SKU: AP.44790S
UPC: 038081515403. English.
Singer/songwriter Meghan Trainor is one of today's hottest stars. Here is her catchy hit, Lips Are Movin', in a very playable arrangement for your young string orchestra by Michael Story. This one is pure fun! It is a great piece to reinforce the use of high and low second fingers for your violinists and violists. (1:50).
SKU: AP.35923S
UPC: 038081417158. English.
A blast from the past, yet new audiences are discovering this '80s rock classic. The challenging rhythms, dynamics, and sonic textures of this arrangement grab the attention of today's young musicians and listeners alike. Detailed instructions are included to help capture the style.
SKU: HL.14032192
ISBN 9788759858394. 12.0x16.5x0.78 inches. International (more than one language).
Symphony No. 6 for orchestra, 1997-99. Preface / Program Note:... with the Lord a day is like a thousand years, and a thousand years is like a day(New Testament, 2 Peter 3:8)My SYMPHONY NO. 6 was commissioned by the Danish National Radio Symphony Orchestra, the Gteborg Symphony Orchestra and the Oslo Philharmonic Orchestra, to be premiered at the millenium 2000.The subtitle AT THE END OF THE DAY can be understood literally or it can mean when all is added up. However, in my opinion, nothing ever quite adds up, there is always something missing, any ending will be provisional ...This symphony appears to end only a few minutes into the first movement, the first passage, as the music fades away to almost-silence, after a start of flying colours. But then there is still something, a small motive (first heard in the initial sound-waves) which reappears, hesitant, but persistent, and this embryo is what leads on the musical progression. An agitated section of many instrumental voices comes next, until all the voices become obsessed with the same phrase, a see-saw motive based on thirds. This section evolves into almost martial ferocity, when broken off by a tutti descent into an extreme bass-world (a bass-world which actually permeates the whole symphony, emplyoing instruments that I have never used before: double-bass tuba, double-bass trombone, double-bass clarinet, and bass flute).The second movement, the second passage, apparently takes off where the first passage ended, but now the events are more ambiguous, and the same music may be perceived as fast-moving one moment and slow-moving the next. This section is a kind of passacaglia, the characteristic baroque bass-variation.Without a break follows the third and last passage, in a contrasting high register. The music is rhythmically knotty as well as freely flowing. As in the beginning of the symphony, a never-ending descent or fall breaks off the events, and at the very end a delta of new beginnings, of other worlds, is revealed ....The symphony is dedicated to Helle, my wife. - Per Norgard.
SKU: BR.PB-5569-07
ISBN 9790004213797. 6.5 x 9 inches.
Ravel's multi-layered homage in Breitkopf UrtextIn his homage Le Tombeau de Couperin, Ravel is less specifically interested in Couperin than in French music of the late 18th century. In his preface, editor Jean-Francois Monnard explains how Ravel paid a moving and intensely personal tribute to the events of World War I with his multi-layered work. The orchestral version goes back to the original, eponymous piano suite (1914-17). Then, in 1919, the composer selected four pieces from this source, orchestrated them with all of his grace and artistry; the result provides a charming contrast to the pseudo-Baroque musical idiom, and places the pieces in a new and effective sequence. The work quickly gained great popularity immediately after the concertant world premiere, when the three dance movements of the orchestral suite were included in a ballet production.The underpinnings of Monnard's edition are provided by the most important sources. The preface features a great deal of information on the interpretation and performance history of the work. This is the fifth major Ravel work now available in print from Breitkopf Urtext.An homage to Francois Couperin, but most notably to the French music of the late 18th century. In his multi-layered work Ravel assimilates the events of World War I in a moving and intensely personal way.
SKU: MN.25-175
UPC: 688670251757.
Called a toccata because it demonstrates the touch and technique of the orchestra sections, this piece states the melody in different ways, sometimes briskly and sometimes in augmentation against moving accompanimental figures. A showy and exciting arrangement, perfect for a postlude or finale.
SKU: SU.28120010
Ballet Suite in 5 movements (revised version)3222; 4331; timp, perc, hp, pno; stgs Duration: 24' Composed: 2008 Published by: Alla Pavlova Music Although it maintains the charm of the original Hans Christian Andersen tale, Alla Pavlova's Thumbelina is a considerable musical, visual and narrative expansion of the story to make it suitable as a full-length ballet and family-programming alternative to The Nutcracker. Musically, it is scored for full symphony orchestra ([3,2,2,2]-[4,3,3,1]-[timp.,perc.]-[Hp]-[Strings], Percussion: Bass dr., Snare dr., Wooden Block, Tambourine, Triangle, Glock., Vibraphone, Celesta) and contains not only many beautiful, lyrical and moving waltzes and other classical themes, but also rhythms such as tango, boogie-woogie and ragtime. Narratively, the story has been adapted to include a varied and colorful cast of characters. The Thumbelina Suite (which has been recorded by the Tchaikovsky Symphony Orchestra for Naxos) can be heard at http://www.allapavlova.com/listen.html or by clicking on the image below. She has created a synopsis of the ballet, which is of course based on the Andersen fairy tale. We’ll gladly send this synopsis on request. Recording: 21st Century Classics – Naxos 8.579003 Performance materials available on rental only:.
