| Wonderland (A New Alice. A New Musical)
Piano, Vocal and Guitar [Sheet music] Cherry Lane
(A New Alice. A New Musical.). By Frank Wildhorn. Piano/Vocal/Guitar Songboo...(+)
(A New Alice. A New Musical.).
By Frank Wildhorn.
Piano/Vocal/Guitar Songbook.
Softcover. 144 pages.
Published by Cherry Lane Music
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| I Will Lift Up Mine Eyes Choral SATB SATB A Cappella [Sheet music] Peermusic Classical
By Morten Lauridsen (1943-). SATB. Peermusic Classical. Softcover. 8 pages. Peer...(+)
By Morten Lauridsen (1943-). SATB. Peermusic Classical. Softcover. 8 pages. Peermusic #62180-121. Published by Peermusic
$1.90 $1.805 (5% off) See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The Top 300 Contemporary Christian Songs Voice solo Lillenas Publishing Co.
(Leadsheets for Performance and Personal Enjoyment). Composed by David Mcdonald....(+)
(Leadsheets for Performance and Personal Enjoyment). Composed by David Mcdonald. For voice solo. Sacred Vocal. Published by Lillenas Publishing Company
$34.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| I Want Jesus to Walk with Me Choral Soprano solo, SATB, Keyboard [Octavo] Exaltation Publications | | |
| Night Pieces: Five Preludes for Piano Piano solo Edward B. Marks Music Company
Composed by William Bolcom. E.B. Marks. Classical, Contemporary. Softcover. 12 p...(+)
Composed by William Bolcom. E.B. Marks. Classical, Contemporary. Softcover. 12 pages. Edward B. Marks Music #EBM210361. Published by Edward B. Marks Music
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| Praises (Orchestration) Choral SATB [Score and Parts] Lillenas Publishing Co.
SATB choir SKU: LP.OR-9177 Three Decades of Inspirational Song -- 27 S...(+)
SATB choir SKU: LP.OR-9177 Three Decades of Inspirational Song -- 27 Stirring Classics & Exciting New Standards. Arranged by Thomas Fettke. Choral. Masters Chorale. Multicultural and Sacred. Score and parts. Published by Lillenas Publishing Company (LP.OR-9177). UPC: 765762090804. Incredible treasury of powerful choral arrangements by Tom Fettke 27 stirring classics and exciting standards Covers a wide range of styles including contemporary gospel praise and worship and southern gospel Large folio-sized solo/accompaniment edition provides an outstanding collection of medium-high voice solo arrangements as well as the full piano accompaniments for the choral book Split-channel accompaniment trax are available specifically for solo use. Choral music enthusiasts will enjoy the stereo listening recording available in cassette or CD. This excellent recording is produced by Tom Fettke and features the Master's Chorale. Sample titles include: High and Lifted Up; Praises; I Stand Here Forgiven; Think About His Love; God So Loved the World; Home Where I Belong; I Am; The Gates of Hell Shall Not Prevail; Joy of My Desire; My Life Is in You Lord. $395.00 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| The Lamb Boosey and Hawkes
(SSAATTBB choir) SKU: HL.48024952 SATB Divisi a cappella. Composed...(+)
(SSAATTBB choir) SKU: HL.48024952 SATB Divisi a cappella. Composed by Becky McGlade. Boosey & Hawkes Sacred Choral. Octavo. Boosey & Hawkes #M060137235. Published by Boosey & Hawkes (HL.48024952). ISBN 9781784545987. UPC: 840126947243. 6.75x10.5 inches. I was introduced to William Blake's poem The Lamb many years ago through John Tavener's famous setting and, when commissioned by York Minster to write a carol for their 2019 nine lessons and carols services, the idea of writing my own setting of this beautiful poem was hard to resist. For me, the biblical symbol of the lamb represents one of the most profound theological mysteries. That divine omnipotence as represented by the symbolic lamb speaks volumes of the humility and self-sacrificing nature of God; complexity illustrated in simplicity. The poet has seen within the vulnerability of the lamb, the