SKU: BT.DHP-1115233-400
ISBN 9789043136204. 9x12 inches. English-German-French-Dutch.
The Concertino op. 12 by the German violinist, composer and violin educator Ferdinand Küchler (1867-1937) is a three-movement work that is ideal for the development of playing in first and third position. The first movement is both powerful and playful in character, and its themes that follow on from each other rapidly, producing a concise sonata form. The second movement has been written in a three-part song form (A-B-A). The A section has a cantabile atmosphere, whereas section B is more dramatic. The third movement is a rondo (with a refrain and episodes). The refrain is joyful in spirit, and the episodes present variation.Het Concertino op. 12 van Ferdinand Küchler (1867-1937) is een driedelig werk. Voor de leerling is dit het ideale werk om aan de eerste en derde positie te werken. Het eerste deel is krachtig en speels tegelijk. Het tweededeel is in de vorm van een driedelige lied geschreven (A-B-A). Het derde deel is een rondo.Das Concertino op. 12 von Ferdinand Küchler (1867-1937) ist ein dreisätziges Werk, mit dem Schüler ausgezeichnet an ihrem Spiel in der ersten und dritten Lage arbeiten können. Der erste Satz ist kraftvoll und verspielt zugleich; der zweite Satz wurde in der Form eines dreistimmigen Liedes geschrieben (A-B-A). Der dritte Satz ist ein Rondo. Le Concertino opus 12 de Ferdinand Küchler (1867-1937) est un Å?uvre en trois mouvements, destinées aux élèves maîtrisant le jeu en première et troisième position. Le premier mouvement est puissant et ludique, le deuxième a été écrit sous la forme d'une mélodie en trois parties (ABA). Le troisième mouvement est un rondo. Il Concertino op. 12 di Ferdinand Küchler (1867-1937) è un brano in tre movimenti, ideale per praticare la prima e terza posizione. Il primo movimento è al contempo potente e gioioso, il secondo in forma di un canto a voci (A-B-A), mentre il terzo movimento è un rondò.
SKU: BT.EMBZ433
English-German-Hungarian.
Béla Bartók often used musical material from his folk music collections for his compositions. His Sonatina, originally written for solo piano in 1915, was based on songs that he collected in Transylvania. The three movements (1. Bagpipers - Molto moderato, 2. Bear Dance - Moderato, and 3. Finale - Allegro vivace) were orchestrated by Bartók in 1931. Shortly before Bartók's orchestral transcription was finished, violinist Gertler Endre's transcript for violin and piano was completed. Gertler and Bartók knew each other personally and, in fact, first made each other's acquaintance as a result of their shared experience with their respective transcriptions.
SKU: FP.FZZ24
ISBN 979-0-57050-358-2.
An album of hidden gems for violin by some of the best British composers of the modern era. Part of the British Heritage series dedicated to increasing awareness of the music of this period.
SKU: FP.FDC24
ISBN 9790570504336.
An imaginative first violin book, featuring 12 music sketches with fingering and tips on technique and reading music, inspired by the composer's experience teaching a young boy named Peter, and the musical pictures they painted together.Composer and critic Cyril Carr Dalmaine graduated from the Royal College of Music and was Music master at Uppington School before going on to become chorus master to the BBC. He is most famous for coining the term 'Lord Haw-Haw' in his work as radio critic of the Daily Express under the pseudonym Jonah Barrington, in reference to the Nazi propaganda broadcasts of William Joyce during the Second World War.Dalmaine was also a record presenter in the pre-1955 days and responsible for the 'discovery' of the then deceased Italian tenor, Alessandro Valente, giving Valente enjoyed a considerable posthumous vogue. As a composer Dalmaine wrote chamber music, and transcribed the cantatas of J.S. Bach to piano as well as a wide range of piano and string works published by Forsyth. His works such as Variation from Versailles and Pathway to the Proms remain in print and are well worth re-discovering, while his arrangements of popular classics in our Silhouette Series remain best sellers.
SKU: HL.49046626
UPC: 842819114628. 9.0x12.0x0.07 inches.
Samuel Coleridge-Taylor was paid three guineas for the publishing rights to his Suite de Pièces by Schott & Co. London on 24 December 1892 when the composer was just 17 years old. In the following year the work was published by Schott Music's German office in versions for both violin with piano and violin with organ. Coleridge-Taylor was born in London and brought up in Croydon. He learnt to play the violin, was recognized as a child prodigy and at 15 was awarded a scholarship to study at the Royal College of Music with Charles Villiers Stanford, where he was a contemporary of Holst and Vaughan Williams. Coleridge-Taylor described himself Anglo-African and, despite support from his colleagues, faced racism throughout his whole career. In spite of this prejudice and his tragically early death in 1912 aged just 37, he enjoyed great success during his lifetime and his music was performed at the Proms no less than 116 times between 1898 and 1939. In contrast, since 1940 his music has only been heard there on eleven occasions. Like many works, at some point in the past Suite de Pièces became out of print. Schott Music is very proud to present this new modern performing edition of the version for violin and piano. Errors and inconsistencies from the first edition have now been corrected.
