| A Spanish Lullaby Concert band - Beginner Belwin
Concert Band - Grade 1 SKU: AP.42150 (Duérmete Mi Niño). Arr...(+)
Concert Band - Grade 1 SKU: AP.42150 (Duérmete Mi Niño). Arranged by Victor Lopez. Concert Band; Performance Music Ensemble; Single Titles. Belwin Beginning Band. Form: Ballade; Chorale. Latin; Multicultural; Traditional. Score and Part(s). 132 pages. Duration 2:00. Belwin Music #00-42150. Published by Belwin Music (AP.42150). UPC: 038081485867. English. Traditional Spanish Melody. This beautiful traditional lullaby provides an opportunity for the beginning band to experience a very playable and lyrical Spanish folk song with introductory teaching opportunities for triple meter. (2:00). $50.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| A Spanish Lullaby Concert band [Score] - Beginner Belwin
Concert Band - Grade 1 SKU: AP.42150S (Duérmete Mi Niño). Ar...(+)
Concert Band - Grade 1 SKU: AP.42150S (Duérmete Mi Niño). Arranged by Victor Lopez. Concert Band; Performance Music Ensemble; Single Titles. Belwin Beginning Band. Form: Ballade; Chorale. Latin; Multicultural; Traditional. Score. 20 pages. Duration 2:00. Belwin Music #00-42150S. Published by Belwin Music (AP.42150S). UPC: 038081485874. English. Traditional Spanish Melody. This beautiful traditional lullaby provides an opportunity for the beginning band to experience a very playable and lyrical Spanish folk song with introductory teaching opportunities for triple meter. (2:00). $9.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Piano Life - Lesboek 2 Piano solo [Sheet music + Audio access] De Haske Publications
Piano SKU: BT.DHP-1145558-404 Complete methode voor lespraktijk of zel...(+)
Piano SKU: BT.DHP-1145558-404 Complete methode voor lespraktijk of zelfstudie in eigentijdse stijl!. Method. Book with Online Audio. Composed 2021. 64 pages. De Haske Publications #DHP 1145558-404. Published by De Haske Publications (BT.DHP-1145558-404). ISBN 9789043162050. Dutch. PIANO LIFE: de uitgekiende methode voor pianoles én zelfstudie! PIANO LIFE is een kant en klaar lesconcept voor de moderne pianoles. Maar ook wanneer je zonder docent aan de slag wilt, is dit boek uitermate geschikt. De methodebevat vele luister-, ritme-, improvisatie- en theorieoefeningen. Daarnaast kom je diverse traditionals tegen. Ook schreef componist Michiel Merkies nieuwe composities in diverse hedendaagse muziekstijlen. Op de online beschikbareaudiotracks worden veel van de nummers voorgespeeld. Dat is handig voor het instuderen. Maar nog leuker wordt het natuurlijk wanneer je meespeelt met de meespeeltrack. Op deze manier wordt pianospelen helemaal een swingendeaangelegenheid! Aanvullend speelmateriaal Ben je liefhebber van populaire pianomuziek maar zijn de boeken in deze stijl vaak te moeilijk? De aansluitende boeken PIANO SOLOS Volume 1 en 2 zijn de perfecte opstap. Met dezeboeken ontwikkel je je techniek en muzikale voordracht in deze pianostijl op een mooie manier verder. $22.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| 150 of the Most Beautiful Songs Ever (4th Edition)
Piano, Vocal and Guitar [Sheet music] - Intermediate Hal Leonard
Composed by Various. Traditional Pop, Broadway and Vocal Standards. Songbook (so...(+)
Composed by Various. Traditional Pop, Broadway and Vocal Standards. Songbook (softcover). With vocal melody, piano accompaniment, lyrics, chord names and guitar chord diagrams. 576 pages. Published by Hal Leonard
(137)$39.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Riu, Riu, Chiu Brass Quintet: 2 trumpets, horn, trombone, tuba Eighth Note Publications
By Traditional Spanish Carol. Arranged by David Marlatt. For Brass Quintet. Bras...(+)
By Traditional Spanish Carol. Arranged by David Marlatt. For Brass Quintet. Brass Ensemble - Quintet. Sacred, Christmas, Latin. Duration 00:03:27
$15.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Riu, Riu, Chiu Trumpet ensemble - Intermediate Eighth Note Publications
Arranged by David Marlatt. Traditional Spanish Carol. For 6 Trumpets. Brass - La...(+)
Arranged by David Marlatt. Traditional Spanish Carol. For 6 Trumpets. Brass - Large Cornet (Trumpet) Ensemble. Sacred, Christmas. Level: Medium-Difficult. Published by Eighth Note Publications.
