SKU: HL.49004673
ISBN 9790001049016. UPC: 073999690668. 9.0x12.0x0.144 inches.
German language music collection.
SKU: FH.VC3
ISBN 978-1-55440-539-8.
This inaugural edition of the Cello Series offers a sound and progressive collection of Repertoire, Recordings, Etudes, Technique, and Orchestral Excerpts for the aspiring cellist. With an expansive representation of musical styles from all eras, this series addresses the need for a single collection of quality educational materials to foster musical development and instill appreciation of the richness and diversity of music written for cello. Supporting a balanced course of study, this series organizes repertoire into nine volumes from the Preparatory Level through Level 8. Each level offers music from a range of styles and compositional eras, including standard literature, new arrangements of familiar tunes, and music written for cellists, by cellists. These selections provide the flexibility to choose pedagogically appropriate material suited to each individual, and to motivate students to fully develop their musicianship and technique.Baroque and Classical Repertoire:Trio Sonata in D Minor (La Follia), RV 63 - Vivaldi, Antonio arr. arpad PejtsikSonata in F Major, TWV 41:F2 - Telemann, Georg Philipp arr. Kathleen Wood- First MovementSonata in D Major, HWV 371 - Handel, George Frideric- Third MovementSuite No. 3 - Caix d'Hervelois, Louis de arr. L.-R. Feuillard- Eleventh Movement: Musette (La Brantes)Ave Verum Corpus (Hail, True Body), K 618 - Mozart, Wolfgang Amadeus arr. Jason GrayConcertino No. 5 in D Major - Breval, Jean-Baptiste arr. Pierre Ruyssen- First MovementTraditional and Romantic Repertoire:Norweigian Dance, op. 35, no. 2 - Grieg, Edvard arr. Christine DonkinPrelude in B Minor, op. 28, no. 6 - Chopin, Frederic arr. Jason NobleEl cant dels ocells (Song of the Birds) - Catalan Christmas carol arr. Jason GrayOn Wings of Song, op. 34, no. 2 - Mendelssohn, FelixL'elephant (The Elephant) - Saint-Saens, CamilleStandchen (Serenade), D 957, no. 4 - Schubert, FranzRepertoire Composed After ca 1930My Blue 'Cello - Gout, AlanRondo - Matz, RudolfJust Passing By - Wedgwood, PamFuego Espanol! (Spanish Fire!) - Birston, HaroldMinuet, op. 19, no. 3 - Squire, William HenryLangsam (Slowly) - Hindemith, Paul.
SKU: BO.B.3688
This book proposes a way to start the girls and boys from five yeras old to study the piano. Through the characters of the short stories, that head each piece on the form of a little poem, we work in a fun way, exploring the various possibilities of sound, timbre and register of the instrument. From the first contact, the piano is displayed with all its full expression.At first, these scores have been designed to provide memory reference points on order to focus all the attention on what happens on the keyboard. Thus, the identification of groups and patterns of notes -often illustrated with cartoons and a short analysis of the formal structure, sometimes referred to in the opening poem- may be one of the first approaches the student has to the complexity of musical abstraction. Therefore, the use of the score is also an invitation to discover musical language intuitively.The organization of material is also designed so that its contents can be played, in part or in full, in auditions and concerts. Students can recite the poems before playing the pieces and even perform dressed up. Thus, from the elegant leap of a dolphin to the small steps of a mouse, we imagine the rapid jump of a flea trapeze artist or the rhythmic sound of a train. From the sounds we hear in a haunted house, we will add a touch of the magic wand and learn to accurately enter pinches of ingredients for a potion….
SKU: CF.WF231
ISBN 9781491153314. UPC: 680160910816.
