| Major Works For Orchestra Orchestra [Score] Theodore Presser Co.
Orchestra - all SKU: PR.816600040 Composed by Wolfgang Amadeus Mozart. CD...(+)
Orchestra - all SKU: PR.816600040 Composed by Wolfgang Amadeus Mozart. CD Sheet Music (Version 1). Full Scores to all of the major works for orchestra by Mozart - parts not included. Classical Period. CD Sheet Music. 2000 printable pages. Published by Theodore Presser Company (PR.816600040). UPC: 680160600045. 5.5x5 inches. This disk contains study scores of all 41 of Mozart's Symphonies, as well as Concertos for Winds and Strings (Piano Concertos are on a companion CD-ROM), Serenades, Opera Overtures, Divertimentos, and other works. About CD Sheet Music (Version 1) CD Sheet Music (Version 1) was the initial CD Sheet Music series distributed by Theodore Presser. The CDs include thousands of pages of music that are viewable and printable on Mac or PC. Version 1 titles are a great value at 40% off, as we make room in our warehouse for the newly enhanced CD Sheet Music (Version 2.0) series. $18.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Serenade No. 1 in D Major, Op. 11 Orchestra [Study Score / Miniature] G. Henle
(Study Score). Composed by Johannes Brahms (1833-1897). Edited by Michael Musgra...(+)
(Study Score). Composed by Johannes Brahms (1833-1897). Edited by Michael Musgrave. For Orchestra (Study Score). Henle Study Scores. Softcover. 256 pages. G. Henle #HN9857. Published by G. Henle
$24.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Serenade No. 2 in A Major, Op. 16 Orchestra G. Henle
(Study Score). By Johannes Brahms (1833-1897). Edited by Michael Musgrave. For O...(+)
(Study Score). By Johannes Brahms (1833-1897). Edited by Michael Musgrave. For Orchestra (Study Score). Henle Study Scores. Softcover. 100 pages. G. Henle #HN9858. Published by G. Henle
$15.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Serenade No. 5 in D, K. 204/213a Orchestra [Set of Parts] LudwigMasters Publications
Orchestra 2.2.0.1: 2.2.0.0: Str (4-4-3-3-3 in set): Solo Violin in set SKU: A...(+)
Orchestra 2.2.0.1: 2.2.0.0: Str (4-4-3-3-3 in set): Solo Violin in set SKU: AP.36-A183248 Composed by Wolfgang Amadeus Mozart. Full Orchestra. Kalmus Orchestra Library. Part(s). LudwigMasters Publications #36-A183248. Published by LudwigMasters Publications (AP.36-A183248). ISBN 9798892704335. UPC: 659359535086. English. Wolfgang Amadeus Mozart (1756-1791) wrote the SERENADE No. 5 in D Major, K. 204/213a on August 5, 1775 for ceremonies at the University of Salzburg. Concurrently writing his five violin concertos, the composer chose to feature a solo violin in three of the movements. While it retains a seven-part structure, an impromptu violin concerto is cleverly couched within the work. As he did with most of his serenades for orchestra, Mozart crafted a symphony using the other four movements. Instrumentation: 2.2.0.1: 2.2.0.0: Str (4-4-3-3-3 in set): Solo Violin in set. Reprint edition. These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months. $5.50 - See more - Buy online | | |
| Serenade No. 5 in D, K. 204/213a Orchestra LudwigMasters Publications
Orchestra 2.2.0.1: 2.2.0.0: Str (4-4-3-3-3 in set): Solo Violin in set SKU: A...(+)
Orchestra 2.2.0.1: 2.2.0.0: Str (4-4-3-3-3 in set): Solo Violin in set SKU: AP.36-A183202 Composed by Wolfgang Amadeus Mozart. Full Orchestra. Kalmus Orchestra Library. Score and Part(s). LudwigMasters Publications #36-A183202. Published by LudwigMasters Publications (AP.36-A183202). UPC: 659359530821. English. Wolfgang Amadeus Mozart (1756-1791) wrote the SERENADE No. 5 in D Major, K. 204/213a on August 5, 1775 for ceremonies at the University of Salzburg. Concurrently writing his five violin concertos, the composer chose to feature a solo violin in three of the movements. While it retains a seven-part structure, an impromptu violin concerto is cleverly couched within the work. As he did with most of his serenades for orchestra, Mozart crafted a symphony using the other four movements. Instrumentation: 2.2.0.1: 2.2.0.0: Str (4-4-3-3-3 in set): Solo Violin in set. Reprint edition. These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months. $150.00 - See more - Buy online | | |
| Serenade No. 5 in D, K. 204/213a Orchestra [Score] LudwigMasters Publications
Orchestra 2.2.0.1: 2.2.0.0: Str (4-4-3-3-3 in set): Solo Violin in set SKU: A...(+)
Orchestra 2.2.0.1: 2.2.0.0: Str (4-4-3-3-3 in set): Solo Violin in set SKU: AP.36-A183201 Composed by Wolfgang Amadeus Mozart. Full Orchestra. Kalmus Orchestra Library. Score. LudwigMasters Publications #36-A183201. Published by LudwigMasters Publications (AP.36-A183201). ISBN 9798892704328. UPC: 659359524264. English. Wolfgang Amadeus Mozart (1756-1791) wrote the SERENADE No. 5 in D Major, K. 204/213a on August 5, 1775 for ceremonies at the University of Salzburg. Concurrently writing his five violin concertos, the composer chose to feature a solo violin in three of the movements. While it retains a seven-part structure, an impromptu violin concerto is cleverly couched within the work. As he did with most of his serenades for orchestra, Mozart crafted a symphony using the other four movements. Instrumentation: 2.2.0.1: 2.2.0.0: Str (4-4-3-3-3 in set): Solo Violin in set. Reprint edition. These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months. $25.00 - See more - Buy online | | |
| The Orchestra Musician's CD-ROM Library: Mozart and Haydn - Volume 6 (Clarinet) Clarinet [CD Sheet Music] CD Sheet Music
CD-ROM (Windows and Mac) for clarinet. Series: The Orchestra Musician's CD-ROM L...(+)
CD-ROM (Windows and Mac) for clarinet. Series: The Orchestra Musician's CD-ROM Library. 8 pages. Published by CD Sheet Music, LLC.