$15.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Easy Clarinet Solos, Vol. II - Student Level Clarinet [Sheet music + CD] - Easy Music Minus One
Book/CD Pack Clarinet SKU: HL.400318 Composed by Various. Sheet music. Mu...(+)
Book/CD Pack Clarinet SKU: HL.400318 Composed by Various. Sheet music. Music Minus One. Classical, Contest. Softcover with CD. 32 pages. Music Minus One #MMO3212. Published by Music Minus One (HL.400318). ISBN 9781596152397. UPC: 884088188283. 9.0x12.25x0.27 inches. A second volume chock-full of charming pieces drawn from traditional and classical repertoire for clarinet and piano. Suitable for first-year through third-year students, this album will make practicing a true joy! Includes a high-quality printed music score and a compact disc featuring stereo piano accompaniments to each piece. Accompaniment: Harriet Wingreen, piano. $14.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Marty Robbins: The Marty Robbins Songbook
Piano, Vocal and Guitar [Sheet music] - Intermediate Hal Leonard
Performed by Marty Robbins. For voice, piano and guitar chords. Format: piano/vo...(+)
Performed by Marty Robbins. For voice, piano and guitar chords. Format: piano/vocal/chords songbook. With vocal melody, piano accompaniment, lyrics, chord names and guitar chord diagrams. Nashville sound, country pop and traditional country. 48 pages. 9x12 inches. Published by Hal Leonard.
(5)$17.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Verbum Caro Carl Fischer
Choral TBB chorus SKU: CF.CM9588 Composed by Tomas Luis de Victoria. Arra...(+)
Choral TBB chorus SKU: CF.CM9588 Composed by Tomas Luis de Victoria. Arranged by Jeb Mueller. Fold. Performance Score. 8 pages. Duration 1 minute, 59 seconds. Carl Fischer Music #CM9588. Published by Carl Fischer Music (CF.CM9588). ISBN 9781491154106. UPC: 680160912605. 6.875 x 10.5 inches. Key: Eb major. Latin. Traditional Latin. Tomas Luis de Victoria (15481611) is widely considered the greatest Spanish Renaissance composer and one of the most influential musicians of his time. Included in his oeuvre are two settings of the Pange lingua, both produced in 1581. This motet is excerpted from the first of those and incorporates the original Roman melody, or cantus firmus. (He composed his second Pange lingua based on a Spanish melody.) The baritones anchor the motet by singing the tune in augmentation. This line should be intoned with a flowing, legato articulation that incorporates subtle phrasing and text stresses. The more rhythmic tenor and bass lines complement the melody and illustrate the hopeful nature of its text. Singing this piece with two pulses per measure will encourage a steady and vital performance. Composers provided minimal performance details in their scores during this period in music history, so I added a time signature, bar lines, dynamics, and metronome markings in order to facilitate performances that musicologists believe mimic those of Victorias time. It should be noted that dynamics are largely subjective, so performers may make alternative choices. Each tenuto indicates word stress; the most musical performances will incorporate gentle crescendos and decrescendos before and after each of them. Lastly, using minimal vibrato, especially at cadences, will imbue this wonderful motet with style and clarity. PRONUNCIATION GUIDE Victoria received much of his training in Italy, therefore making Italianate Latin most appropriate. Pure vowels are critical to correct pronunciation, and those phonemes remain constant without exceptions. The most problematic of the vowels is o, which sounds similar to the English words bought and got. The letter t should be produced dentally: lift the tongue to the top of the mouth as in English, but aspirate less on the release. All occurrences of s should be soft and never hardened to [z], such as in praise. Verbum caro, panem verum, [v??bum k??? p?n?m v?rum] verbo carnem efficit: fitque sanguis Christi merum. [v??b? k??n?m ??fit?it fitkw? s??gwis k?isti m??um] Et si sensus deficit, ad firmandum cor sin cerum. [?t si s?nsus ?d?fit?it, ?d fi??m?ndum k?? sin t???um] Jeb Mueller. TomA!s Luis de Victoria (1548a1611) is