SKU: HL.14050057
ISBN 9781785588853. UPC: 888680706302. 9.0x12.0x0.163 inches.
About A New Tune A Day
Since it first appeared in the 1930s, the concise, clear content of the best-selling A Tune A Day series has revolutionized music-making in the classroom and the home. Now, for the first time, C. Paul Herfurth's original books have been completely rewritten with new music and the latest in instrumental technique for a new generation of musicians. The A New Tune A Day books have the same logical, gentle pace and keen attention to detail, but with a host of innovations: the inclusion of an audio CD-with actual performances and backing tracks-will make practice even more fun and exciting, and the explanatory diagrams and photographs will help the student to achieve the perfect technique and tone. This book contains: easy-to-follow lessons on clear, uncluttered pages; tips for technique; improvising hints; audio CD with a virtuoso performance, backing tracks, and audio examples; great music, including duets and ensemble pieces; useful pull-out fingering chart
SKU: FG.55011-173-8
ISBN 979-0-55011-173-8.
42 Finger Exercises for perfect intonation in the first position. These Colourstrings mini-studies for violin were created in order to make learning and teaching ear-led finger-stopping movements even more effective and enjoyable.
SKU: BT.EMBZ1975
This is a revised edition of the scale studies published in 1948. It contains the major and minor scales used during violin teaching at elementary level as well as broken triads and seventh chords. Its mission is to gradually prepare the player for the volume ''Das Skalensystem by Carl Flesch, used in advanced level teaching.It depends on the needs of the student whether to make use of the fingering suggested in the music or a different one: the same musical patterns can be realized in many different ways. Similarly, bowing, rhythmic patterns, and dynamic levels may be altered according to taste.As far as progressions in thirds, sixths, octaves, and tenths are concerned, dueto lack of space only samples are given here. Based on these, transposed versions may be elaborated individually.
SKU: GI.G-J330
ISBN 9781579994571. English.
The newly revised Jump Right In: The Instrumental Series for Strings incorporates hundreds of improvements designed to make the series practical, engaging, and, most of all, musical. Like its counterparts for winds and recorder, the string series includes high-quality CD recordings of folk songs and melodies and performances by some of the world’s greatest musicians. And, of course, this series incorporates the latest research and is sequenced according to Edwin E. Gordon’s Music Learning Theory. The 522-page Teacher’s Guide incorporates all of Book 1 and 2 and includes complete lesson plans, an introduction to Music Learning Theory, connections to the National Standards, and information on testing, recruiting, scheduling, and many other critical issues.
SKU: AP.36-52710542
ISBN 9781628769449. UPC: 679360759523. English.
This audition survival guide for teachers and students of all levels begins with one-octave major and minor scales to three sharps and flats. Two-octave scales are introduced subsequently, and the book concludes with three-octave scales to five sharps and flats. Two-octave blues scales to four sharps and flats are included as a bonus. Bowings and fingerings are not included in this workbook, which includes blank staves in the back for teachers to make suggestions. An introduction by Lynne Latham offers tips on how to practice scales and includes a lesson on scale construction and theory.
These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.
SKU: HL.48181471
UPC: 888680842536. 0.114 inches.
Technical Exercises, Vol. 1 was created by Maurice Hauchard (1870-1957), a French violinist, composer and music teacher. This is the first of a series of two constituting a renowned progressive method, for upper beginners. This first book of Technical Exercises focuses on technical methods for the left hand and insists on the player's correct body position. It also proposes different exercises which involve the development of independent fingers, crossing fingers, chords, scales and octaves. The quality and the efficiency of Maurice Hauchard?s methods make this book a key series to have for a Violin player. In addition to this series, the composer also created nine additional methods for strings..
SKU: GI.G-J319
English.
SKU: BT.DHP-1033473-400
ISBN 9789043118804. International.
Tango Variety is an ideal book for violin players who want to explore playing the popular tango. Written in keys suitable for the violin -with uncomplicated position changes up to the third position - this volume provides lots of playing fun. Enjoy this wonderful tango music! The piano accompaniment is available separately but you also have the option of using the accompaniment on the enclosed CD if you have no accompanist available. De meeslepende Zuid-Amerikaanse tangomuziek is sensueel, melancholisch, trots en elegant. Tango Variety is een ideaal boek voor wie houdt van de fascinerende klanken van de tango. Omdat de positiewisselingen - tot de derdepositie - niet al te ingewikkeld zijn, is het speelplezier voor de jonge violist groot. Letâ??s tango!Tango: bezwingende südamerikanische Musik voll Sinnlichkeit, Stolz, Schwermut und Eleganz. Der Komponist dieser zehn Stücke lieÃ? sich vom Tango- und Rumbaorchester Malando inspirieren. Tango Variety enthält verschiedene Stücke für alle Geiger, die die dritte Lage beherrschen und ihr Herz für die faszinierenden Klänge des Tango entdeckt haben. Tango Variety è la raccolta ideale per ogni violinista che desideri partire alla scoperta del mondo affascinante del tango classico.
SKU: AP.6-428532
ISBN 9780486428536. English.
A comprehensive view of the violin and viola, detailing their historical development and changing structure; contributions of the legendary Cremona school of makers and of Stradivarius; techniques and improvements advocated by legendary teachers; the great schools of players, from Corelli to Paganini; and the demands imposed by the growth of the nineteenth-century orchestra. Also included: teaching and acoustics, covering scientific properties of the vibrating string, the harmonic series, tone color, intonation, and much more. Includes music examples, diagrams, and 24 plates. Introduction to the Dover edition by the author. Unabridged republication of The Violin and Viola, originally published in 1972 by Ernest Benn, London, and W. W. Norton, New York.
SKU: PR.UE037117
ISBN 9783702474591. UPC: 803452071709.
The familiar Happy Birthday tune undergoes an Igudesman concert transformation. Stated simply enough, the melody immediately morphs into a Viennese waltz, a big band statement, a Bulgarian step dance, a Russian romp, and more. A touch of violinistic virtuosity leads to the fantastic finish. Make someone's birthday special!
SKU: PR.416411770
UPC: 680160091508.
I was tempted to call the piece Throw Back because it consciously employs rhythmic and harmonic approaches characteristic of the earlier part of the twentieth century, much of which plays a part in forging my musical personality. Going along with the impetus, I have paid homage by subtly interpolating stylistic or actual references to such unexpected bedfellows as Scriabin, Ravel, Debussy, Piston, Roussel, and Ysaye. I hope I will be musically forgiven. In one continuous movement, there are three definite internal sections: Presto-Largo-Allegro. The first section opens with a very soft percussion cadenza. If the acoustics allow it, the player will use sponge pottery mallets (sponge-headed mallets employed to smooth the interior of a pot as it is being spin-dried). No matter how hard the percussionist strikes the drums, the dynamic cannot go above pp (pianissimo). This cadenza serves as a basis for the first movement. The elements of the cadenza are taken by the orchestra to make the first major statement, similar to the classical concerto; but rather than making a restatement, the soloists, when they come in, begin with variational ideas. The second section is given over to the soloists, and is lyrical. The third section begins with an alternation between strict rhythmic pulsation and free-sounding timbres, as if reluctant to leave the second section behind. The rhythmic aspect takes over more and more as the piece progresses toward its conclusion. Double Play was commissioned by the Saint Paul Chamber Orchestra with financial assistance from the Northwest Area Foundation. It received its premiere on January 7, 1983, in St. Paul, with the St. Paul Chamber Orchestra; Pinchas Zukerman, violinist; Marc Neikrug, piano; and the composer conducting.
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