SKU: TM.00543SET
Solo/pf.
SKU: TM.00507SET
Sol/pf. Trans: Cl 1&2, Hn 1-4, Tpt 1&2.
SKU: TM.00543SC
SKU: BT.CMP-1090-06-020
9x12 inches. English.
Drie absolute kerstklassiekers in een gospeljasje: O Come Emmanuel, Adeste Fidelis (Komt allen tezamen) en het Hallelujah Chorus uit Händelâ??s Messiah. De langzame introductie bereidt het publiek voor op wat komen gaat,waarna het orkest plotseling losbarst met uptempo gospelklanken. Levendige ritmes en creatieve harmonische ideeën maken dit een bijzonder en aanstekelijk arrangement voor uw eerstvolgende kerstconcert.Musique dâ??hier née des souffrances dâ??un peuple, le gospel sâ??est transformé au point de devenir une musique universelle pleine dâ??émotion et de joie. Stephen Bulla vous propose une version gospel des mélodies O Come Emmanuel, Adestes Fideles et du célèbre Halleluja extrait du Messie de Georg Friedrich Haendel. Entrez dans une nouvelle dimension musicale.
SKU: IM.2429
SKU: TM.00507SC
SKU: BO.B.1844
SKU: HL.349166
ISBN 9781705103265. UPC: 840126932133. 9.0x12.0x0.092 inches.
I attended a birthday party for my friend, the writer Gail Godwin, at the home of another friend, Frances Halsband. Frances played for me the birdsong of a Wilson's Warbler, a new species to me. Attracted by this sound I proceeded to compose a set of pieces called Mimesis, the individual movements of which are related to creatures of nature. The first movement, Warblemusic, is written for Frances Halsband, remembering Robert Kliment; Owls is for Gail Godwin, remembering Robert Starer; Snail and Parakeet, remembering Richard W. Zingler (my grandfather, who had a parakeet); and Frog Chorus, remembering John Thompson's First Grad Book out of which I studied at age seven, its Frog's Chorus being my favorite selection. -Richard Wilson.
SKU: HL.50601848
UPC: 888680937089. English.
Cheryl Frances-Hoad's Commuterland for Solo Piano.
'Commuterland was written directly after I had had to do a long commute every day for a week for a project I was working on.
The frustration of rush hour, and being caught behind crowds walking slowly through underground tunnels is expressed in this piece!
At the same time I was listening to a lot of Bartok, and the repetitive motivic cells and harmonies are in part a hommage to this composer, who is one of my idols.' - Cheryl Frances-Hoad
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