widely considered the greatest Spanish Renaissance composer and one of the most influential musicians of his time. Included in his oeuvre are two settings of the Pange lingua, both produced in 1581. This motet is excerpted from the first of those and incorporates the original Roman melody, or cantus firmus. (He composed his second Pange lingua based on a Spanish melody.) The baritones anchor the motet by singing the tune in augmentation. This line should be intoned with a flowing, legato articulation that incorporates subtle phrasing and text stresses. The more rhythmic tenor and bass lines complement the melody and illustrate the hopeful nature of its text. Singing this piece with two pulses per measure will encourage a steady and vital performance. Composers provided minimal performance details in their scores during this period in music history, so I added a time signature, bar lines, dynamics, and metronome markings in order to facilitate performances that musicologists believe mimic those of Victoriaas time. It should be noted that dynamics are largely subjective, so performers may make alternative choices. Each tenuto indicates word stress; the most musical performances will incorporate gentle crescendos and decrescendos before and after each of them. Lastly, using minimal vibrato, especially at cadences, will imbue this wonderful motet with style and clarity. PRONUNCIATION GUIDE Victoria received much of his training in Italy, therefore making Italianate Latin most appropriate. Pure vowels are critical to correct pronunciation, and those phonemes remain constant without exceptions. The most problematic of the vowels is ao,a which sounds similar to the English words bought and got. The letter ata should be produced dentally: lift the tongue to the top of the mouth as in English, but aspirate less on the release. All occurrences of asa should be soft and never hardened to [z], such as in praise. Verbum caro, panem verum, [vEE 3/4 bum kEE 3/4 E pEnEm vErum] verbo carnem efficit: fitque sanguis Christi merum. [vEE 3/4 bE kEE 3/4 nEm EEfitEit fitkwE sEAgwis kE 3/4 isti mEE 3/4 um] Et si sensus deficit, ad firmandum cor sin cerum. [Et si sEnsus EdEfitEit, Ed fiE 3/4 EmEndum kEE 3/4 sin tEEE 3/4 um] Jeb Mueller. Tomas Luis de Victoria (1548-1611) is widely considered the greatest Spanish Renaissance composer and one of the most influential musicians of his time. Included in his oeuvre are two settings of the Pange lingua, both produced in 1581. This motet is excerpted from the first of those and incorporates the original Roman melody, or cantus firmus. (He composed his second Pange lingua based on a Spanish melody.) The baritones anchor the motet by singing the tune in augmentation. This line should be intoned with a flowing, legato articulation that incorporates subtle phrasing and text stresses. The more rhythmic tenor and bass lines complement the melody and illustrate the hopeful nature of its text. Singing this piece with two pulses per measure will encourage a steady and vital performance. Composers provided minimal performance details in their scores during this period in music history, so I added a time signature, bar lines, dynamics, and metronome markings in order to facilitate performances that musicologists believe mimic those of Victoria's time. It should be noted that dynamics are largely subjective, so performers may make alternative choices. Each tenuto indicates word stress; the most musical performances will incorporate gentle crescendos and decrescendos before and after each of them. Lastly, using minimal vibrato, especially at cadences, will imbue this wonderful motet with style and clarity. PRONUNCIATION GUIDE Victoria received much of his training in Italy, therefore making Italianate Latin most appropriate. Pure vowels are critical to correct pronunciation, and those phonemes remain constant without exceptions. The most problematic of the vowels is o, which sounds similar to the English words bought and got. The letter t should be produced dentally: lift the tongue to the top of the mouth as in English, but aspirate less on the release. All occurrences of s should be soft and never hardened