| Mythology Suite Theodore Presser Co.
Band Bass Clarinet, Bassoon 1, Bassoon 2, Clarinet 1, Clarinet 2, Clarinet 3, Cl...(+)
Band Bass Clarinet, Bassoon 1, Bassoon 2, Clarinet 1, Clarinet 2, Clarinet 3, Clarinet 4, Clarinet 5, Clarinet 6, Contrabassoon, English Horn, Euphonium, Flute 1, Flute 2, Flute 3, Flute 4, Flute 5, Harp, Horn 1, Horn 2, Horn 3, Horn 4, Oboe 1 and more. SKU: PR.41541156L Composed by Stacy Garrop. Large Score. With Standard notation. 66 pages. Duration 19 minutes. Theodore Presser Company #415-41156L. Published by Theodore Presser Company (PR.41541156L). UPC: 680160642953. 11 x 17 inches. The Mythology Suite consists of three movements of my Mythology Symphony, which I arranged for large wind ensemble. The arrangements of The Lovely Sirens and Penelope Waits were commissioned by James Ripley and Carthage College for the Carthage Wind Orchestra's 2017 Japan tour. I added Pandora Undone to complete the set; Stephen Squires and the Chicago College of Performing Arts gave the premiere of the entire Suite in February 2017. Movement 1: The Lovely Sirens The Sirens were sea nymphs, usually pictured as part woman and part bird, who lived on a secluded island surrounded by rocks. Their enchanting song was irresistible to passing sailors, who were lured to their deaths as their ships were destroyed upon the rocks. The Lovely Sirens presents three ideas: the Sirens' beautiful song, an unfortunate group of sailors whose course takes them near the island, and the disaster that befalls the sailors. The sailors' peril is represented by the Morse code S.O.S. signal (three dots, three dashes, and three dots--represented musically by short and long rhythms). The S.O.S. signal grows increasingly more insistent and distressed as it becomes obvious that the sailors, smitten with the voices of the Sirens, are headed for their demise. Movement 2: Penelope Waits This quiet movement represents Queen Penelope, the faithful wife of Odysseus, as she patiently waits twenty years for her husband's return from fighting the Trojan Wars. Penelope herself is represented as an oboe. She is accompanied by the ensemble as she keeps at bay the suitors who wish to marry her and inherit her riches. Movement 3: Pandora Undone This movement is, in turns, both lighthearted and serious. The music depicts a young, naive Pandora who, while dancing around her house, spies a mysterious box. She tries to resist opening it, but her curiosity ultimately gets the best of her. When she cracks the lid open and looks inside, all evils escape into the world. Dismayed by what she has done, she looks inside the box once more. She discovers hope still in the box and releases it to temper the escaped evils and assuage mankind's new burden. The Mythology Suite consists of three movements of my Mythology Symphony, which I arranged for large wind ensemble. The arrangements of The Lovely Sirens and Penelope Waits were commissioned by James Ripley and Carthage College for the Carthage Wind Orchestra’s 2017 Japan tour. I added Pandora Undone to complete the set; Stephen Squires and the Chicago College of Performing Arts gave the premiere of the entire Suite in February 2017.Movement 1: The Lovely SirensThe Sirens were sea nymphs, usually pictured as part woman and part bird, who lived on a secluded island surrounded by rocks. Their enchanting song was irresistible to passing sailors, who were lured to their deaths as their ships were destroyed upon the rocks. The Lovely Sirens presents three ideas: the Sirens’ beautiful song, an unfortunate group of sailors whose course takes them near the island, and the disaster that befalls the sailors. The sailors’ peril is represented by the Morse code S.O.S. signal (three dots, three dashes, and three dots—represented musically by short and long rhythms). The S.O.S. signal grows increasingly more insistent and distressed as it becomes obvious that the sailors, smitten with the voices of the Sirens, are headed for their demise.Movement 2: Penelope WaitsThis quiet movement represents Queen Penelope, the faithful wife of Odysseus, as she patiently waits twenty years for her husband's return from fighting the Trojan Wars. Penelope herself is represented as an oboe. She is accompanied by the ensemble as she keeps at bay the suitors who wish to marry her and inherit her riches.Movement 3: Pandora UndoneThis movement is, in turns, both lighthearted and serious. The music depicts a young, naïve Pandora who, while dancing around her house, spies a mysterious box. She tries to resist opening it, but her curiosity ultimately gets the best of her. When she cracks the lid open and looks inside, all evils escape into the world. Dismayed by what she has done, she looks inside the box once more. She discovers hope still in the box and releases it to temper the escaped evils and assuage mankind's new burden. $95.