Wind quintet

SKU: FG.55011-295-7

Composed by Jennah Vainio. Score. Published by Fennica Gehrman (FG.55011-295-7).

ISBN 9790-55011-295-7.

Odin's Beard was commissioned by I Fiati Italiani quintet, made up of musicians of the Teatro alla Scala of Milan. Visual impressions give often an impetus to Vainio's composing. In Odin's Beard they are connected to the characters of the Nordic mythology, including Odin and his son Thor.

V: Periferia di un paese

SKU: HL.50603660

For Flute and Piano. Composed by Nino Rota. Arranged by C. Tabarelli. Woodwind Solo. Softcover. Ricordi #NR142176. Published by Ricordi (HL.50603660).

ISBN 9781705127810. UPC: 840126952278.

This work is a reworking of the music written by Nino Rota for the film of the same name by Federico Fellini, Oscar winner in 1957. In 1967 Rota composed the music for the ballet La strada for the Teatro alla Scala, in collaboration with the choreographer Mario Pistoni, where Carla Fracci was expected to play the role of Gelsomina. This show has always remained alive in my memory since in those years I began the profession of flutist at La Scala, where I also had the opportunity to perform ballet. The transcription traces the salient moments of the plot, highlighted by the captions taken from the original score. Free of virtuosity, so appreciated by the flutists, it is conceived with the intention of restoring the dramaturgical tension of the Fellini-Rota masterpiece. (C. Tabarelli).

Guitar

SKU: UT.CH-101

Composed by Davide Notartomaso. Saddle stitching. Classical. Ut Orpheus #CH 101. Published by Ut Orpheus (UT.CH-101).

ISBN 9790215315815. 9 x 12 inches.

Composition winner of the 2nd Edition (2008) of the Classical Guitar Musical Composition Competition â??Suoni Nuovi Autoriâ?? in Latina, Italy (Section 1)
The composition Roma born after a short travel in the eternal city. The multiple cultural, historical and landscaped stimuli that derive from its ruins must touch the mind of every visitor dipping it and transporting it behind in the history: these are the feelings that have inspired the composition of a conceptualistic-descriptive music work, dedicated to the places that more meant during the authorâ??s travel.
First part, â??Anfiteatro Flavioâ??, is clearly dedicated to Colosseo. It is so imposing and majestic that recalls still today the outcry of the battles and the noise of the iron: all that is translate in music with frequent changes of time and a virtuosistic and pressing writing. The apex of the fight marks in the composition a growing culminated in a moment of suspension and the immediate resumption with change of theme for the victory moment and its majestic celebration.
The second part, â??Villa Borgheseâ??, marks the passage to a situation of ecstasy and serenity inspired from the beauty and tranquillity of the places of the famous roman park. The composition develops with sweetness but are also present dissonant notes that recall the park contextualizzation in the heart of the city, with its chaotic present and with the urgent violence of its past.

(Oper in 1 Akt). By Morton Feldman (1926-1987). Edited by Emilio Pomarico. For Soprano Voice, Orchestra. The New Study Score Series. World Premiere: in Teatro dell'Opera Roma / Italy; conducted by Marcello Panni. Study score. Composed 1977

Composed by Antonio Vivaldi (1678-1741). Edited by and arr., with new words, by Patrick M. Liebergen. Choir Secular. For Opt. Flute Obbligato (2-Part Choir). Choral Octavo; Masterworks. Choral Designs. Baroque; Masterwork Arrangement; Secular. 16 pages. Published by Alfred Music