$19.95 - See more - Buy onlinePre-shipment lead time: 3 to 5 business days | | |
| Pezzo in forma di Sonatina String Orchestra [Score and Parts] - Intermediate Belwin
(1st Movement from Serenade in C Major for String Orchestra, Op. 48). By Peter...(+)
(1st Movement from Serenade in C Major for String Orchestra, Op. 48). By Peter Ilyich Tchaikovsky (1840-1893). Arranged by Victor LÌ_pez. Concert Band. Concert Band; Masterworks; Part(s); Score. Belwin Concert Band. Form: Sonatina. Masterwork Arrangement; Romantic. Grade 3. 260 pages. Published by Belwin Publishing
$70.00 $66.5 (5% off) See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Serenade No. 1 in D major Op. 11 Orchestra [Score] Breitkopf & Härtel
Orchestra (2.2.2.2. - 4.2.0.0. - timp - str) SKU: BR.PB-16105 Urtext b...(+)
Orchestra (2.2.2.2. - 4.2.0.0. - timp - str) SKU: BR.PB-16105 Urtext based on the new Complete Edition (G. Henle Verlag). Composed by Johannes Brahms. Edited by Michael Musgrave. Orchestra; Softbound. Partitur-Bibliothek (Score Library). The study score (,,Studien-Edition) is available at G. Henle Verlag. Serenade/divertimento; Romantic. Full score. 168 pages. Duration 45'. Breitkopf and Haertel #PB 16105. Published by Breitkopf and Haertel (BR.PB-16105). ISBN 9790004214329. 10 x 12.5 inches. Johannes Brahms was long reluctant to compete with Beethoven in the field of symphonic music. With his D-major Serenade in six movements, the young composer deliberately chose a genre that had had its golden era in the 18th century, thus before Beethoven. Initially, he even conceived the Serenade for a smaller setting, but decided on a full orchestra in 1860. But even then, it was slow in becoming an audience success.The new Brahms Complete Edition has chosen as its principal source a copy of the scores first edition that Brahms used as his personal work copy. There, however, errors remained undiscovered, and recurred in later print runs as well. It was not until the new Brahms Edition that a music text of the D-major Serenade is finally being published, a text that clearly heeds all of the composers emendations and eliminates other shortcomings. $77.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Classical Fake Book - 2nd Edition
Fake Book [Fake Book] - Easy Hal Leonard
(Over 850 Classical Themes and Melodies in the Original Keys) For C instrument. ...(+)
(Over 850 Classical Themes and Melodies in the Original Keys) For C instrument. Format: fakebook (spiral bound). With vocal melody (excerpts) and chord names. Lassical. Series: Hal Leonard Fake Books. 646 pages. 9x12 inches. Published by Hal Leonard.
(8)$49.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Serenade in C Major Op. 48 String Orchestra G. Henle
String Parts String Orchestra (String Set) SKU: HL.51481567 For String...(+)
String Parts String Orchestra (String Set) SKU: HL.51481567 For String Orchestra String Parts. Composed by Peter Ilich Tchaikovsky. Edited by Dominik Rahmer. Henle Music Folios. Classical. Softcover. 165 pages. G. Henle #HN1567. Published by G. Henle (HL.51481567). UPC: 196288206958. 9.25x12.0x0.824 inches. Tchaikovsky spent the summer and autumn of 1880 at his sisterÂs country estate in KamÂianka, Ukraine, where he sought peace and relaxation. But after a short time the desire to work took hold of him again. âI'm sketching a symphony or string quintet just now; I don't know where it's going yet,â he wrote to his friend and patroness Nadezhda von Meck. In the end it turned out to be a Serenade for String Orchestra, which numbers among his most beautiful inspirations and is today a central work in the genre. The four movements captivate with their diverse moods â be it the Mozartian first movement âin the form of a sonatinaâ, the elegant Waltz, the melancholy âElegiaâ or the rousing Finale. For this new source-critical edition it was possible to consult the autograph in Moscow as well as the early printed editions into which Tchaikovsky sometimes entered a number of minor revisions. Clear the stage for the new reference edition of this indispensable work of the string-orchestra repertoire! About Henle Urtext What I can expect from Henle Urtext editions: - error-free, reliable musical texts based on meticulous musicological research - fingerings and bowings by famous artists and pedagogues
- preface in 3 languages with information on the genesis and history of the workÂ
- Critical Commentary in 1 â 3 languages with a description and evaluation of the sources and explaining all source discrepancies and editorial decisionsÂ
- most beautiful music engravingÂ
- page-turns, fold-out pages, and cues where you need themÂ
- excellent print quality and bindingÂ
- largest Urtext catalogue world-wideÂ
- longest Urtext experience (founded 1948 exclusively for Urtext editions)
$79.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Serenade in C Major Op. 48 String Orchestra [Study Score / Miniature] G. Henle
String Orchestra (Study Score) SKU: HL.51487550 For String Orchestra, ...(+)