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| monstrueuse vecut dans le cadre Carus Verlag
Orchestra Viola solo, large ensemble in 6 groups: 1) Contrabass clarinet/Bass Cl...(+)
Orchestra Viola solo, large ensemble in 6 groups: 1) Contrabass clarinet/Bass Clarinet; 2) 2 Horns; 3) English Horn, Bassoon, Bassoon/Contrabassoon; 4) Oboe/English Horn, Violin, Cello, Contrabass; 5) 2 Trumpets, 2 Trombones, Tuba; 6) Clarinet/Bass Clarinet, Harp, SKU: CA.1632607 La memoire, fur viola solo and und big ensemble. Composed by Walter Feldmann. (r)MONSTRUEUSE VECUT DANS LE CADRE-. Study score. Composed 2002-2004. 74 pages. Duration 23 minutes. Carus Verlag #CV 16.326/07. Published by Carus Verlag (CA.1632607). ISBN 9790007108120. Language: all languages. Commissioned by the Ensemble Intercontemporain In 1989 I first discovered the writings of Anne-Marie Albiach. H II lineaires especially impressed me, on the one hand through the sensual presence of the words, and on the other hand, above all, through the spatial disposition of the typography. This is a form of writing which has nothing to do with all that has existed before it. This impression was the starting point for a creative work which has since become a kind of a project to which I will dedicate myself throughout my life. Since that time of my first discovery (in which hundreds of pages of sketches and a published excerpt of a score of a syntagma have been composed, namely << monstrueuse vecut dans le cadre >> la memoire) I have attempted to develop a new musical system that encompasses all the parameters of composition. All of these works which I have composed are independent from this enormous project, but at the same time they form the experimental laboratory for the all-encompassing musical system towards which I am working and developing: a new system of determining pitches, metre, dynamics, musical diction, manner of performance, etc. With << monstrueuse vecut dans le cadre >> la memoire it appears that the research for this project has been concluded. After the two large cycles << Les Georgiques >> on texts from Claude Simon and << Tristram Shandy >> from Laurence Sterne, both employing techniques from my work with Albiach's texts, I could finally compose this work, which was originally conceived for voice and 6 instrumental groups - the system was mastered, so to speak. Anne-Marie Albiach's establishes the genetic code for the piece, without the words having to be spoken.. Her text is, in the true sense of the word, measured from one syntagma (syntactical element), from one void (space) to another, and this results in temporal structures of ensemble texture. This is opposed to another texture, which is the temporal measurement of a recitation of the text by the author: her voice, using the range of her voice, is the viola solo - a recitation, in its unique individuality, on which the cold, typographical structure of the ensemble superimposed. Every time I read a text of Anne-Marie Albiach, it seems to me that she is saying that which I do. An extremely rare coincidence, like that with the violist Odile Auboin, the soloist, who I think works in the same manner and has the same approach to things. Score available separately - see item CA.1632600. $71.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Eucharistic Acclamations on Diademata (Choral Score) Choral Unison Unison, Organ - Easy MorningStar Music Publishers
Unison voices (assembly and choir), and organ, with optional descant and brass q...(+)
