| 1ère Arabesque (Collection Anacrouse) Piano solo [Score] Editions Bourges
Piano Solo - Medium SKU: BU.EBR-A029 Composed by Claude Debussy. This edi...(+)
Piano Solo - Medium SKU: BU.EBR-A029 Composed by Claude Debussy. This edition: French Edition. Classique. Anacrouse. Partition + Biographie + Notes sur l'oeuvre. Score. Editions Bourges #EBR-A029. Published by Editions Bourges (BU.EBR-A029). ISBN 9790560150994. 8.58 x 12.48 inches. La collection ANACROUSE offre aux pianistes novices et confirmés un large choix d’œuvres classiques, allant de la Renaissance à l’époque moderne.
Proposer tout à la fois des « incontournables » du répertoire classique et des pièces de compositeurs parfois oubliés, toutes d’une valeur pédagogique indéniable, tels sont les objectifs que nous nous sommes fixés. Chaque pièce, vendue à l’unité, a fait l’objet d’un travail éditorial attentif, tant sur le plan de l’établissement du texte musical que de sa gravure, afin de garantir aux musiciens les conditions indispensables aux plaisirs tirés du commerce fréquent de ces œuvres.
Les partitions sont proposées sous la forme d’ouvrages traditionnels (feuillets papier), et disponibles également par téléchargement.
Claude Debussy compose ses deux arabesques en 1888. Ces compositions font parties de la première période de son développement de l’écriture pianistique. L’avenir d’un nouveau langage se révèle dans ces pièces, par l’usage d’une conception moderne de la courbe mélodique, harmoniquement immobile. Cette conception caractérise la substance principale de l’idée d’une arabesque, si chère à Debussy. L’arabesque n°1 revendique une forme ternaire de même que l’arabesque n°2. La première arabesque en mi majeur comporte des triolets déliés qui semblent suggérer l’évolution de son langage musical dans le traitement des arpèges et dans la facilité d’utiliser les modulations. Dès son entrée dans le répertoire, la pièce prit une place constante dans la musique vivante. D’après Léon Vallas, sa « souplesse fait songer à la brillante légèreté des ballets de Delibes ». Alfred Hitchkook nous fait entendre l’arabesque n°1 dans la scène du dîner dans le film « Les oiseaux ». La première arabesque est à l’égal d’une pièce littéraire. Cette pièce exprime à demi teinte une ardeur raffinée et réservée des sens, comme un tableau impressionniste. Amateurs de peintures de Seurat ou de Monnet, l’Arabesque n°1 vous fera découvrir l’univers à demi mot du premier grand musicien impressionniste qu’est Claude Debussy. $9.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Best of pianiste No. 1 Piano solo [Sheet music + CD] Beuscher
Composed by Alexandre Sorel. Classical. Score and CD. 111 pages. Paul Beuscher #...(+)
Composed by Alexandre Sorel. Classical. Score and CD. 111 pages. Paul Beuscher #BESTPIA1. Published by Paul Beuscher (LM.BESTPIA1).
$40.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Debussy [Sheet music] Schott
Selected Works. By Claude Debussy. Arranged by Wilhelm Ohmen. Schott. Size 9x12 ...(+)
Selected Works. By Claude Debussy. Arranged by Wilhelm Ohmen. Schott. Size 9x12 inches. 64 pages. Published by Schott.
$22.99 - See more - Buy online | | |
| Premiere Arabesque Pour Violon Et Piano Violin and Piano [Score] Durand
Violin and Piano SKU: HL.50565192 Composed by Claude Debussy. MGB. Score ...(+)
Violin and Piano SKU: HL.50565192 Composed by Claude Debussy. MGB. Score Only. Composed 2001. Editions Durand #DD6896. Published by Editions Durand (HL.50565192). $10.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Joies Des Premiers Classiques Piano solo Editions Musicales Francaises
Joy Of. Classical. Book Only. 80 pages. Editions Musicales Francaises #EMF100210...(+)
Joy Of. Classical. Book Only. 80 pages. Editions Musicales Francaises #EMF100210. Published by Editions Musicales Francaises
$17.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Keyboard Cousins Piano solo [Score] Subito Music
Piano SKU: SU.95010680 For Piano. Composed by Judith Lang Zaimont....(+)
Piano SKU: SU.95010680 For Piano. Composed by Judith Lang Zaimont. Score. Subito Music Corporation #95010680. Published by Subito Music Corporation (SU.95010680). Throughout our wonderful spectrum of sounds every instrument speaks in its own unique voice - in a special manner, with a special accent. Keyboard Cousins asks the developing pianist to adopt a few of these other voices using controlled varieties of touch. —Judith Lang Zaimont The Harpsichord A Harpsichord's sounds are short and a bit brittle. So use a detached touch, and no pedal. The Guitar A Guitar's tones linger, and the instrument responds to flexing tempos. Watch for the detached, moving inner line, shared from hand to hand, while the top and bottom anchor points sustain. And note the given direction for certain arpeggios, and where the tempo loosens (especially a long ending ritard). The Harp A Harp's exuberance flourishes across its wide range. Its arabesques build up resonance over time, so watch how the pedaling matches the phrasing. Though the meter twice switches from triple to duple, there are the same steady 2 beats in every bar.Keyboard Cousins is included in Piano Premieres, Volume 1 (Cat.# 96010590), New music for developing pianists. Piano Duration: ca. 5' Composed: 2020 Published by: Subito Music Publishing. $10.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Nameless Seas (Piano Concerto) Piano and Orchestra Fennica Gehrman
Piano and orchestra SKU: FG.55011-372-5 Composed by Matthew Whittall. Stu...(+)
