SKU: BT.DHP-0991843-400
ISBN 9789043108201. International.
Oldies but goodies - this book contains a selection of evergreens and folk songs that everyone will know and love. Golden Tunes For Guitar! bevat bekende, in moeilijkheidsgraat oplopende stukken voor twee sologitaren en is zowel geschikt voor de akoestische als de electrische gitaar. De stukken zijn aangevuld met een akkoordenpartij eneen derde gitarenpartij die op de lage snaren de basnoten speelt. Mede dankzij de opzet van de bijbehorende cd kan het boek worden gebruikt voor een tot vier gitaren.Bekannte, gut spielbare, progressive Stücke für zwei (akustische oder Elektro-) Gitarren. Durch die Akkordbezeichnungen, die von einer weiteren Gitarre gespielt werden können, und die CD, bietet das Buch zahlreiche Spielmöglichkeiten. 10 standards intemporels tels que The House of the Rising Sun ou La Bamba sont rassemblés dans ce recueil avec compact disc qui offre la possibilité de jouer jusqu’ quatre parties de guitare différentes pour certains morceaux ou de faire intervenir quatre guitaristes.
SKU: BT.DOW-05535-404
ISBN 9789043162425. English-German-French.
This edition presents a piece that belongs in the standard repertoire of every flutist: the Sonata for Flute and Basso continuo (“Hallenser No. 3â€, HWV 376) in B minor by Georg Friedrich Händel. It allows you to work through the piece systematically and at different tempi with accompaniment. The recordings begin with the concert version of each piece, following which you will hear the piano accompaniment at slow and medium tempo to help you practise. Having mastered these slower versions, you’ll now be ready to play with basso continuo accompaniment at the original tempo. All of the versions were recorded live. Mit dieser Ausgabe präsentieren wir Ihnen ein Stück, das zum Standardrepertoire eines jeden Flötisten zählt: die Sonate für Flöte und Basso continuo (Hallenser Nr. 3“, HWV 374) in h-Moll von Georg Friedrich Händel. Diese Ausgabe ermöglicht es Ihnen, das Werk systematisch und in verschiedenen Tempi mit Begleitung zu erarbeiten. Sie hören zunächst die Konzertversion eines jeden Stückes (Flöte und Basso continuo). Zum Ãœben folgt nun im langsamen und mittleren Tempo die Klavierbegleitung; anschließend können Sie sich im Originaltempo von der Continuogruppe begleiten lassen. Alle eingespielten Versionen wurden live aufgenommen. Cette édition présente un morceau qui fait partie du répertoire standard de tous les fl tistes : la sonate pour fl te et basse continue (“Hallenser n° 3â€, HWV 376) en Si mineur de Georg Friedrich Händel. Les playbacks vous permettent de travailler l’œuvre systématiquement trois tempos différents avec un accompagnement professionnel. Chaque playback fait d’abord entendre la version de concert d’un morceau (fl te et basse continue). Mais vous y trouverez également un accompagnement de piano pour travailler un tempo lent puis un autre un tempo intermédiaire. Une fois un morceau maîtrisé, vous pourrez le jouer au tempo d’origine avec l’accompagnement de la basse continue. Toutes les versions ont été enregistrées en live.
SKU: BT.DOW-05529-400
ISBN 9789043160803. English-German-French.
