SKU: CA.3113949
ISBN 9790007208295. Text language: German/English. Text: Rube, Johann Chr.
Bach's chorale cantata with its opening text Wohl dem, der sich auf seinen Gott recht kindlich kann verlassen (Tis well with him who on the Lord trusts just like a child) BWV 139 was performed for the first time on 12 November 1724 in the main Leipzig church service. The cantata text, based on the hymn of the same name by Johann Christoph Rube (1665-1746), is in praise of trust in God. In the opening chorus, full of depth of feeling, the hymn melody is heard throughout; this is followed by a lively tenor aria Gott ist mein Freund (God is my friend) with a musical depiction of the adversary raging in vain, and in the bass aria Das Ungluck schlagt auf allen Seiten (Misfortune assails me on every side) Bach presents both drama and Baroque imagery. One of the two solo violin parts for the tenor aria is lost, so our edition offers a reconstruction. The virtuoso violin part of the bass aria was evidently based on a part for violoncello piccolo, now lost. The edition provides for performance by violin or violoncello. Score and part available separately - see item CA.3113900.
SKU: CA.3113914
ISBN 9790007208271. Text language: German/English. Text: Rube, Johann Chr.
SKU: CA.3113915
ISBN 9790007208288. Text language: German/English. Text: Rube, Johann Chr.
SKU: CA.3113911
ISBN 9790007208240. Text language: German/English. Text: Rube, Johann Chr.
SKU: CA.3113912
ISBN 9790007208257. Text language: German/English. Text: Rube, Johann Chr.
SKU: CA.3113909
ISBN 9790007208233. Text language: German/English. Text: Rube, Johann Chr.
Bach's chorale cantata with its opening text Wohl dem, der sich auf seinen Gott recht kindlich kann verlassen (Tis well with him who on the Lord trusts just like a child) BWV 139 was performed for the first time on 12 November 1724 in the main Leipzig church service. The cantata text, based on the hymn of the same name by Johann Christoph Rube (1665-1746), is in praise of trust in God. In the opening chorus, full of depth of feeling, the hymn melody is heard throughout; this is followed by a lively tenor aria Gott ist mein Freund (God is my friend) with a musical depiction of the adversary raging in vain, and in the bass aria Das Ungluck schlagt auf allen Seiten (Misfortune assails me on every side) Bach presents both drama and Baroque imagery. One of the two solo violin parts for the tenor aria is lost, so our edition offers a reconstruction. The virtuoso violin part of the bass aria was evidently based on a part for violoncello piccolo, now lost. The edition provides for performance by violin or violoncello. Score and parts available separately - see item CA.3113900.
SKU: CA.3113913
ISBN 9790007208264. Text language: German/English. Text: Rube, Johann Chr.
SKU: CA.3113919
ISBN 9790007181277. Text language: German/English. Text: Rube, Johann Chr.
SKU: CA.3113900
ISBN 9790007170479. Text language: German/English. Text: Rube, Johann Chr.
Bach's chorale cantata with its opening text Wohl dem, der sich auf seinen Gott recht kindlich kann verlassen (Tis well with him who on the Lord trusts just like a child) BWV 139 was performed for the first time on 12 November 1724 in the main Leipzig church service. The cantata text, based on the hymn of the same name by Johann Christoph Rube (1665-1746), is in praise of trust in God. In the opening chorus, full of depth of feeling, the hymn melody is heard throughout; this is followed by a lively tenor aria Gott ist mein Freund (God is my friend) with a musical depiction of the adversary raging in vain, and in the bass aria Das Ungluck schlagt auf allen Seiten (Misfortune assails me on every side) Bach presents both drama and Baroque imagery. One of the two solo violin parts for the tenor aria is lost, so our edition offers a reconstruction. The virtuoso violin part of the bass aria was evidently based on a part for violoncello piccolo, now lost. The edition provides for performance by violin or violoncello.
SKU: CA.3113905
ISBN 9790007181093. Text language: German/English. Text: Rube, Johann Chr.
Bach's chorale cantata with its opening text Wohl dem, der sich auf seinen Gott recht kindlich kann verlassen (Tis well with him who on the Lord trusts just like a child) BWV 139 was performed for the first time on 12 November 1724 in the main Leipzig church service. The cantata text, based on the hymn of the same name by Johann Christoph Rube (1665-1746), is in praise of trust in God. In the opening chorus, full of depth of feeling, the hymn melody is heard throughout; this is followed by a lively tenor aria Gott ist mein Freund (God is my friend) with a musical depiction of the adversary raging in vain, and in the bass aria Das Ungluck schlagt auf allen Seiten (Misfortune assails me on every side) Bach presents both drama and Baroque imagery. One of the two solo violin parts for the tenor aria is lost, so our edition offers a reconstruction. The virtuoso violin part of the bass aria was evidently based on a part for violoncello piccolo, now lost. The edition provides for performance by violin or violoncello. Score available separately - see item CA.3113900.
SKU: BA.BA05007-01
ISBN 9790006461448. 33 x 26.5 cm inches. Language: German. Preface: Dürr, Alfred.
