SKU: HL.14000538
ISBN 9781870997003. English.
This collection of twelve Christmas pieces by Alison Hedger is ideal for school concerts and for forming the basis of a nativity play. Each carol paints a delightful picture of some aspect of the traditional Christmas story. Teachers may wish to use just one song or all of them. Where applicable the Biblical texts are given to assist schools in staging their carol concerts and Nativity plays. The music is great fun, and is designed to give enjoyment to children everywhere. Suitable for children aged between 5 and 11. Arranged for piano, voice, recorder and simple percussion, with Guitar chords given. Duration: 25 mins. Script available in student book. If you need to license a school/youth theatre performance of this product, please use the online application form.
SKU: HL.357349
UPC: 840126943313. 6.75x10.5x0.019 inches. Isaiah 55:12-13.
This brief yet powerful anthem takes a famous scripture and lifts it with artistic hands. Leaping melodic gestures capture the energy of the text and encourage the spirit of the piece, while a progressive accompaniment lends character and a contemporary classic touch. Rhythmic, yet not without expressive moments, this anthem brings something special to the end of any worship gathering. Superb!
SKU: HL.1218086
ISBN 9781705195512. UPC: 196288141440. 6.75x10.5x0.019 inches. John 20:1-18, Luke 24:1-6, Matthew 28:5-7.
“Rejoice, rejoice! Shout the good news! Jesus Christ is risen!†These words of jubilation permeate this dynamic Easter anthem perfect for older elementary or younger youth choirs. The celebratory A section later combines with an optional descant that brings the piece to a glorious conclusion.
SKU: HL.113425
UPC: 884088868833. 6.75x10.5 inches.
Adapted from the 1990 movie starring Patrick Swayze, Demi Moore and Whoopi Goldberg, Ghost the Musical opened on London's West End in 2011 before transferring to Broadway in 2012. Performed in the musical by the cast and the psychic Oda Mae Brown, this is a full-out rock & roll production number that will be an awesome selection for pop and show choirs!
SKU: HL.113426
UPC: 884088868840. 6.75x10.5 inches.
SKU: LM.26486
ISBN 9790230964869.
Janvier - Fevrier - Mars - Avril - Mai - Juin - Juillet - Aout - Septembre - Octobre - Novembre - Decembre.
SKU: HL.44010908
UPC: 884088585389. 9x12 inches. Mike Hannickel and Amy Adam.
You can't lose when you get your administrators or other staff members involved in your performance. “Teachers from Outer Space” is a hilarious comedy skit for band that lets three or more of your staff members temporarily become outer space aliens and use every corny outer space joke in the book! If you are looking for a funny contrast highlight – greetings Earthling, you've found it!
SKU: HL.4004215
UPC: 888680063108. 9.0x12.0x0.033 inches.
Composed in the 1700s, this traditional Irish ballad was a lament of homesickness for its author, and now a tender and beloved melody appearing on countless recordings. Also known as “The Wind from the South†or “An Gaoth Aneas,†this setting for second year players provides melody for all sections of the band along with subtle and tasteful harmonic variants. Dur: 2:35.
SKU: HL.4002918
UPC: 884088453671. 10.5x14 inches. John Williams/trans. Jay Bocook.
Referring to the 1975 blockbuster Jaws, director Steven Spielberg states that John Williams' music “was clearly responsible for half the success of the movie.” This suite features two of the signature musical sequences. In “Out to Sea,” the trio of shark hunters led by police chief Martin Brody (played by Roy Scheider) heads into open water to find the menacing beast. This is followed by the “Shark Cage Fugue,” a classically inspired and sophisticated accompaniment to a tense underwater scene in which Hooper (portrayed by Richard Dreyfuss) comes face-to-face with the great white in an all-too-fragile suspended cage.
SKU: HL.254192
UPC: 196288020622. 9.5x12.25 inches.
The songs of Mieczyslaw Karlowicz appeared in the history of Polish song as a rather unusual phenomenon. In the output of this outstanding symphonist - as youthful works - they formed an anacrusis, albeit a significant one, to his fully mature and masterful output. Nearly all of them were written over the course of a single year. Composed on the margins of his academic course in composition, they appear to represent a document of deeply personal feelings and thoughts, seismographically recording his current states of mind. Of the twenty-nine songs known to have existed, twenty-two have come down to us; the seven unpublished works, some merely sketched, were lost during the Second World War. Overlooking a couple of them, of a separate character, they form a remarkably coherent body of work. On closer inspection, it turns out that this cohesion of a distinctive character marks the whole of Karlowicz's oeuvre. Thesymphonic poems of the composer of Eternal songs are set within the same space of ideas and meanings as the songs; they are marked by analogous categories of expression. And it is a space which the composers main biographer, Adolf Chybinski, described as teeming with tragedy and boundless woe, resignation and a longing for another world'. In terms of the style of utterance, Mieczyslaw Karlowiczs songs - although deeply rooted in late Romantic style - have often been described as output standing on the threshold of a modernist phase. Zdzislaw Jachimecki wrote in 1930:A warm lyrical note in many of them, a genuine inspiration manifested in the very natural way inwhich the melodies are drawn, unsophisticated forms of accompaniment, which are nevertheless suited to the mood of the poetry in question and organically linked to the song, and the accomplished declamation and construction of these works have earned Karlowicz's songs deserved popularity in Polish singing circles.
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