SKU: HL.527062
ISBN 9781705166338. UPC: 196288075066. 6.75x10.5x0.019 inches. I Corinthians 13:13, Proverbs 22:6.
Wonderfully suited for Mother's Day, Father's Day, baptism, communion, or any family-themed service, this anthem honors the cherished gifts often connected with family. The simple melody is easy to learn and allows young voices to sing with strength and confidence.
SKU: HL.35032293
ISBN 9781540028921. UPC: 888680751203. 8.5x11.0x0.135 inches. Joseph M. Martin/Brad Nix/Jeff Reeves/John R. Paradowski/Glenn and Susan Eernisse/Lynn Shaw Bailey.
Sing and Celebrate 8! provides everything you need for developing younger elementary choirs in your church! Designed for grades K-3, Sing and Celebrate 8! contains a variety of general and seasonal songs for use throughout the church year. Packed with lesson plans, teaching resources, and rehearsal planning ideas, this collection gives you all the tools necessary for building a successful, engaging choir program - in one value-packed Book with digital download access! Digital downloads include accompaniment and performance tracks, reproducible singers' pages, supplemental teaching resources, and colorful PDF song charts for projection options! Songs, both familiar and new, along with fun, creative teaching plans will nurture the musical and spiritual growth of your singers to last a lifetime. Songs include: Ev'ry Creature Praise the Lord! (General), Jesus Loves Me/Jesus Loves the Little Children (General), A Beautiful Psalm (General), We Thank You, God (Thanksgiving), Come and Light This Candle (Advent), There Was No Room (Christmas), Come and Sing with the Angels (Christmas), Hosanna We Sing (Palm Sunday), Haven't You Heard? (Easter), Love Is... (Mother's Day/Father's Day/Family). Also available in the Sing and Celebrate! series: Sing and Celebrate! (35028238), Sing and Celebrate 2! (35028755), Sing and Celebrate 3! (35029219), Sing and Celebrate 4! (35029809), Sing and Celebrate 5! (35030476), Sing and Celebrate 6! (35031059), Sing and Celebrate 7! (35031739).
SKU: PR.114423620
ISBN 9781491137321. UPC: 680160690053.
MAYKA (Serbian for “motherâ€) is a fascinating collection of 10 short recital pieces, each inspired by Serbian folk-music traditions, enriched through a broad variety of non-traditional techniques. Serbian-born flutist Jovana Damnjanović created these teaching etudes in conjunction with her doctoral thesis introducing Eastern European traditions to Western flutists. Along with its 10 fresh and dazzling concert works, this publication includes a thorough preface on performance techniques and instructions for each etude.MAYKA attempts to represent the sounds of traditional Serbian music and also make them more familiar and accessible to flute players around the world. The overarching inspiration for the sound is one of the most popular instruments in Serbian traditional music: the frula. Inspirations from the tone colors of other instruments such as duduk, cevara, dvojnice, and kaval are also present. To read more about these instruments, refer to Chapter 1: Introduction (pg. 13-16) in the online dissertation.My intention was to create an original work exclusively for flute that holds characteristics of Serbian traditional music. An imitation of one of the Serbian traditional song forms can be found in “ČоÄek;†irregular time signatures can be found in “Igra,†“ČоÄek,†and “Vez.†The style is mostly present through trills, ornaments, and tonality, which are ubiquitous characteristics of Serbian traditional music.Each of the concert etudes has a narrative. The reason for narrative is to bring the style closer to the performer, and to help with understanding each etude’s expressive significance. Some etudes were inspired by people and events, some by specific dances, music, and literature from Serbia. As the etudes are of programmatic nature, they are a great choice for themed recitals. The idea was to write pieces short enough to be good program-fillers, not too hard to put together yet effective, and also suitable for short performances in venues that do not have a piano. To read more about each etude’s narrative, refer to Chapter 3: Performance Guide (pg. 24-75) in the dissertation.The book is titled MAYKA, Serbian for mother, to honor my mother, my mother’s mother, and my Motherland, Serbia. Motherland is represented through the style and tonal language of all of the concert etudes, and my mother and grandmother have been the biggest inspiration for the narrative of “Svila,†“Nana,†and “Uspavanka.â€.
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