to [z], such as in praise. Verbum caro, panem verum, [verbum karo panem verum] verbo carnem efficit: fitque sanguis Christi merum. [verbo karnem 'efitSit fitkwe saNGgwis kristi merum] Et si sensus deficit, ad firmandum cor sin cerum. [et si sensus 'defitSit, ad fir'mandum kor sin tSerum] Jeb Mueller. Tomas Luis de Victoria (1548-1611) is widely considered the greatest Spanish Renaissance composer and one of the most influential musicians of his time. Included in his oeuvre are two settings of the Pange lingua, both produced in 1581. This motet is excerpted from the first of those and incorporates the original Roman melody, or cantus firmus. (He composed his second Pange lingua based on a Spanish melody.) The baritones anchor the motet by singing the tune in augmentation. This line should be intoned with a flowing, legato articulation that incorporates subtle phrasing and text stresses. The more rhythmic tenor and bass lines complement the melody and illustrate the hopeful nature of its text. Singing this piece with two pulses per measure will encourage a steady and vital performance. Composers provided minimal performance details in their scores during this period in music history, so I added a time signature, bar lines, dynamics, and metronome markings in order to facilitate performances that musicologists believe mimic those of Victoria's time. It should be noted that dynamics are largely subjective, so performers may make alternative choices. Each tenuto indicates word stress; the most musical performances will incorporate gentle crescendos and decrescendos before and after each of them. Lastly, using minimal vibrato, especially at cadences, will imbue this wonderful motet with style and clarity. PRONUNCIATION GUIDE Victoria received much of his training in Italy, therefore making Italianate Latin most appropriate. Pure vowels are critical to correct pronunciation, and those phonemes remain constant without exceptions. The most problematic of the vowels is o, which sounds similar to the English words bought and got. The letter t should be produced dentally: lift the tongue to the top of the mouth as in English, but aspirate less on the release. All occurrences of s should be soft and never hardened to [z], such as in praise. Verbum caro, panem verum, [verbum karo panem verum] verbo carnem efficit: fitque sanguis Christi merum. [verbo karnem 'efitSit fitkwe saNGgwis kristi merum] Et si sensus deficit, ad firmandum cor sin cerum. [et si sensus 'defitSit, ad fir'mandum kor sin tSerum] Jeb Mueller. Tomas Luis de Victoria (1548-1611) is widely considered the greatest Spanish Renaissance composer and one of the most influential musicians of his time. Included in his oeuvre are two settings of the Pange lingua, both produced in 1581. This motet is excerpted from Pange lingua more hisapano. The baritones anchor the motet by singing the tune in augmentation. This line should be intoned with a flowing, legato articulation that incorporates subtle phrasing and text stresses. The more rhythmic tenor and bass lines complement the melody and illustrate the hopeful nature of its text. Singing this piece with two pulses per measure will encourage a steady and vital performance. Composers provided minimal performance details in their scores during this period in music history, so I added a time signature, bar lines, dynamics, and metronome markings in order to facilitate performances that musicologists believe mimic those of Victoria's time. It should be noted that dynamics are largely subjective, so performers may make alternative choices. Each tenuto indicates word stress; the most musical performances will incorporate gentle crescendos and decrescendos before and after each of them. Lastly, using minimal vibrato, especially at cadences, will imbue this wonderful motet with style and clarity. PRONUNCIATION GUIDE Victoria received much of his training in Italy, therefore making Italianate Latin most appropriate. Pure vowels are critical to correct pronunciation, and those phonemes remain constant without exceptions. The most problematic of the vowels is o, which sounds similar to the English words bought and got. The