SKU: BR.ED-12658
ISBN 9790220121760. 7.5 x 11 inches.
Among Campra's Latin works, the ,Messe de mort' is perhaps one of the more successful and today it is one of the more frequently performed. It is also the most enigmatic score of his entire output. Despite extensive researches, no evidence of any sort has yet been brought to light to document its origin, purpose, date of composition, first performance or reception. A stylistic analysis indubitably supports the contention that the ,Messe de mort' is a late work, composed perhaps between 1722 and 1729. The present edition is based on the manuscript from the Bibliotheque Nationale de France (Paris). It it the oldest known source of the work. The very few errors have been corrected. (Jean-Paul Montagnier) Vokalensemble Stuttgart und den Kammerchor des Kopernikus-Gymnasiums Wasseralfingen. Fur diese beiden ganz unterschiedlichen Chorformationen hat Martin Smolka 2012 auch gezielt seine Partitur angelegt. Biografisch ist das Agnus Dei eine Art kleines Requiem fur seinen kurz zuvor verstorbenen Vater. Das liturgische Agnus Dei rahmt den deutschen Text Eh das Madchen entschlief ... der bei Auffuhrungen in anderen Landern durch eine Ubersetzung ersetzt werden soll.Der SWR-Redakteur Hans-Peter Jahn schreibt dazu im Programmheft: Die fur Smolka typischen minimalistischen Taktzellen schaffen eine archaische Sinnlichkeit. Eine einfache und zugleich streng gebaute Vokalmusik mit Tiefenwirkung.Nach der Urauffuhrung war die Esslinger Zeitung hellauf begeistert: Smolka ist ein Meister der Stimmbehandlung und der chorischen Klanggestaltung. Im Zentrum des Stucks gerat die Musik zum Stillstand: im leisen gleichmassigen Summen uber dem plotzlich fortissimo ein tschechisches Kinderlied erklingt eines das der Vater seinen Kindern haufig vorgesungen hat. Das alles war sehr beruhrend. Und eigentlich noch mehr als das. My father PhDr. Jaroslav Smolka (1933-2011) was a leading Czech musicologist author of books Czech Cantata and Oratorium Fuga in Czech Music Smetana's Orchestra Music Smetana's Vocal Music monography of Jan Dismas Zelenka and many others. He was a legendary teacher of Music History at Prague Music Academy critic recording producer composer; for almost 50 years he was an important and highly respected personality of Prague musical life.My father devoted a lot of time and energy to musical education and activities of my sister and me using often quite original methods such as teaching of intervals and counterpoint through Bartok's Microcosmos ear training filling all imaginable moments of everyday life or lessons of harmony analysis starting with Overture to Tristan and Musorgsky's Catacombs. The Martinu song Wondering Maiden was his solo number in our home vocal productions which he used to sing with amazing devotion while his huge voice was audible in several neighboring streets.My Agnus Dei is closely bound to all this history e.g. by using canon and preferring beauty of dissonant seconds like Bartok or quoting Martinu and his refined neoclassical harmony. Father would be probably a bit critical about the minimalistic monotony of the main body of the piece. Nevertheless firstly he would improvise a short lecture of history of Agnus Dei in Requiem in Czech Music naming by heart many dates and all examples of changes of order of the traditional text by composers. Examples would be sung probably.(Martin Smolka).
SKU: BR.EOS-8047-20
ISBN 9790004789759. 8.5 x 11.5 inches.
SKU: BR.EOS-8047-15
ISBN 9790004789735. 8.5 x 11.5 inches.
SKU: BR.EOS-8047-19
ISBN 9790004789742. 8.5 x 11.5 inches.
SKU: BR.EOS-8047-26
ISBN 9790004789766. 8.5 x 11.5 inches.
SKU: BR.ED-10296
ISBN 9790220101977. 7.5 x 11 inches.