Stylistic Etudes for Trombone was written for intermediateto advanced level trombonists, seeking to meet thedemands of the modern marketplace for performers. AsI often tell my students, it’s simply not enough to mastera single style and fake the rest. To make a living as aperformer, trombonists are expected to play many, manydifferent styles authentically. Classical performers studyhard and devote themselves to mastering the stylisticnuances of various eras, various composers, variousforms; jazz musicians seek to accurately reflect the stylesof everything from bar-room burlesque to Coltrane; hornbands in the funk, rock, ska and hip-hop idioms mustreflect attention to the details of their influences even asthey create new paths through popular music.This etude collection is an attempt to help studentsand their teachers work on the details associated withmastering each of these various styles.In order to perform with the correct feel, articulationand sound, trombonists must first get these concepts intheir head through diligent listening and then disciplinedpractice playing in every single style. The same wayorchestral players study the symphonic literature andexcerpts, or the way a professional jazz musician mightwork on chord changes in excruciating detail, a wellroundedtrombone player must master styles by listeningto and playing with great recordings. Most of the etudesin this book are based on styles from specific orchestralliterature, jazz standards and other styles such as NewOrleans’ funk music (Meters) or the music of JamesBrown and Tower of Power.One final note: some of these are hard. On purpose. Theseare not warm-ups that you can play through mindlesslyto get your face going. These are “study pieces†in the oldfashionedsense. They are designed to challenge you asa player, to make you a little uncomfortable. Some aretougher than others, of course, but none of them are easy.If you can play through each of these well, with greatmusicianship and impeccable technique, you will be anincredibly versatile instrumentalist and be able to secureperformance opportunities that are outside the comfortzone of many trombonists.Thanks for buying this book. I hope you enjoy workingthrough these, whether you’re a teacher, student,performer, or weekend warrior. I learned a lot by puttingthese together and I hope you find them useful and helpful.Stylistic Etudes for Trombone was written for intermediate to advanced level trombonists, seeking to meet the demands of the modern marketplace for performers. As I often tell my students, it’s simply not enough to master a single style and fake the rest. To make a living as a performer, trombonists are expected to play many, many different styles authentically. Classical performers study hard and devote themselves to mastering the stylistic nuances of various eras, various composers, various forms; jazz musicians seek to accurately reflect the styles of everything from bar-room burlesque to Coltrane; horn bands in the funk, rock, ska and hip-hop idioms must reflect attention to the details of their influences even as they create new paths through popular music.This etude collection is an attempt to help students and their teachers work on the details associated with mastering each of these various styles.In order to perform with the correct feel, articulation and sound, trombonists must first get these concepts in their head through diligent listening and then disciplined practice playing in every single style. The same way orchestral players study the symphonic literature and excerpts, or the way a professional jazz musician might work on chord changes in excruciating detail, a well-rounded trombone player must master styles by listening to and playing with great recordings. Most of the etudes in this book are based on styles from specific orchestral literature, jazz standards and other styles such as New Orleans’ funk music (Meters) or the music of James Brown and Tower of Power.How these etudes were conceived, composed and transcribed: The style or concept of the etude was thought out in my head and ear. I then improvised in that style and concept on my trombone, recording my efforts until I was satisfied with the etude. All along, my goal was to play the range of the instrument while emphasizing certain articulations, rhythms, range and, fundamentally, the intended style of the etude. The resulting etude was then transcribed by a terrific graduate student named Zach Bornheimer, who also works with many other classical and jazz composers as a copyist/arranger.Tips for working on the etudes: Seek out professional recordings that match the style of each etude to get a good idea of what the etude should sound like musically. My recording of each of these etudes is available for download and can be purchased online for a modest fee. Search for “Brantley Etudes†at either iTunes or CDBaby. Practice each etude very slowly and in segments as needed, using a metronome. Record yourself and listen for good technique, musicianship and authenticity of style with your sound, feel and articulations. Compare your own efforts to the sounds you’ve heard on recordings. Would you fit in that ensemble or band? If range is an issue, take certain notes or passages down or up an octave. Work on your fundamentals every day, including the techniques and skills needed for these etudes. Be patient! Small improvements every day result in big success over time. Always play with a wide dynamic range. Always play with line and direction. Always play with impeccable time as well as rhythm. Use a metronome to help with this. Always play in tune. You can work on this with a tuner as well as with drones. Play these for teachers, friends, peers and colleagues not only for their feedback but also for the experience of informal performance. An audience changes everything. Make music, listen to music, record yourself, play in public and have fun!One final note: some of these are hard. On purpose. These are not warm-ups that you can play through mindlessly to get your face going. These are “study pieces†in the old-fashioned sense. They are designed to challenge you as a player, to make you a little uncomfortable. Some are tougher than others, of course, but none of them are easy. If you can play through each of these well, with great musicianship and impeccable technique, you will be an incredibly versatile instrumentalist and be able to secure performance opportunities that are outside the comfort zone of many trombonists.Thanks for buying this book. I hope you enjoy working through these, whether you’re a teacher, student, performer, or weekend warrior. I learned a lot by putting these together and I hope you find them useful and helpful.Best wishes,—Tom Brantley.