SKU: LO.30-3245L
UPC: 000308142471.
One Silent Night long ago, a birth story began that forever changed the world. Lying in a crude manger was a new-born babe, who would become the Source of our Christian faith and our abiding hope. Using the power and simplicity of the event itself, composer and creator Pepper Choplin presents each of the familiar elements of that story through ballad-like recitatives of scripture, surrounded by anthems ranging from outbursts of unbridled joy to moving moments of introspection and gentleness. Weaving familiar carols and songs throughout original music, this timeless tale emerges in a deeply moving presentation that will lift one’s faith and deepen one’s understanding of the profound significance of that One Silent Night. Orchestration by Larry Shackley for 2 Fl, Ob, 2 Cl, Bsn (sub Bass Cl), 2 Hn (sub 2 A Sax), 3 Tpt, 2 Tbn (sub 2 T Sax), Tuba, 2 Perc, Timp, Harp, Pno, 2 Vln, Vla, Cello, Bass, Digital Strings.
SKU: LO.30-3243L
UPC: 000308142457.
SKU: AP.38479S
UPC: 038081431666. English.
Taking its name from the epicenter of Southern jazz in Memphis, this fun little boogie will get the orchestra moving! Featuring accidentals and chromatic passages throughout, each section gets its turn at the jazzy, swaggering melodies as well as the bouncy accompaniment parts. It's great practice for chromatics and a fun piece that students will enjoy learning.
SKU: AP.48075
UPC: 038081557083. English.
Teach shifting with this beautiful melody by Bob Phillips. Shifting Sands is also perfectly suited for the concert stage. The moderate, lyric tempo provides students in the early stages of practicing shifts the time they need to make the shifts successfully. Musically, this piece is very accessible so students can focus on the shifts. Violins will practice 3rd position on the D, A, and E strings. Violas will practice 3rd position on the D and A strings. Cellos will practice 3rd and 4th positions on the D and A strings. Basses will practice 3rd, 4th, and 5th positions on the D and G strings. Shifts for all instruments are introduced by moving the first finger in a sliding (portamento) motion from 1st position up to 3rd position and back again, then progresses to shifting. Correlated to Sound Innovations for String Orchestra, Book 2, Level 3. (3:10) This title is available in MakeMusic Cloud.
SKU: AP.BFO9910C
UPC: 029156991710. English.
The Sound and the Fury was inspired by the literary work of the same name by William Faulkner, known for his epic portrayal of the conflicts between the old and new South. Opening with a vibrant drama of punctuating thrusts in strings, winds, and percussion, the mood only shifts when we move to a lyrical and ambient section of contrasting sounds. Powerful strokes return, moving to a dramatic conclusion. A superior choice for concert or contest with guaranteed stunning audience appeal. Playable by strings or by adding any winds and percussion up to full orchestra. (2:04).
SKU: SU.90810130
Instrumentation: 3fl(picc), 2ob, 2cl, 2bn; 4hn, 3tpt, 3tbn(bs), tba; timp, 4perc, pno; strings Duration: 7' Full Score & Parts: available on rental Composed: 2003 Published by: Subito Music Publishing Composer's Note: Maintaining a persistent beat throughout, Fantasy for Orchestra begins with a dramatic and highly energetic theme stated immediately in the violins. The range of expression is wide, moving from dance-like rhythms -- making use of irregular meters -- to rather dreamy textures. Throughout much of the work, even in the softer, more fantasy-like middle section, the use of percussion -- gongs, cowbells, and various drums -- is prevalent. --N.G.
SKU: AP.48075S
UPC: 038081557090. English.
Teach shifting with this beautiful melody by Bob Phillips. Shifting Sands is also perfectly suited for the concert stage. The moderate, lyric tempo provides students in the early stages of practicing shifts the time they need to make the shifts successfully. Musically, this piece is very accessible so students can focus on the shifts. Violins will practice 3rd position on the D, A, and E strings. Violas will practice 3rd position on the D and A strings. Cellos will practice 3rd and 4th positions on the D and A strings. Basses will practice 3rd, 4th, and 5th positions on the D and G strings. Shifts for all instruments are introduced by moving the first finger in a sliding (portamento) motion from 1st position up to 3rd position and back again, then progresses to shifting. Correlated to Sound Innovations for String Orchestra, Book 2, Level 3. (3:10) This title available in MakeMusic Cloud.