The Ode was admirably set by Mr. Henry Purcell, and performed twice with universal applause. (The Gentlemen's Journal, 1692)The popularity of Purcell's setting is apparent from the many sources that survive and from the printed extracts which appeared almost immediately after its first performance. The primary source for this edition is the largely autograph manuscript in the Bodleian Library. Rather to reduce the orthography to a norm, the capitalization of the vocal text favours Purcell's preferences.(Christopher Hogwood) Vokalensemble Stuttgart und den Kammerchor des Kopernikus-Gymnasiums Wasseralfingen. Fur diese beiden ganz unterschiedlichen Chorformationen hat Martin Smolka 2012 auch gezielt seine Partitur angelegt. Biografisch ist das Agnus Dei eine Art kleines Requiem fur seinen kurz zuvor verstorbenen Vater. Das liturgische Agnus Dei rahmt den deutschen Text Eh das Madchen entschlief ... der bei Auffuhrungen in anderen Landern durch eine Ubersetzung ersetzt werden soll.Der SWR-Redakteur Hans-Peter Jahn schreibt dazu im Programmheft: Die fur Smolka typischen minimalistischen Taktzellen schaffen eine archaische Sinnlichkeit. Eine einfache und zugleich streng gebaute Vokalmusik mit Tiefenwirkung.Nach der Urauffuhrung war die Esslinger Zeitung hellauf begeistert: Smolka ist ein Meister der Stimmbehandlung und der chorischen Klanggestaltung. Im Zentrum des Stucks gerat die Musik zum Stillstand: im leisen gleichmassigen Summen uber dem plotzlich fortissimo ein tschechisches Kinderlied erklingt eines das der Vater seinen Kindern haufig vorgesungen hat. Das alles war sehr beruhrend. Und eigentlich noch mehr als das. My father PhDr. Jaroslav Smolka (1933-2011) was a leading Czech musicologist author of books Czech Cantata and Oratorium Fuga in Czech Music Smetana's Orchestra Music Smetana's Vocal Music monography of Jan Dismas Zelenka and many others. He was a legendary teacher of Music History at Prague Music Academy critic recording producer composer; for almost 50 years he was an important and highly respected personality of Prague musical life.My father devoted a lot of time and energy to musical education and activities of my sister and me using often quite original methods such as teaching of intervals and counterpoint through Bartok's Microcosmos ear training filling all imaginable moments of everyday life or lessons of harmony analysis starting with Overture to Tristan and Musorgsky's Catacombs. The Martinu song Wondering Maiden was his solo number in our home vocal productions which he used to sing with amazing devotion while his huge voice was audible in several neighboring streets.My Agnus Dei is closely bound to all this history e.g. by using canon and preferring beauty of dissonant seconds like Bartok or quoting Martinu and his refined neoclassical harmony. Father would be probably a bit critical about the minimalistic monotony of the main body of the piece. Nevertheless firstly he would improvise a short lecture of history of Agnus Dei in Requiem in Czech Music naming by heart many dates and all examples of changes of order of the traditional text by composers. Examples would be sung probably.(Martin Smolka).
SKU: HL.49006767
ISBN 9790001072830. 8.25x11.75x0.23 inches.
Fur eine Auffuhrung ist immer ein vollstandiger Jahreszyklus aus den zur Verfugung stehenden Liedern auszuwahlen (fur jede Jahreszeit ein Lied). Die romischen Ordnungszahlen konnen beliebig gemischt werden. Es kann mit jeder beliebigen Jahreszeit begonnen werden. Die Reihenfolge der Jahreszeiten bleibt aber immer (Winter) - Fruhling - Sommer - Herbst - Winter - (Fruhling) etc. Im Rahmen eines ganzen Programms konnen auch zwei oder sogar drei verschiedene Zyklen von je vier Liedern aufgefuhrt werden, jedoch nur, wenn die einzelnen Zyklen durch andere Werke voneinander getrennt werden. Die Titel der Lieder (ohne romische Zahlen) sollen vor Beginn des jeweiligen Liedes von dem Sprecher angesagt werden, der am Schluss auch die Signatur und die Datierung liest.Fur eine Auffuhrung ist immer ein vollstandiger Jahreszyklus aus den zur Verfugung stehenden Liedern auszuwahlen (fur jede Jahreszeit ein Lied). Die romischen Ordnungszahlen konnen beliebig gemischt werden. Es kann mit jeder beliebigen Jahreszeit begonnen werden. Die Reihenfolge der Jahreszeiten bleibt aber immer (Winter) - Fruhling - Sommer - Herbst - Winter - (Fruhling) etc. Im Rahmen eines ganzen Programms konnen auch zwei oder sogar drei verschiedene Zyklen von je vier Liedern aufgefuhrt werden, jedoch nur, wenn die einzelnen Zyklen durch andere Werke voneinander getrennt werden. Die Titel der Lieder (ohne romische Zahlen) sollen vor Beginn des jeweiligen Liedes von dem Sprecher angesagt werden, der am Schluss auch die Signatur und die Datierung liest.