Unison voices (assembly and choir), and organ, with optional descant and brass quartet (Instrumental Parts include: Trumpets I and II in B-flat and C, Horn in F (substitute for Trombone I), Trombones I and II) - Early Intermediate SKU: MN.80-407 Composed by Matthew Koraus. Easter, Christ the King, 21st Century. MorningStar Music Publishers #80-407. Published by MorningStar Music Publishers (MN.80-407). UPC: 688670804076. English. Matthew Koraus has crafted a sturdy and very singable set of acclamations for the Eucharistic Prayer based on the hymn tune Diademata, ideal for the long season of Easter as well as Christ the King and other festive times. His adaptation of Elvey's hymn tune includes unexpected touches such as passing tones, rhythmic variations, and inventive harmonies, enabling the acclamations to remain fresh over time. Holy, Holy, Holy, all 3 Memorial Acclamations, and Amen are arranged for Assembly, Choir (in unison or with Descant), and Organ, with optional Two Trumpets or Brass Quartet. $2.25 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| In That Quiet Moment Concert band - Easy Carl Fischer
Band Bass Clarinet, Bassoon, Bells, Chimes, Clarinet 1, Clarinet 2, Crash Cymbal...(+)
Band Bass Clarinet, Bassoon, Bells, Chimes, Clarinet 1, Clarinet 2, Crash Cymbals, Euphonium, Euphonium T.C., Flute, Flute 2, Horn, Mallet Percussion, Oboe, Percussion, Suspended Cymbal, Timpani, Trombone, Trumpet 1, Trumpet 2, Tuba, alto Saxophone and more. - Grade 2 SKU: CF.YPS213 Composed by Grant Michel. Young Band (YPS). Set of Score and Parts. With Standard notation. 8+2+4+4+2+2+5+2+2+4+4+4+6+3+3+2+1+2+12+2 pages. Duration 4 minutes, 47 seconds. Carl Fischer Music #YPS213. Published by Carl Fischer Music (CF.YPS213). ISBN 9781491152324. UPC: 680160909827. Key: Bb major. In That Quiet Moment was written in memory of the composer's father. Grant Michel's heart-wrenching piece of reflection and sadness from the loss of a parent is rendered more poignant since the untimely passing of the composer himself. It is a wonderful piece to teach students emotional involvement in music and musicianship. $70.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| In That Quiet Moment Concert band [Score] - Easy Carl Fischer
Band Bass Clarinet, Bassoon, Bells, Chimes, Clarinet 1, Clarinet 2, Crash Cymbal...(+)
Band Bass Clarinet, Bassoon, Bells, Chimes, Clarinet 1, Clarinet 2, Crash Cymbals, Euphonium, Euphonium T.C., Flute, Flute 2, Horn, Mallet Percussion, Oboe, Percussion, Suspended Cymbal, Timpani, Trombone, Trumpet 1, Trumpet 2, Tuba, alto Saxophone and more. - Grade 2 SKU: CF.YPS213F Composed by Grant Michel. Young Band (YPS). Full score. With Standard notation. 12 pages. Carl Fischer Music #YPS213F. Published by Carl Fischer Music (CF.YPS213F). ISBN 9781491153000. UPC: 680160910502. In That Quiet Moment was written in memory of the composer's father. Grant Michel's heart-wrenching piece of reflection and sadness from the loss of a parent is rendered more poignant since the untimely passing of the composer himself. It is a wonderful piece to teach students emotional involvement in music and musicianship. $11.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Mastering the Guitar 2A Guitar [Sheet music + Audio access] Mel Bay
Guitar - Beginning-Intermediate SKU: MB.97195M A Comprehensive Method ...(+)
Guitar - Beginning-Intermediate SKU: MB.97195M A Comprehensive Method for Today's Guitarist!. Composed by William Bay. Flatpicking, Style, Method, Contemporary, Perfect binding. Mastering the Guitar. General/Note Reading and Chording. Book and online audio. 184 pages. Mel Bay Publications, Inc #97195M. Published by Mel Bay Publications, Inc (MB.97195M). ISBN 9780786696734. UPC: 786696737. 8.75 x 11.75 inches. Absolutely the best, most comprehensive new method available for guitar. Introducing the innovative new Zone Concept for learning position playing. Over 150 solos and duets in the keys of C, G, D, and B minor. Musical styles: bossa nova, Latin, fiddle/tunes/ hornpipes/reels, Celtic music, ragtime, baroque, jazz, swing jazz ballads, American folk ballads, rock, early-American hymnody, be-bop, blues, samba, and tango. Concepts presented: basic improvisation, rhythmic variation, velocity studies, sight-reading, passing tone studies , chord progression studies, arpeggio studies, dropped-D tuning, blues, blues turn-arounds, licks/fills/ breaks, bass runs, principles of memorization, chord studies, minor pentatonic scale, principles of successful practice, priciples of successful performance, movable power chords, and rock comping. New Composers featured: J.S. Bach,Carcassi, Moaazni, Giuliani, Carulli, Vivaldi, Handel, Sor, Galilei, Tarrega, Debussy, H.L. Clark, St. Jacome, Corelli, Johann Krieger, Wohlfahrt, Jeremiah Clarke, plus guitar duos on selections from Handels Water Music, Vivaldis Four Seasons, and selected Bach cantatas. Includes access to extensive online audio. $24.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Aikaviiva / Timeline Concerto 2 Orchestra SATB, Orchestra [Score] Fennica Gehrman