String Orchestra (Study Score) SKU: HL.51487550 For String Orchestra, Study Score. Composed by Peter Ilich Tchaikovsky. Edited by Dominik Rahmer. Henle Study Scores. Classical. Softcover. G. Henle #HN7550. Published by G. Henle (HL.51487550). UPC: 196288207238. 6.75x9.5x0.251 inches. Tchaikovsky spent the summer and autumn of 1880 at his sister's country estate in Kam'ianka, Ukraine, where he sought peace and relaxation. But after a short time the desire to work took hold of him again. âI'm sketching a symphony or string quintet just now; I don't know where it's going yet,â he wrote to his friend and patroness Nadezhda von Meck. In the end it turned out to be a Serenade for String Orchestra, which numbers among his most beautiful inspirations and is today a central work in the genre. The four movements captivate with their diverse moods â be it the Mozartian first movement âin the form of a sonatinaâ, the elegant Waltz, the melancholy âElegiaâ or the rousing Finale. For this new source-critical edition it was possible to consult the autograph in Moscow as well as the early printed editions into which Tchaikovsky sometimes entered a number of minor revisions. Clear the stage for the new reference edition of this indispensable work of the string-orchestra repertoire! About Henle Urtext What I can expect from Henle Urtext editions: - error-free, reliable musical texts based on meticulous musicological research - fingerings and bowings by famous artists and pedagogues
- preface in 3 languages with information on the genesis and history of the workÂ
- Critical Commentary in 1 â 3 languages with a description and evaluation of the sources and explaining all source discrepancies and editorial decisionsÂ
- most beautiful music engravingÂ
- page-turns, fold-out pages, and cues where you need themÂ
- excellent print quality and bindingÂ
- largest Urtext catalogue world-wideÂ
- longest Urtext experience (founded 1948 exclusively for Urtext editions)
$16.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Serenade in C Major Op. 48 Orchestra [Score] G. Henle
String Orchestra (Full Score) SKU: HL.51481550 For String Orchestra Fu...(+)
String Orchestra (Full Score) SKU: HL.51481550 For String Orchestra Full Score. Composed by Peter Ilich Tchaikovsky. Edited by Dominik Rahmer. Henle Music Folios. Chamber, Classical. Softcover. 67 pages. G. Henle #HN1550. Published by G. Henle (HL.51481550). UPC: 196288207269. 10.0x12.75x0.236 inches. Tchaikovsky spent the summer and autumn of 1880 at his sister's country estate in Kam'ianka, Ukraine, where he sought peace and relaxation. But after a short time the desire to work took hold of him again. âI'm sketching a symphony or string quintet just now; I don't know where it's going yet,â he wrote to his friend and patroness Nadezhda von Meck. In the end it turned out to be a Serenade for String Orchestra, which numbers among his most beautiful inspirations and is today a central work in the genre. The four movements captivate with their diverse moods â be it the Mozartian first movement âin the form of a sonatinaâ, the elegant Waltz, the melancholy âElegiaâ or the rousing Finale. For this new source-critical edition it was possible to consult the autograph in Moscow as well as the early printed editions into which Tchaikovsky sometimes entered a number of minor revisions. Clear the stage for the new reference edition of this indispensable work of the string-orchestra repertoire! About Henle Urtext What I can expect from Henle Urtext editions: - error-free, reliable musical texts based on meticulous musicological research - fingerings and bowings by famous artists and pedagogues
- preface in 3 languages with information on the genesis and history of the workÂ
- Critical Commentary in 1 â 3 languages with a description and evaluation of the sources and explaining all source discrepancies and editorial decisionsÂ
- most beautiful music engravingÂ
- page-turns, fold-out pages, and cues where you need themÂ
- excellent print quality and bindingÂ
- largest Urtext catalogue world-wideÂ
- longest Urtext experience (founded 1948 exclusively for Urtext editions)
$37.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Serenade [Score] Carl Fischer
Full orchestra Bassoon 1, Bassoon 2, Clarinet 1, Clarinet 2, Contrabass, Crash C...(+)
Full orchestra Bassoon 1, Bassoon 2, Clarinet 1, Clarinet 2, Contrabass, Crash Cymbals, Flute 1, Flute 2, Glockenspiel, Harp, Horn 1, Horn 2, Horn 3, Oboe 2, Percussion 1, Percussion 2, Piccolo, Suspended Cymbal, Timpani, Trombone 1, Trombone 2, Trumpet 1 and more. SKU: CF.SC88 Composed by William Grant Still. Full score. 32 pages. Duration 9 minutes, 20 seconds. Carl Fischer Music #SC88. Published by Carl Fischer Music (CF.SC88). ISBN 9781491158845. UPC: 680160917563. William Grant Stillas catalog of works comprises over 200 pieces, including five symphonies, nine operas, four ballets and numerous works for chamber ensembles. He initially found employment as an oboist in pit orchestras in New York City, later as an arranger of popular music for various ensembles, including those by William C. Handy, James P. Johnson and Paul Whiteman. His career as a composer was launched with a performance in 1931 of his Symphony No. 1 aAfro-Americana by the Rochester Philharmonic, conducted by Howard Hanson, who would remain a life-long champion of Stillas orchestral works. By the 1950s the symphony had been performed in New York, Chicago, Los Angeles and various European capitals. This notoriety earned Still a Guggenheim Fellowship in 1934, after which he moved to Los Angeles. He is credited as the first African-American to conduct a major orchestra (the Los Angeles Philharmonic