SKU: HL.49046242
ISBN 9783795716691. UPC: 888680950040. 9x12 inches. German - English - French.
“These real masterpieces, even if only a few minutes long, are of tremendous melodiousness and expressiveness!”, Franz Schubert said about Friedrich Kuhlau's sonatinas.The four Sonatinas Op. 88 were written in 1827, i.e. during Friedrich Kuhlau's middle creative period, even before the great success of the opera “Elfenhügel.” and the year of Beethoven's death. All four works contain beautiful melodic ideas, but Sonatina Op. 88 No. 3 with its minor tonality, its free treatment of form and tempo in the first movement and the lively last movement is something special. Of medium difficulty, this sonatina is great fun to play.This edition is accompanied by a preface and “Teaching Notes” by Monika Twelsiek. It is part of the new Schott Student Edition series which offers varied literature at five different levels of difficulty, from 1 (easy) to 5 (difficult), for instrumental lessons. For further information on this series, see www.schott-student-edition.com.
About Schott Student Edition
The Schott Student Edition gathers instrumental works for music lessons providing a unique and varied repertoire resource including standard teaching works, lesser known pieces which are perfectly suited to lessons as well as to student concerts and competitions.The repertoire is divided into levels 1-5, from very easy to difficult, and includes works from the Renaissance up to modern performance pieces. Each title is graded, from very easy works for beginners up to demanding pieces for more advanced students who are preparing for further study or examinations.Every work in the series has been carefully selected and edited by experienced music teachers. The editions also contain a wealth of information on the pieces as well as useful advice on studying, rehearsing and interpreting the works. The first titles to be published in the Schott Student Edition series contain works for violin, violoncello, flute, clarinet and recorder. Further editions are in preparation.
SKU: BR.EB-8809
You will find supplementary material online
Baroque period. Score. 184 pages. Breitkopf and Haertel #EB 8809. Published by Breitkopf and Haertel (BR.EB-8809).
ISBN 9790004183786. 12.5 x 10 inches.
The now-published volumes 9 and 10 have presented a special challenge, for particularly in the field of the chorale arrangements the transmissions are more complex than in any other group of works. This ties in with the crucial question of Bach's authorship, which has been the subject of much controversy in the past. There were heated discussions about it even just prior to our edition, and editors and publisher are aware that the present selection is a thoroughly debatable snapshot. More on this in the volumes' text sections. The situation of the chorale partitas is not quite so dramatic, whereby these holdings also had to be subdivided for reasons of transmission into main section, appendix, and online presentation. The so called ,,Neumeister-Chorale are incorporated in the group of the separately transmitted chorale settings in alphabetical order, because the compilation of the pieces does not follow any collection idea of Bach (such as, for example, his larger late collections). The indication ,,Neumeister-Sammlung should facilitate the attribution. Those works requiring further research, besides of some versions, are presented online, since their profile reveals less evidence of the true author. Breitkopf has given the world a splendid edition of the organ works of Bach. These final two volumes offer a wealth of chorale-based music benefiting from the very latest research. Aside from the edition's obvious scholarly merit, a practicing church organist will love the convenience and variety of these volumes. Recommended without hesitation.(Jonathan B. Hall, The American Organist).
SKU: HL.49015417
ISBN 9783795756413. UPC: 073999351781. 9.0x12.0x0.228 inches. German. Andreas Schuermann.
