SKU: HP.2906
UPC: 763628129064.
Traditional Spiritual Sure to create a wonderful, thought-provoking moment during Lent, this setting provides a reflective backdrop for contemplating Christ's suffering and death on the cross. While rhythmically simple, the haunting text is fully expressed through dynamics, the inclusion of handchimes and incidental changes in tempo. Beginning and developing ensembles will have no trouble polishing this Level 1+ piece in limited rehearsal time.
SKU: HL.49042511
ISBN 9783795793791. UPC: 073999258677. 9.0x12.25x0.68 inches.
Arnold Schonberg is the central figure in the musical world of this century. His musical significance was already apparent during his life-time, but his posthumous influence has increased immensely. His work paved the way for ground-breaking changes in musical perception. This complete edition aspires to be equally indispensable for research as well as for performance. The edition is published in two series: series A in folio format contains all completed works, all piano scores prepared by the composer himself and all unfinished works suitable for performance; also fragments (large scores) which are better suited to be printed in such a format. Series B, in quarto format, contains early versions, sketches, ideas and fragments as well as genesis and a Critical Commentary.
SKU: CL.012-3128-00
The creative combination of interesting themes and fresh contemporary harmonies interjected with subtle meter changes produces an appealing composition for mid-level bands that is both challenging and yet accessible. A superb choice for concert or contest performances, your students will love preparing and performing this energetic music! Very Highly Recommended!
About C.L. Barnhouse Classics Series
Under the editorial supervision of Dr. Alfred Reed, these classics from master composers have been adapted and arranged for concert band. A perfect way to acquaint concert band performers and audiences with some of the greatest classical music of all time!
SKU: PE.HX102SC
ISBN 9781530896028.
A collection of six charts for small jazz groups at grade 2 - 2.5. All charts are scored in three-part writing, with flexible instrumentation provided by all three parts in each wind book. Solo sections are provided with changes, and also a mini-clinic for each tune with a break down of the spelled-out chord progression and suggested scales to use throughout each solo. Twelve transcribed solos match the recordings note-for-note, and twelve suggested solos give younger players a starting point with themes taken from the recorded solos. 49 downloadable play-along tracks provide every instrument a chance to sit in with the recorded band. Contents Include: Porto Alegre; Time Will Tell; Leap Day; Bohemian Groove; Avalon; Steam Punk Funk.
SKU: BA.BA08841-75
ISBN 9790006541225. 32.5 x 25.5 cm inches.
Prelude a l'apres-midi d'un faune, often referred to as the first composition of the modern era, is one of Debussy's most popular and frequently performed orchestral works. The piece comes down to us in an array of sources, and several important ones are drawn upon for the first time in Baerenreiter's new scholarly-critical edition. Most of the currently available editions are based on the first edition from 1895 which, however, contains many engraver errors. When the corresponding orchestral parts are also taken into consideration, countless discrepancies are revealed.
About Barenreiter Urtext Orchestral Parts
Why musicians love to play from Bärenreiter Urtext Orchestral Parts
- Urtext editions as close as possible to the composer’s intentions - With alternate versions in full score and parts - Orchestral parts in an enlarged format of 25.5cm x 32.5cm - With cues, rehearsal letters, and page turns where players need them - Clearly presented divisi passages so that players know exactly what they have to play - High-quality paper with a slight yellow tinge which does not glare under lights and is thick enough that reverse pages do not shine through
SKU: CF.YPS115
ISBN 9780825888038. UPC: 798408088033. 9x12 inches. Key: Eb major.
At first lush and mysterious, then light and uplifting, The Voyage begins. Newcomer George Sweet brings us some invigorating ideas and harmonic treatments, as well as shifting hythmic feels from 4/4 to 3/4 time. There is some great interplay between various sections of the band that changes from light woodwind sounds to strong brass interjections. George is a composer to watch in the years to come.
SKU: CL.032-4473-01
It's time to let your Bari Sax player wail in this catchy rock tune. The changes are a variation on the blues form with a little bit of mixing modes to give it just the right feel to suit the title. Your brass can bop and groove in the background with their subtle hits that set up the melody. This chart is sure to make for an entertaining performance that will be enjoyed by everyone!! Great fun!
SKU: FP.FBM04
ISBN 9790570504077.
The opening movement is a free fantasia, contrasting with the middle movement, a scherzetto, in homage to, and based on the letters of the name of, the composer Douglas Steele, an assistant to Sir Thomas Beecham and a founding father of Chethams School, and which quotes from Steele’s beautiful carol The Snow Falls.Divertimento was first performed by John Turner and Janet Simpson at a concert in aid of the Peter Cunningham Memorial Fund at Mellor Church on 17th January 2005. It uses both treble and descant instruments. The second movement was originally composed for a concert in Manchester Cathedral in memory of Douglas Steele, one of the founding fathers of Chetham's School, and quotes (by kind permission of Forsyth Brothers Ltd.), from his well-known carol The Snow Falls. It has been separately recorded by John Turner and Stephen Hough on Autumn Sequence – the music of Douglas Steele and his Circle (Campion Cameo 2040/41).Martin Bussey was born in London in 1958. He was a Choral Scholar at King’s College, Cambridge, during which time he studied composition with Robin Holloway. Following postgraduate singing study at the RNCM he settled in Manchester and held a number of posts, including Head of Academic Music and Director of Choirs at Chetham’s School of Music until 2013. He continues as Musical Director of the Chester Bach Singers, a Vocal Tutor at Manchester University, Chairman of the Finzi Friends and a Director of the Ludlow Song Weekend. Compositions include the highly successful monodrama about Mary I, Mary’s Hand, premiered in 2018; a significant collection of solo songs which includes settings of Housman, Hardy, and Walt Whitman, many recorded on the disc Through a glass; and much choral music, recorded by Sonoro under Neil Ferris in 2019.