This edition presents a piece that belongs in the standard repertoire of every flutist: the Sonata for Flute and Basso continuo (“Hallenser No. 1â€, HWV 374) in A minor by Georg Friedrich Händel. It allows you to work through the piece systematically and at different tempi with accompaniment. The recordings begin with the concert version of each piece, following which you will hear the piano accompaniment at slow and medium tempo to help you practise. Having mastered these slower versions, you’ll now be ready to play with piano accompaniment at the original tempo. All of the versions were recorded live.Mit dieser Ausgabe präsentieren wir Ihnen ein Stück, das zum Standardrepertoire eines jeden Flötisten zählt: die Sonate für Flöte und Basso continuo (Hallenser Nr. 1“, HWV 374) in a-Moll von Georg Friedrich Händel. Diese Ausgabe ermöglicht es Ihnen, das Werk systematisch und in verschiedenen Tempi mit Begleitung zu erarbeiten. Sie hören zunächst die Konzertversion eines jeden Stückes (Flöte und Klavier). Zum Ãœben folgt nun im langsamen und mittleren Tempo die Klavierbegleitung: anschließend können Sie sich im Originaltempo begleiten lassen. Alle eingespielten Versionen wurden live aufgenommen.Cette édition présente un morceau qui fait partie du répertoire standard de tous les fl tistes : la sonate pour fl te et basse continue (“Hallenser n° 1â€, HWV 374) en La mineur de Georg Friedrich Händel. Les playbacks vous permettent de travailler l’œuvre systématiquement trois tempos différents avec un accompagnement professionnel. Chaque playback fait d’abord entendre la version de concert d’un morceau (fl te et piano). Mais vous y trouverez également un accompagnement de piano pour travailler un tempo lent puis un autre un tempo intermédiaire. Une fois un morceau maîtrisé, vous pourrez le jouer au tempo d’origine avec l’accompagnement de piano. Toutes les versions ont été enregistrées en live.
SKU: HL.4005178
UPC: 888680698010. 9.0x12.0x0.057 inches.
Composed for the 2017 live-action Beauty and the Beast, this poignant ballad was performed in the movie by Dan Stevens (as the beast) and released as a single by Josh Groban. Beautifully adapted here for young bands by Michael Brown, this is sure to be a concert standout.
SKU: BR.PB-5719
ISBN 9790004216569. 0 x 0 inches.
Strauss had originally intended that Don Quixotealways be performed, if possible, together with Heldenleben, since Don Q. in particular is only fully comprehensible alongside Heldenleben. To date, Strauss's wish is rarely respected. The Don Quixote Urtext edition now being published by Breitkopf & Hartel can assist here. Once again, the new edition is based on Strauss's own engraver's model, helping to clarify numerous misunderstandings, and facilitating the correction of dozens of traditional errors. Furthermore, the woodwind parts, previously available only in manuscript form, are now appearing completely engraved for the first time.This new edition is also being augmented by a piano reduction of the most important orchestral passages for facilitating the study of the solo cello and viola parts; these two solo parts are also separately included with the purchase of the piano reduction.First Urtext edition since the original edition; Evaluation of all available manuscript and printed sources; Detailed preface giving the genesis and reception history; Detailed critical report; Facsimile pages.
SKU: JK.00289
Matthew 6:25-26, 28-29, 33.
Scriptural setting for two-part treble chorus (SA) and piano, with text from Matthew 6:25-26, 28-29, 33, on the Lord understanding our needs.Composer: Donald H. Ripplinger Lyricist: Donald H. Ripplinger / Matthew 6:25-26, 28-29, 33 Difficulty: Medium / medium acc.Reference: Matthew 6:25-26, 28-29, 33.
SKU: BT.DHP-1084328-140
9x12 inches. English-German-French-Dutch.
Gerrit Achterberg (1905-1962) was een van de belangrijkste Nederlandse dichters uit de twintigste eeuw. De componist Jacob de Haan liet zich voor zijn Achterbergliederen, voor sopraan en harmonieorkest, inspireren door driegedichten van Achterberg: Standbeeld, Hoonte en Jachtopziener. Hij schreef dit meerdelige werk ter gelegenheid van de opening van de School voor Muziek, Dans en Theateronderwijs in Neede - een aantal jaren de woonplaatsvan de dichter. De drie gedichten lenen zich uitstekend voor zang, vanwege de emotionele lading in combinatie met de ritmische structuur. De sfeer komt duidelijk tot uiting in de muziek.