The Mauz clarinet method (German and Bohm system) is aimed at beginners and is suitable for individual or group lessons. It is published in three volumes, each of which has a tune book available to go with it. Easy to understand, with a large selection of songs and illustrations in four colours throughout, this method is designed to appeal to younger clarinettists from the age of about 8. Now volume 1 of this method, which has by now established itself as a standard work, is also available with a CD. This makes it even more fun to play, for the CD contains many of the pieces both with clarinet and as a play-along accompaniment. Some of the faster pieces are also recorded at a slower tempo for practice.
SKU: HL.49033244
ISBN 9783795704995. 9.0x12.0x0.192 inches. German. Michael Boland.
'Mit Musik kenne ich mich aus' is a handbook of music theory for children which is a lot of fun. Important basics of music are presented in a clear and easy format: note values and rests, times, rhythms, scales, intervals, dynamics, articulation, etc are addressed. The contents are consolidated through practical exercises: by singing and playing, reading and writing. Numerous exercises and music riddles (incl. solutions) help to deepen what has just been learnt. Songs with piano accompaniment that correspond to the respective topic liven up the matter. The exercise book is the ideal companion for instrumental lessons as well as for basic music education and children's choir - Suitable for all instruments.
SKU: HL.49019327
ISBN 9783795747558. UPC: 841886018204. 9.0x12.0x0.2 inches.
This volume contains everything needed for guitar lessons: 58 easy original guitar pieces by Aguado, Mertz, Diabelli, Carulli, Sor or Carcassi, but also easy-to-play arrangements of classical music from the fields of orchestral music, chamber music or opera. Among them are themes from Vivaldi's Four Seasons, from Handel's Music for the Royal Fireworks, Mozart's Magic Flute, Beethoven's Symphony No. 9 or Verdi's Chorus of the Hebrew Slaves. It is this volume's concern to make classical masterpieces of concert literature accessible to children by means of such rather easy arrangements and make them enjoy classical music. All pieces are recorded on the accompanying CD to make it easier for the pupils to study and master the works.
SKU: HL.49015561
ISBN 9783795753542. German. Andreas Schuermann.
This clarinet method (German and Bohm systems) is aimed at beginners and suitable for private and group lessons. The method is complemented by tune books for clarinet(s) and piano. - Well-measured, child-oriented increase of the level of difficulty - Well-balanced ratio of exercises, melodies and duos - Tips for improvising and composing - Accompanying texts, information, photos and illustrations.Vol. 3: Expansion of times, keys, rhythms and of the tonal range. Major ornaments and the chromatic scale.
SKU: BT.1165-04-140-MS
Can't Take My Eyes Off You war ein Riesenerfolg für das Duo Bob Crewe und Bob Gaudio. Bekannte Künstler, wie unter anderem Diana Ross, Gloria Gaynor und später die Pet Shop Boys, brachten den Titel über drei Jahrzehnte hinweg immer wieder in die Hitparaden und die Menschen in den Discos zum Tanzen. Toshio Mashima bearbeitete den unwiderstehlich flotten Popsongs für Blasorchester. Bei diesem Titel kann niemand still sitzen! Les auteurs-compositeurs Bob Crewe et Bob Gaudio ont formé un tandem couronné de succès. Dans les années 60 et 70, ils signent de nombreux tubes pour Frankie Valli & The Four Seasons dont l’immense standard de l’année 1967, Can’t Take My Eyes Off You. Toshio Mashima signe cet arrangement entraînant pour Orchestre d’Harmonie. There have been many arrangements of Beatles’ songs for various kinds of ensembles, so rather than just producing a further medley of Beatles’ hits, Peter Kleine Schaars has added a new twist to them with this excellent new work. All You Need Is Love and With a Little Help from my Friends pass by in a swing march, Michelle sounds like a newly composed ballad and When I’m Sixty Four is played in Dixie swing style. A Hard Day’s Night is transformed into a funk theme with a samba interlude, Let It Be into a slow march, and Ob-La-Di, Ob-La-Da in a rock beat. Experience The Beatles as you have never heard them before.
SKU: HL.49013309
ISBN 9790001105163. German.
© 2000 - 2024 Home - New realises - Composers Legal notice - Full version