letter t should be produced dentally: lift the tongue to the top of the mouth as in English, but aspirate less on the release. All occurrences of s should be soft and never hardened to [z], such as in praise. Verbum caro, panem verum, [verbum karo panem verum] verbo carnem efficit: fitque sanguis Christi merum. [verbo karnem 'efitSit fitkwe saNGgwis kristi merum] Et si sensus deficit, ad firmandum cor sin cerum. [et si sensus 'defitSit, ad fir'mandum kor sin tSerum] Jeb Mueller. Tomás Luis de Victoria (1548–1611) is widely considered the greatest Spanish Renaissance composer and one of the most influential musicians of his time. Included in his oeuvre are two settings of the Pange lingua, both produced in 1581. This motet is excerpted from Pange lingua more hisapano.The baritones anchor the motet by singing the tune in augmentation. This line should be intoned with a flowing, legato articulation that incorporates subtle phrasing and text stresses. The more rhythmic tenor and bass lines complement the melody and illustrate the hopeful nature of its text. Singing this piece with two pulses per measure will encourage a steady and vital performance.Composers provided minimal performance details in their scores during this period in music history, so I added a time signature, bar lines, dynamics, and metronome markings in order to facilitate performances that musicologists believe mimic those of Victoria’s time. It should be noted that dynamics are largely subjective, so performers may make alternative choices. Each tenuto indicates word stress; the most musical performances will incorporate gentle crescendos and decrescendos before and after each of them. Lastly, using minimal vibrato, especially at cadences, will imbue this wonderful motet with style and clarity.PRONUNCIATION GUIDEVictoria received much of his training in Italy, therefore making Italianate Latin most appropriate. Pure vowels are critical to correct pronunciation, and those phonemes remain constant without exceptions. The most problematic of the vowels is “o,†which sounds similar to the English words bought and got. The letter “t†should be produced dentally: lift the tongue to the top of the mouth as in English, but aspirate less on the release. All occurrences of “s†should be soft and never hardened to [z], such as in praise.Verbum caro, panem verum,[vɛɾbum kɑɾɔ pɑnɛm vɛrum]verbo carnem efficit: fitque sanguis Christi merum.[vɛɾbɔ kɑɾnɛm ˈɛfitʃit fitkwɛ sɑŋgwis kɾisti mɛɾum]Et si sensus deficit, ad firmandum cor sin cerum.[ɛt si sɛnsus ˈdɛfitʃit, ɑd fiɾˈmɑndum kɔɾ sin tʃɛɾum]Jeb Mueller. $2.25 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Santo, Santo, Santo Choral 2-part 2-part, Piano [Octavo] Choristers Guild
By Mary Kay Parrish. For 2-part voices and piano (with optional 3-5 octave handb...(+)
By Mary Kay Parrish. For 2-part voices and piano (with optional 3-5 octave handbells). We Sing the World Round. Sacred. Sacred Anthem
$1.95 $1.8525 (5% off) See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Sacred Marimbist, The (Volume 1) Marimba C. Alan Publications
By David R. Gillingham. Percussion Ensemble. For Marimba (4-mallet) (marimba (5-...(+)
By David R. Gillingham. Percussion Ensemble. For Marimba (4-mallet) (marimba (5-octave)). Medium to difficult. Duration 20:00. Published by C. Alan Publications
$20.00 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Guitarra Liturgia Guitar [Score] - Intermediate OR-TAV Music Publications
Guitar - Intermediate SKU: OT.26114 Composed by Ariel Lazarus. A short su...(+)
Guitar - Intermediate SKU: OT.26114 Composed by Ariel Lazarus. A short suite for classical guitar based on themes from the Spanish and Portuguese tradition. Classical. Score. OR-TAV Music Publications #26114. Published by OR-TAV Music Publications (OT.26114). ISBN 9789655051049. 