Orchestra SKU: FG.042-08310-9 Composed by Usko Merilainen. Score. Publish...(+)
Orchestra SKU: FG.042-08310-9 Composed by Usko Merilainen. Score. Published by Fennica Gehrman (FG.042-08310-9). ISBN 979-0-042-08310-9. Merilainen's second orchestral concerto (the first dates from the 1950's) is a musical study of the concept of time. The strings provide an element of stasis, while other orchestral sections are used as active blocks. The extensive percussion section is used to discreetly mark the passing of time and plays on the edge of silence. The work's ending is bound together by a magical F sharp pedal-point in the horns. $37.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Setting Sail Concert band [Score] - Intermediate Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Chimes, Clarinet 1, Clarinet 2, C...(+)
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Chimes, Clarinet 1, Clarinet 2, Clarinet 3, Euphonium, Euphonium T.C., Flute 1, Flute 2, Hi-hat Cymbal, Horn 1, Horn 2, Horn 3, Horn 4, Mallet Percussion, Marimba, Oboe, Percussion 1, Percussion 2 and more. - Grade 5 SKU: CF.SPS54F Freedon of the Spirit. Composed by Carl Strommen. Symphonic Performance Series. Full score. With Standard notation. 32 pages. Carl Fischer Music #SPS54F. Published by Carl Fischer Music (CF.SPS54F). ISBN 9780825892998. UPC: 798408092993. 9 x 12 inches. With its title is taken from the text of Walt Whitman's poem Leaves of Grass, Setting Sail is an epic new piece that is expansive and sophisticated. Its luxuriant, reticent opening moves into beautiful lyrical lines and all-encompassing harmonies before leading into the journey at sea, punctuated with a cool 6/8 groove. To finish, we have a climactic return of the original lyrical material. This is a large-scale work of dramatic proportions. $18.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Assembled for Song Keyboard GIA Publications
Keyboard SKU: GI.G-7280 An Anthology of New Hymns. Composed by Var...(+)
Keyboard SKU: GI.G-7280 An Anthology of New Hymns. Composed by Various. Hymn Tune Collection. Sacred. Hymn tune collection. 126 pages. GIA Publications #7280. Published by GIA Publications (GI.G-7280). ISBN 9781579998561. English, Spanish. GIA Publications, Inc., the publisher of numerous single-author and single-composer collections of hymn texts and tunes, has put together its first-ever anthology of hymns. While insufficient in number for single-author or single-composer editions, these new texts and tunes by a diverse group of creative people are worthy of having the opportunity to “find their vocation.†Encompassing a variety of styles, this collection of 50 hymns includes new texts by John Dalles, Jacque Jones, Joy Patterson, John Thornburg, and new tunes by John Karl Hirten, Ron Krisman, and Leo Nestor. Also included are texts and tunes by John L. Bell, Mary Louise Bringle, Ruth Duck, Delores Dufner OSB, Sylvia Dunstan, Marty Haugen, Sally Ann Morris, Carl Schalk, and Adam Tice. $19.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Psalm 130 for Alto and Orchestra (Psalm 130 fur Alt und Orchester) [Score and Parts] Carus Verlag
Orchestra alto voice solo, timpani, percussion (4 players), 2 violins, viola, ce...(+)
