SKU: BT.AMP-386-400
ISBN 9789043135849. 9x12 inches. English-German-French-Dutch.
Part of the ANGLO MUSIC PLAY-ALONG Series, Philip Sparkes 15 INTERMEDIATE CLASSICAL SOLOS is aimed at the young instrumentalist who can play about an octave and a half and follows on from Sparkes 15 EASY CLASSICAL SOLOS. Specifically tailored to suitthe individual instrument, this book introduces the developing player to the world of the classics by using simple yet attractive melodies that fit their limited range.
The carefully selected pieces include music from the 17th to the 19th century and cover a wide variety of styles, from Handel to Tchaikovsky and from Clementi to Brahms.
The book will provide invaluable additional material to complement any teaching method and includes both piano accompaniment and a demo/play-along CD.
Genau auf jedes Instrument zugeschnitten, ermöglichen die sorgfältig ausgewählten Melodien noch mehr Spielerfahrung mit klassischer Musik. Die Stücke umfassen verschiedene Stilrichtungen und Komponisten wie z.B. Händel, Tschaikowsky, Clementi undBrahms.
Jeder Band bietet wertvolles Ergänzungsmaterial, das zu jeder Instrumentalschule passt und enthält sowohl Klavier- als auch CD-Begleitungen.
SKU: BT.AMP-303-400
ISBN 9789043138109. 9x12 inches. English-German-French-Dutch.
Part of the Anglo Music Play-along Series, Philip Sparkeâ??s 15 Easy Classical Solos is aimed at the young instrumentalist who can play just over an octave. Specifically tailored to suit the individual instrument, this book introduces the beginning player to the world of the classics by using simple yet attractive melodies that fit their limited range. The carefully selected pieces include music from the 16th to the 20th century and cover a wide variety of styles, from Bach to Grieg and from Purcell to Satie. This book will provide invaluable additional material to complement any teaching method and includes both piano accompaniment and a demo/play-along CD.Philip Sparkeâ??s 15 Easy Classical Solos, onderdeel van de Anglo Music Play-Along Series, is bedoeld voor de jonge instrumentalist die iets meer dan een octaaf kan spelen. Het boek sluit qua instrumentaal bereik en gebruikte toonsoortenaan bij het Artist Level van Hal Leonards Essential Elements ®, maar kan ook los daarvan worden gebruikt.De zorgvuldig geselecteerde melodieën, die specifiek zijn toegesneden op elk instrument, beslaan een breed scala van klassieke stijlen:van Bach tot Grieg en van Purcell tot Satie.Het boek bevat waardevol materiaal ter aanvulling op elke lesmethode en wordt geleverd met pianobegeleiding en een cd met demo- en meespeeltracks.15 Easy Classical Solos ist als Ergänzung zur bewährten Anglo Music Play-Along Reihe gedacht und richtet sich an Schüler, die ungefähr einen Tonumfang von einer Oktave beherrschen. Das Niveau entspricht dem des Artist Levels der Essential Elements ® Methode von Hal Leonard, kann aber auch unabhängig davon verwendet werden. Genau auf jedes Instrument zugeschnitten, ermöglicht die wohlüberlegte Stückeauswahl ein erstes Kennenlernen von Melodien aus verschiedenen Epochen der Klassik von Grieg über Purcell bis Satie. Jeder Band bietet wertvolles Ergänzungsmaterial, das zu jeder Instrumentalschule passt und enthält sowohl Klavier- als auch CD-Begleitungen.15 Easy Classical Solos, de Philip Sparke, est un ouvrage qui sâ??adresse aux jeunes musiciens, maîtrisant un peu plus dâ??une octave. 15 Easy Classical Solos a été conçu pour être joué en corrélation avec les séries Artist et/ou Master Level de la collection Essential Elements ®, publiée par les éditions Hal Leonard. Mais il peut également être utilisé indépendamment.Spécifiquement adapté chaque instrument, ce volume rassemble quinze mélodies écrites par des compositeurs aussi variés que Bach, Purcell, Grieg et Satie.Comprenant les parties dâ??accompagnement de piano et une version dâ??accompagnement sur compact disc, ces ouvrages représentent une sourcecomplémentaire inestimable toute méthode pédagogique. Il concetto della collana Anglo Music Play-Along Series è quello di integrare al più presto nel processo di apprendimento dei giovani strumentisti la possibilit di poter suonare accompagnati al piano o con lâ??ausilio di unâ??incisione su CD. Ilchiaro vantaggio di questo metodo è che gli allievi imparano da subito lâ??aspetto fondamentale del suonare insieme, vale a dire tenere il tempo in modo costante. 15 Easy Classical Solos consente agli allievi che hanno una conoscenza limitatadelle note di suonare brani di Bach, Schubert, Purcell, Grieg e altri, grazie alle versioni facilitate. Il livello di 15 Intermediate Classical Solos permette invece agli allievi che padroneggiano lâ??estensione superiore a unâ??ottava dicimentarsi nei â??primi concertiâ? con brani di Haendel, Clementi, Rameau, Glueck, Beethoven e altri. Il CD propone una traccia con lâ??incisione completa e una con il solo accompagnamento.
SKU: CY.CC3141
ISBN 9790530111093. 8.5 x 11 in inches.