8.27 x 11.69 inches. Ariel Lazarus Guitarra Liturgia Two pieces based on music from the Spanish and Portuguese tradition. Contents: Jerusalem de Sefarad - Suite for Guitar Contrapunto Sefardi The composer writes: For many years I wanted to compose a piece for guitar which would inspire interested students to expand their repertoire in the direction of Jewish music. The most natural thing for me was to write a suite based on themes from the synagogue in which I grew up – the Spanish and Portuguese synagogue of Gibraltar. My beloved grandfather served all his life as hazzan (cantor) of this synagogue, and I always felt as a composer and educator that I had a special obligation to continue his tradition and pass it on to a new generation. In this composition, I let the guitar echo the piyyutim (semi-liturgical poems) that were part of my childhood: Adon Olam, Sh'charchoret, Achot K'tana, Yigdal, Borei ad Ana, all of which are sung in the Spanish and Portuguese tradition from Gibraltar to London, and from New York to Jerusalem. I let myself dream the piyyutim, take them apart and reconstruct them as a short suite for guitar, the results of which you are invited to hear here. As a conceptual idea for the suite, I choose to suggest about the cultural continuation between the Diaspora and the land of Israel by way of referencing the well-known melody of Naomi Shemer, which is also popular among the hazzanim. Dr. Ariel Lazarus is a unique voice among Israeli composer-performers today. Brought up in a family with Jewish musical roots both in Gibraltar and Westphalia, he began composing and playing the guitar in his teens, and has been committed to developing his own compositional language ever since, always maintaining an open dialogue with his traditions. Lazarus received his BMus and MMus degrees from Oklahoma City University in classical guitar performance and composition where he studied with American composer Dr. Edward Knight. He earned his PhD from Bar Ilan University, studying composition with Prof. Betty Olivero and Prof. Gideon Lewensohn and conducting research under the supervision of Prof. Edwin Seroussi from the Hebrew University. His symphonic works have been premiered by the Raanana Symphonette Orchestra, and his chamber works have been performed by various ensembles in the United States, Central Europe, Portugal, Gibraltar, Scandinavia and Israel. Lazarus performs regularly as Art Ambassador on behalf of the Israeli Ministry of Diaspora affairs Amiel BaKehila program. His solo album A Hebrew Capriccio was released by the German boutique label SmoothFactor and was awarded critical acclaim, among others, in Haaretz, and Neue Westfalishe. Dr. Lazarus is the musical director and co-founder of the Israeli Ladino Orchestra. His work with the orchestra has been recognized by the official Carta de España. He teaches at the Academic College for Education Givat Washington, and the Rimon School of Music. Lazarus’s work has been awarded by the Israeli Pais Art council and ACUM. $12.44 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Compatible String Ensembles: Easy Concert Duets (Bass) Carl Fischer
Chamber Music Double Bass SKU: CF.BF157 30 Easy Level Arrangements for...(+)
Chamber Music Double Bass SKU: CF.BF157 30 Easy Level Arrangements for Any Combination of String Instruments. Composed by Antonin Dvorak, Clara Wieck-Schumann, Czech Folk Song, Edvard Grieg, French Folk Song, George Frideric Handel, Isabella Leonarda, Korean Folksong, Lowell Mason, Scottish Folk Song, Spanish Folk, Thomas Bayly, Traditional, Wolfgang Amadeus Mozart, and etc. Arranged by Kathryn Griesinger. Collection - Part. 28 pages. Carl Fischer Music #BF157. Published by Carl Fischer Music (CF.BF157). ISBN 9781491162095. UPC: 680160920839. Learning to play chamber music is an important milestone in the music student’s journey. Playing with a teacher or friend helps develop rhythmic independence, intonation, listening skills, and sense of pulse that are vital to playing in an ensemble. These progressive duets offer beginning and developing players the opportunity to play along with others, or with the helpful support of the teacher in a lesson. Each duet adds new techniques and challenges that align with the natural advancement of lessons, moving from easy rhythms and keys to staccato bow strokes, slurs, accidentals (low or extended finger patterns), and more complex or independent rhythms. While the melody remains in the top line, musicians can alternate playing the melody as all efforts have been made to keep both parts at a similar difficulty level. This book features familiar melodies from traditional, folk, and Classical repertoire including tunes that many string teachers will recognize from Suzuki books. Appropriate for recitals or even small group concerts, there are 30 selections of different tempi, styles, and keys for variety, while remaining in string-friendly ranges. Each duet is one page or less in length, ensuring an immediate sense of success for young players. The perfect supplement to method book exercises and solo repertoire. $12.