Orchestra), the first to have an opera performed by a major company (Troubled Island by the New York City Opera in 1949), and one of the first composers to write for radio, films and television. So numerous were his awards and accolades, including three Guggenheim Fellowships and a variety of honorary doctorates, that he was designated as the aDean of Afro-American Composers.a Still composed his Serenade for Orchestra in 1957 on a commission by the Great Falls High School in Great Falls, Montana. He later transcribed the work for a chamber ensemble of flute, clarinet, harp and strings. The piece reflects Stillas interest in American folk idioms, with conventional melodies and harmonies that nonetheless express a fresh and individual compositional voice. William Grant Still's catalog of works comprises over 200 pieces, including five symphonies, nine operas, four ballets and numerous works for chamber ensembles. He initially found employment as an oboist in pit orchestras in New York City, later as an arranger of popular music for various ensembles, including those by William C. Handy, James P. Johnson and Paul Whiteman. His career as a composer was launched with a performance in 1931 of his Symphony No. 1 Afro-American by the Rochester Philharmonic, conducted by Howard Hanson, who would remain a life-long champion of Still's orchestral works. By the 1950s the symphony had been performed in New York, Chicago, Los Angeles and various European capitals. This notoriety earned Still a Guggenheim Fellowship in 1934, after which he moved to Los Angeles. He is credited as the first African-American to conduct a major orchestra (the Los Angeles Philharmonic Orchestra), the first to have an opera performed by a major company (Troubled Island by the New York City Opera in 1949), and one of the first composers to write for radio, films and television. So numerous were his awards and accolades, including three Guggenheim Fellowships and a variety of honorary doctorates, that he was designated as the Dean of Afro-American Composers. Still composed his Serenade for Orchestra in 1957 on a commission by the Great Falls High School in Great Falls, Montana. He later transcribed the work for a chamber ensemble of flute, clarinet, harp and strings. The piece reflects Still's interest in American folk idioms, with conventional melodies and harmonies that nonetheless express a fresh and individual compositional voice. William Grant Still’s catalog of works comprises over 200 pieces, including five symphonies, nine operas, four ballets and numerous works for chamber ensembles. He initially found employment as an oboist in pit orchestras in New York City, later as an arranger of popular music for various ensembles, including those by William C. Handy, James P. Johnson and Paul Whiteman. His career as a composer was launched with a performance in 1931 of his Symphony No. 1 “Afro-American†by the Rochester Philharmonic, conducted by Howard Hanson, who would remain a life-long champion of Still’s orchestral works. By the 1950s the symphony had been performed in New York, Chicago, Los Angeles and various European capitals.This notoriety earned Still a Guggenheim Fellowship in 1934, after which he moved to Los Angeles. He is credited as the first African-American to conduct a major orchestra (the Los Angeles Philharmonic Orchestra), the first to have an opera performed by a major company (Troubled Island by the New York City Opera in 1949), and one of the first composers to write for radio, films and television. So numerous were his awards and accolades, including three Guggenheim Fellowships and a variety of honorary doctorates, that he was designated as the “Dean of Afro-American Composers.â€Still composed his Serenade for Orchestra in 1957 on a commission by the Great Falls High School in Great Falls, Montana. He later transcribed the work for a chamber ensemble of flute, clarinet, harp and strings. The piece reflects Still’s interest in American folk idioms, with conventional melodies and harmonies that nonetheless express a fresh and individual compositional voice. $25.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Serenade No. 2 in A major Op. 16 Orchestra [Score] Breitkopf & Härtel
Orchestra (picc.2.2.2.2. - 2.0.0.0. - str(without vl)) SKU: BR.PB-16106 <...(+)
Orchestra (picc.2.2.2.2. - 2.0.0.0. - str(without vl)) SKU: BR.PB-16106 Urtext from the new Brahms Complete Edition (G. Henle Verlag). Composed by Johannes Brahms. Edited by Michael Musgrave. Orchestra; Softbound. Partitur-Bibliothek (Score Library). The study score (,,Studien-Edition) is available at G. Henle Verlag. Serenade/divertimento; Romantic. Full score. 92 pages. Duration 30'. Breitkopf and Haertel #PB 16106. Published by Breitkopf and Haertel (BR.PB-16106). ISBN 9790004214336. 10 x 12.5 inches. Classical ReminiscencesDuring his time as conductor of the Detmold court orchestra, the young Brahms was inspired by the local wind ensemble to compose two serenades. Serenade No. 2, scored for five pairs of winds, violas, cellos, and string basses (leaving out the violins) is strongly reminiscent in sound of Mozart's wind serenades. The expressive Adagio is the heart of the five-movement work. Quite untypical of Brahms, he acquired a liking for the work from the outset, still undertaking a revision scarcely 15 years after the premiere of 1860; this has now been made available in a new practical edition based on the Johannes Brahms Complete Edition (JBG). $72.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| An Episode at a Masquerade: Symphonic Poem for Orchestra, Op. 14 Orchestra PWM (Polskie Wydawnictwo Muzyczne)