SKU: BA.BVK09502
ISBN 9783761895023. 18.8 x 14 cm inches. Text Language: German, English. Preface: Christoph Wolff.
The CD-ROM of RISM series A/I: Individual Prints before 1800 makes available the world's largest source collection of printed musical works for the first time in electronic form. The CD-ROM offers scholars, musicians, librarians and music antiquarians - in short, all people and institutions that work with musicalsources - significant assistance for researching historical musical prints.For the CD-ROM, the contents of the nine main volumes have been converted into a database and expanded with new entries from the supplementary volumes. Composer names, library sigla and catalogues of works have been matched with the standard versions used in series A/II: Music Manuscripts after 1600, brought up-to-date and linked with the corresponding authority files. The contents of these authority files, with many cross-references, precise citations and library adresses, often with a link to their website, are now available to users. In addition, keywords relating to genre and, where possible, instrumentation, have been included. In total, the database contains over 100,000 entries.The advantage of the CD-ROM lies in its ability to search all titles using terms in a full text search and separate indices. The search functions are far superior to what is traditionally available in a book index. Answers can be found to questions such asWhich operas were published in London between 1711-1759?andWhich single prints by Joseph Haydn were published by Artaria?- All entries are displayed in full text and are oriented in structure to thetitles in the printed volumes.- Transferring text to a separate document is possible.- Display on a standard browserSystem requirements: Intel Pentium 4 2 GHz or AMD Athlon XP 1800+processor or faster; 512 MB-1 GB RAM (depending on the operating system); CD-ROM or DVD-ROM drive; Windows 2000 with Service Pack 4, Windows XP with Service Pack 1 or later, Windows Vista or Windows 7 operating system; Firefox 3.0 or Internet Explorer 6.0 or higherInstallation:Installation will begin automatically or can be activated by clicking on the file SETUP.EXE on the CD/DVD-ROM drive.
SKU: BT.CMP-0226-98-010
Wagner on Stage uses extracts from four best-loved of Wagnerâ??s operas: Tannhäuser, Götterdämmerung, Lohengrin and Die Meistersinger von Nu?rnberg. Richard Wagner certainly wrote the most dramatic operas of his time. His works are full of passion, dynamic, but also sentimentality. James L. Hosayâ??s arrangement offers therefore a great insight into the creative world of Wagner, whose 200th birthday is celebrated in 2013. In Wagner on Stage komen fragmenten van de vier mooiste operaâ??s van Wagner aan bod: Tannhäuser, Die Götterdämmerung, Lohengrin en Die Meistersinger. Richard Wagner staat bekend om de meest theatrale operaâ??s van zijn tijd. Zijn partituren zitten vol hartstocht, dynamiek en sentiment. Het arrangement van James L. Hosays geeft een prachtige indruk van de muzikale prestaties van Wagner. Bovendien staat het jaar 2013 in het teken van de tweehonderdste geboortejaar van deze bekende Duitse componist. Een mooi gegeven om bij stil te staan met uw orkest!Wagner on Stage verwendet Auszu?ge aus den vier schönsten Wagner-Opern: Tannhäuser, Götterdämmerung, Lohengrin und Die Meistersinger von Nu?rnberg. Richard Wagner schrieb wohl die dramaturgischsten Opern seiner Zeit. Seine Partituren sind voller Leidenschaft, Dynamik, aber auch Sentimentalität. James L. Hosays Arrangement bietet somit einen schönen Einblick in die musikalische Schaffenskraft Wagners, dessen 200. Geburtstag wir im Jahr 2013 feiern.Wagner on Stage met en scène des extraits de quatre opéras de Wagner : Tannhäuser, Le crépuscule des dieux, Lohengrin et Les maîtres chanteurs de Nurenberg. Richard Wagner a probablement écrit les opéras les plus dramatiques de son temps. Ses compositions, pleines de passion, de dynamisme, mais également de sentimentalité, ont inspiré James L. Hosay. Wagner on Stage est un arrangement fidèle donnant un large aperçu de la grande créativité de Richard Wagner, dont le 200e anniversaire sera célébré en 2013.Wagner on Stage mette in scena estratti di quattro opere di Wagner: Tannhäuser, Il Crepuscolo degli Dei, Lohengrin e I maestri cantori di Norimberga. Richard Wagner ha probabilmente composto queste opere in momenti drammatici del suo tempo. Le sue composizioni piene di passione, di dinamismo ma anche di sentimentalismo, hanno inspirato James J. Hosay. Wagner on Stage è un arrangiamento fedele che illustra la grande creativit di Richard Wagner il cui 200° anniversario dalla nascita sar celebrato nel 2013.
