String Orchestra (Score & Parts) - Grade 3-4

SKU: HL.4491591

Arranged by Calvin Custer and Sean O'Loughlin. Music for String Orchestra. Chanukah, Hanukkah, Holiday. Softcover. Published by Hal Leonard (HL.4491591).

UPC: 888680077716. 9.0x12.0x0.368 inches. Arr. Calvin Custer/adapt. Sean O'Loughlin.

From the brilliant pen of Calvin Custer comes this splendid montage of folk style songs, both traditional and original, to celebrate the joy of the season. Originally conceived for full orchestra, Sean's adaptation of Calvin's medley is delightful to hear and perform. Includes Chanukah, Chanukah; Chanukah, Oy Chanukah; Ma'oz Tsur (Rock of Ages); My Dreidel.

Violin. Arranged by John O'Reilly. Method/Instruction; String Orchestra Method/Supplement. Strictly Strings. Christmas; Winter. Book. 24 pages. Alfred Music #00-11240. Published by Alfred Music

Transcontinental Music Folios. Size 8.5x11 inches. 308 pages. Published by Transcontinental Music Publications.

Hebrew Holiday and Folk Songs (with Lyrics, Translations and Guitar Chords). Arranged by Renee Karp and David Karp. For voice and piano. Piano Collection; Piano Supplemental. Elementary/Intermediate level piece for the Hymn Playing event with the National Federation of Music Clubs (NFMC) Festivals Bulletin 2008-2009-2010. Chanukah. Early Intermediate; Intermediate; Late Elementary. Songbook. Vocal melody, piano accompaniment, lyrics, chord names, guitar chord diagrams and instructional text. 48 pages. Published by Alfred Music Publishing

By Morton Manus, Sandy Feldstein. For Recorder. Recorder Method (Suzuki). Book. 32 pages. Published by Alfred Publishing.

Orchestra String Orchestra - Grade 2-2.5

SKU: CF.YAS15

Composed by Traditional Holiday Song. Edited by Amy Rosen. Arranged by Bud Caputo. SWS FS. Carl Fischer Young String Orchestra Series. Score and Parts. With Standard notation. 16+2+4+16+10+10+3+10+12 pages. Carl Fischer Music #YAS15. Published by Carl Fischer Music (CF.YAS15).

ISBN 9780825851995. UPC: 798408051990. 8.5 X 11 inches. Key: D minor.

Lower strings be sure to maintain a steady pulse and dont rush the walking figure at the opening. When the melody is transferred to the lower strings (pick-up to m. 10 and m. 13), play with a full sound. Be careful of the balance and allow the soloist to dominate in mm. 121. If the soloist is comfortable using third position, play mm. 119 and the first half of m. 20 one octave higher. All parts should be in a solid marcato style in the fast section (m. 22 to the end). In m.50, Violin I should bring out the Hava Nagila quote equal to the volume of the rest of the orchestra. Be sure to observe all the soft dynamics to add interest to the performance. String editing by Amy Rosen.
Lower strings be sure to maintain a steady pulse and donat rush the walking figure at the opening. When the melody is transferred to the lower strings (pick-up to m. 10 and m. 13), play with a full sound. Be careful of the balance and allow the soloist to dominate in mm. 1a21. If the soloist is comfortable using third position, play mm. 1a19 and the first half of m. 20 one octave higher. All parts should be in a solid marcato style in the fast section (m. 22 to the end). In m.50, Violin I should bring out the Hava Nagila quote equal to the volume of the rest of the orchestra. Be sure to observe all the soft dynamics to add interest to the performance. String editing by Amy Rosen.
Lower strings be sure to maintain a steady pulse and don't rush the walking figure at the opening. When the melody is transferred to the lower strings (pick-up to m. 10 and m. 13), play with a full sound. Be careful of the balance and allow the soloist to dominate in mm. 1-21. If the soloist is comfortable using third position, play mm. 1-19 and the first half of m. 20 one octave higher. All parts should be in a solid marcato style in the fast section (m. 22 to the end). In m.50, Violin I should bring out the Hava Nagila quote equal to the volume of the rest of the orchestra. Be sure to observe all the soft dynamics to add interest to the performance. String editing by Amy Rosen.
Lower strings be sure to maintain a steady pulse and don’t rush the walking figure at the opening. When the melody is transferred to the lower strings (pick-up to m. 10 and m. 13), play with a full sound. Be careful of the balance and allow the soloist to dominate in mm. 1–21. If the soloist is comfortable using third position, play mm. 1–19 and the first half of m. 20 one octave higher.All parts should be in a solid marcato style in the fast section (m. 22 to the end). In m.50, Violin I should bring out the Hava Nagila quote equal to the volume of the rest of the orchestra. Be sure to observe all the soft dynamics to add interest to the performance.String editing by Amy Rosen.

About Carl Fischer Young String Orchestra Series

This series of Grade 2/Grade 2.5 pieces is designed for second and third year ensembles. The pieces in this series are characterized by:
--Occasionally extending to third position
--Keys carefully considered for appropriate difficulty
--Addition of separate 2nd violin and viola parts
--Viola T.C. part included
--Increase in independence of parts over beginning levels

Carol Of The Bells and O Little Town Of Bethlehem arranged by Jonathon Robbins. For piano, voice, guitar solo. Solo. Best of Christmas series. Christmas. Sheet Music. Text Language: English. 8 pages. Published by Santorella Publications

Transcontinental Music Folios. Size 8.5x11 inches. 42 pages. Published by Transcontinental Music Publications.

By Renee And David Karp. For Piano. The FJH Piano Teaching Library. Sacred. Level: Early Elementary. Book. Published by The FJH Music Company Inc.