profundity of God's self-sacrifice. I looked to convey the innocence of the lamb through the gentle opening of the piece with its simple melody and harmony. The harmonies gradually intensify as the questions of the text continue, and there is a stronger feel to the second verse as those questions begin to be answered and it is revealed that the Creator God is Himself the Lamb. A feeling of space should prevail, without the tempo dragging. The commas in bars 29, 33, 46, 51 and 52 imply there should be room to breathe, but not a whole quaver's worth of breath if possible. $4.95 - See more - Buy online | | |
| Marche fatale Piano solo [Score] Breitkopf & Härtel
Piano SKU: BR.EB-9253 Composed by Helmut Lachenmann. Solo instruments; st...(+)
Piano SKU: BR.EB-9253 Composed by Helmut Lachenmann. Solo instruments; stapled. Edition Breitkopf. World premiere of the orchestral version: Stuttgart, January 1, 2018World premiere of the piano version: Mito, June 17, 2017 Have a look into EB 9283. New music (post-2000). Score. Composed 2016/17/20. 12 pages. Duration 8'. Breitkopf and Haertel #EB 9253. Published by Breitkopf and Haertel (BR.EB-9253). ISBN 9790004185537. 9 x 12 inches. Marche fatale is an incautiously daring escapade that may annoy the fans of my compositions more than my earlier works, many of which have prevailed only after scandals at their world premieres. My Marche fatale has, though, little stylistically to do with my previous compositional path; it presents itself without restraint, if not as a regression, then still as a recourse to those empty phrases to which modern civilization still clings in its daily utility music, whereas music in the 20th and 21st centuries has long since advanced to new, unfamiliar soundscapes and expressive possibilities. The key term is banality. As creators we despise it, we try to avoid it - though we are not safe from the cheap banal even within new aesthetic achievements.Many composers have incidentally accepted the banal. Mozart wrote Ein musikalischer Spass [A Musical Jape], a deliberately amateurishly miscarried sextet. Beethoven's Bagatellen op. 119 were rejected by the publisher on the grounds that few will believe that this minor work is by the famous Beethoven. Mauricio Kagel wrote, tongue in cheek, so to speak, Marsche, um den Sieg zu verfehlen [Marches for being Unvictorious], Ligeti wrote Hungarian Rock; in his Circus Polka Stravinsky quoted and distorted the famous, all too popular Schubert military march, composed at the time for piano duet. I myself do not know, though, whether I ought to rank my Marche fatale alongside these examples: I accept the humor in daily life, the more so as this daily life for some of us is not otherwise to be borne. In music, I mistrust it, considering myself all the closer to the profounder idea of cheerfulness having little to do with humor. However: Isn't a march with its compelling claim to a collectively martial or festive mood absurd, a priori? Is it even music at all? Can one march and at the same time listen? Eventually, I resolved to take the absurd seriously - perhaps bitterly seriously - as a debunking emblem of our civilization that is standing on the brink. The way - seemingly unstoppable - into the black hole of all debilitating demons: that can become serene. My old request of myself and my music-creating surroundings is to write a non-music, whence the familiar concept of music is repeatedly re-defined anew and differently, so that derailed here - perhaps? - in a treacherous way, the concert hall becomes the place of mind-opening adventures instead of a refuge in illusory security. How could that happen? The rest is - thinking.(Helmut Lachenmann, 2017)CD (Version for Piano):Nicolas Hodges CD Wergo WER 7393 2 Bibliography:Ich bin nicht ,,pietistisch verformt. Ein Gesprach [von Jan Brachmann] mit dem Komponisten Helmut Lachenmann, in: FAZ vom 7. Juni 2018, p. 15.