Orchestra alto voice solo, timpani, percussion (4 players), 2 violins, viola, cello, contrabass, piano, harp, 3 flutes, 3 oboes, 3 clarinets, 3 bassoons, 4 horns, 3 trumpets, 3 trombones, 1 tuba SKU: CA.4075209 Aus tiefer Not. Composed by Friedhelm Rentzsch. Psalm 130 Fur A + Orchester (1990). Psalms, German, Psalms. Set of Orchestra Parts. Composed 1990. 232 pages. Duration 20 minutes. Carus Verlag #CV 40.752/09. Published by Carus Verlag (CA.4075209). ISBN 9790007220693. Language: German. Friedhelm Rentzsch, long a cellist in the Dresden Philharmonic, set Psalm 130, whose character of penitence is especially impressive here, through the reduction of the musical forces to a solo alto with orchestral accompaniment, and this in a most unique, urgent manner. Through the addition of a sombre text by Erich Arendt the subective manner of the song is placed in a worldly context encompassing all periods of time. Repeatedly, passages of a quiet character alternate with tutti phases which sometimes climax to passages employing clusters. Score and parts available separately - see item CA.4075200. $149.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Psalm 130 for Alto and Orchestra (Psalm 130 fur Alt und Orchester) Carus Verlag
Orchestra alto voice solo, timpani, percussion (4 players), 2 violins, viola, ce...(+)
Orchestra alto voice solo, timpani, percussion (4 players), 2 violins, viola, cello, contrabass, piano, harp, 3 flutes, 3 oboes, 3 clarinets, 3 bassoons, 4 horns, 3 trumpets, 3 trombones, 1 tuba SKU: CA.4075214 Aus tiefer Not. Composed by Friedhelm Rentzsch. Psalm 130 Fur A + Orchester (1990). Psalms, German, Psalms. Single Part, Cello. Composed 1990. 20 pages. Duration 20 minutes. Carus Verlag #CV 40.752/14. Published by Carus Verlag (CA.4075214). ISBN 9790007220730. Language: German. Friedhelm Rentzsch, long a cellist in the Dresden Philharmonic, set Psalm 130, whose character of penitence is especially impressive here, through the reduction of the musical forces to a solo alto with orchestral accompaniment, and this in a most unique, urgent manner. Through the addition of a sombre text by Erich Arendt the subective manner of the song is placed in a worldly context encompassing all periods of time. Repeatedly, passages of a quiet character alternate with tutti phases which sometimes climax to passages employing clusters. Score and part available separately - see item CA.4075200. $10.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Psalm 130 for Alto and Orchestra (Psalm 130 fur Alt und Orchester) Carus Verlag
Orchestra alto voice solo, timpani, percussion (4 players), 2 violins, viola, ce...(+)
Orchestra alto voice solo, timpani, percussion (4 players), 2 violins, viola, cello, contrabass, piano, harp, 3 flutes, 3 oboes, 3 clarinets, 3 bassoons, 4 horns, 3 trumpets, 3 trombones, 1 tuba SKU: CA.4075213 Aus tiefer Not. Composed by Friedhelm Rentzsch. Psalm 130 Fur A + Orchester (1990). Psalms, German, Psalms. Single Part, Viola. Composed 1990. 12 pages. Duration 20 minutes. Carus Verlag #CV 40.752/13. Published by Carus Verlag (CA.4075213). ISBN 9790007220723. Language: German. Friedhelm Rentzsch, long a cellist in the Dresden Philharmonic, set Psalm 130, whose character of penitence is especially impressive here, through the reduction of the musical forces to a solo alto with orchestral accompaniment, and this in a most unique, urgent manner. Through the addition of a sombre text by Erich Arendt the subective manner of the song is placed in a worldly context encompassing all periods of time. Repeatedly, passages of a quiet character alternate with tutti phases which sometimes climax to passages employing clusters. Score and part available separately - see item CA.4075200. $10.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Psalm 130 for Alto and Orchestra (Psalm 130 fur Alt und Orchester) Carus Verlag
Orchestra alto voice solo, timpani, percussion (4 players), 2 violins, viola, ce...(+)
Orchestra alto voice solo, timpani, percussion (4 players), 2 violins, viola, cello, contrabass, piano, harp, 3 flutes, 3 oboes, 3 clarinets, 3 bassoons, 4 horns, 3 trumpets, 3 trombones, 1 tuba SKU: CA.4075211 Aus tiefer Not. Composed by Friedhelm Rentzsch. Psalm 130 Fur A + Orchester (1990). Psalms, German, Psalms. Single Part, Violin 1. Composed 1990. 12 pages. Duration 20 minutes. Carus Verlag #CV 40.752/11. Published by Carus Verlag (CA.4075211). ISBN 9790007220709. Language: German. Friedhelm Rentzsch, long a cellist in the Dresden Philharmonic, set Psalm 130, whose character of penitence is especially impressive here, through the reduction of the musical forces to a solo alto with orchestral accompaniment, and this in a most unique, urgent manner. Through the addition of a sombre text by Erich Arendt the subective manner of the song is placed in a worldly context encompassing all periods of time. Repeatedly, passages of a quiet character alternate with tutti phases which sometimes climax to passages employing clusters. Score and part available separately - see item CA.4075200. $10.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Psalm 130 for Alto and Orchestra (Psalm 130 fur Alt und Orchester) Carus Verlag
