SKU: GH.CG-4253
ISBN 9790070023160. 185 x 262 mm inches. Text: Thomas Nashe / Hjalmar Gullberg (Swedish).
SKU: CA.1280800
ISBN 9790007059668.
SKU: HL.344965
UPC: 840126918571. 6.75x10.5x0.025 inches. Deuteronomy 32:3, I John 1:3-4, II Timothy 4:2-5, Psalm 118:7.
A credo for the worshipping congregation, this missions-forward choral acclamation is a rallying call to the modern church. Noble in character and purpose, the theme arches with confidence to project the pillars of the faith. The accompaniment brings depth and power to the anthem's impact and the choral parts give each section a fulfilling vocal experience. For a festival gathering, this would be a unifying and satisfying choice!
SKU: PR.416415150
ISBN 9781598069020. UPC: 680160621743. 9 x 12 inches.
Inspired by the alluring, human-like sound of the Ney (a Persian bamboo flute), Ranjbaran aims not only to highlight the modern flutist’s ability to play agile and brilliant passages, but also to emulate the delicate sound of the Ney, particularly in extended solo passages. The three-movement 27-minute concerto was commissioned by the Philadelphia Orchestra for its principal flutist Jeffrey Khaner. The piano reduction (published separately) was designed by the composer to be practical in recital performances. CONCERTO for Flute and Orchestra has been recorded for Naxos by Érik Gratton with the Nashville Symphony conducted by Giancarlo Guerrero.The melancholic tone of the Ney (the Persian bamboo flute) is known for its alluring sound, emulating the human voice.  In Persian literature, the Ney is considered a mystic instrument capable of expressing deep human emotions.In writing my flute concerto, I aimed not only to highlight the modern flautist’s ability to play agile and brilliant passages but also to emulate the delicate sound of the Ney, particularly in extended solo flute passages.Two prominent characters permeate the first movement of my concerto.  They are marked in the score as lamentoso, and con spirito, expressing grief and loss, and joy of living respectively.  The lament is mostly expressed in several extended cadenzas for solo flute while the con spirito consists of robust and energetic fast sections played by all forces of the orchestra.  Apart from these two characters there are moments of mystery, comedy and the grotesque, among others.In the second movement, the lyrical and poetic character of the flute is prominently presented in dream-like passages surrounded by shimmering and tender orchestral colors.  The solo flute is left out in an agitated middle section that references the first movement.  In the third section of the movement the solo flute returns in meditative fashion culminating in a duet with the harp.The third movement is written as one continuous quasi scherzo, challenging the limits of agility and brilliance of the flute.  Some of the materials from the earlier movements are presented again with joyous character.  The coda elevates the concerto into its brightest and most festive character, driving to the end with relentless energy.
SKU: LM.28808L
SKU: C4.9790-902250559
ISBN 9790902250559. 8.27 x 11.7 inches.
Not much is known of the performance history of this work, though its dedication to the Kneisel Quartet indicates that Henschel held them in high esteem. Cast in the traditional four-movement structure, the Quartet looks back unashamedly to the Romantic period and would not be out of place in a programme containing any of Brahms' Quartets.
SKU: SU.80604280
Arr. by Grace Helen Nashincl. 2 copies2 Pianos Composed: 1956 Published by: E.B. Marks.
SKU: BT.DHP-1135407-215
9x12 inches. English-German-French-Dutch.
This work in four sections is written for a four-part variable instrumentation together with drums. We start off_x001E_ in the _x001F_first movement on an adventurous safari. In the second and third movements we’re on the hunt for great beasts of Africa, which can also be heard with all their stomping, screeching and yelling. A wonderful musical safari that all musicians and listeners alike will enjoy! Dit werk voor vierstemmige variabele bezetting met slagwerk beschrijft in vier deeltjes verschillende taferelen van het Afrikaanse continent. In het eerste deel gaan we op safari. In het tweede deel gaan we op zoek naar een olifant, een neushoorn, een luipaard een leeuw en een buffel. Welke reptielen kunnen we ontdekken in het derde deel? En hoe kan het beter stoppen dan met een ‘Monkey Rock’? Tijdens het werk kun je actief verschillende dierengeluiden nabootsen, waardoor je je echt in de jungle waant!Dieses vierteilige Werk ist für eine vierstimmig variable Besetzung und Schlagzeug instrumentiert. Der Titel spricht schon für sich: In African Scenes spielt der schwarze Kontinent die Hauptrolle. Im ersten Satz starten wir zu einer abenteuerlichen Safari. Im zweiten Teil geht es auf die Suche nach den ‚Big Five’ - den großen Fünf“: Elefant, Nashorn, Leopard, Löwe und Büffel. Im dritten Satz begegnen wir allerlei unheimlichen Reptilien, bevor das Werk fröhlich mit dem ‚Monkey Rock’ endet, in dem auch ein Affenruf vertont wird.Cette pièce en quatre mouvements est une oeuvre instrumentation variable quatre voix et percussions. Le titre parle de lui-même : dans African Scenes, le continent Noir tient le premier rôle. Le premier mouvement nous entraîne dans un safari plein d’émotions. Dans le deuxième nous observons les grands seigneurs de la savane : éléphant, rhinocéros, léopard, lion et buffl_x001A_e. Le climat du troisième mouvement donne un peu la chair de poule alors que nous rencontrons toutes sortes de reptiles dangereux. Heureusement, l’oeuvre s’achève avec le joyeux Monkey Rock, au cours duquel nous entendons même le cri d’un singe.Questo brano in quattro parti è pensato per strumentazione variabile a quattro voci e percussioni. Il titolo parla da solo: in African Scenes il continente nero riveste il ruolo principale. Il primo movimento vede i protagonisti iniziare un avventuroso safari. Nella seconda parte inizia la ricerca dei “Big-Fiveâ€: elefante, rinoceronte, leopardo, leone e bufalo. Il terzo movimento si caratterizza dall’inaspettato incontro con rettili rari, e precede il quarto e ultimo movimento. Monkey Rock, in stile più giocoso, rappresenta l’incontro con una simpatica e vivace scimmietta.
SKU: HL.289980
ISBN 9781540047267. UPC: 888680921767. 9x12 inches. Hot Licks Video.
For the first time, the legendary Hot Licks guitar instruction video series is being made available in book format with online access to all the classic video footage. All the guitar tab from the original video booklets has been re-transcribed and edited using modern-day technology to provide you with the most accurate transcriptions ever created for this series. Plus, we've included tab for examples that were previously not transcribed, providing you with the most comprehensive Hot Licks guitar lessons yet.Johnny Hiland is one of Nashville's scariest pickers. In this Hot Licks video, he takes you through key aspects of hot country guitar playing, including chicken pickin', double stops, pedal steel licks, hybrid picking, banjo rolls, and much more. As a bonus, Hiland is joined by Arlen Roth, Bill Holloman, and Shannon Ford for some truly memorable barn-burning band segments.
SKU: HP.C5056C
UPC: 763628144623.
Powerful Christmas Spiritual A powerhouse Christmas spiritual, riveting in every aspect. The renowned Nashville-based arranger, Don Hart, has crafted a wonderfully stylized setting, full of ideas yet thoroughly accessible. The combination of a tremendous accompaniment track and a dramatic Christmas text make this an essential selection for every church and school concert program. A joy to sing.
© 2000 - 2024 Home - New releases - Composers Legal notice - Full version