SKU: CL.012-3128-01
SKU: LO.60-1217H
UPC: 000308096132.
Many pieces have been written using rhythm changes, but you've never heard anything like this! Covering everything from straight-ahead swing to a funky half-time shuffle, this new composition makes an ideal festival opener or closer. The head is written for tenor saxophone and trumpet and both are featured in the solo section. The shout section has some punchy brass trading fours with the saxophones.
SKU: AP.1-ADV14823
UPC: 805095148237. English.
Featuring lead parts from 11 original pieces from Weniger's Legal Paradizer CD, this play-along set emphasizes the importance of playing in time and in the groove, rather than following the changes in a strict fashion. Short explanations for each work are included to help with stylistic and/or structural considerations. Titles: Scrootch * Castro-Pope * The Breed Is Funkin' * Just Skufflin' * French Affair * Half-Life * Poem of a Bird * Paradizer * We Are Like That * The Zigg-Zagg * Speedworld.
SKU: BA.BA08857
ISBN 9790006558209. 33.5 x 25.7 cm inches. Text Language: French. Preface: Sylvie Bouissou. Louis de Cahusac.
The opera “Naïs†was premiered on 22 April 1749 at the Acadmie royale in the Palais-Royal, Paris, in celebration of the signing of the so-called Treaty of Aachen. It was revived again in August 1764 shortly before Rameau’s death and achieved great success as the “opera of peace,†even though it did not appear in print during the composer’s lifetime.In numerous arias Rameau provides his singers ample opportunity to shine, while he reveals his orchestral mastery, in particular in the chaconne and the various other ballets.The work appears here for the first time in a vocal score with a keyboard reduction. The reduction is by François Saint-Yves on the basis of the new critical edition by Pascal Dencheau which is part of Opera Omnia Rameau edited by Sylvie Bouissou.This edition is the result of a meticulous comparison of all known musical sources. In the main section, it presents the version that Rameau approved for the performances of 1749. The appendix contains those passages that the composer cut during the rehearsals in 1749 and all changes that he undertook for the 1764 revival.
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?
MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: HL.49001983
ISBN 9790001021531. UPC: 073999567076. 9.0x12.0x0.119 inches.
Boismortier is considered to be one of the most popular and most hard-working composers of his time. The original title of this sonata in A Minor indicates flutes, violins and other instruments as well suited for performance. The composer arranged the first melody part in such a way that it can be played by an alto recorder without any changes. Scored for string chorus, the sonata achieves a very good tonal effect. With soloistic scoring, three equal instruments (e.g. three violins) or three completely different instruments (e.g. flute, violin, oboe) are best suited for the performance of the upper parts.
SKU: HL.49018769
ISBN 9783795793968. 9.25x12.5x1.473 inches.
SKU: LO.20-2015L
ISBN 9780787758660.
Perfect for choirs of all experience levels, this wonderful arrangement does not include bell changes, minimizing rehearsal time for experienced choirs and offering a straightforward introduction to eighth notes for developing choirs. Thumb damps and martellatos further enhance the piece and add interest for your ringers and audience.
SKU: HL.379621
ISBN 9781705151310. UPC: 196288018070. 6.75x10.5x0.029 inches. Acts 5:20, Colossians 3:10, Romans 6:4-5.
A time-honored poem brings the promise of spring into an insightful message of faith in this artfully composed anthem. With classic purity, the song emerges out of a delicate pattern from the piano. The choral writing uses unison and two-part textures mingled with fuller sounds for both clarity and power. Changes in tempo and a wide dynamic vocabulary invite choirs to linger on each precious phrase, sharing the abundant life that is ours through grace. Score and Parts (vn, vc) available as a digital download.
SKU: GI.WJMS1147
UPC: 888680085407. English, Latin. Text Source: Psalm 28.
Light and celebratory, this joyous anthem uses rhythmic, ostinato-like vocal lines to support the melodic theme. A sustained middle section provides contrast, capturing the majesty and mystery of God. Time signature changes and interesting harmonic writing make this a good challenege for more advanced choirs. Jo-Michael Scheibe Choral Series. Recording by the Nidaros Cathedral Choir, Vivianne Sydnes, conductor.
SKU: KN.SN70112
UPC: 822795701128.
This beautiful ballad features flugelhorn and was recorded by the SWR Big Band on the CD Fun Time. The rhythm is in a bossa nova style with some beautiful ensemble orchestration and interesting chord changes. Rhythm section parts are partially notated with chords cued.
SKU: KN.42786S
UPC: 822795427868.
This medium level swing chart in 3/4 time is a wonderful vehicle to learn about playing a jazz waltz. Great melody, gospel changes and terrific ensemble writing all combine to make this a must for any library. An open solo section (written or ad lib) features any instrument. Duration 4:10. Available in SmartMusic.
SKU: HP.1687
UPC: 763628016876.
Hymn based on Ode to Joy The stirring Beethoven Ode to Joy has been set for various mediums. It is with rhythmic vitality, well thought out harmonic changes and effective use of bell techniques that Michael Keller offers this setting of the tune Joyful, Joyful, We Adore Thee for English handbells. The arrangement is workable as a 3-5 octave bells only selection or can be performed with keyboard, brass, solo trumpet, or a combination of these.
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