Orchestra SKU: HL.215244 The Works of Mieczyslaw Karlowicz Volume 11(+)
Orchestra SKU: HL.215244 The Works of Mieczyslaw Karlowicz Volume 11. Composed by Mieczystaw Karlowicz. PWM. Classical. Hardcover. 140 pages. Polskie Wydawnictwo Muzyczne #11592010. Published by Polskie Wydawnictwo Muzyczne (HL.215244). 12.0x17.0x0.63 inches. Hardcover full score. Text in Polish, German, and English. This edition of the works of Mieczyslaw Karlowicz is based on critically examined sources. It includes all his compositions. The aim of the edition is to present the composer's original text as authentically as possible. This is not an easy task. The source materials of Karlowicz's music are very diverse in nature. Apart from most of the songs, the composer prepared for printing and published in his lifetime the following: Serenade for Strings Op. 2, Prelude and Fugue Op. 5, Concerto in A major for Violin and Orchestra Op. 8, Returning Waves Op. 9 and Eternal Songs Op. 10. Being highly experienced in writing for a symphony orchestra, and knowledgeable in the modern method of instrumentation in the neoromantic style, he prepared his scores with great care. The remaining symphonic poems were not published before the composer's death; and the 'Rebirth' Symphony, the manuscript of which miraculously survived the ravages of World War II, was issued only in 1993, as part of the present Complete Works edition. During this war the autographs of the most compositions by Karlowicz, including all his symphonic poems (except for The Sorrowful Tale), were lost. The present publication, therefore, is based as a rule on the first editions, compared with extant autographs or authorized copies of the scores. The amendments of misprints or self-evident mistakes on the part of the composer are not indicated graphically in the text but referred to in the Editorial Notes. $112.00 - See more - Buy online | | |
| Serenade for Strings, Op. 22, 1st Movement - Score String Orchestra [Score] - Intermediate Kjos Music Company
Orchestra string orchestra - Grade 4 SKU: KJ.SO389F Composed by Jeremy Wo...(+)
Orchestra string orchestra - Grade 4 SKU: KJ.SO389F Composed by Jeremy Woolstenhulme. String Tracks XVIII. Score. Neil A. Kjos Music Company #SO389F. Published by Neil A. Kjos Music Company (KJ.SO389F). UPC: 8402704821. Serenade for Strings, Op. 22, First Movement is presented in its entirety in G Major, making it wonderfully accessible to less advanced ensembles. A staple in classical string orchestra literature, this is not to be missed! This Woolstenhulme arrangement belongs in all school libraries. $8.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Italian Serenade in G Major Orchestra [Study Score / Miniature] Eulenburg
Chamber Orchestra (Study Score) SKU: HL.49009544 For Small Orchestra(+)
Chamber Orchestra (Study Score) SKU: HL.49009544 For Small Orchestra. Composed by Hugo Wolf. This edition: Saddle stitching. Sheet music. Edition Schott. Classical. Study Score. 40 pages. Duration 8'. Eulenburg Edition #ETP1322. Published by Eulenburg Edition (HL.49009544). ISBN 9783795771485. UPC: 800522001543. 5.25x7.5x0.127 inches. With more than 1,200 titles from the orchestral and choral repertoire, from chamber music and musical theatre, Edition Eulenburg is the world's largest series of scores, covering large part of music history from the Baroque to the Classical era and looking back on a long tradition. $12.99 - See more - Buy online | | |
| Peter Ilyich Tchaikovsky: Serenade for String Orchestra in C Major, Op. 48 and Marche Slav, Op. 31 1 Piano, 4 hands [Sheet music] Kalmus
Composed by Peter Ilyich Tchaikovsky (1840-1893). Duet or Duo; Masterworks; Pian...(+)
Composed by Peter Ilyich Tchaikovsky (1840-1893). Duet or Duo; Masterworks; Piano Duet (1 Piano, 4 Hands); Solo Small Ensembles. Kalmus Edition. Form: March. Masterwork; Romantic. Book. 104 pages. Kalmus Classic Edition #00-K04058. Published by Kalmus Classic Edition
$17.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Serenade for Strings in E Major Op. 22 Orchestra [Sheet music + CD] Eulenburg
(Eulenburg Audio Score 73). By Antonin Dvorák and Antonin Dvor. Eulenberg Aud...(+)
(Eulenburg Audio Score 73). By Antonin Dvorák and Antonin Dvor. Eulenberg Audio plus Score. Softcover with CD. 80 pages. Eulenburg (Schott Music) #EAS173. Published by Eulenburg (Schott Music)
$19.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Serenade in E Major, Op. 22 String Orchestra [Study Score / Miniature] Eulenburg
For String Orchestra. By Antonin Dvorak. (Study Score). Schott. Size 5.25x7.5 i...(+)
For String Orchestra. By Antonin Dvorak. (Study Score). Schott. Size 5.25x7.5 inches. 110 pages. Published by Eulenburg.
$17.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Serenade in C Major, Op. 48 String Orchestra [Study Score / Miniature] Eulenburg
For Strings. By Peter Ilyich Tchaikovsky. (Study Score). Schott. Size 5.25x7.5 ...(+)
For Strings. By Peter Ilyich Tchaikovsky. (Study Score). Schott. Size 5.25x7.5 inches. 62 pages. Published by Eulenburg.