SKU: M7.AHW-4019
English.
If beginning players learn the twelve major scales, twelve jazz melodic minor scales, two whole tone scales and three diminished scales, they will be able to negotiate more than 95% of the chords that will be coming their way. Many corresponding scales that fit chords are simply modes of one the above scales. A major scale gives seven modes that fit seven different chords. Times that by twelve and 84 chords can be covered by simply knowing the twelve major scales. It can sound overwhelming, not to worry, after all music is about what you have to say not how many musical nick-knacks you collect. Jazz players of all eras have looked for new devices to experiment with. Students are no different. Once I have given the foundation of the above scales I let students choose a sound or device that they like. This book is a result of that teaching perspective. It is also a result of me being tired of writing out the same information year after year and serves as a compilation of many jazz improvisation and compositional techniques. Learning them all is not the goal. The book is simply a collection and includes brief explanations and drills to help utilize a new sound into a player's vocabulary. This text can be used individually or in a group of any instrument combination. A good number of the chapters are organized specifically for this.
SKU: HL.14029581
ISBN 9780711952287.
Salvador Segui Perez (1939-2004) was a Spanish musician, academic and composer, who studied in Spain, Italy and France. For many years he was the professor of music theory, and later director, at the Valencia conservatory. Teoria Musical - Volume 2 is suitable for any musician of grade 4 or 5 standard, and covers all aspects of musical theory, including the following: musical syntax, acoustic theory, sound production, instrumental families and ensembles, keys and scales (including tetrachords and modulations), intervals, enharmonics, and more! There are also sections on various eras of musical history, from ancient Greece and the Gregorian chants of the Middle Ages, to modernatonal music and electronic music. A comprehensive volume, this book is ideal for any inquisitive music student.
SKU: CA.309950
ISBN 9790007175382. Key: A minor. Language: German. Text: Alber, Erasmus. Text: Erasmus Alber.
SKU: FH.VC0
ISBN 978-1-55440-536-7.
This inaugural edition of the Cello Series offers a sound and progressive collection of Repertoire, Recordings, Etudes, Technique, and Orchestral Excerpts for the aspiring cellist. With an expansive representation of musical styles from all eras, this series addresses the need for a single collection of quality educational materials to foster musical development and instill appreciation for the richness and diversity of music written for cello.Supporting a balanced course of study, this series organizes repertoire into nine volumes from the Preparatory Level through Level 8. Each level offers music from a range of styles and compositional eras, including standard literature, new arrangements of familiar tunes, and music written for cellists, by cellists. These selections provide the flexibility to choose pedagogically appropriate material suited to each individual, and to motivate students to fully develop their musicianship and technique.Legato Pieces on a Slower Tempo: Beautiful Dreamer - Foster, Stephen arr. Forrest Kinney Shenandoah - American folk song arr. Jason Gray Waltz of the Elephants - Konicek, Zdenek Cradle Song (Wiegenlied), op. 49, no. 4 - Brahms, Johannes arr. Forrest Kinney Amazing Grace - American hymn arr. Forrest Kinney Loch Lomond - Scottish folk song arr. Christine Donkin Nocturne - Mendelssohn, Felix arr. Jason Noble Early One Morning - English folk song arr. Akiko and Forrest Kinney Austrian Hymn (Gott erhalte Franz den Kaiser), Hob. XXVIa: 43 - Haydn, Franz Joseph arr. Jason Noble The Minstrel Boy - Irish folk song arr. Christine Donkin Energetic Pieces in a Faster Tempo: Smash the Windows - Irish jig arr. Jason Gray Grandfather's Clock - Work, Henry Clay arr. Christine Donkin Sonatina in C Major, op. 36, no. 1 - Clementi, Muzio arr. Mark Mrozinski - Third Movement: Rondo Mean Street Chase - Blackwell, David and Kathy Blackwell Forlane (from La reine de Peris, act 3) - Aubert, Jacques arr. Kathleen Wood Allegro, K 3 - Mozart, Wolfgang Amadeus arr. Jason Noble Parson's Farewell - English country dance arr. Jason Gray Contredanse, K 106 (588a), no. 1 - attr. Mozart, Wolfgang Amadeus arr. Kathleen Wood Melted Mouse and Roasted Rat in Choc'late Sauce - Lumsden, Caroline and Ben Atwood Theme and Variations - Beethoven, Ludwig van arr. Endre Lengyel and arpad Pejtsik.