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?
MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: CA.3124582
ISBN 9790007211448. Language: German/English.
With the unfinished revision (1739) as an appendix. The St. John Passion ranks among the great vocal works from Bach's Leipzig years. In contrast to his other large-scale choral works, however, Bach never gave this work a definitive final form. Rather, for every performance he made numerous changes. All previous editions of the St. John Passion have combined readings from various layers of sources. The wish often expressed by conductors to perform an authentic version is made possible for the first time with the present edition in this fourth and final version which was performed under Bach's direction in 1749. At the same time, with the aid of the appendix it is possible to perform the work in the traditional mixed version.. Score and part available separately - see item CA.3124500.
SKU: CA.3124581
ISBN 9790007211431. Language: German/English.
SKU: CA.3116619
ISBN 9790007144487. Text language: German/English.
The cantata BWV 166 is among the church works which were performed during Bach's first year in office at Leipzig. It was heard for the first time on Sunday the 7th May 1724. Its tonal language is plastic and fervent, emphasized especially by the prominent role of the obbligato oboe and by the decoration of the chorale by the strings. The present edition gives a reading which interprets the surviving original material afresh. Score and parts available separately - see item CA.3116600.
SKU: CA.3116613
ISBN 9790007209162. Text language: German/English.
The cantata BWV 166 is among the church works which were performed during Bach's first year in office at Leipzig. It was heard for the first time on Sunday the 7th May 1724. Its tonal language is plastic and fervent, emphasized especially by the prominent role of the obbligato oboe and by the decoration of the chorale by the strings. The present edition gives a reading which interprets the surviving original material afresh. Score and part available separately - see item CA.3116600.
SKU: CA.3116614
ISBN 9790007209179. Text language: German/English.
SKU: CA.3116612
ISBN 9790007209155. Text language: German/English.
SKU: CA.3116611
ISBN 9790007209148. Text language: German/English.
SKU: CA.3116649
ISBN 9790007209186. Text language: German/English.
SKU: BA.BA06844
ISBN 9790006483266. 34.3 x 27 cm inches. Text Language: Czech, German, English. Translation: Kurt Honolka / Bernard Keeffe. Text: Martin (Pseudonym fur Maximilian Kunert) Kurt.
Kantate fur Mannerchor und Orchester (tschechisch/deutsch/englisch) mit Supplement: Erste Fassung 1911, (tschechisch).
SKU: CA.3116605
ISBN 9790007161972. Text language: German/English.
The cantata BWV 166 is among the church works which were performed during Bach's first year in office at Leipzig. It was heard for the first time on Sunday the 7th May 1724. Its tonal language is plastic and fervent, emphasized especially by the prominent role of the obbligato oboe and by the decoration of the chorale by the strings. The present edition gives a reading which interprets the surviving original material afresh. Score available separately - see item CA.3116600.
SKU: CA.3116607
ISBN 9790007142926. Text language: German/English.
SKU: CA.3116600
ISBN 9790007143206. Text language: German/English.
The cantata BWV 166 is among the church works which were performed during Bach's first year in office at Leipzig. It was heard for the first time on Sunday the 7th May 1724. Its tonal language is plastic and fervent, emphasized especially by the prominent role of the obbligato oboe and by the decoration of the chorale by the strings. The present edition gives a reading which interprets the surviving original material afresh.
SKU: CA.3710349
ISBN 9790007091354. Language: German.
The oratorio Passions by Homilius were among the last compositions of their kind in the 18th century. In an oratorio Passion the chorus is restricted mainly to singing the chorales and the interjections of the crowd; only the conclusion of a Passion provides an opportunity for an extensive choral movement. In the St. John Passion the final chorus emphasizes the supreme importance of the Crucifixion as the climax of St. John's Gospel. The free elements of the composition take the forms customary at the time: da capo arias are predominant. Score and part available separately - see item CA.3710300.
SKU: CA.3710309
ISBN 9790007214234. Language: German.
The oratorio Passions by Homilius were among the last compositions of their kind in the 18th century. In an oratorio Passion the chorus is restricted mainly to singing the chorales and the interjections of the crowd; only the conclusion of a Passion provides an opportunity for an extensive choral movement. In the St. John Passion the final chorus emphasizes the supreme importance of the Crucifixion as the climax of St. John's Gospel. The free elements of the composition take the forms customary at the time: da capo arias are predominant. Score and parts available separately - see item CA.3710300.
SKU: CA.3710319
ISBN 9790007134303. Language: German.
SKU: CA.3710307
ISBN 9790007142742. Language: German.
The oratorio Passions by Homilius were among the last compositions of their kind in the 18th century. In an oratorio Passion the chorus is restricted mainly to singing the chorales and the interjections of the crowd; only the conclusion of a Passion provides an opportunity for an extensive choral movement. In the St. John Passion the final chorus emphasizes the supreme importance of the Crucifixion as the climax of St. John's Gospel. The free elements of the composition take the forms customary at the time: da capo arias are predominant. Score available separately - see item CA.3710300.
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