.5220300
ISBN 9790007249519.
The rediscovery of the original manuscripts of Max Reger's works for violin, viola and violoncello op. 131a-d in the Prague Conservatory Library represents a small sensation.These late works for solo strings dating from 1914 and 1915, the last of which appeared only posthumously, were previously known only from their first prints. The three duosop. 131b for two violins were composed within a few days, shortly after Easter 1914; it is particularly in this case that access to Reger's autograph is of great value in terms ofproviding insight into the genesis of the works.
SKU: M7.GHE-910
ISBN 9783890449104. English.
This volume contains three very interesting first publications: De Rogatis' Chacarera, Aguirre's Huella - dedication to Arthur Rubinstein, and finally, 93 years after he transcribed it, Llobet's transcription of Villa Lobos' Terezinha: Ciranda no. 1 (after Llobet's death to be published in a very similar arrangement by Emilio Pujol and published by Max Eschig!. Llobet's 22 transcriptions for his famous duo with MarÃa Luisa Anido are contained in Volumes 9-12 of the Llobet edition, eight of these titles are published for the first time.
SKU: HL.48182923
UPC: 888680865399. 9.0x12.0x0.084 inches.
Henri Busser: Piece Op.22 in B flat major (Oboe & Piano).
SKU: HL.49045476
ISBN 9790001203425. UPC: 841886029606. 9.0x12.0x0.21 inches.
“Suite, consisting of six short pieces for alto saxophone and piano, is a virtuoso work for this duo. I composed my Suite in 2014 in commission of the legendary saxophone virtuoso Mr. Sugawa with whom I played the world premiere in Tokyo in 2014. The pieces are very much inspired by Turkish music, rhythms, dances, folklore ... and composed in modal and sometimes atonal character.†–Fazil Say.
SKU: AP.1-ADV7012
ISBN 9783892214298. UPC: 805095070125. English.
These well-loved tunes have been around for a long time. Perhaps the oldest is Nobody Knows the Trouble I've Seen, a Negro spiritual that may have been written by slaves. Others come from the latter half of the 19th century and from the turn-of-the-century era that produced the precursors of jazz. The unifying factor in selecting these particular tunes, apart from the fact that every American seems to know them, is that they have been constantly recreated by jazz performers, from the birth of jazz to the present day. There is an immediate link from the improvisor to the mood, structure, or chord structure (sometimes all three!) of these tunes that allows for a free-flowing personal variation on these timeless themes. Titles: Down By The Riverside * Little Brown Jug * Bill Bailey * Peg O' My Heart * A Tisket, A Tasket * Take Me Out To The Ballgame * Nobody Knows The Trouble I've Seen * Frankie & Johnny.
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