SKU: BT.DHP-1115087-010
Composer Satoshi Yagisawa wrote this fanfare for the anniversary of a concert band whose conductor he knew well. As a result, Fanfare to the Unknown World is a piece that lets the band shine in its full glory. Through a combination of bright fanfare and dramatic chorale, this piece will ensure every concert opens brilliantly. Let your band sparkle with this impressive piece! Deze fanfare schreef Satoshi Yagisawa voor het jubileum van een blaasorkest waarvan hij met de dirigent ervan een heel goed band heeft. Hij wilde daarom een werk schrijven waarin het gehele orkest in volle glorie tot zijn recht zoukomen. De combinatie van een stralende fanfare en een dramatisch koraal maakt uw concertopening eentje om nooit te vergeten!Diese Fanfare schrieb Satoshi Yagisawa für das Jubiläum eines Blasorchesters, mit dessen Dirigent er sich sehr gut verstand. So lag ihm sehr viel daran, ein Stück zu schreiben, das dieses Blasorchester in seinem vollen Glanz erstrahlen lassen sollte. Mit der Kombination aus einer strahlenden Fanfare und einem dramatischen Choral wird sicherlich jedem Blasorchester die Konzerteröffnung zu einer Glanzparade! Satoshi Yagisawa a composé cette oeuvre pour l’un de ses amis directeur d’orchestre. Fanfare - Flight to an Unknown World (Vol vers un monde inconnu) est une fanfare brillante et lumineuse, suivie d’un choral lyrique créant ainsi un spectaculaire tour de force pour toute ouverture de concert. Satoshi Yagisawa ha composto questo brano per un suo amico direttore d’orchestra. Fanfare - Flight to the Unknown World; una fanfara brillante e luminosa, seguita da un corale li.
SKU: BT.DHP-1084328-010
SKU: HL.35032430
UPC: 888680858490. 5.0x5.0x0.189 inches. Ephesians 2:16, I Peter 2:24, Luke 23:26, Mark 15:30.
Presented as a troubadour song telling the story of Christ's crucifixion, this folk-like octavo is written from the perspective of the tree that became the cross. The harp-like piano accompaniment brings a delicate simplicity to the atmosphere of the piece and stands in deep contrast to the sadness of the text. A good balance of unison and four-part writing makes the note learning easy, freeing the director to cultivate a culture of expressiveness in the interpretation of the work. Splendid! Score and Parts (alto rec, ob, cl 1-2, bn, hn 1-2, tpt 1-3, tbn 1-2, tba, chm, perc 1-2, hp, vn 1-2, va, vc, db).
SKU: HL.49033358
ISBN 9783795705312. 7.0x9.75x0.843 inches. German.
Das auf zwei Bande angelegte Standardwerk zur Orgelmusik des 16.-18. Jahrhunderts von Hieronymus Praetorius bis Vincent Lubeck. Klaus Beckmann, Herausgeber der Reihe Meister der Norddeutschen Orgelmusik, schildert in diesem Buch die historische Entwicklung der protestantischen Orgelmusik Norddeutschlands seit Luthers Reformation im Jahre 1517. Unter Verwendung von zum Teil unveroffentlichtem Quellenmaterial entwirft er ein umfassendes Bild zum Stellenwert von Orgelmusik und Organisten in den Hansestadten und in anderen protestantischen Zentren. Die Untersuchung fruher protestantischer Orgelmusik zeigt die Basis auf, auf der Kulminationspunkte wie Dietrich Buxtehude und Vincent Lubeck aufbauen konnten.
SKU: MN.56-0051
UPC: 688670220548. English.
Arranged for SATB choir, two keyboards, strings, and optional harp, with soprano, tenor (optional) and baritone soloists, this fresh and unorthodox interpretation reflects on the words of the Latin Mass by juxtaposing them with poems in English. Set entirely for a soloist (soprano, tenor, or baritone) above choir accompaniment, this movement has no Latin text; the English text is a poem by Ann Thorp (“I have to believe That you still exist Somewhereâ€). This movement stands entirely on its own as a beautiful anthem of comfort and assurance. Duration 3:07.
SKU: ST.C515
ISBN 9790570815159.