World premiere of the piano version: Mito/Japan, June 17, 2017, World premiere of the orchestral version: Stuttgart, January 1, 2018, World premiere of the ensemble version: Frankfurt, December 9, 2020. $30.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Marche fatale Orchestra [Score] Breitkopf & Härtel
Orchestra SKU: BR.PB-5432 Composed by Helmut Lachenmann. Orchestra; stapl...(+)
Orchestra SKU: BR.PB-5432 Composed by Helmut Lachenmann. Orchestra; stapled. Partitur-Bibliothek (Score Library). World premiere of the orchestral version: Stuttgart, January 1, 2018World premiere of the piano version: Mito, June 17, 2017 Have a look into EB 9283. New music (post-2000). Full score. Composed 2016/17/20. 48 pages. Duration 8'. Breitkopf and Haertel #PB 5432. Published by Breitkopf and Haertel (BR.PB-5432). ISBN 9790004212790. 10 x 12.5 inches. Marche fatale is an incautiously daring escapade that may annoy the fans of my compositions more than my earlier works, many of which have prevailed only after scandals at their world premieres. My Marche fatale has, though, little stylistically to do with my previous compositional path; it presents itself without restraint, if not as a regression, then still as a recourse to those empty phrases to which modern civilization still clings in its daily utility music, whereas music in the 20th and 21st centuries has long since advanced to new, unfamiliar soundscapes and expressive possibilities. The key term is banality. As creators we despise it, we try to avoid it - though we are not safe from the cheap banal even within new aesthetic achievements.Many composers have incidentally accepted the banal. Mozart wrote Ein musikalischer Spass [A Musical Jape], a deliberately amateurishly miscarried sextet. Beethoven's Bagatellen op. 119 were rejected by the publisher on the grounds that few will believe that this minor work is by the famous Beethoven. Mauricio Kagel wrote, tongue in cheek, so to speak, Marsche, um den Sieg zu verfehlen [Marches for being Unvictorious], Ligeti wrote Hungarian Rock; in his Circus Polka Stravinsky quoted and distorted the famous, all too popular Schubert military march, composed at the time for piano duet. I myself do not know, though, whether I ought to rank my Marche fatale alongside these examples: I accept the humor in daily life, the more so as this daily life for some of us is not otherwise to be borne. In music, I mistrust it, considering myself all the closer to the profounder idea of cheerfulness having little to do with humor. However: Isn't a march with its compelling claim to a collectively martial or festive mood absurd, a priori? Is it even music at all? Can one march and at the same time listen? Eventually, I resolved to take the absurd seriously - perhaps bitterly seriously - as a debunking emblem of our civilization that is standing on the brink. The way - seemingly unstoppable - into the black hole of all debilitating demons: that can become serene. My old request of myself and my music-creating surroundings is to write a non-music, whence the familiar concept of music is repeatedly re-defined anew and differently, so that derailed here - perhaps? - in a treacherous way, the concert hall becomes the place of mind-opening adventures instead of a refuge in illusory security. How could that happen? The rest is - thinking.(Helmut Lachenmann, 2017)CD (Version for Piano):Nicolas Hodges CD Wergo WER 7393 2 Bibliography:Ich bin nicht ,,pietistisch verformt. Ein Gesprach [von Jan Brachmann] mit dem Komponisten Helmut Lachenmann, in: FAZ vom 7. Juni 2018, p. 15.
World premiere of the piano version: Mito/Japan, June 17, 2017, World premiere of the orchestral version: Stuttgart, January 1, 2018, World premiere of the ensemble version: Frankfurt, December 9, 2020. $63.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Thanatopsis, Op. 4 Piano, Voice G. Henle
Alto; Soprano; Vocal (Voice and Piano) SKU: HL.51481487 For Female Voi...(+)
Alto; Soprano; Vocal (Voice and Piano) SKU: HL.51481487 For Female Voice and Piano. Composed by Evgeny Kissin. Henle Music Folios. Classical. Softcover. G. Henle #HN1487. Published by G. Henle (HL.51481487). UPC: 840126989342. 8.25x11.75x0.079 inches. It is a great pleasure to present, with Thanatopsis, maestro Kissin's opus 4, an expressive setting of the ground-breaking poem from the quill of William Cullen Bryant. Published in in the form known today in 1821, it is an early example of American romantic poetry of the 19th century. Bryant is today reckoned among the group of “Fireside Poets†or “Schoolroom Poets,†names that allude to the places where their poems were usually recited. His poems – first and foremost Thanatopsis (“A Consideration of Deathâ€) as his most famous – are rooted in the English tradition, but at the same time show Bryant's openness to a genuine American language and lifeworld. Evgeny Kissin's setting is a large vocal scene intensely informed by recitative, which congenially allows the prevailing mood of the text to resound. Our edition additionally includes German and French translations of the poem and an informative afterword about Bryant's life and work and the genesis of Thanatopsis. About Henle Urtext What I can expect from Henle Urtext editions: - error-free, reliable musical texts based on meticulous musicological research - fingerings and bowings by famous artists and pedagogues
- preface in 3 languages with information on the genesis and history of the work
- Critical Commentary in 1 – 3 languages with a description and evaluation of the sources and explaining all source discrepancies and editorial decisions
- most beautiful music engraving
- page-turns, fold-out pages, and cues where you need them
- excellent print quality and binding
- largest Urtext catalogue world-wide
- longest Urtext experience (founded 1948 exclusively for Urtext editions)
$21.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
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