Composed in 1901-02, Mahler's 5th Symphony contains the Adagietto movement scored for strings and harp, perhaps the most serene, simple, spiritual and peaceful music of his entire output. The music was likely composed as a love song to his new wife Alma. Ralph Sauer has beautifully arranged the movement for solo Horn with Piano accompaniment. The 8 minute long work is appropriate for advanced performers.
SKU: HL.50335590
UPC: 073999428186. 9x12 inches. Edited by Barry Tuckwell.
For French horn and piano.
SKU: HL.280833
10.5x14.5x0.514 inches.
Konzert Fur Horn Und Orchester Op.445 (Concerto For French Horn And Orchestra) by Niels Viggo Bentzon (1982). Full score: WH33110 Solo part: WH33110D Manuscript.
SKU: HL.49016006
ISBN 9780793554003. UPC: 073999444711. 305 X 229 inches.
Contents: Aria (Stradella) oe I Attempt from Love's Sickness oe I See a Huntsman oe Largo & Allegro oe Pavane pour une Infante Defunte oe Reveries oe Romance oe Rondo oe Scherzo oe Symphony No. 5 oe Theme & Variations oe Villanelle.
A collection of music for French Horn, intended to display the instrument's characteristic tone qualities, both lyric and fanfare-like. Transcribed (with Piano accompaniment) and edited by Mason Jones.
SKU: BR.EB-7435
ISBN 9790004173961. 9 x 12 inches.
The French-born horn player Henri Kling edited Mozart's horn concertos for Breitkopf & Hartel. He prepared the piano reductions himself and set markings in the solo parts. In subsequent printings the editions were supplemented by a part for horn in F, thus making them ideally suited for the performance practice.
SKU: HL.44013083
Horn and Piano Mitropa Instrumental Series. product type Book Only. A product from Mitropa Music.
SKU: HL.49046947
ISBN 9781705172278. UPC: 842819117162. 9.0x12.0x0.089 inches.
Transcribed for Horn and Piano (from the original version for flute and piano).
SKU: HL.50565997
ISBN 9781705149959. UPC: 196288016670. 9.0x12.0x0.133 inches.
“Musique française†is a series designed for students and teachers as well as professionals. These editions offer masterworks in French music, with performance suggestions and historical and stylistic commentary by noted scholars.
SKU: HL.50607051
UPC: 196288292418. 9.0x12.0x0.1 inches.
Paul Dukas wrote his Villanelle as a demanding exam piece for the horn class of the Paris Conservatoire in 1906. Alongside the technical challenges, the piece is successful because of its refreshing melodies, for which reason the Villanelle is still one of the most popular performance pieces for the horn.
SKU: HL.49044799
ISBN 9790001181037. UPC: 841886018280. 9.0x12.0x0.057 inches.
An easy arrangement by Wolfgang Birtel for horn and piano or organ.
SKU: HL.48024674
ISBN 9783793142096. UPC: 888680952488.
SKU: HL.51481255
UPC: 196288308126. 9.25x12.25x0.22 inches.
As if looking back on his youth toward the end of his life, Richard Strauss wrote a second concerto for horn and orchestra, again in Eb major, around sixty years after his first concerto for horn. This sublimely beautiful late work, which gives no indication of the oppressive circumstances of Strauss� poor health and the Second World War, was premiered in 1943 by Gottfried von Freiberg under the direction of Karl Böhm. It was not until after Strauss� death that the concerto appeared in print in London, making a critical new edition on the basis of the autograph sources and performance material more than overdue. The editor, Hans Pizka, former principal horn of the Bavarian State Opera in Munich, learned first-hand about the performance tradition and genesis of the concerto as a pupil of Gottfried von Freiberg. For use in lessons and for performances, the especially playable piano reduction by Johannes Umbreit is a great help.
About Henle Urtext
What I can expect from Henle Urtext editions:
SKU: HL.49045984
The music scene took notice of Erik Satie all of a sudden: The world premiere of his ballet 'Parade' in 1917 caused quite a scandal.The production divided the music scene of Paris, yet made the composer widely known. Satie who hardly had had any solid musical training developed a new musical style, in deliberate rejection of the 'Wagnerisme' of his time, the perfect example being his '3 Gymnopedies' of 1888 the first of which was here arranged for a solo instrument with piano accompaniment: Thanks to its easy playability, it can also be used for educational purposes.
SKU: BR.EB-10702
In Cooperation with G. Henle Verlag
ISBN 9790201807027. 9.5 x 12.5 inches.
Wolfgang Amadeus Mozart's horn concertos: the Mozart expert Henrik Wiese edits the central work genre of Viennese classicism according to the current status of international Mozart research. Mozart wrote the Horn Concerto K. 417 - like the other works of this genre as well - for his horn-playing friend Joseph Leutgeb. The jokes which the composer made at Leutgeb's expense are wellknown. For example, he called the dedicatee a donkey in the autograph, and, as Henrik Wiese evidences in his preface, Mozart also occasionally enjoyed a bit of tomfoolery with the soloist in the musical text as well.Otherwise the editor's task was anything but amusing. The main source - the autograph score - is incomplete: missing are the close of Movement I as well as the entire slow middle movement. For these two sections, Wiese used a copy of the score from the archive of the publisher Johann Andre. The unusual circumstance that Mozart generally left the horn part almost unmarked recurs in the Concerto K. 417 and was deliberately maintained in the Urtext edition.with parts for horn in F and Eb major.
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