SKU: AP.31605
UPC: 038081349558. English.
Transport your audience halfway around the world with this poignant, powerful and playful arrangement of traditional Chinese folk melodies. Starting with a plaintive viola solo, then moving through a wide variety of moods, all members of the orchestra will be fully engaged playing music that sounds ancient and fresh at the same time. Perfect for concert or contest, this arrangement written by a middle school teacher has been kid tested and approved.
SKU: AP.35971S
UPC: 038081411781. English.
This lovely German song offers the opportunity to teach compound meter, isolating excerpts collaterally with rhythmic exercises, and working on smooth string crossings. Extended positions are featured in the cello part with accidentals sprinkled throughout the other parts as well. A beautiful soli section will be popular with cellists against a moving bass line.
SKU: AP.48086
UPC: 038081554372. English.
Not to be confused with the nautical term Ahoy!, the phrase All hands hoay! actually means all hands on deck for some serious work! In other words, string players, it's time to get those fingers moving with this simple, rugged, and modal seafaring melody. Written in the often-inaccessible key of F-sharp natural minor, this fun musical pirate's tale will have your students' little fingers stretching nonstop. The melody is evenly passed around, with a middle section featuring your violas and a jaunty contrapuntal ending. Younger orchestras will have a blast with this exciting original, All Hands Hoay! by Anthony Granata, as they get right down to work! (1:40) This title is available in MakeMusic Cloud.
SKU: AP.48094S
UPC: 038081559209. English.
Starting with a slow, hypnotic rock ballad with beautiful melodic lines and then moving into a high-energy, bluesy Rock section, this piece by Bob Phillips will be a great opener or closer. Two soaring violin features appear in the second section and can be performed solo or soli. A repetitive, driving, never-stopping rock groove moves throughout this original piece and the soaring violin solo/soli part. Optimistic and powerful, Rockin' 67 Blues is sure to be a new classic. (3:50) This title available in MakeMusic Cloud.
SKU: AP.44845
UPC: 038081518664. English.
In 3/4, this moving piece provides a great opportunity for the use of slow bow strokes and cross-curricular study. The victory over the British forces at Yorktown, Virginia by the American Continental Army in 1781 signaled the end of the Revolutionary War. This original work by Todd Parrish remembers the heroic efforts of General Washington and the brave soldiers he commanded to forge a new nation founded on freedom. (2:30).
SKU: AP.46718
UPC: 038081533513. English.
Students will be swept away by North of the Mountain: a vivid musical adventure by Doug Spata in 3/4 time featuring advanced part independence, required shifting, and bracing sixteenth-note runs. The dramatic, filmic style and assertive melodies moving between each of the sections describe thrilling adventures. Students and audiences will respond to the contrasts between bristling ostinatos and longing legato melodies while teachers will appreciate the important skills the piece reinforces. This title is available in MakeMusic Cloud.
SKU: AP.46678
UPC: 038081532370. English.
This charming waltz based on the G major scale gives every section a chance to play the melody. A surprise melody, Chopsticks, also appears in the middle of the piece and is passed from the low strings to the upper strings with a countermelody in the lower strings. Waltzing Strings, by Bob Cerulli, is a perfect grade 1.5 piece using playable, scalar patterns to keep those beginner fingers moving!
SKU: AP.48084S
UPC: 038081550909. English.
Full of dark energy and mystery, with contemporary harmonies and moving melodic lines, Shadowlands by Gary Fagan will provide the means for directors to teach contrasting styles, dynamics, and varied articulations to young players in an easy and fun-to-play format. This lively piece, in A natural minor, will provide younger players with excellent opportunities for achieving rhythmic independence while also providing them with sections that are rhythmically similar. The slower lyrical opening section gives way to a contrasting tempo and style that will appeal to players and audiences alike. (2:15) This title available in MakeMusic Cloud.
SKU: AP.44833S
ISBN 9781470664169. UPC: 038081518251. English.
A moving tribute by Susan Day to the people we admire---whether it be family members, role models, or those serving our country---this piece in E minor uses easy rhythms, pizzicato, some divisi in the cello part, and a few low 2nd fingers in the violin 1 part. All players get melody lines, and the violin 2 part doubles the viola. Sounds harder than it is! (2:30).
SKU: AP.44845S
UPC: 038081518671. English.
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