Piano and orchestra SKU: FG.55011-372-5 Composed by Matthew Whittall. Study score. Fennica Gehrman #55011-372-5. Published by Fennica Gehrman (FG.55011-372-5). ISBN 9790550113725. Images of the sea figure prominently throughout my life and memories: from holidays on the Atlantic coast during my Canadian childhood to my current Baltic home, and the imagined, only later experienced Mediterranean of my ancestral heritage. As an immigrant (son of an immigrant) bound to two northern countries, the sea is emblematic of my twin homelands, from the expanses of water surrounding them to those separating them. A Mari usque ad Mare. The sea is also an enduring image of the unknown, of expanses unexplored, of the raw power of nature and, for too many currently, of terror holding a hope of refuge - or the pain of loss. Such disparate ideas were captured for me in the seascapes of the New York painter MaryBeth Thielhelm, whom I met in 2008 during a residency on the Gulf of Mexico. Her vast, abstract, nearly monochromatic depictions of imaginary seas in wildly varying moods were the catalyst for a concerto where the piano is frequently far from a hero battling a collective, but rather acts as a channel for elemental forces surging up from the orchestra, floating - sometimes barely so - on its constantly shifting surface. There are few themes to speak of, beyond a handful of iconic ideas that periodically cycle upward. Rather, the piano's material is largely an ornamentation of the more primal rhythmic and harmonic impulses from the orchestra below - a poetic interpretation, if you will, of the more immediate experience of facing the vastness of some unknown body of water. The title Nameless Seas is borrowed from one of Thielhelm's exhibitions, as are those of the four movements, which are bridged together into two halves of roughly equal weight - one rhapsodic and free, the other more single-minded and direct, separated only by a short breath. The opening movement, Nocturne, is predominantly calm, if brooding, darkness and light alternating throughout. Lyrical arabesques sparkle over gently lapping cross-currents in the strings and mirrored timpani, the piano's full power only rarely deployed. The waves gradually build, drawing in the full orchestra for a meeting of forces in Land and Sea, a brighter, more warmly lyrical scene that unfolds in series of dreamlike, sometimes even nostalgic visions, which for me carry strong memories of sitting on rocks above surging Atlantic waves. The third movement, Wake, is a fast, perpetual-motion texture of glinting, darting rhythms and sudden shafts of light, with a prominent part for the steel drums, limning the piano's quicksilver figurations. An ecstatic climax crashes into a solo cadenza that grows progressively calmer and more introspective rather than virtuosic. Much of the tension finally releases into Unclaimed Waters, a drifting, meditative seascape in which the piano is progressively engulfed by a series of ever-taller waves, ultimately dissolving into a tolling, rippling continuum of sound. It has been a great privilege to realize such a long-held dream as this piece, and to write it for not one, but two great pianists. Risto-Matti Marin and Angela Hewitt, both of whose friendship and support have been unfailing and humbling, share the dedication. Nameless Seas was commissioned by the PianoEspoo festival and Canada's National Arts Centre, with the premieres in Ottawa and Helsinki led by Hannu Lintu and Olari Elts. Thanks are due also to the Jenny and Antti Wihuri fund, whose generous grant provided me with much-needed time, and Escape to Create in Seaside, Florida, the source to which I returned to do a large part of the work. $49.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Short Romantic Pieces for Piano Book II Piano solo - Easy ABRSM Publishing
By ABRSM. For piano. Published by ABRSM (Associated Board of the Royal Schools o...(+)
By ABRSM. For piano. Published by ABRSM (Associated Board of the Royal Schools of Music).
$16.99 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Best of pianiste n°1 Piano solo Beuscher
Piano SKU: BT.PBBESTPIA1 Composed by Alexandre Sorel. Classical. Score wi...(+)
Piano SKU: BT.PBBESTPIA1 Composed by Alexandre Sorel. Classical. Score with CD. Composed 2014. 111 pages. Paul Beuscher #PBBESTPIA1. Published by Paul Beuscher (BT.PBBESTPIA1). ISBN 9782824400433. HAENDEL : Rigaudon - GRIEG : Arietta, extr. des Pièces lyriques Op.12 - MOZART : Valse favorite KV606 - Mc DOWELL : Pour une rose sauvage, extr. des Woodland Sketches - MA KAPAR : Berceuse - GLINKA : Polka - COUPERIN : L'Epineuse, extr. du VIe Ordre - BACH : Musette en ré majeur BWV anh.126 - ANONYME : Marche du Petit Livre d'Anna Magdalena Bach - FUCHS : Douce Consolation Op.47 n°11 - SCHUMANN : Premier Chagrin, extr. de l'Album pour la jeunesse Op.68 - GURLITT : Petites Fleurs Op.205 - SPINDLER : Chanson sans paroles - HUMMEL : Ecossaise Op.52 n°5 - MOUSSORGSKI : Une larme - CHOPIN : Mazurka Op.67 n°2 - SCHUBERT : Valse n°6 Op.18 D145 - BEETHOVEN : Bagatelle Op.119 n°1 - SATIE :Gymnopédie n°1 - MENDELSSOHN : Chant du gondolier Op.30 n°6 - BACH : Invention 2 voix n°4 BWV 775 - FAURE : Pièce brève Op.84 n°5 - MOZART : Fantaisie en ré mineur K.397 - CHOPIN : Prélude Op.28 n°6 - DEBUSSY : Doctor Gradus ad Parnassum, extr. des Children's Corner - SCRIABINE : Prélude Op.22 n°3 - SCHUMANN : L'Enfant s'endort, extr. des Scènes d'enfants Op.15 - LISZT : Consolation n°3 - DEBUSSY : Première Arabesque - BACH : Concerto italien BWV971, 2e mouvement. $30.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
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