$14.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Serenade No. 1 in D major Op. 11 Breitkopf & Härtel
Violin 1 (2.2.2.2. - 4.2.0.0. - timp - str) SKU: BR.OB-16105-15 Urtext...(+)
Violin 1 (2.2.2.2. - 4.2.0.0. - timp - str) SKU: BR.OB-16105-15 Urtext based on the new Complete Edition (G. Henle Verlag). Composed by Johannes Brahms. Edited by Michael Musgrave. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library). The study score (,,Studien-Edition) is available at G. Henle Verlag. Serenade/divertimento; Romantic. Part. 20 pages. Duration 45'. Breitkopf and Haertel #OB 16105-15. Published by Breitkopf and Haertel (BR.OB-16105-15). ISBN 9790004341650. 10 x 12.5 inches. Johannes Brahms was long reluctant to compete with Beethoven in the field of symphonic music. With his D-major Serenade in six movements, the young composer deliberately chose a genre that had had its golden era in the 18th century, thus before Beethoven. Initially, he even conceived the Serenade for a smaller setting, but decided on a full orchestra in 1860. But even then, it was slow in becoming an audience success.The new Brahms Complete Edition has chosen as its principal source a copy of the scores first edition that Brahms used as his personal work copy. There, however, errors remained undiscovered, and recurred in later print runs as well. It was not until the new Brahms Edition that a music text of the D-major Serenade is finally being published, a text that clearly heeds all of the composers emendations and eliminates other shortcomings. $10.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Serenade No. 1 in D major Op. 11 Breitkopf & Härtel
Double bass (2.2.2.2. - 4.2.0.0. - timp - str) SKU: BR.OB-16105-27 Urt...(+)
Double bass (2.2.2.2. - 4.2.0.0. - timp - str) SKU: BR.OB-16105-27 Urtext based on the new Complete Edition (G. Henle Verlag). Composed by Johannes Brahms. Edited by Michael Musgrave. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library). The study score (,,Studien-Edition) is available at G. Henle Verlag. Serenade/divertimento; Romantic. Part. 20 pages. Duration 45'. Breitkopf and Haertel #OB 16105-27. Published by Breitkopf and Haertel (BR.OB-16105-27). ISBN 9790004341698. 10 x 12.5 inches. Johannes Brahms was long reluctant to compete with Beethoven in the field of symphonic music. With his D-major Serenade in six movements, the young composer deliberately chose a genre that had had its golden era in the 18th century, thus before Beethoven. Initially, he even conceived the Serenade for a smaller setting, but decided on a full orchestra in 1860. But even then, it was slow in becoming an audience success.The new Brahms Complete Edition has chosen as its principal source a copy of the scores first edition that Brahms used as his personal work copy. There, however, errors remained undiscovered, and recurred in later print runs as well. It was not until the new Brahms Edition that a music text of the D-major Serenade is finally being published, a text that clearly heeds all of the composers emendations and eliminates other shortcomings. $10.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Serenade No. 1 in D major Op. 11 Breitkopf & Härtel
Woodwinds (2.2.2.2. - 4.2.0.0. - timp - str) SKU: BR.OB-16105-30 Urtex...(+)
Woodwinds (2.2.2.2. - 4.2.0.0. - timp - str) SKU: BR.OB-16105-30 Urtext based on the new Complete Edition (G. Henle Verlag). Composed by Johannes Brahms. Edited by Michael Musgrave. Orchestra; Folder. Orchester-Bibliothek (Orchestral Library). The study score (,,Studien-Edition) is available at G. Henle Verlag. Serenade/divertimento; Romantic. Set of parts. 204 pages. Duration 45'. Breitkopf and Haertel #OB 16105-30. Published by Breitkopf and Haertel (BR.OB-16105-30). ISBN 9790004341704. 10 x 12.5 inches. Johannes Brahms was long reluctant to compete with Beethoven in the field of symphonic music. With his D-major Serenade in six movements, the young composer deliberately chose a genre that had had its golden era in the 18th century, thus before Beethoven. Initially, he even conceived the Serenade for a smaller setting, but decided on a full orchestra in 1860. But even then, it was slow in becoming an audience success.The new Brahms Complete Edition has chosen as its principal source a copy of the scores first edition that Brahms used as his personal work copy. There, however, errors remained undiscovered, and recurred in later print runs as well. It was not until the new Brahms Edition that a music text of the D-major Serenade is finally being published, a text that clearly heeds all of the composers emendations and eliminates other shortcomings. $165.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Serenade No. 1 in D major Op. 11 Breitkopf & Härtel
Viola (2.2.2.2. - 4.2.0.0. - timp - str) SKU: BR.OB-16105-19 Urtext ba...(+)
Viola (2.2.2.2. - 4.2.0.0. - timp - str) SKU: BR.OB-16105-19 Urtext based on the new Complete Edition (G. Henle Verlag). Composed by Johannes Brahms. Edited by Michael Musgrave. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library). The study score (,,Studien-Edition) is available at G. Henle Verlag. Serenade/divertimento; Romantic. Part. 24 pages. Duration 45'. Breitkopf and Haertel #OB 16105-19. Published by Breitkopf and Haertel (BR.OB-16105-19). ISBN 9790004341674. 10 x 12.5 inches. Johannes Brahms was long reluctant to compete with Beethoven in the field of symphonic music. With his D-major Serenade in six movements, the young composer deliberately chose a genre that had had its golden era in the 18th century, thus before Beethoven. Initially, he even conceived the Serenade for a smaller setting, but decided on a full orchestra in 1860. But even then, it was slow in becoming an audience success.The new Brahms Complete Edition has chosen as its principal source a copy of the scores first edition that Brahms used as his personal work copy. There, however, errors remained undiscovered, and recurred in later print runs as well. It was not until the new Brahms Edition that a music text of the D-major Serenade is finally being published, a text that clearly heeds all of the composers emendations and eliminates other shortcomings. $10.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Serenade No. 1 in D major Op. 11 Breitkopf & Härtel
Violin 2 (2.2.2.2. - 4.2.0.0. - timp - str) SKU: BR.OB-16105-16 Urtext...(+)
Violin 2 (2.2.2.2. - 4.2.0.0. - timp - str) SKU: BR.OB-16105-16 Urtext based on the new Complete Edition (G. Henle Verlag). Composed by Johannes Brahms. Edited by Michael Musgrave. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library). The study score (,,Studien-Edition) is available at G. Henle Verlag. Serenade/divertimento; Romantic. Part. 24 pages. Duration 45'. Breitkopf and Haertel #OB 16105-16. Published by Breitkopf and Haertel (BR.OB-16105-16). ISBN 9790004341667. 10 x 12.5 inches. Johannes Brahms was long reluctant to compete with Beethoven in the field of symphonic music. With his D-major Serenade in six movements, the young composer deliberately chose a genre that had had its golden era in the 18th century, thus before Beethoven. Initially, he even conceived the Serenade for a smaller setting, but decided on a full orchestra in 1860. But even then, it was slow in becoming an audience success.The new Brahms Complete Edition has chosen as its principal source a copy of the scores first edition that Brahms used as his personal work copy. There, however, errors remained undiscovered, and recurred in later print runs as well. It was not until the new Brahms Edition that a music text of the D-major Serenade is finally being published, a text that clearly heeds all of the composers emendations and eliminates other shortcomings. $10.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Serenade No. 1 in D major Op. 11 Breitkopf & Härtel