Orchestra alto voice solo, timpani, percussion (4 players), 2 violins, viola, ce...(+)
Orchestra alto voice solo, timpani, percussion (4 players), 2 violins, viola, cello, contrabass, piano, harp, 3 flutes, 3 oboes, 3 clarinets, 3 bassoons, 4 horns, 3 trumpets, 3 trombones, 1 tuba SKU: CA.4075215 Aus tiefer Not. Composed by Friedhelm Rentzsch. Psalm 130 Fur A + Orchester (1990). Psalms, German, Psalms. Single Part, Double Bass. Composed 1990. 12 pages. Duration 20 minutes. Carus Verlag #CV 40.752/15. Published by Carus Verlag (CA.4075215). ISBN 9790007220747. Language: German. Friedhelm Rentzsch, long a cellist in the Dresden Philharmonic, set Psalm 130, whose character of penitence is especially impressive here, through the reduction of the musical forces to a solo alto with orchestral accompaniment, and this in a most unique, urgent manner. Through the addition of a sombre text by Erich Arendt the subective manner of the song is placed in a worldly context encompassing all periods of time. Repeatedly, passages of a quiet character alternate with tutti phases which sometimes climax to passages employing clusters. Score and part available separately - see item CA.4075200. $10.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Psalm 130 for Alto and Orchestra (Psalm 130 fur Alt und Orchester) Carus Verlag
Orchestra alto voice solo, timpani, percussion (4 players), 2 violins, viola, ce...(+)
Orchestra alto voice solo, timpani, percussion (4 players), 2 violins, viola, cello, contrabass, piano, harp, 3 flutes, 3 oboes, 3 clarinets, 3 bassoons, 4 horns, 3 trumpets, 3 trombones, 1 tuba SKU: CA.4075212 Aus tiefer Not. Composed by Friedhelm Rentzsch. Psalm 130 Fur A + Orchester (1990). Psalms, German, Psalms. Single Part, Violin 2. Composed 1990. 12 pages. Duration 20 minutes. Carus Verlag #CV 40.752/12. Published by Carus Verlag (CA.4075212). ISBN 9790007220716. Language: German. Friedhelm Rentzsch, long a cellist in the Dresden Philharmonic, set Psalm 130, whose character of penitence is especially impressive here, through the reduction of the musical forces to a solo alto with orchestral accompaniment, and this in a most unique, urgent manner. Through the addition of a sombre text by Erich Arendt the subective manner of the song is placed in a worldly context encompassing all periods of time. Repeatedly, passages of a quiet character alternate with tutti phases which sometimes climax to passages employing clusters. Score and part available separately - see item CA.4075200. $10.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Psalm 130 for Alto and Orchestra (Psalm 130 fur Alt und Orchester) [Score] Carus Verlag
Orchestra alto voice solo, timpani, percussion (4 players), 2 violins, viola, ce...(+)
Orchestra alto voice solo, timpani, percussion (4 players), 2 violins, viola, cello, contrabass, piano, harp, 3 flutes, 3 oboes, 3 clarinets, 3 bassoons, 4 horns, 3 trumpets, 3 trombones, 1 tuba SKU: CA.4075200 Aus tiefer Not. Composed by Friedhelm Rentzsch. German title: Psalm 130 Fur A + Orchester (1990). Psalms, German, Psalms. Full score. Composed 1990. Duration 20 minutes. Carus Verlag #CV 40.752/00. Published by Carus Verlag (CA.4075200). ISBN 9790007106447. Language: German. Friedhelm Rentzsch, long a cellist in the Dresden Philharmonic, set Psalm 130, whose character of penitence is especially impressive here, through the reduction of the musical forces to a solo alto with orchestral accompaniment, and this in a most unique, urgent manner. Through the addition of a sombre text by Erich Arendt the subective manner of the song is placed in a worldly context encompassing all periods of time. Repeatedly, passages of a quiet character alternate with tutti phases which sometimes climax to passages employing clusters. $57.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
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