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Compatible String Ensembles: Easy Concert Duets (Violin) Violin Carl Fischer
Chamber Music Violin SKU: CF.BF154 30 Easy Level Arrangements for Any ...(+)
Chamber Music Violin SKU: CF.BF154 30 Easy Level Arrangements for Any Combination of String Instruments. Composed by Antonin Dvorak, Clara Wieck-Schumann, Czech Folk Song, Edvard Grieg, French Folk Song, George Frideric Handel, Isabella Leonarda, Korean Folksong, Lowell Mason, Scottish Folk Song, Spanish Folk, Thomas Bayly, Traditional, Wolfgang Amadeus Mozart, and etc. Arranged by Kathryn Griesinger. Collection - Part. 28 pages. Carl Fischer Music #BF154. Published by Carl Fischer Music (CF.BF154). ISBN 9781491162064. UPC: 680160920808. Learning to play chamber music is an important milestone in the music studentââ¬â¢s journey. Playing with a teacher or friend helps develop rhythmic independence, intonation, listening skills, and sense of pulse that are vital to playing in an ensemble. These progressive duets offer beginning and developing players the opportunity to play along with others, or with the helpful support of the teacher in a lesson. Each duet adds new techniques and challenges that align with the natural advancement of lessons, moving from easy rhythms and keys to staccato bow strokes, slurs, accidentals (low or extended finger patterns), and more complex or independent rhythms. While the melody remains in the top line, musicians can alternate playing the melody as all efforts have been made to keep both parts at a similar difficulty level. This book features familiar melodies from traditional, folk, and Classical repertoire including tunes that many string teachers will recognize from Suzuki books. Appropriate for recitals or even small group concerts, there are 30 selections of different tempi, styles, and keys for variety, while remaining in string-friendly ranges. Each duet is one page or less in length, ensuring an immediate sense of success for young players. The perfect supplement to method book exercises and solo repertoire. $12.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Compatible String Ensembles: Easy Concert Duets (Viola) Viola Carl Fischer
Chamber Music solo viola SKU: CF.BF155 30 Easy Level Arrangements for ...(+)
Chamber Music solo viola SKU: CF.BF155 30 Easy Level Arrangements for Any Combination of String Instruments. Composed by Antonin Dvorak, Clara Wieck-Schumann, Czech Folk Song, Edvard Grieg, French Folk Song, George Frideric Handel, Isabella Leonarda, Korean Folksong, Lowell Mason, Scottish Folk Song, Spanish Folk, Thomas Bayly, Traditional, Wolfgang Amadeus Mozart, and etc. Arranged by Kathryn Griesinger. Collection - Part. 28 pages. Carl Fischer Music #BF155. Published by Carl Fischer Music (CF.BF155). ISBN 9781491162071. UPC: 680160920815. Learning to play chamber music is an important milestone in the music studentââ¬â¢s journey. Playing with a teacher or friend helps develop rhythmic independence, intonation, listening skills, and sense of pulse that are vital to playing in an ensemble. These progressive duets offer beginning and developing players the opportunity to play along with others, or with the helpful support of the teacher in a lesson. Each duet adds new techniques and challenges that align with the natural advancement of lessons, moving from easy rhythms and keys to staccato bow strokes, slurs, accidentals (low or extended finger patterns), and more complex or independent rhythms. While the melody remains in the top line, musicians can alternate playing the melody as all efforts have been made to keep both parts at a similar difficulty level. This book features familiar melodies from traditional, folk, and Classical repertoire including tunes that many string teachers will recognize from Suzuki books. Appropriate for recitals or even small group concerts, there are 30 selections of different tempi, styles, and keys for variety, while remaining in string-friendly ranges. Each duet is one page or less in length, ensuring an immediate sense of success for young players. The perfect supplement to method book exercises and solo repertoire. $12.