SKU: BT.DHP-1185888-401
ISBN 9789043155502. English-German-French-Dutch.
This work was commissioned by the Osaka Kyoiku University Wind Orchestra. The world premiere took place with trumpet soloist, Osamu Kumashiro and was conducted by the composer, who was inspired by the famous Ponte Vecchio (the old bridge) during a visit to Florence. This work is a musical collage of impressions following the composers visit to Italy. The solo part can also be performed on trumpet or euphonium. Deze compositie is geschreven in opdracht van het Osaka Kyoiku University Wind Orchestra. De wereldpremière werd samen met trompetsolist Osamu Kumashiro uitgevoerd onder leiding van de componist, die zich tijdens een bezoek aan Firenze heeft laten inspireren door de beroemde Ponte Vecchio (oude brug). Het werk is een muzikale collage van indrukken die Yagisawa in Italië heeft opgedaan. De solopartij kan ook op trompet of euphonium worden gespeeld. Dieses Werk wurde vom Blasorchester der Osaka Kyoiku Universität in Auftrag gegeben. Die Welturaufführung fand mit dem Trompeter Osamu Kumashiro als Solist und unter der Leitung des Komponisten statt. Der Komponist hat sich während einer Reise nach Florenz von der berühmten Ponte Vecchio (Alte Brücke“) inspirieren lassen. Das Werk ist eine musikalische Collage mit den Eindrücken des Komponisten von seiner Italienreise. Die Solostimme kann auch mit dem Trompete oder Euphonium gespielt werden.Cette œuvre est une commande de Osaka Kyoiku University Wind Orchestra. La première mondiale eut lieu avec Osamu Kumashiro, trompette solo, sous la direction du compositeur, qui s’était inspiré du célèbre Ponte Vecchio (le vieux pont) lors d’une visite Florence. Cette œuvre est un collage musical des impressions du compositeur de son voyage en Italie. La partie solo de cette œuvre se pre te aussi a une interpre tation avec un trompette ou baritone.
SKU: PR.510049550
SKU: HL.50607044
UPC: 196288291398. 9.0x12.0x0.096 inches.
Xavier Montsalvatge (1912-2002) was a prolific composer who drew his inspiration from a variety of sources, some Catalan, some Latin, most notably: his fondness for the Groupe des Six, Stravinsky's rhythms, his admiration for Ravel and his interactions with Olivier Messiaen. His Sonatine pour Yvette, written in 1962, which shows clear post-impressionist influences, with a level of virtuosity reminiscent of Liszt, is dedicated to Gonzalo Soriano, one of the greatest pianists of the 20th century. Its title evokes the name of the composers daughter, Yvette. Introduction and notes on interpretation in French and English by Florence Ribot.
SKU: AP.36-M328691
UPC: 660355086960. English.
Songs: 1. For Me the Jasmine Buds (text by Florence Earle Coates), 2. Ecstasy (text by the composer), 3. Golden Gates (text author unknown, though it was published in a journal called Our Dumb Animals, which was published by the Massachusetts Society for the Prevention of Cruelty to Animals).
These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.
SKU: LM.VV261
ISBN 9790560052618.
Reverie - Marche feline - Pirouette - Etirement - Berceuse - Petit ange - Jeu - La tete dans les etoiles - le Fauve - Regards bleu - Poupee doree - Patte de velours - Clair de lune - La griffe - Balancement - Douce - Meditation - Saut.
SKU: HL.44004733
UPC: 073999047332.
Das Adagio, so wie es heute weithin bekannt ist, hat eine interessante Geschichte: Es wurde erst im 20. Jahrhundert von einem Musikwissenschaftler aus einem Manuskript Albinonis, welches lediglich Teile einer Melodie enthielt, rekonstruiert. Dennoch ist es gerade das Adagio, das Albinoni in der heutigen Musikwelt beruhmt gemacht hat und dessen Wirkung sich auch in diesem gefuhlvollen Arrangement von Jacob de Haan niemand entziehen kann. Tomaso Albinoni (1671-1751) est ne a Venise. Il est le fils aine d'un riche marchand. Des son plus jeune age, il developpe un reel talent pour le chant et surtout pour le violon, et se met rapidement a composer. Albinoni a vecu et travaille toute sa vie durant a Venise, mais a egalement sejourne a Florence et a Munich.Dans sa jeunesse, Albinoni compose de la musique sacree mais sans grand succes. En 1694, il attire l'attention du public venitien lors de la representation de son premier opera Zenobia, Regina de Palmireni (Zenobia, reine de Palmireni). Ses premieres œuvres de musique instrumentale datent de la meme annee. Par la suite, Albinoni se consacre surtout a lacomposition d'œuvres vocales (operas et cantates) et instrumentales (sonates et concertos).C'est en travaillant sur la biographie d'Albinoni, au sortir de la Deuxieme Guerre mondiale, que le musicologue milanais, Remo Giazotto, decouvre a la Bibliotheque Nationale de Dresde, un manuscrit inedit, sur lequel est base le celebre Adagio. Il semblerait que les six mesures de la melodie et la ligne de basse retrouvees aient constitue un passage d'un mouvement lent d'une sonate a trois. Vers 1945, en partant de ces elements, Remo Giazotto reconstitue une œuvre, celebre de nos jours, comme l'Adagio d'Albinoni, alors qu'Albinoni lui-meme ne serait probablement plus en mesure de reconnaitre sa piece.
SKU: LM.JJ2047
ISBN 9790230820479.
SKU: BA.BA04083
ISBN 9790006497768. 33 x 25.5 cm inches.
“Rodrigo†was premiered in autumn 1707 in Florence and is therefore one of Handel’s early stage works. The composer, only 22 years old, wrote a densely-woven musical scenario for his first opera composed in Italy . It masterfully portrays the dramatic states of mind of the protagonists surrounding the Iberian tyrant Rodrigo and the plot full of deception, betrayal , adultery, war as well as the transformation wrought by Rodrigo’s abdication. The work was not, as was long thought, a commission from the Prince of Medici. Despite this, “ Rodrigo†seems to have been so popular that Handel extended his stay in Italy and was able to compose several operas during the following period. In “ Rodrigo†, the mastery which made Handel’s succeeding opera “ Agrippina†such a success, is already clearly evident . “ Agrippina†consequently made Handel’s name famous throughout Europe and soon led to his first journey to London . The new vocal score is based on Volume II/2 of the “Halle Handel Edition†(BA 4083). The appendix contains the surviving variants in the versions of the first performances from Handel’s lifetime.
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?
MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: DZ.DZ-3762
ISBN 9782897956790.
The Guitar Foundation of America (GFA) is committed to cultivating Inclusion, Diversity, Equity and Access in the international guitar community and in the repertoire published for the instrument. Many factors, including a composer's race, gender, and sexual orientation, have historically created a narrow representation of our community in the classical music canon. For this first volume of the GFA Spotlight Series, the GFA commissioned seven new works by composers of color. The second volume of this series will follow with seven transcriptions of existing pieces by composers of color. These commissioned pieces and transcriptions were premiered by students in the GFA Mentorship Program in 2021.With this collection, the guitar takes a step towards a more inclusive and representative repertoire that nurtures creativity and inclusion for generations of guitarists to come. Growing the canon enriches the musical experiences of our entire international guitar community through exposure to diverse perspectives and voices, complementing the invaluable lessons we learn from the existing contributions of pieces that form the canon.
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