The Sonatina for Clarinet and Piano was composed in 1983, for Christopher Craker, and was performed at the Stroud Festival in 1988.Mary Chandler’s music is challenging but very rewarding to play and to hear. As a professional wind player, she shows understanding of the player, but makes demands of them which yield richly pleasing results. For this first publication, the music has been set from the manuscript by K. R. Malloch.Former Spartan Press Cat. No.: PP179.
SKU: HL.48025035
ISBN 9783793142607. UPC: 196288020790. 9.0x12.0x0.171 inches.
With Berlin Music, Brett Dean wrote a threefold homage: to the classical duo consisting of violin and piano; to the violin virtuoso Midori, for whom the piece was written; and to the city of Berlin, where he lived between the mid-1980s and 2000 and whose rich cultural life he owes much to his development as a musician and composer. The first four, relatively short movements of the five-movement work form a suite of character pieces, which is followed by a longer final movement. In summary, this turns out to be the actual main movement from which all motifs and harmonies emerged in a compositional manner. This includes tuning down the G side by a whole tone - an apparently small difference, but one that has a major effect on the timbre and resonance of the instrumentand suddenly makes previously impossible interval sequences playable. In addition, the violin in the third movement (a moto perpetuo in which Dean bows to Ravel's violin sonata) has to play with a practice damper, while the pianist changes the instrument and plays on a standing piano that is dampened by a pedal and placed next to the concert grand Expressing nervous energy in tight college spaces.
SKU: AP.1-ADV14722
UPC: 805095147223. English.
Jazz Conception is a new and exciting way for players at all levels to learn the language of jazz! Each book set features 21 solo etudes based on chord changes to standards and blues.Play along with one of today's finest, swinging New York rhythm sections: Mike LeDonne on piano, Dennis Irwin on bass, and Kenny Washington on drums. Start out fairly easy, then get progressively more difficult.Use the etudes as a bridge to solos of the masters that are usually more complicated and involved.Learn melodies and lines that will give you a solid jazz vocabulary and musicality.Use the book sets for private lessons, for self-study, or in any combination up to a full jazz ensemble, including flute and clarinet.If you are more advanced you may want to use the book to develop your sight reading abilities, for transcribing the etudes (then check against the book) or for just having fun playing along with a great jazz rhythm section.Use as an improvisation study, learning how to construct a swinging, logical solo - works especially well in combination with the Study Guide.The Jazz Conception Series is also perfectly suited for the class room. It can be used to develop younger students jazz style in a big band or small group. In an improvisation class the teacher can use the etudes as studies in improvisation. The Study Guide provides an analysis of each etude, along with practice assignments for each etude.
SKU: ST.Y274
ISBN 9790220223358.
1st perf: Keisuke Okazaki, Tokyo Opera City Recital Hall, Tokyo, Japan, 22 April 2008 1st UK perf: Darragh Morgan, Schott Recital Room, Bauer & Hieber, London, 5 February 2009 Though the jagged figures and phrases of Lucky's Dream by Morgan Hayes are unmistakably those of a contemporary musical expressionist, the shadow of Bach also falls on this work, inspired by the virtuosity of the young Japanese soloist Keisuke Okazaki and his playing of the E major Partita. In fact, though 'standard' contemporary techniques are widely used in the piece - left-hand pizzicato, harmonics and microtones, all deployed in edgy, unpredictable rhythms - there is also a classical shape to the structure. In this two-part form, lasting around four minutes, the first section is reflective, dwelling on single notes, phantoms as it were of pitches that are subtly deflected through slow glissandi. Then a spectral dance ensues, delivered largely on plucked strings, ethereal, disembodied, strange. The 'Lucky' in question is a character from Samuel Beckett's play Waiting for Godot, and Lucky's Dream is a complementary work to the earlier, impassioned Lucky's Speech (2006). The two items can stand alone or may be performed consecutively. Both are to be found on the recent all-Hayes CD released on the NMC label (NMC D163), which also features the composer's 17-minute Violin Concerto as further evidence for his original approach to writing for the instrument.
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