Violoncello (2.2.2.2. - 4.2.0.0. - timp - str) SKU: BR.OB-16105-23 Urt...(+)
Violoncello (2.2.2.2. - 4.2.0.0. - timp - str) SKU: BR.OB-16105-23 Urtext based on the new Complete Edition (G. Henle Verlag). Composed by Johannes Brahms. Edited by Michael Musgrave. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library). The study score (,,Studien-Edition) is available at G. Henle Verlag. Serenade/divertimento; Romantic. Part. 24 pages. Duration 45'. Breitkopf and Haertel #OB 16105-23. Published by Breitkopf and Haertel (BR.OB-16105-23). ISBN 9790004341681. 10 x 12.5 inches. Johannes Brahms was long reluctant to compete with Beethoven in the field of symphonic music. With his D-major Serenade in six movements, the young composer deliberately chose a genre that had had its golden era in the 18th century, thus before Beethoven. Initially, he even conceived the Serenade for a smaller setting, but decided on a full orchestra in 1860. But even then, it was slow in becoming an audience success.The new Brahms Complete Edition has chosen as its principal source a copy of the scores first edition that Brahms used as his personal work copy. There, however, errors remained undiscovered, and recurred in later print runs as well. It was not until the new Brahms Edition that a music text of the D-major Serenade is finally being published, a text that clearly heeds all of the composers emendations and eliminates other shortcomings. $10.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| 1712 Overture Orchestra Theodore Presser Co.
Orchestra SKU: PR.416415760 For Really Big Orchestra. Composed by ...(+)
Orchestra SKU: PR.416415760 For Really Big Orchestra. Composed by PDQ Bach. Edited by Prof. Peter Schickele. Study Score. With Standard notation. Duration 11 minutes. Theodore Presser Company #416-41576. Published by Theodore Presser Company (PR.416415760). UPC: 680160636532. 9 x 12 inches. The 1712 Overture stands out in P.D.Q. Bach's oeuvre for two reasons, among others: it is by far the most programmatic instrumental piece among those by the minimeister of Wein-am-Rhein so far unearthed, and 2) its discovery has led to a revelation about the composer's father, Johann Sebastian Bach, that has exploded like a bombshell on the usually serene musicological landscape. The overture is based on an anecdote told to P.D.Q. Bach by a cousin, Peter Ulrich. Since P.U. Bach lived in Dudeldorf, only a few miles down the road from Wein-am-Rhein, he was P.D.Q.'s closest relative, and he was, in fact, one of the few members of the family who was on speaking terms with P.D.Q. The story, related to P.D.Q. (fortunately for us posterity types) in a letter, may be summarized thus: The town of Dudeldorf was founded by two brothers, Rudi and Dieter Dudel, early in the 18th century. Rudi remained mayor of the newborn burg for the rest of his long life, but Dieter had a dream of starting a musicians' colony, an entire city devoted to music, which dream, he finally decided, could be realized only in the New World. In 1712, he and several other bagpipers sailed to Boston, never to return to Germany. (Henceforth, Rudi became known as der deutscher Dudel and Dieter as the Yankee Dudel). Unfortunately, the head of the Boston Musicians' Guild had gotten wind of Dudel's plans, and Wilhelm Wiesel (pron. VEE-zle), known none too affectionately around town as Wiesel the Weasel, was not about to share what few gigs there were in colonial America with more foreigners and outside agitators. He and his cronies were on hand to meet Dudel's boat when it pulled into Boston Harbor; they intended to prevent the newcomers' disembarkation, but Dudel and his companions managed to escape to the other side of the bay in a dinghy, landing with just enough time to rent a carriage and horses before hearing the sound of The Weasel and his men, who had had to come around the long way. The Germans headed West, with the Bostonians in furious pursuit. soon the city had been left far behind, and by midnight so had the pursuers; Dieter Dudel decided that it was safe for him and his men to stop and sleep until daybreak. When they awoke, they found that they were in a beautiful landscape of low, forested mountains and pleasant fields, warmed by the brilliant morning sun and serenaded by an entrancing variety of birds. Here, Dudel thought, her is where I will build my colony. The immigrants continued down the road at a leisurely pace until they came upon a little church, all by itself in the countryside, from which there suddenly emanated the sounds of a pipe organ. At this point, the temptation to quote from P.U. Bach's letter to P.D.Q. cannot be resisted: They went inside and, after listening to the glorious music for a while, introduced themselves to the organist. And who do you think it was? Are you ready for this -- it was your old man! Hey, no kidding -- you know, I'm sure, that your father was the guy to get when it came to testing new organs, and whoever had that one in Massachusetts built offered old Sebastian a tidy sum to go over there and check it out. The unexpected meeting with J.S. Bach and his sponsors was interrupted by the sound of horse hooves, as the dreaded Wiesel and his men thundered on to the scene. They had been riding all night, however, and they were no spring chickens to start with, and as soon as they reached the church they all dropped, exhausted, to the ground. The elated Germans rang the church bells and offered to buy everyone a beer at the nearest tavern. There they were taught, and joined in singing, what might be called the national anthem of the New World. The melody of this pre-revolutionary patriotic song is still remembered (P.D.Q. Bach quotes it, in the bass instruments, near the end of the overture), but is words are now all but forgotten: Freedom, of thee we sing, Freedom e'er is our goal; Death to the English King, Long live Rock and Ross. The striking paucity of biographical references to Johann Sebastian Bah during the year 1712 can now be explained: he was abroad for a significant part of that year, testing organs in the British Colonies. That this revelation has not been accepted as fact by the musicological establishment is no surprise, since it means that a lot of books would have to be rewritten. The members of that establishment haven't even accepted the existence of P.D.Q. Bach, one of whose major works the 1712 Overture certainly is. It is also a work that shows Tchaikowsky up as the shameless plagiarizer that some of us have always known he was. The discovery of this awesome opus was made possible by a Boston Pops Centennial Research Commission; the first modern performance took place at the opening concert of the 100th anniversary season of that orchestra, under the exciting but authentic direction of John Williams. $39.99 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| 1712 Overture Orchestra Theodore Presser Co.