SKU: MB.30957M
ISBN 9781513466101. 8.75 x 11.75 inches.
This collection shows a wide variety of musical approaches in open and alternate tunings. The arrangements come from the playing of Davey Graham, Pat Kirtley, Tony McManus, John Renbourn, John Fahey, Sandy Shalk, Dave Evans, Martin Carthy, El McMeen, Leo Wijnkamp and Stefan Grossman. The music ranges from the medieval La Rotta to Willie Brown?s Future Blues from the deep Mississippi delta; from O?Carolan?s Lord Inchiquin to Waterbound, an old-time folksong. From Celtic airs and jigs to gospel and blues you will explore the world of tunings. Hopefully, this collection will help you to discover new approaches and techniques to playing your instrument. Along the way you?ll have fingerpicking challenges and fun.
SKU: FH.VC8
ISBN 978-1-55440-544-2.
This inaugural edition of the Cello Series offers a sound and progressive collection of Repertoire, Recordings, Etudes, Technique, and Orchestral Excerpts for the aspiring cellist. With an expansive representation of musical styles from all eras, this series addresses the need for a single collection of quality educational materials to foster musical development and instill appreciation of the richness and diversity of music written for cello. Supporting a balanced course of study, this series organizes repertoire into nine volumes from the Preparatory Level through Level 8. Each level offers music from a range of styles and compositional eras, including standard literature, new arrangements of familiar tunes, and music written for cellists, by cellists. These selections provide the flexibility to choose pedagogically appropriate material suited to each individual, and to motivate students to fully develop their musicianship and technique.Preparatory Level:Etude in C Major - Schroeder, CarlStroll Along - Anonymous arr. Samuel ApplebaumEtude in C Major - Romberg, Bernhard HeinrichClimbing the Scale - Hewitt-Jones, AnitaEtude in C Major - Kummer, Friedrich AugustMy Pony - Slovenian folk song arr. Francis GrantLevel 1:The Willow Tree - Grant, FrancisEtude in C Major - Hohmann, Christian-HeinrichTravelling Along - Hewitt-Jones, AnitaThe Train - Legg, PatUp and Down Again - Dancla, Charles arr. Samuel ApplebaumEtude in G Major - Dotzauer, FriedrichEtude in C Major - Romberg, Bernhard HeinrichEtude in G Major, op. 101, no. 9 - Lee, SebastianLevel 2:Etude in D Major - Kummer, Friedrich AugustEtude in B flat Major, op. 70, no. 16 - Lee, SebastianPhrygian Frolic - Legg, PatMartele March - Hewitt-Jones, AnitaPachyderm Parade - Mooney, RickEtude in G Minor - Romberg, Bernhard HeinrichEtude in C Major - Werner, JosefLevel 3:Etude in A Major - Dotzauer, FriedrichSpiccato Race - Hewitt-Jones, AnitaEtude in G Major, op. 30, no. 6 - Brueckner, OskarEtude in C Major - Borschitzky, Johann FrancisEtude in B flat Major - Tabb, Richard ValentineEtude in G Major - Kummer, Friedrich AugustEtude in F Major - Matz, RudolfFire Stations - Legg, PatEtude in F Major - Feuillard, Louis R.Level 4:Etude in G Minor, op. 70, no. 24 - Lee, SebastianEtude in C Major - Tabb, Richard ValentineEtude in D Major - Matz, RudolfCalypso - Legg, PatI Was a Teenage Monster - Mooney, RickSuo-Gan (A Welsh Lullaby) - Welsh folk song Arr. Rick MooneyEtude in D Minor - Werner, JosephEtude in G Major, op. 31, no. 12 - Schroeder, CarlEtude in C Major - Feuillard, Louis R.Spinner's Waltz - Hewitt-Jones, Anita.
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