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Compatible String Ensembles: Easy Concert Duets (Cello) 2 Cellos (duet) Carl Fischer
Chamber Music Cello SKU: CF.BF156 30 Easy Level Arrangements for Any C...(+)
Chamber Music Cello SKU: CF.BF156 30 Easy Level Arrangements for Any Combination of String Instruments. Composed by Antonin Dvorak, Clara Wieck-Schumann, Czech Folk Song, Edvard Grieg, French Folk Song, George Frideric Handel, Isabella Leonarda, Korean Folksong, Lowell Mason, Scottish Folk Song, Spanish Folk, Thomas Bayly, Traditional, Wolfgang Amadeus Mozart, and etc. Arranged by Kathryn Griesinger. Collection - Part. 28 pages. Carl Fischer Music #BF156. Published by Carl Fischer Music (CF.BF156). ISBN 9781491162088. UPC: 680160920822. Learning to play chamber music is an important milestone in the music studentââ¬â¢s journey. Playing with a teacher or friend helps develop rhythmic independence, intonation, listening skills, and sense of pulse that are vital to playing in an ensemble. These progressive duets offer beginning and developing players the opportunity to play along with others, or with the helpful support of the teacher in a lesson. Each duet adds new techniques and challenges that align with the natural advancement of lessons, moving from easy rhythms and keys to staccato bow strokes, slurs, accidentals (low or extended finger patterns), and more complex or independent rhythms. While the melody remains in the top line, musicians can alternate playing the melody as all efforts have been made to keep both parts at a similar difficulty level. This book features familiar melodies from traditional, folk, and Classical repertoire including tunes that many string teachers will recognize from Suzuki books. Appropriate for recitals or even small group concerts, there are 30 selections of different tempi, styles, and keys for variety, while remaining in string-friendly ranges. Each duet is one page or less in length, ensuring an immediate sense of success for young players. The perfect supplement to method book exercises and solo repertoire. $12.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| All the Beautiful Colors (2-part choir) Choral 2-part [Octavo] Choristers Guild
Arranged by Mary Donnelly and George L. O. Strid. For 2-part choir. Sing!. Octav...(+)
Arranged by Mary Donnelly and George L. O. Strid. For 2-part choir. Sing!. Octavo. Published by Chorister's Guild
$1.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Santo, Holy Jubal House Publications
Choral (brass/percussion parts) SKU: HL.119698 Composed by Edwin M. Willm...(+)
Choral (brass/percussion parts) SKU: HL.119698 Composed by Edwin M. Willmington. Fred Bock Publications. Anthem, General Worship, Hymn, Sacred, Spanish. CD only. Jubal House Publications #JH-1065. Published by Jubal House Publications (HL.119698). UPC: 884088911584. 5.5x5 inches. Featuring a stunning choral introit in Spanish, this composition pairs a new melody along with the traditional hymn, “Holy, Holy, Holy.” There's room for congregational singing, as well. $35.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Pictures From Spain Concert band [Score and Parts] - Intermediate Scomegna Edizioni Musicali
Composed by Daniele Carnevali. For Concert band. 1.Jota 2.Habanera 3.Paso doble....(+)
Composed by Daniele Carnevali. For Concert band. 1.Jota 2.Habanera 3.Paso doble. Original Work, Suite. Grade 3. Score and set of parts. Duration 6:20. Published by Scomegna Edizioni Musical srl
$135.00 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
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