Orchestra SKU: PR.41641576L For Really Big Orchestra. Composed by ...(+)
Orchestra SKU: PR.41641576L For Really Big Orchestra. Composed by PDQ Bach. Edited by Peter Schickele. Large Score. With Standard notation. Duration 11 minutes. Theodore Presser Company #416-41576L. Published by Theodore Presser Company (PR.41641576L). UPC: 680160636549. 11 x 17 inches. The 1712 Overture stands out in P.D.Q. Bach's oeuvre for two reasons, among others: it is by far the most programmatic instrumental piece among those by the minimeister of Wein-am-Rhein so far unearthed, and 2) its discovery has led to a revelation about the composer's father, Johann Sebastian Bach, that has exploded like a bombshell on the usually serene musicological landscape. The overture is based on an anecdote told to P.D.Q. Bach by a cousin, Peter Ulrich. Since P.U. Bach lived in Dudeldorf, only a few miles down the road from Wein-am-Rhein, he was P.D.Q.'s closest relative, and he was, in fact, one of the few members of the family who was on speaking terms with P.D.Q. The story, related to P.D.Q. (fortunately for us posterity types) in a letter, may be summarized thus: The town of Dudeldorf was founded by two brothers, Rudi and Dieter Dudel, early in the 18th century. Rudi remained mayor of the newborn burg for the rest of his long life, but Dieter had a dream of starting a musicians' colony, an entire city devoted to music, which dream, he finally decided, could be realized only in the New World. In 1712, he and several other bagpipers sailed to Boston, never to return to Germany. (Henceforth, Rudi became known as der deutscher Dudel and Dieter as the Yankee Dudel). Unfortunately, the head of the Boston Musicians' Guild had gotten wind of Dudel's plans, and Wilhelm Wiesel (pron. VEE-zle), known none too affectionately around town as Wiesel the Weasel, was not about to share what few gigs there were in colonial America with more foreigners and outside agitators. He and his cronies were on hand to meet Dudel's boat when it pulled into Boston Harbor; they intended to prevent the newcomers' disembarkation, but Dudel and his companions managed to escape to the other side of the bay in a dinghy, landing with just enough time to rent a carriage and horses before hearing the sound of The Weasel and his men, who had had to come around the long way. The Germans headed West, with the Bostonians in furious pursuit. soon the city had been left far behind, and by midnight so had the pursuers; Dieter Dudel decided that it was safe for him and his men to stop and sleep until daybreak. When they awoke, they found that they were in a beautiful landscape of low, forested mountains and pleasant fields, warmed by the brilliant morning sun and serenaded by an entrancing variety of birds. Here, Dudel thought, her is where I will build my colony. The immigrants continued down the road at a leisurely pace until they came upon a little church, all by itself in the countryside, from which there suddenly emanated the sounds of a pipe organ. At this point, the temptation to quote from P.U. Bach's letter to P.D.Q. cannot be resisted: They went inside and, after listening to the glorious music for a while, introduced themselves to the organist. And who do you think it was? Are you ready for this -- it was your old man! Hey, no kidding -- you know, I'm sure, that your father was the guy to get when it came to testing new organs, and whoever had that one in Massachusetts built offered old Sebastian a tidy sum to go over there and check it out. The unexpected meeting with J.S. Bach and his sponsors was interrupted by the sound of horse hooves, as the dreaded Wiesel and his men thundered on to the scene. They had been riding all night, however, and they were no spring chickens to start with, and as soon as they reached the church they all dropped, exhausted, to the ground. The elated Germans rang the church bells and offered to buy everyone a beer at the nearest tavern. There they were taught, and joined in singing, what might be called the national anthem of the New World. The melody of this pre-revolutionary patriotic song is still remembered (P.D.Q. Bach quotes it, in the bass instruments, near the end of the overture), but is words are now all but forgotten: Freedom, of thee we sing, Freedom e'er is our goal; Death to the English King, Long live Rock and Ross. The striking paucity of biographical references to Johann Sebastian Bah during the year 1712 can now be explained: he was abroad for a significant part of that year, testing organs in the British Colonies. That this revelation has not been accepted as fact by the musicological establishment is no surprise, since it means that a lot of books would have to be rewritten. The members of that establishment haven't even accepted the existence of P.D.Q. Bach, one of whose major works the 1712 Overture certainly is. It is also a work that shows Tchaikowsky up as the shameless plagiarizer that some of us have always known he was. The discovery of this awesome opus was made possible by a Boston Pops Centennial Research Commission; the first modern performance took place at the opening concert of the 100th anniversary season of that orchestra, under the exciting but authentic direction of John Williams. $80.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
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