SKU: FL.FX071870
This composition was created for young musicians (mostly teenagers), and will be played as a pop song. Indeed, its texture (silky and polished) is related to the use of triplets and harmonic series built on the principle of 'verse / chorus'. Its tempo (close to the human body beat) and duration (3 minutes) will make it the hit of the summer!
SKU: HL.49044134
ISBN 9790001192880. UPC: 888680097493. 9.0x12.0x0.251 inches.
Die Struktur musikalischer Hierarchien in drei Satzen: 'Do' fur die westliche, 'Mi' fur die ostliche, pentatonische Musikkultur, 'Re' im Wechsel. Eotvos baut in seinem zweiten Violinkonzert komplexe Weltbilder; gewidmet ist das Werk der Geigerin Midori.3 (2. auch Picc., 3. auch Altfl.) * 2 (2. auch Engl. Hr.) * 3 (2. auch Es-Klar., 3. auch Bassklar.) * 2 (2. auch Kfg.) - 2 * 2 * 1 * 0 - S. (I [links]: Glsp. * Trgl. [t.] * Bong. (sehr h.) * 2 Rohren (Metall) * Sizzle-Beck. * Marac. * 3 Woodbl. * Chin. Dom-Beck. [t.] - II [Mitte]: Crot. * Xyl. * Trgl. [m.] * Rohrengl. * 2 Gongs * Caxixi * Guiro [m./h.] * Chin. Dom-Beck. [m.] - III [rechts]: Cowbells * 2 Beck. [t./m.] * Trgl. [h.] * Bong. [h.]* Sizzle-Beck. * Marac. * Tamb. * Chin. Dom-Beck. [h.] * Tamt. [t.]) (3 Spieler) - Hfe. * Cel. - Str. (8 * 6 * 6 * 6 * 4 [3./4. 5-Saiter]).
SKU: FG.55011-466-1
ISBN 9790550114661.
Armas Jarnefelt (1869-1958) was a Finnish composer and conductor. Jarnefelt studied in Berlin in 1890-91 with Albert Becker as his teacher. In addition to composing studies, Jarnefelt fully enjoyed the life that a bustling metropolis could offer to a young man - concerts, operas, cafe life etc. Romanze, composed for Geraldine Morgan, was premiered in Helsinki in February 1892. According to critics (notably Bis Wasenius) the work was un-Finnish, perhaps echoing the continental winds Jarnefelt had experienced in Berlin. That aside, Jarnefelt's future brother-in-law, Jean Sibelius, analyzed the Romanze in a letter to his fiancee, Aino, sister of Armas: I think Romanze is a fine technical accomplishment, even the structure works well, given the theme as it is. But Armas certainly can do better than this, he should not waste his efforts in small-scale [salon] music. - Armas will find his own way and will be hailed as the greatest musician of this country..
SKU: BR.EB-8647
ISBN 9790004183403. 9 x 12 inches.
Gone are the days when chamber music was relegated to the sidelines of piano instruction. TWOgether contains two pieces each, mostly original, for piano and the most popular classical melody instruments. It is clear that the pieces make equal musical demands on both the piano and the melody instrument. Thanks to this stylistically varied book, young pianists or their teachers can go out recruiting all kinds of different musical partners. Facilitating their access to the pieces are the informative comments of the editors, which include thoughts on chamber music, and the intonations provided by Oskar Aichinger.
SKU: HL.50488337
ISBN 9790080054918. A/4 inches. Hungarian, English, German.
Pal Jardanyi (1920 - 1966) was one of the most distinguished figures in Hungarian music during the years following the Second World War. He was an innovative researcher in the field of folk music, an eminent music critic, and a multifaceted teacher. Throughout a short creative life he pursued his own artistic and political beliefs, founded on the musical ideas of Bartok and Kodaly.
SKU: BT.EMBZ5491
Pál Járdányi (1920 - 1966) was one of the most distinguished figures in Hungarian music during the years following the Second World War. He was an innovative researcher in the field of folk music, an eminent music critic, and a multifaceted teacher. Throughout a short creative life he pursued his own artistic and political beliefs, founded on the musical ideas of Bartók and Kodály.
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